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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8135B4 it is the complementary color #7ECA4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8135B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8135B4 shade: #8635AF, #9747C2, #A859D5, #B96BE8 and #CA7DFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8135B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8135B4 shade: #8135B4, #7023A1, #5F118E, #4E007B and #3D0068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8135B4 shade: #8234B5, #A434B5, #B534A4, #B53481 and #B5345E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8135B4 shade: #8234B5, #5F34B5, #3C34B5 and #3434B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8135B4 shade matches the following richer shades: #8234B5, #8521C8 and #890EDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8135B4 shade: #8234B5, #7E47A2, #7A5A8F, #766D7C and #738069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8135B4 shade: #3B34B5, #5D34B5, #8034B5, #A234B5 and #B534A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8135B4 shade: #542275, #6B2B95, #8234B5, #9649CA and #A969D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8135B4 shade: #8135B4, #B53450 and #34B54C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8135B4 shade: #8135B4, #B58034 and #34B580

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8135B4 shade: #8135B4, #B53450, #6AB534 and #34B599

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8135B4 shade: #8135B4, #B53F34, #6AB534 and #34ABB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 71 / 0 / 29

HEX #8135B4

RGB 129 53 180

HSL 275.91, 0.55%, 0.46%

LAB 38.74, 54.15, -53.74

 

Complementary color

CMYK 38 / 0 / 63 / 21

HEX #7ECA4B

RGB 126 202 75

HSL 95.91, 0.55%, 0.54%

LAB 74.31, -45.1, 54.44

 

CMYK 23 / 70 / 0 / 31

HEX #8635AF

RGB 134 53 175

HSL 279.84, 0.54%, 0.45%

LAB 39.09, 54.1, -50.18

 

CMYK 22 / 63 / 0 / 24

HEX #9747C2

RGB 151 71 194

HSL 279.02, 0.5%, 0.52%

LAB 45.61, 53.75, -50.73

 

CMYK 21 / 58 / 0 / 16

HEX #A859D5

RGB 168 89 213

HSL 278.23, 0.6%, 0.59%

LAB 52.15, 53.13, -51.08

 

CMYK 20 / 54 / 0 / 9

HEX #B96BE8

RGB 185 107 232

HSL 277.44, 0.73%, 0.66%

LAB 58.65, 52.38, -51.3

 

CMYK 20 / 50 / 0 / 2

HEX #CA7DFB

RGB 202 125 251

HSL 276.67, 0.94%, 0.74%

LAB 65.11, 51.58, -51.45

 

CMYK 28 / 71 / 0 / 29

HEX #8135B4

RGB 129 53 180

HSL 275.91, 0.55%, 0.46%

LAB 38.74, 54.15, -53.74

 

CMYK 30 / 78 / 0 / 37

HEX #7023A1

RGB 112 35 161

HSL 276.67, 0.64%, 0.38%

LAB 32.3, 54.06, -52.92

 

CMYK 33 / 88 / 0 / 44

HEX #5F118E

RGB 95 17 142

HSL 277.44, 0.79%, 0.31%

LAB 26.12, 52.93, -51.46

 

CMYK 37 / 100 / 0 / 52

HEX #4E007B

RGB 78 0 123

HSL 278.05, 1%, 0.24%

LAB 20.24, 50.5, -49.22

 

CMYK 41 / 100 / 0 / 59

HEX #3D0068

RGB 61 0 104

HSL 275.19, 1%, 0.2%

LAB 15.44, 44.32, -44.89

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 9 / 71 / 0 / 29

HEX #A434B5

RGB 164 52 181

HSL 292.09, 0.55%, 0.46%

LAB 43.78, 62.18, -45.96

 

CMYK 0 / 71 / 9 / 29

HEX #B534A4

RGB 181 52 164

HSL 307.91, 0.55%, 0.46%

LAB 45.58, 63.19, -32.87

 

CMYK 0 / 71 / 29 / 29

HEX #B53481

RGB 181 52 129

HSL 324.19, 0.55%, 0.46%

LAB 44.04, 58.32, -14.14

 

CMYK 0 / 71 / 48 / 29

HEX #B5345E

RGB 181 52 94

HSL 340.47, 0.55%, 0.46%

LAB 42.9, 54.55, 5.81

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 48 / 71 / 0 / 29

HEX #5F34B5

RGB 95 52 181

HSL 260, 0.55%, 0.46%

LAB 34.45, 48.41, -61.5

 

CMYK 67 / 71 / 0 / 29

HEX #3C34B5

RGB 60 52 181

HSL 243.72, 0.55%, 0.46%

LAB 31.24, 43.2, -66.89

 

CMYK 71 / 71 / 0 / 29

HEX #3434B5

RGB 52 52 181

HSL 240, 0.55%, 0.46%

LAB 30.69, 42.28, -67.8

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 34 / 84 / 0 / 22

HEX #8521C8

RGB 133 33 200

HSL 275.93, 0.72%, 0.46%

LAB 38.28, 66.59, -66.21

 

CMYK 37 / 94 / 0 / 14

HEX #890EDB

RGB 137 14 219

HSL 276, 0.88%, 0.46%

LAB 39.15, 75.03, -75.75

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 22 / 56 / 0 / 36

HEX #7E47A2

RGB 126 71 162

HSL 276.26, 0.39%, 0.46%

LAB 40.49, 40.29, -40.25

 

CMYK 15 / 37 / 0 / 44

HEX #7A5A8F

RGB 122 90 143

HSL 276.23, 0.23%, 0.46%

LAB 43.41, 23.64, -24.3

 

CMYK 5 / 12 / 0 / 51

HEX #766D7C

RGB 118 109 124

HSL 276, 0.06%, 0.46%

LAB 47.29, 6.55, -7.03

 

CMYK 10 / 0 / 18 / 50

HEX #738069

RGB 115 128 105

HSL 93.91, 0.1%, 0.46%

LAB 51.95, -9.33, 10.9

 

CMYK 67 / 71 / 0 / 29

HEX #3B34B5

RGB 59 52 181

HSL 243.26, 0.55%, 0.46%

LAB 31.17, 43.08, -67.01

 

CMYK 49 / 71 / 0 / 29

HEX #5D34B5

RGB 93 52 181

HSL 259.07, 0.55%, 0.46%

LAB 34.23, 48.07, -61.86

 

CMYK 29 / 71 / 0 / 29

HEX #8034B5

RGB 128 52 181

HSL 275.35, 0.55%, 0.46%

LAB 38.52, 54.62, -54.7

 

CMYK 10 / 71 / 0 / 29

HEX #A234B5

RGB 162 52 181

HSL 291.16, 0.55%, 0.46%

LAB 43.47, 61.74, -46.47

 

CMYK 0 / 71 / 8 / 29

HEX #B534A6

RGB 181 52 166

HSL 306.98, 0.55%, 0.46%

LAB 45.68, 63.5, -33.91

 

CMYK 28 / 71 / 0 / 54

HEX #542275

RGB 84 34 117

HSL 276.14, 0.55%, 0.3%

LAB 24.68, 38.53, -38.12

 

CMYK 28 / 71 / 0 / 42

HEX #6B2B95

RGB 107 43 149

HSL 276.23, 0.55%, 0.38%

LAB 31.86, 46.97, -46.37

 

CMYK 28 / 71 / 0 / 29

HEX #8234B5

RGB 130 52 181

HSL 276.28, 0.55%, 0.46%

LAB 38.79, 55.02, -54.24

 

CMYK 26 / 64 / 0 / 21

HEX #9649CA

RGB 150 73 202

HSL 275.81, 0.55%, 0.54%

LAB 46.33, 54.33, -54.21

 

CMYK 20 / 50 / 0 / 17

HEX #A969D3

RGB 169 105 211

HSL 276.23, 0.55%, 0.62%

LAB 55.32, 44.62, -44.89

 

CMYK 28 / 71 / 0 / 29

HEX #8135B4

RGB 129 53 180

HSL 275.91, 0.55%, 0.46%

LAB 38.74, 54.15, -53.74

 

CMYK 0 / 71 / 56 / 29

HEX #B53450

RGB 181 52 80

HSL 346.98, 0.55%, 0.46%

LAB 42.55, 53.37, 14.07

 

CMYK 71 / 0 / 58 / 29

HEX #34B54C

RGB 52 181 76

HSL 131.16, 0.55%, 0.46%

LAB 65.2, -56.4, 42.94

 

CMYK 28 / 71 / 0 / 29

HEX #8135B4

RGB 129 53 180

HSL 275.91, 0.55%, 0.46%

LAB 38.74, 54.15, -53.74

 

CMYK 0 / 29 / 71 / 29

HEX #B58034

RGB 181 128 52

HSL 35.35, 0.55%, 0.46%

LAB 57.57, 13.17, 47.77

 

CMYK 71 / 0 / 29 / 29

HEX #34B580

RGB 52 181 128

HSL 155.35, 0.55%, 0.46%

LAB 66.01, -47.26, 17.17

 

CMYK 28 / 71 / 0 / 29

HEX #8135B4

RGB 129 53 180

HSL 275.91, 0.55%, 0.46%

LAB 38.74, 54.15, -53.74

 

CMYK 0 / 71 / 56 / 29

HEX #B53450

RGB 181 52 80

HSL 346.98, 0.55%, 0.46%

LAB 42.55, 53.37, 14.07

 

CMYK 41 / 0 / 71 / 29

HEX #6AB534

RGB 106 181 52

HSL 94.88, 0.55%, 0.46%

LAB 66.79, -44.9, 55.47

 

CMYK 71 / 0 / 15 / 29

HEX #34B599

RGB 52 181 153

HSL 166.98, 0.55%, 0.46%

LAB 66.58, -41.28, 4.27

 

CMYK 28 / 71 / 0 / 29

HEX #8135B4

RGB 129 53 180

HSL 275.91, 0.55%, 0.46%

LAB 38.74, 54.15, -53.74

 

CMYK 0 / 65 / 71 / 29

HEX #B53F34

RGB 181 63 52

HSL 5.12, 0.55%, 0.46%

LAB 43.69, 47.13, 32.52

 

CMYK 41 / 0 / 71 / 29

HEX #6AB534

RGB 106 181 52

HSL 94.88, 0.55%, 0.46%

LAB 66.79, -44.9, 55.47

 

CMYK 71 / 6 / 0 / 29

HEX #34ABB5

RGB 52 171 181

HSL 184.65, 0.55%, 0.46%

LAB 64.32, -28.76, -14.62

 

Description

Color code: HEX #8135B4 | qconv.com Color code: HEX #8135B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 53 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 53 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 71 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 71% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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