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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #811F0D it is the complementary color #7EE0F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #811F0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #811F0D shade: #861F08, #97311B, #A8432E, #B95541 and #CA6754

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #811F0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #811F0D shade: #811F0D, #700D00, #5F0000, #4E0000 and #3D0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #811F0D shade: #811F0C and #810C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #811F0D shade: #811F0C, #813E0C, #815E0C, #817D0C and #66810C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #811F0D shade matches the following richer shades: #811F0C and #8D1701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #811F0D shade: #811F0C, #762618, #6A2E23, #5F362F and #533E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #811F0D shade: #810C39, #810C1A, #811E0C, #813D0C and #815C0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #811F0D shade: #360D05, #5C1609, #811F0C, #A72710 and #CD3014

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #811F0D shade: #811F0D, #58810C and #0C2A81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #811F0D shade: #811F0D, #0C811E and #1E0C81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #811F0D shade: #811F0D, #58810C, #0C7081 and #350C81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #811F0D shade: #811F0D, #35810C, #0C7081 and #580C81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

Complementary color

CMYK 48 / 7 / 0 / 5

HEX #7EE0F2

RGB 126 224 242

HSL 189.31, 0.82%, 0.72%

LAB 84.05, -24.18, -17.73

 

CMYK 0 / 77 / 94 / 47

HEX #861F08

RGB 134 31 8

HSL 10.95, 0.89%, 0.28%

LAB 29.58, 42.43, 38.78

 

CMYK 0 / 68 / 82 / 41

HEX #97311B

RGB 151 49 27

HSL 10.65, 0.7%, 0.35%

LAB 35.7, 41.57, 36.33

 

CMYK 0 / 60 / 73 / 34

HEX #A8432E

RGB 168 67 46

HSL 10.33, 0.57%, 0.42%

LAB 42.06, 40.3, 33.49

 

CMYK 0 / 54 / 65 / 27

HEX #B95541

RGB 185 85 65

HSL 10, 0.48%, 0.49%

LAB 48.5, 38.92, 30.92

 

CMYK 0 / 49 / 58 / 21

HEX #CA6754

RGB 202 103 84

HSL 9.66, 0.53%, 0.56%

LAB 54.97, 37.57, 28.69

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 0 / 88 / 100 / 56

HEX #700D00

RGB 112 13 0

HSL 6.96, 1%, 0.22%

LAB 22.77, 40.73, 34.09

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 76 / 91 / 49

HEX #811F0C

RGB 129 31 12

HSL 9.74, 0.83%, 0.28%

LAB 28.57, 40.8, 35.87

 

CMYK 0 / 91 / 91 / 49

HEX #810C0C

RGB 129 12 12

HSL 0, 0.83%, 0.28%

LAB 26.61, 46.33, 34.2

 

CMYK 0 / 76 / 91 / 49

HEX #811F0C

RGB 129 31 12

HSL 9.74, 0.83%, 0.28%

LAB 28.57, 40.8, 35.87

 

CMYK 0 / 52 / 91 / 49

HEX #813E0C

RGB 129 62 12

HSL 25.64, 0.83%, 0.28%

LAB 34.27, 25.81, 40.41

 

CMYK 0 / 27 / 91 / 49

HEX #815E0C

RGB 129 94 12

HSL 42.05, 0.83%, 0.28%

LAB 42.31, 7.1, 46.83

 

CMYK 0 / 3 / 91 / 49

HEX #817D0C

RGB 129 125 12

HSL 57.95, 0.83%, 0.28%

LAB 51.11, -10.59, 53.87

 

CMYK 21 / 0 / 91 / 49

HEX #66810C

RGB 102 129 12

HSL 73.85, 0.83%, 0.28%

LAB 50.16, -24.96, 52.2

 

CMYK 0 / 76 / 91 / 49

HEX #811F0C

RGB 129 31 12

HSL 9.74, 0.83%, 0.28%

LAB 28.57, 40.8, 35.87

 

CMYK 0 / 84 / 99 / 45

HEX #8D1701

RGB 141 23 1

HSL 9.43, 0.99%, 0.28%

LAB 30.1, 47.11, 42.67

 

CMYK 0 / 76 / 91 / 49

HEX #811F0C

RGB 129 31 12

HSL 9.74, 0.83%, 0.28%

LAB 28.57, 40.8, 35.87

 

CMYK 0 / 68 / 80 / 54

HEX #762618

RGB 118 38 24

HSL 8.94, 0.66%, 0.28%

LAB 27.58, 34.23, 27.75

 

CMYK 0 / 57 / 67 / 58

HEX #6A2E23

RGB 106 46 35

HSL 9.3, 0.5%, 0.28%

LAB 27.13, 25.9, 19.87

 

CMYK 0 / 43 / 51 / 63

HEX #5F362F

RGB 95 54 47

HSL 8.75, 0.34%, 0.28%

LAB 27.51, 17.47, 12.27

 

CMYK 0 / 25 / 29 / 67

HEX #533E3B

RGB 83 62 59

HSL 7.5, 0.17%, 0.28%

LAB 28.38, 8.67, 5.39

 

CMYK 0 / 91 / 56 / 49

HEX #810C39

RGB 129 12 57

HSL 336.92, 0.83%, 0.28%

LAB 27.37, 48.51, 6.37

 

CMYK 0 / 91 / 80 / 49

HEX #810C1A

RGB 129 12 26

HSL 352.82, 0.83%, 0.28%

LAB 26.75, 46.73, 26.3

 

CMYK 0 / 77 / 91 / 49

HEX #811E0C

RGB 129 30 12

HSL 9.23, 0.83%, 0.28%

LAB 28.44, 41.18, 35.76

 

CMYK 0 / 53 / 91 / 49

HEX #813D0C

RGB 129 61 12

HSL 25.13, 0.83%, 0.28%

LAB 34.05, 26.37, 40.24

 

CMYK 0 / 29 / 91 / 49

HEX #815C0C

RGB 129 92 12

HSL 41.03, 0.83%, 0.28%

LAB 41.76, 8.28, 46.4

 

CMYK 0 / 76 / 91 / 79

HEX #360D05

RGB 54 13 5

HSL 9.8, 0.83%, 0.12%

LAB 9.67, 19.94, 12.9

 

CMYK 0 / 76 / 90 / 64

HEX #5C1609

RGB 92 22 9

HSL 9.4, 0.82%, 0.2%

LAB 19.51, 31.11, 25.6

 

CMYK 0 / 76 / 91 / 49

HEX #811F0C

RGB 129 31 12

HSL 9.74, 0.83%, 0.28%

LAB 28.57, 40.8, 35.87

 

CMYK 0 / 77 / 90 / 35

HEX #A72710

RGB 167 39 16

HSL 9.14, 0.83%, 0.36%

LAB 37.31, 50.59, 44.17

 

CMYK 0 / 77 / 90 / 20

HEX #CD3014

RGB 205 48 20

HSL 9.08, 0.82%, 0.44%

LAB 45.83, 59.56, 52.17

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 32 / 0 / 91 / 49

HEX #58810C

RGB 88 129 12

HSL 81.03, 0.83%, 0.28%

LAB 49.25, -30.85, 51.08

 

CMYK 91 / 67 / 0 / 49

HEX #0C2A81

RGB 12 42 129

HSL 224.62, 0.83%, 0.28%

LAB 21.28, 25.94, -51.55

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 91 / 0 / 77 / 49

HEX #0C811E

RGB 12 129 30

HSL 129.23, 0.83%, 0.28%

LAB 46.81, -49.46, 42.6

 

CMYK 77 / 91 / 0 / 49

HEX #1E0C81

RGB 30 12 129

HSL 249.23, 0.83%, 0.28%

LAB 16.12, 44.13, -60.05

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 32 / 0 / 91 / 49

HEX #58810C

RGB 88 129 12

HSL 81.03, 0.83%, 0.28%

LAB 49.25, -30.85, 51.08

 

CMYK 91 / 13 / 0 / 49

HEX #0C7081

RGB 12 112 129

HSL 188.72, 0.83%, 0.28%

LAB 43.14, -19.59, -16.81

 

CMYK 59 / 91 / 0 / 49

HEX #350C81

RGB 53 12 129

HSL 261.03, 0.83%, 0.28%

LAB 18.39, 45.9, -56.23

 

CMYK 0 / 76 / 90 / 49

HEX #811F0D

RGB 129 31 13

HSL 9.31, 0.82%, 0.28%

LAB 28.58, 40.82, 35.41

 

CMYK 59 / 0 / 91 / 49

HEX #35810C

RGB 53 129 12

HSL 98.97, 0.83%, 0.28%

LAB 47.6, -43.05, 49.02

 

CMYK 91 / 13 / 0 / 49

HEX #0C7081

RGB 12 112 129

HSL 188.72, 0.83%, 0.28%

LAB 43.14, -19.59, -16.81

 

CMYK 32 / 91 / 0 / 49

HEX #580C81

RGB 88 12 129

HSL 278.97, 0.83%, 0.28%

LAB 23.41, 50.31, -47.78

 

Description

Color code: HEX #811F0D | qconv.com Color code: HEX #811F0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 31 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 31 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 90 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 90% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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