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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80EAA5 it is the complementary color #7F155A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80EAA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80EAA5 shade: #85EAA0, #96FCB3, #A7FFC6, #B8FFD9 and #C9FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80EAA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80EAA5 shade: #80EAA5, #6FD892, #5EC67F, #4DB46C and #3CA259

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80EAA5 shade: #7FEAA4, #7FEA88, #94EA7F, #B0EA7F and #CDEA7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80EAA5 shade: #7FEAA4, #7FEAC1, #7FEADE, #7FD9EA and #7FBCEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80EAA5 shade matches the following richer shades: #7FEAA4 and #73F6A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80EAA5 shade: #7FEAA4, #8BDEA8, #97D2AC, #A3C6AF and #AFBAB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80EAA5 shade: #95EA7F, #7FEA86, #7FEAA3, #7FEABF and #7FEADC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80EAA5 shade: #38DE72, #5CE48B, #7FEAA4, #A3F0BE and #C6F5D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80EAA5 shade: #80EAA5, #7FB1EA and #EA7F86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80EAA5 shade: #80EAA5, #A37FEA and #EAA37F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80EAA5 shade: #80EAA5, #7FB1EA, #EA7FC6 and #EAB87F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80EAA5 shade: #80EAA5, #7F91EA, #EA7FC6 and #EAD87F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 29 / 8

HEX #80EAA5

RGB 128 234 165

HSL 140.94, 0.72%, 0.71%

LAB 85.07, -45.63, 24.21

 

Complementary color

CMYK 0 / 83 / 29 / 50

HEX #7F155A

RGB 127 21 90

HSL 320.94, 0.72%, 0.29%

LAB 28.87, 49.27, -13.53

 

CMYK 43 / 0 / 32 / 8

HEX #85EAA0

RGB 133 234 160

HSL 136.04, 0.71%, 0.72%

LAB 85.18, -45.18, 26.96

 

CMYK 40 / 0 / 29 / 1

HEX #96FCB3

RGB 150 252 179

HSL 137.06, 0.94%, 0.79%

LAB 91.4, -44.94, 25.85

 

CMYK 35 / 0 / 22 / 0

HEX #A7FFC6

RGB 167 255 198

HSL 141.14, 1%, 0.83%

LAB 93.37, -38.04, 19.01

 

CMYK 28 / 0 / 15 / 0

HEX #B8FFD9

RGB 184 255 217

HSL 147.89, 1%, 0.86%

LAB 94.62, -29.5, 11.16

 

CMYK 21 / 0 / 7 / 0

HEX #C9FFEC

RGB 201 255 236

HSL 158.89, 1%, 0.89%

LAB 95.99, -20.72, 3.49

 

CMYK 45 / 0 / 29 / 8

HEX #80EAA5

RGB 128 234 165

HSL 140.94, 0.72%, 0.71%

LAB 85.07, -45.63, 24.21

 

CMYK 49 / 0 / 32 / 15

HEX #6FD892

RGB 111 216 146

HSL 140, 0.57%, 0.64%

LAB 78.79, -45.82, 25.38

 

CMYK 53 / 0 / 36 / 22

HEX #5EC67F

RGB 94 198 127

HSL 139.04, 0.48%, 0.57%

LAB 72.43, -45.95, 26.63

 

CMYK 57 / 0 / 40 / 29

HEX #4DB46C

RGB 77 180 108

HSL 138.06, 0.41%, 0.5%

LAB 65.98, -45.97, 27.97

 

CMYK 63 / 0 / 45 / 36

HEX #3CA259

RGB 60 162 89

HSL 137.06, 0.46%, 0.44%

LAB 59.45, -45.82, 29.42

 

CMYK 46 / 0 / 30 / 8

HEX #7FEAA4

RGB 127 234 164

HSL 140.75, 0.72%, 0.71%

LAB 85.02, -46.07, 24.64

 

CMYK 46 / 0 / 42 / 8

HEX #7FEA88

RGB 127 234 136

HSL 125.05, 0.72%, 0.71%

LAB 84.55, -50.72, 38.19

 

CMYK 37 / 0 / 46 / 8

HEX #94EA7F

RGB 148 234 127

HSL 108.22, 0.72%, 0.71%

LAB 85.34, -45.77, 43.79

 

CMYK 25 / 0 / 46 / 8

HEX #B0EA7F

RGB 176 234 127

HSL 92.52, 0.72%, 0.71%

LAB 86.8, -36.4, 45.93

 

CMYK 12 / 0 / 46 / 8

HEX #CDEA7F

RGB 205 234 127

HSL 76.26, 0.72%, 0.71%

LAB 88.62, -25.79, 48.58

 

CMYK 46 / 0 / 30 / 8

HEX #7FEAA4

RGB 127 234 164

HSL 140.75, 0.72%, 0.71%

LAB 85.02, -46.07, 24.64

 

CMYK 46 / 0 / 18 / 8

HEX #7FEAC1

RGB 127 234 193

HSL 157.01, 0.72%, 0.71%

LAB 85.61, -40.35, 10.4

 

CMYK 46 / 0 / 5 / 8

HEX #7FEADE

RGB 127 234 222

HSL 173.27, 0.72%, 0.71%

LAB 86.32, -33.79, -3.79

 

CMYK 46 / 7 / 0 / 8

HEX #7FD9EA

RGB 127 217 234

HSL 189.53, 0.72%, 0.71%

LAB 81.88, -22.58, -16.75

 

CMYK 46 / 20 / 0 / 8

HEX #7FBCEA

RGB 127 188 234

HSL 205.79, 0.72%, 0.71%

LAB 73.82, -7.56, -29.02

 

CMYK 46 / 0 / 30 / 8

HEX #7FEAA4

RGB 127 234 164

HSL 140.75, 0.72%, 0.71%

LAB 85.02, -46.07, 24.64

 

CMYK 53 / 0 / 35 / 4

HEX #73F6A1

RGB 115 246 161

HSL 141.07, 0.88%, 0.71%

LAB 88.03, -54.54, 30.18

 

CMYK 46 / 0 / 30 / 8

HEX #7FEAA4

RGB 127 234 164

HSL 140.75, 0.72%, 0.71%

LAB 85.02, -46.07, 24.64

 

CMYK 37 / 0 / 24 / 13

HEX #8BDEA8

RGB 139 222 168

HSL 140.96, 0.56%, 0.71%

LAB 82.14, -36.71, 18.68

 

CMYK 28 / 0 / 18 / 18

HEX #97D2AC

RGB 151 210 172

HSL 141.36, 0.4%, 0.71%

LAB 79.41, -26.68, 12.83

 

CMYK 18 / 0 / 12 / 22

HEX #A3C6AF

RGB 163 198 175

HSL 140.57, 0.23%, 0.71%

LAB 76.84, -16.24, 7.66

 

CMYK 6 / 0 / 4 / 27

HEX #AFBAB3

RGB 175 186 179

HSL 141.82, 0.07%, 0.71%

LAB 74.5, -5.14, 2.22

 

CMYK 36 / 0 / 46 / 8

HEX #95EA7F

RGB 149 234 127

HSL 107.66, 0.72%, 0.71%

LAB 85.39, -45.45, 43.86

 

CMYK 46 / 0 / 43 / 8

HEX #7FEA86

RGB 127 234 134

HSL 123.93, 0.72%, 0.71%

LAB 84.52, -51.02, 39.14

 

CMYK 46 / 0 / 30 / 8

HEX #7FEAA3

RGB 127 234 163

HSL 140.19, 0.72%, 0.71%

LAB 85, -46.25, 25.13

 

CMYK 46 / 0 / 18 / 8

HEX #7FEABF

RGB 127 234 191

HSL 155.89, 0.72%, 0.71%

LAB 85.56, -40.77, 11.38

 

CMYK 46 / 0 / 6 / 8

HEX #7FEADC

RGB 127 234 220

HSL 172.15, 0.72%, 0.71%

LAB 86.27, -34.26, -2.82

 

CMYK 75 / 0 / 49 / 13

HEX #38DE72

RGB 56 222 114

HSL 140.96, 0.72%, 0.55%

LAB 78.64, -64.52, 41.06

 

CMYK 60 / 0 / 39 / 11

HEX #5CE48B

RGB 92 228 139

HSL 140.74, 0.72%, 0.63%

LAB 81.63, -56.36, 32.66

 

CMYK 46 / 0 / 30 / 8

HEX #7FEAA4

RGB 127 234 164

HSL 140.75, 0.72%, 0.71%

LAB 85.02, -46.07, 24.64

 

CMYK 32 / 0 / 21 / 6

HEX #A3F0BE

RGB 163 240 190

HSL 141.04, 0.72%, 0.79%

LAB 88.84, -33.83, 16.76

 

CMYK 19 / 0 / 12 / 4

HEX #C6F5D7

RGB 198 245 215

HSL 141.7, 0.7%, 0.87%

LAB 92.67, -20.76, 9.51

 

CMYK 45 / 0 / 29 / 8

HEX #80EAA5

RGB 128 234 165

HSL 140.94, 0.72%, 0.71%

LAB 85.07, -45.63, 24.21

 

CMYK 46 / 24 / 0 / 8

HEX #7FB1EA

RGB 127 177 234

HSL 211.96, 0.72%, 0.71%

LAB 70.8, -1.56, -33.67

 

CMYK 0 / 46 / 43 / 8

HEX #EA7F86

RGB 234 127 134

HSL 356.07, 0.72%, 0.71%

LAB 65.27, 41.75, 14.82

 

CMYK 45 / 0 / 29 / 8

HEX #80EAA5

RGB 128 234 165

HSL 140.94, 0.72%, 0.71%

LAB 85.07, -45.63, 24.21

 

CMYK 30 / 46 / 0 / 8

HEX #A37FEA

RGB 163 127 234

HSL 260.19, 0.72%, 0.71%

LAB 60.7, 36.27, -49.31

 

CMYK 0 / 30 / 46 / 8

HEX #EAA37F

RGB 234 163 127

HSL 20.19, 0.72%, 0.71%

LAB 73.04, 22.15, 29.23

 

CMYK 45 / 0 / 29 / 8

HEX #80EAA5

RGB 128 234 165

HSL 140.94, 0.72%, 0.71%

LAB 85.07, -45.63, 24.21

 

CMYK 46 / 24 / 0 / 8

HEX #7FB1EA

RGB 127 177 234

HSL 211.96, 0.72%, 0.71%

LAB 70.8, -1.56, -33.67

 

CMYK 0 / 46 / 15 / 8

HEX #EA7FC6

RGB 234 127 198

HSL 320.19, 0.72%, 0.71%

LAB 67.09, 50.05, -18.68

 

CMYK 0 / 21 / 46 / 8

HEX #EAB87F

RGB 234 184 127

HSL 31.96, 0.72%, 0.71%

LAB 78.06, 11, 35.78

 

CMYK 45 / 0 / 29 / 8

HEX #80EAA5

RGB 128 234 165

HSL 140.94, 0.72%, 0.71%

LAB 85.07, -45.63, 24.21

 

CMYK 46 / 38 / 0 / 8

HEX #7F91EA

RGB 127 145 234

HSL 229.91, 0.72%, 0.71%

LAB 62.26, 16.68, -47.03

 

CMYK 0 / 46 / 15 / 8

HEX #EA7FC6

RGB 234 127 198

HSL 320.19, 0.72%, 0.71%

LAB 67.09, 50.05, -18.68

 

CMYK 0 / 8 / 46 / 8

HEX #EAD87F

RGB 234 216 127

HSL 49.91, 0.72%, 0.71%

LAB 86.07, -5.6, 45.93

 

Description

Color code: HEX #80EAA5 | qconv.com Color code: HEX #80EAA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 234 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 234 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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