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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #811AB6 it is the complementary color #7EE549. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #811AB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #811AB6 shade: #861AB1, #972CC4, #A83ED7, #B950EA and #CA62FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #811AB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #811AB6 shade: #811AB6, #7008A3, #5F0090, #4E007D and #3D006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #811AB6 shade: #811AB6, #AB1AB6, #B61A97, #B61A6D and #B61A43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #811AB6 shade: #811AB6, #571AB6, #2D1AB6 and #1A1AB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #811AB6 shade matches the following richer shades: #811AB6 and #8709C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #811AB6 shade: #811AB6, #7C2BA6, #763B95, #714C84 and #6B5D73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #811AB6 shade: #2C1AB6, #561AB6, #801AB6, #A91AB6 and #B61A9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #811AB6 shade: #4E0F6E, #681492, #811AB6, #9B1FDB and #AC3FE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #811AB6 shade: #811AB6, #B61A31 and #1AB641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #811AB6 shade: #811AB6, #B6801A and #1AB680

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #811AB6 shade: #811AB6, #B61A31, #51B61A and #1AB69F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #811AB6 shade: #811AB6, #B6311A, #51B61A and #1A9FB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

Complementary color

CMYK 45 / 0 / 68 / 10

HEX #7EE549

RGB 126 229 73

HSL 99.62, 0.75%, 0.59%

LAB 82.35, -56.16, 63.87

 

CMYK 24 / 85 / 0 / 31

HEX #861AB1

RGB 134 26 177

HSL 282.91, 0.74%, 0.4%

LAB 35.95, 63.94, -56.45

 

CMYK 23 / 78 / 0 / 23

HEX #972CC4

RGB 151 44 196

HSL 282.24, 0.63%, 0.47%

LAB 41.79, 65.28, -58.05

 

CMYK 22 / 71 / 0 / 16

HEX #A83ED7

RGB 168 62 215

HSL 281.57, 0.66%, 0.54%

LAB 47.85, 65.74, -59.11

 

CMYK 21 / 66 / 0 / 8

HEX #B950EA

RGB 185 80 234

HSL 280.91, 0.79%, 0.62%

LAB 54.02, 65.66, -59.82

 

CMYK 20 / 61 / 0 / 1

HEX #CA62FD

RGB 202 98 253

HSL 280.26, 0.97%, 0.69%

LAB 60.23, 65.26, -60.31

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 31 / 95 / 0 / 36

HEX #7008A3

RGB 112 8 163

HSL 280.26, 0.91%, 0.34%

LAB 30.07, 61.54, -57.78

 

CMYK 34 / 100 / 0 / 44

HEX #5F0090

RGB 95 0 144

HSL 279.58, 1%, 0.28%

LAB 25.1, 56.95, -54.38

 

CMYK 38 / 100 / 0 / 51

HEX #4E007D

RGB 78 0 125

HSL 277.44, 1%, 0.25%

LAB 20.44, 50.93, -50.17

 

CMYK 42 / 100 / 0 / 58

HEX #3D006A

RGB 61 0 106

HSL 274.53, 1%, 0.21%

LAB 15.66, 44.77, -45.85

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 6 / 86 / 0 / 29

HEX #AB1AB6

RGB 171 26 182

HSL 295.77, 0.75%, 0.41%

LAB 42.42, 71.12, -48.66

 

CMYK 0 / 86 / 17 / 29

HEX #B61A97

RGB 182 26 151

HSL 311.92, 0.75%, 0.41%

LAB 42.64, 68.65, -29.67

 

CMYK 0 / 86 / 40 / 29

HEX #B61A6D

RGB 182 26 109

HSL 328.08, 0.75%, 0.41%

LAB 40.88, 63.78, -6.5

 

CMYK 0 / 86 / 63 / 29

HEX #B61A43

RGB 182 26 67

HSL 344.23, 0.75%, 0.41%

LAB 39.73, 60.48, 18.48

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 52 / 86 / 0 / 29

HEX #571AB6

RGB 87 26 182

HSL 263.46, 0.75%, 0.41%

LAB 29.77, 58.63, -69.81

 

CMYK 75 / 86 / 0 / 29

HEX #2D1AB6

RGB 45 26 182

HSL 247.31, 0.75%, 0.41%

LAB 25.79, 55.11, -76.53

 

CMYK 86 / 86 / 0 / 29

HEX #1A1AB6

RGB 26 26 182

HSL 240, 0.75%, 0.41%

LAB 24.75, 54.24, -78.28

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 32 / 95 / 0 / 22

HEX #8709C7

RGB 135 9 199

HSL 279.79, 0.91%, 0.41%

LAB 36.87, 71.45, -67.91

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 25 / 74 / 0 / 35

HEX #7C2BA6

RGB 124 43 166

HSL 279.51, 0.59%, 0.41%

LAB 35.53, 54.3, -50.62

 

CMYK 21 / 60 / 0 / 42

HEX #763B95

RGB 118 59 149

HSL 279.33, 0.43%, 0.41%

LAB 36.27, 41.62, -39.2

 

CMYK 14 / 42 / 0 / 48

HEX #714C84

RGB 113 76 132

HSL 279.64, 0.27%, 0.41%

LAB 38.46, 26.54, -25.42

 

CMYK 7 / 19 / 0 / 55

HEX #6B5D73

RGB 107 93 115

HSL 278.18, 0.11%, 0.41%

LAB 41.52, 10.16, -10.36

 

CMYK 76 / 86 / 0 / 29

HEX #2C1AB6

RGB 44 26 182

HSL 246.92, 0.75%, 0.41%

LAB 25.72, 55.05, -76.64

 

CMYK 53 / 86 / 0 / 29

HEX #561AB6

RGB 86 26 182

HSL 263.08, 0.75%, 0.41%

LAB 29.65, 58.52, -70.01

 

CMYK 30 / 86 / 0 / 29

HEX #801AB6

RGB 128 26 182

HSL 279.23, 0.75%, 0.41%

LAB 35.41, 64.01, -60.34

 

CMYK 7 / 86 / 0 / 29

HEX #A91AB6

RGB 169 26 182

HSL 295, 0.75%, 0.41%

LAB 42.08, 70.76, -49.23

 

CMYK 0 / 86 / 15 / 29

HEX #B61A9A

RGB 182 26 154

HSL 310.77, 0.75%, 0.41%

LAB 42.79, 69.05, -31.25

 

CMYK 29 / 86 / 0 / 57

HEX #4E0F6E

RGB 78 15 110

HSL 279.79, 0.76%, 0.25%

LAB 20.39, 43.63, -40.61

 

CMYK 29 / 86 / 0 / 43

HEX #681492

RGB 104 20 146

HSL 280, 0.76%, 0.33%

LAB 28.16, 54.38, -50.54

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 29 / 86 / 0 / 14

HEX #9B1FDB

RGB 155 31 219

HSL 279.57, 0.75%, 0.49%

LAB 42.86, 74.15, -69.58

 

CMYK 24 / 72 / 0 / 11

HEX #AC3FE3

RGB 172 63 227

HSL 279.88, 0.75%, 0.57%

LAB 49.34, 68.56, -63.5

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 0 / 86 / 73 / 29

HEX #B61A31

RGB 182 26 49

HSL 351.15, 0.75%, 0.41%

LAB 39.42, 59.57, 29.37

 

CMYK 86 / 0 / 64 / 29

HEX #1AB641

RGB 26 182 65

HSL 135, 0.75%, 0.41%

LAB 65.01, -61.47, 47.6

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 0 / 30 / 86 / 29

HEX #B6801A

RGB 182 128 26

HSL 39.23, 0.75%, 0.41%

LAB 57.52, 12.59, 57.83

 

CMYK 86 / 0 / 30 / 29

HEX #1AB680

RGB 26 182 128

HSL 159.23, 0.75%, 0.41%

LAB 65.93, -50.64, 17

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 0 / 86 / 73 / 29

HEX #B61A31

RGB 182 26 49

HSL 351.15, 0.75%, 0.41%

LAB 39.42, 59.57, 29.37

 

CMYK 55 / 0 / 86 / 29

HEX #51B61A

RGB 81 182 26

HSL 98.85, 0.75%, 0.41%

LAB 65.97, -54.39, 62.3

 

CMYK 86 / 0 / 13 / 29

HEX #1AB69F

RGB 26 182 159

HSL 171.15, 0.75%, 0.41%

LAB 66.66, -42.85, 1.02

 

CMYK 29 / 86 / 0 / 29

HEX #811AB6

RGB 129 26 182

HSL 279.62, 0.75%, 0.41%

LAB 35.56, 64.16, -60.08

 

CMYK 0 / 73 / 86 / 29

HEX #B6311A

RGB 182 49 26

HSL 8.85, 0.75%, 0.41%

LAB 41.56, 52.13, 44.35

 

CMYK 55 / 0 / 86 / 29

HEX #51B61A

RGB 81 182 26

HSL 98.85, 0.75%, 0.41%

LAB 65.97, -54.39, 62.3

 

CMYK 86 / 13 / 0 / 29

HEX #1A9FB6

RGB 26 159 182

HSL 188.85, 0.75%, 0.41%

LAB 60.24, -25.08, -21.41

 

Description

Color code: HEX #811AB6 | qconv.com Color code: HEX #811AB6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 26 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 26 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 86 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 86% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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