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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #812145 it is the complementary color #7EDEBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #812145. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #812145 shade: #862140, #973353, #A84566, #B95779 and #CA698C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #812145. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #812145 shade: #812145, #700F32, #5F001F, #4E000C and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #812145 shade: #812145, #81212B and #812121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #812145 shade: #812145, #81215F, #812179, #702181 and #562181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #812145 shade matches the following richer shades: #812145, #8E1442 and #9C073E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #812145 shade: #812145, #742E48, #673B4C, #5A494F and #4C5652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #812145 shade: #812179, #812160, #812146, #81212C and #812F21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #812145 shade: #401022, #601833, #812145, #A22957 and #C33268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #812145 shade: #812145, #817021 and #216C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #812145 shade: #812145, #468121 and #214681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #812145 shade: #812145, #817021, #21815C and #213381

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #812145 shade: #812145, #768121, #21815C and #2C2181

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

Complementary color

CMYK 43 / 0 / 16 / 13

HEX #7EDEBA

RGB 126 222 186

HSL 157.5, 0.59%, 0.68%

LAB 81.96, -36.66, 8.86

 

CMYK 0 / 75 / 52 / 47

HEX #862140

RGB 134 33 64

HSL 341.58, 0.6%, 0.33%

LAB 30.7, 44.56, 6.53

 

CMYK 0 / 66 / 45 / 41

HEX #973353

RGB 151 51 83

HSL 340.8, 0.5%, 0.4%

LAB 37.06, 44.5, 3.68

 

CMYK 0 / 59 / 39 / 34

HEX #A84566

RGB 168 69 102

HSL 340, 0.42%, 0.46%

LAB 43.57, 43.95, 1.53

 

CMYK 0 / 53 / 35 / 27

HEX #B95779

RGB 185 87 121

HSL 339.18, 0.41%, 0.53%

LAB 50.11, 43.19, -0.17

 

CMYK 0 / 48 / 31 / 21

HEX #CA698C

RGB 202 105 140

HSL 338.35, 0.48%, 0.6%

LAB 56.64, 42.34, -1.57

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 87 / 55 / 56

HEX #700F32

RGB 112 15 50

HSL 338.35, 0.76%, 0.25%

LAB 23.73, 42.54, 5.51

 

CMYK 0 / 100 / 67 / 63

HEX #5F001F

RGB 95 0 31

HSL 340.42, 1%, 0.19%

LAB 18.06, 40.11, 10.54

 

CMYK 0 / 100 / 85 / 69

HEX #4E000C

RGB 78 0 12

HSL 350.77, 1%, 0.15%

LAB 13.51, 34.4, 16.19

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 74 / 67 / 49

HEX #81212B

RGB 129 33 43

HSL 353.75, 0.59%, 0.32%

LAB 29.23, 41.33, 18.25

 

CMYK 0 / 74 / 74 / 49

HEX #812121

RGB 129 33 33

HSL 0, 0.59%, 0.32%

LAB 29.07, 40.77, 24.49

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 74 / 26 / 49

HEX #81215F

RGB 129 33 95

HSL 321.25, 0.59%, 0.32%

LAB 30.83, 46.59, -13.74

 

CMYK 0 / 74 / 6 / 49

HEX #812179

RGB 129 33 121

HSL 305, 0.59%, 0.32%

LAB 32.11, 50.55, -28.37

 

CMYK 13 / 74 / 0 / 49

HEX #702181

RGB 112 33 129

HSL 289.38, 0.59%, 0.32%

LAB 29.71, 48.03, -37.41

 

CMYK 33 / 74 / 0 / 49

HEX #562181

RGB 86 33 129

HSL 273.13, 0.59%, 0.32%

LAB 25.72, 42.41, -44.04

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 86 / 54 / 44

HEX #8E1442

RGB 142 20 66

HSL 337.38, 0.75%, 0.32%

LAB 30.98, 51, 5.82

 

CMYK 0 / 96 / 60 / 39

HEX #9C073E

RGB 156 7 62

HSL 337.85, 0.91%, 0.32%

LAB 33.07, 56.63, 11.82

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 60 / 38 / 55

HEX #742E48

RGB 116 46 72

HSL 337.71, 0.43%, 0.32%

LAB 29.75, 33.61, -0.56

 

CMYK 0 / 43 / 26 / 60

HEX #673B4C

RGB 103 59 76

HSL 336.82, 0.27%, 0.32%

LAB 30.72, 21.88, -1.98

 

CMYK 0 / 19 / 12 / 65

HEX #5A494F

RGB 90 73 79

HSL 338.82, 0.1%, 0.32%

LAB 32.93, 8.33, -0.86

 

CMYK 12 / 0 / 5 / 66

HEX #4C5652

RGB 76 86 82

HSL 156, 0.06%, 0.32%

LAB 35.6, -4.84, 0.98

 

CMYK 0 / 74 / 6 / 49

HEX #812179

RGB 129 33 121

HSL 305, 0.59%, 0.32%

LAB 32.11, 50.55, -28.37

 

CMYK 0 / 74 / 26 / 49

HEX #812160

RGB 129 33 96

HSL 320.63, 0.59%, 0.32%

LAB 30.88, 46.73, -14.32

 

CMYK 0 / 74 / 46 / 49

HEX #812146

RGB 129 33 70

HSL 336.88, 0.59%, 0.32%

LAB 29.9, 43.58, 1.28

 

CMYK 0 / 74 / 66 / 49

HEX #81212C

RGB 129 33 44

HSL 353.13, 0.59%, 0.32%

LAB 29.25, 41.4, 17.62

 

CMYK 0 / 64 / 74 / 49

HEX #812F21

RGB 129 47 33

HSL 8.75, 0.59%, 0.32%

LAB 31.37, 34.54, 27.13

 

CMYK 0 / 75 / 47 / 75

HEX #401022

RGB 64 16 34

HSL 337.5, 0.6%, 0.16%

LAB 13.08, 25.07, 0.34

 

CMYK 0 / 75 / 47 / 62

HEX #601833

RGB 96 24 51

HSL 337.5, 0.6%, 0.24%

LAB 21.5, 34.61, 1.18

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 75 / 46 / 36

HEX #A22957

RGB 162 41 87

HSL 337.19, 0.6%, 0.4%

LAB 37.76, 52.25, 2.4

 

CMYK 0 / 74 / 47 / 24

HEX #C33268

RGB 195 50 104

HSL 337.66, 0.59%, 0.48%

LAB 45.47, 60.21, 3.64

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 13 / 74 / 49

HEX #817021

RGB 129 112 33

HSL 49.38, 0.59%, 0.32%

LAB 47.45, -2.56, 44.03

 

CMYK 74 / 16 / 0 / 49

HEX #216C81

RGB 33 108 129

HSL 193.13, 0.59%, 0.32%

LAB 42.21, -15.22, -18.21

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 46 / 0 / 74 / 49

HEX #468121

RGB 70 129 33

HSL 96.88, 0.59%, 0.32%

LAB 48.4, -36.54, 43.57

 

CMYK 74 / 46 / 0 / 49

HEX #214681

RGB 33 70 129

HSL 216.88, 0.59%, 0.32%

LAB 30.13, 8.53, -37.16

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 0 / 13 / 74 / 49

HEX #817021

RGB 129 112 33

HSL 49.38, 0.59%, 0.32%

LAB 47.45, -2.56, 44.03

 

CMYK 74 / 0 / 29 / 49

HEX #21815C

RGB 33 129 92

HSL 156.88, 0.59%, 0.32%

LAB 48, -36.65, 12.33

 

CMYK 74 / 60 / 0 / 49

HEX #213381

RGB 33 51 129

HSL 228.75, 0.59%, 0.32%

LAB 24.56, 21.71, -46.15

 

CMYK 0 / 74 / 47 / 49

HEX #812145

RGB 129 33 69

HSL 337.5, 0.59%, 0.32%

LAB 29.87, 43.48, 1.89

 

CMYK 9 / 0 / 74 / 49

HEX #768121

RGB 118 129 33

HSL 66.88, 0.59%, 0.32%

LAB 51.45, -17.01, 47.6

 

CMYK 74 / 0 / 29 / 49

HEX #21815C

RGB 33 129 92

HSL 156.88, 0.59%, 0.32%

LAB 48, -36.65, 12.33

 

CMYK 66 / 74 / 0 / 49

HEX #2C2181

RGB 44 33 129

HSL 246.88, 0.59%, 0.32%

LAB 20.86, 35.05, -52.18

 

Description

Color code: HEX #812145 | qconv.com Color code: HEX #812145 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 33 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 33 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 47 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 47% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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