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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81278A it is the complementary color #7ED875. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81278A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81278A shade: #862785, #973998, #A84BAB, #B95DBE and #CA6FD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81278A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81278A shade: #81278A, #701577, #5F0364, #4E0051 and #3D003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81278A shade: #82278B, #8B2779, #8B275E, #8B2743 and #8B2728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81278A shade: #82278B, #67278B, #4C278B, #31278B and #27278B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81278A shade matches the following richer shades: #82278B, #8D1899 and #990AA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81278A shade: #82278B, #76357C, #6A446E, #5E525F and #526151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81278A shade: #4B278B, #66278B, #81278B, #8B277A and #8B275F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81278A shade: #45154A, #641E6B, #82278B, #A030AB and #BB3CC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81278A shade: #81278A, #8B3127 and #278B59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81278A shade: #81278A, #8B8127 and #278B81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81278A shade: #81278A, #8B3127, #318B27 and #27818B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81278A shade: #81278A, #8B4F27, #318B27 and #27638B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 72 / 0 / 46

HEX #81278A

RGB 129 39 138

HSL 294.55, 0.56%, 0.35%

LAB 33.89, 51.32, -36.17

 

Complementary color

CMYK 42 / 0 / 46 / 15

HEX #7ED875

RGB 126 216 117

HSL 114.55, 0.56%, 0.65%

LAB 78.94, -46.24, 40.42

 

CMYK 0 / 71 / 1 / 47

HEX #862785

RGB 134 39 133

HSL 300.63, 0.55%, 0.34%

LAB 34.42, 51.6, -32.17

 

CMYK 1 / 63 / 0 / 40

HEX #973998

RGB 151 57 152

HSL 299.37, 0.45%, 0.41%

LAB 40.85, 51.81, -33.45

 

CMYK 2 / 56 / 0 / 33

HEX #A84BAB

RGB 168 75 171

HSL 298.13, 0.39%, 0.48%

LAB 47.36, 51.53, -34.35

 

CMYK 3 / 51 / 0 / 25

HEX #B95DBE

RGB 185 93 190

HSL 296.91, 0.43%, 0.55%

LAB 53.88, 50.99, -35.03

 

CMYK 3 / 47 / 0 / 18

HEX #CA6FD1

RGB 202 111 209

HSL 295.71, 0.52%, 0.63%

LAB 60.36, 50.32, -35.56

 

CMYK 7 / 72 / 0 / 46

HEX #81278A

RGB 129 39 138

HSL 294.55, 0.56%, 0.35%

LAB 33.89, 51.32, -36.17

 

CMYK 6 / 82 / 0 / 53

HEX #701577

RGB 112 21 119

HSL 295.71, 0.7%, 0.27%

LAB 27.61, 50.26, -34.45

 

CMYK 5 / 97 / 0 / 61

HEX #5F0364

RGB 95 3 100

HSL 296.91, 0.94%, 0.2%

LAB 21.65, 47.83, -31.89

 

CMYK 4 / 100 / 0 / 68

HEX #4E0051

RGB 78 0 81

HSL 297.78, 1%, 0.16%

LAB 16.57, 42.17, -27.5

 

CMYK 2 / 100 / 0 / 76

HEX #3D003E

RGB 61 0 62

HSL 299.03, 1%, 0.12%

LAB 11.55, 35.55, -22.5

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 0 / 72 / 13 / 45

HEX #8B2779

RGB 139 39 121

HSL 310.8, 0.56%, 0.35%

LAB 34.64, 50.86, -24.28

 

CMYK 0 / 72 / 32 / 45

HEX #8B275E

RGB 139 39 94

HSL 327, 0.56%, 0.35%

LAB 33.45, 47.03, -8.94

 

CMYK 0 / 72 / 52 / 45

HEX #8B2743

RGB 139 39 67

HSL 343.2, 0.56%, 0.35%

LAB 32.58, 44.1, 7.34

 

CMYK 0 / 72 / 71 / 45

HEX #8B2728

RGB 139 39 40

HSL 359.4, 0.56%, 0.35%

LAB 32.02, 42.15, 24.06

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 26 / 72 / 0 / 45

HEX #67278B

RGB 103 39 139

HSL 278.4, 0.56%, 0.35%

LAB 29.91, 45.63, -43.39

 

CMYK 45 / 72 / 0 / 45

HEX #4C278B

RGB 76 39 139

HSL 262.2, 0.56%, 0.35%

LAB 26.31, 40.06, -49.4

 

CMYK 65 / 72 / 0 / 45

HEX #31278B

RGB 49 39 139

HSL 246, 0.56%, 0.35%

LAB 23.57, 35.51, -53.99

 

CMYK 72 / 72 / 0 / 45

HEX #27278B

RGB 39 39 139

HSL 240, 0.56%, 0.35%

LAB 22.81, 34.21, -55.25

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 8 / 84 / 0 / 40

HEX #8D1899

RGB 141 24 153

HSL 294.42, 0.73%, 0.35%

LAB 35.23, 61.21, -43.1

 

CMYK 9 / 94 / 0 / 34

HEX #990AA8

RGB 153 10 168

HSL 294.3, 0.89%, 0.35%

LAB 37.51, 68.29, -48.39

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 5 / 57 / 0 / 51

HEX #76357C

RGB 118 53 124

HSL 294.93, 0.4%, 0.35%

LAB 33.67, 39.35, -27.91

 

CMYK 4 / 38 / 0 / 57

HEX #6A446E

RGB 106 68 110

HSL 294.29, 0.24%, 0.35%

LAB 34.65, 24.05, -17.75

 

CMYK 1 / 14 / 0 / 63

HEX #5E525F

RGB 94 82 95

HSL 295.38, 0.07%, 0.35%

LAB 36.44, 7.6, -5.73

 

CMYK 15 / 0 / 16 / 62

HEX #526151

RGB 82 97 81

HSL 116.25, 0.09%, 0.35%

LAB 39.47, -9.21, 7.23

 

CMYK 46 / 72 / 0 / 45

HEX #4B278B

RGB 75 39 139

HSL 261.6, 0.56%, 0.35%

LAB 26.19, 39.87, -49.59

 

CMYK 27 / 72 / 0 / 45

HEX #66278B

RGB 102 39 139

HSL 277.8, 0.56%, 0.35%

LAB 29.76, 45.41, -43.63

 

CMYK 7 / 72 / 0 / 45

HEX #81278B

RGB 129 39 139

HSL 294, 0.56%, 0.35%

LAB 33.95, 51.51, -36.69

 

CMYK 0 / 72 / 12 / 45

HEX #8B277A

RGB 139 39 122

HSL 310.2, 0.56%, 0.35%

LAB 34.69, 51.02, -24.83

 

CMYK 0 / 72 / 32 / 45

HEX #8B275F

RGB 139 39 95

HSL 326.4, 0.56%, 0.35%

LAB 33.49, 47.16, -9.53

 

CMYK 7 / 72 / 0 / 71

HEX #45154A

RGB 69 21 74

HSL 294.34, 0.56%, 0.19%

LAB 16.97, 31.2, -22.17

 

CMYK 7 / 72 / 0 / 58

HEX #641E6B

RGB 100 30 107

HSL 294.55, 0.56%, 0.27%

LAB 25.86, 42.05, -29.67

 

CMYK 6 / 72 / 0 / 45

HEX #82278B

RGB 130 39 139

HSL 294.6, 0.56%, 0.35%

LAB 34.11, 51.74, -36.42

 

CMYK 6 / 72 / 0 / 33

HEX #A030AB

RGB 160 48 171

HSL 294.63, 0.56%, 0.43%

LAB 42.04, 60.96, -42.85

 

CMYK 7 / 70 / 0 / 22

HEX #BB3CC8

RGB 187 60 200

HSL 294.43, 0.56%, 0.51%

LAB 49.46, 67.63, -47.76

 

CMYK 7 / 72 / 0 / 46

HEX #81278A

RGB 129 39 138

HSL 294.55, 0.56%, 0.35%

LAB 33.89, 51.32, -36.17

 

CMYK 0 / 65 / 72 / 45

HEX #8B3127

RGB 139 49 39

HSL 6, 0.56%, 0.35%

LAB 33.63, 37.69, 26.59

 

CMYK 72 / 0 / 36 / 45

HEX #278B59

RGB 39 139 89

HSL 150, 0.56%, 0.35%

LAB 51.4, -40.59, 18.72

 

CMYK 7 / 72 / 0 / 46

HEX #81278A

RGB 129 39 138

HSL 294.55, 0.56%, 0.35%

LAB 33.89, 51.32, -36.17

 

CMYK 0 / 7 / 72 / 45

HEX #8B8127

RGB 139 129 39

HSL 54, 0.56%, 0.35%

LAB 53.32, -7.12, 47.68

 

CMYK 72 / 0 / 7 / 45

HEX #278B81

RGB 39 139 129

HSL 174, 0.56%, 0.35%

LAB 52.38, -30.47, -2.89

 

CMYK 7 / 72 / 0 / 46

HEX #81278A

RGB 129 39 138

HSL 294.55, 0.56%, 0.35%

LAB 33.89, 51.32, -36.17

 

CMYK 0 / 65 / 72 / 45

HEX #8B3127

RGB 139 49 39

HSL 6, 0.56%, 0.35%

LAB 33.63, 37.69, 26.59

 

CMYK 65 / 0 / 72 / 45

HEX #318B27

RGB 49 139 39

HSL 114, 0.56%, 0.35%

LAB 51, -46.11, 43.58

 

CMYK 72 / 7 / 0 / 45

HEX #27818B

RGB 39 129 139

HSL 186, 0.56%, 0.35%

LAB 49.49, -22.4, -13.04

 

CMYK 7 / 72 / 0 / 46

HEX #81278A

RGB 129 39 138

HSL 294.55, 0.56%, 0.35%

LAB 33.89, 51.32, -36.17

 

CMYK 0 / 43 / 72 / 45

HEX #8B4F27

RGB 139 79 39

HSL 24, 0.56%, 0.35%

LAB 39.96, 21.65, 33.76

 

CMYK 65 / 0 / 72 / 45

HEX #318B27

RGB 49 139 39

HSL 114, 0.56%, 0.35%

LAB 51, -46.11, 43.58

 

CMYK 72 / 29 / 0 / 45

HEX #27638B

RGB 39 99 139

HSL 204, 0.56%, 0.35%

LAB 39.95, -5.43, -27.73

 

Description

Color code: HEX #81278A | qconv.com Color code: HEX #81278A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 39 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 39 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 72 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 72% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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