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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80E84A it is the complementary color #7F17B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80E84A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80E84A shade: #85E845, #96FA58, #A7FF6B, #B8FF7E and #C9FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80E84A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80E84A shade: #80E84A, #6FD637, #5EC424, #4DB211 and #3CA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80E84A shade: #80E74A, #AAE74A, #D4E74A, #E7CF4A and #E7A54A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80E84A shade: #80E74A, #55E74A, #4AE769, #4AE793 and #4AE7BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80E84A shade matches the following richer shades: #80E74A and #7AF839

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80E84A shade: #80E74A, #85D75A, #8AC66B, #8FB67B and #95A58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80E84A shade: #D5E74A, #ABE74A, #81E74A, #57E74A and #4AE767

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80E84A shade: #54C519, #66E225, #80E74A, #99EC6E and #B3F193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80E84A shade: #80E84A, #4AE7CF and #E74AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80E84A shade: #80E84A, #4A81E7 and #E74A81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80E84A shade: #80E84A, #4AE7CF, #B04AE7 and #E74A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80E84A shade: #80E84A, #4ACFE7, #B04AE7 and #E7624A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 68 / 9

HEX #80E84A

RGB 128 232 74

HSL 99.49, 0.77%, 0.6%

LAB 83.34, -56.64, 64.54

 

Complementary color

CMYK 30 / 87 / 0 / 29

HEX #7F17B5

RGB 127 23 181

HSL 279.49, 0.77%, 0.4%

LAB 34.93, 64.4, -60.54

 

CMYK 43 / 0 / 70 / 9

HEX #85E845

RGB 133 232 69

HSL 96.44, 0.78%, 0.59%

LAB 83.51, -55.47, 66.63

 

CMYK 40 / 0 / 65 / 2

HEX #96FA58

RGB 150 250 88

HSL 97.04, 0.94%, 0.66%

LAB 89.65, -55.79, 66.14

 

CMYK 35 / 0 / 58 / 0

HEX #A7FF6B

RGB 167 255 107

HSL 95.68, 1%, 0.71%

LAB 92.04, -50.69, 61.19

 

CMYK 28 / 0 / 51 / 0

HEX #B8FF7E

RGB 184 255 126

HSL 93.02, 1%, 0.75%

LAB 93.11, -43.07, 54.22

 

CMYK 21 / 0 / 43 / 0

HEX #C9FF91

RGB 201 255 145

HSL 89.45, 1%, 0.78%

LAB 94.3, -35.03, 46.99

 

CMYK 45 / 0 / 68 / 9

HEX #80E84A

RGB 128 232 74

HSL 99.49, 0.77%, 0.6%

LAB 83.34, -56.64, 64.54

 

CMYK 48 / 0 / 74 / 16

HEX #6FD637

RGB 111 214 55

HSL 98.87, 0.66%, 0.53%

LAB 77.13, -56.17, 64.8

 

CMYK 52 / 0 / 82 / 23

HEX #5EC424

RGB 94 196 36

HSL 98.25, 0.69%, 0.45%

LAB 70.86, -55.44, 64.38

 

CMYK 57 / 0 / 90 / 30

HEX #4DB211

RGB 77 178 17

HSL 97.64, 0.83%, 0.38%

LAB 64.53, -54.34, 62.81

 

CMYK 63 / 0 / 100 / 37

HEX #3CA000

RGB 60 160 0

HSL 97.5, 1%, 0.31%

LAB 58.13, -52.78, 59.83

 

CMYK 45 / 0 / 68 / 9

HEX #80E74A

RGB 128 231 74

HSL 99.36, 0.77%, 0.6%

LAB 83.04, -56.25, 64.23

 

CMYK 26 / 0 / 68 / 9

HEX #AAE74A

RGB 170 231 74

HSL 83.31, 0.77%, 0.6%

LAB 85.09, -42.08, 67.01

 

CMYK 8 / 0 / 68 / 9

HEX #D4E74A

RGB 212 231 74

HSL 67.26, 0.77%, 0.6%

LAB 87.8, -25.84, 70.63

 

CMYK 0 / 10 / 68 / 9

HEX #E7CF4A

RGB 231 207 74

HSL 50.83, 0.77%, 0.6%

LAB 82.97, -6.18, 66.24

 

CMYK 0 / 29 / 68 / 9

HEX #E7A54A

RGB 231 165 74

HSL 34.78, 0.77%, 0.6%

LAB 72.49, 15.77, 55.27

 

CMYK 45 / 0 / 68 / 9

HEX #80E74A

RGB 128 231 74

HSL 99.36, 0.77%, 0.6%

LAB 83.04, -56.25, 64.23

 

CMYK 63 / 0 / 68 / 9

HEX #55E74A

RGB 85 231 74

HSL 115.8, 0.77%, 0.6%

LAB 81.61, -67.33, 62.29

 

CMYK 68 / 0 / 55 / 9

HEX #4AE769

RGB 74 231 105

HSL 131.85, 0.77%, 0.6%

LAB 81.64, -66.08, 49.08

 

CMYK 68 / 0 / 36 / 9

HEX #4AE793

RGB 74 231 147

HSL 147.9, 0.77%, 0.6%

LAB 82.22, -59.4, 29.3

 

CMYK 68 / 0 / 18 / 9

HEX #4AE7BE

RGB 74 231 190

HSL 164.33, 0.77%, 0.6%

LAB 83.09, -50.25, 8.15

 

CMYK 45 / 0 / 68 / 9

HEX #80E74A

RGB 128 231 74

HSL 99.36, 0.77%, 0.6%

LAB 83.04, -56.25, 64.23

 

CMYK 51 / 0 / 77 / 3

HEX #7AF839

RGB 122 248 57

HSL 99.58, 0.93%, 0.6%

LAB 87.76, -65.4, 74.57

 

CMYK 45 / 0 / 68 / 9

HEX #80E74A

RGB 128 231 74

HSL 99.36, 0.77%, 0.6%

LAB 83.04, -56.25, 64.23

 

CMYK 38 / 0 / 58 / 16

HEX #85D75A

RGB 133 215 90

HSL 99.36, 0.61%, 0.6%

LAB 78.65, -46.82, 52.88

 

CMYK 30 / 0 / 46 / 22

HEX #8AC66B

RGB 138 198 107

HSL 99.56, 0.44%, 0.6%

LAB 74.1, -35.76, 39.42

 

CMYK 21 / 0 / 32 / 29

HEX #8FB67B

RGB 143 182 123

HSL 99.66, 0.29%, 0.6%

LAB 69.98, -24.12, 25.89

 

CMYK 10 / 0 / 15 / 35

HEX #95A58C

RGB 149 165 140

HSL 98.4, 0.12%, 0.6%

LAB 65.9, -10.39, 11.07

 

CMYK 8 / 0 / 68 / 9

HEX #D5E74A

RGB 213 231 74

HSL 66.88, 0.77%, 0.6%

LAB 87.87, -25.44, 70.72

 

CMYK 26 / 0 / 68 / 9

HEX #ABE74A

RGB 171 231 74

HSL 82.93, 0.77%, 0.6%

LAB 85.15, -41.72, 67.09

 

CMYK 44 / 0 / 68 / 9

HEX #81E74A

RGB 129 231 74

HSL 98.98, 0.77%, 0.6%

LAB 83.08, -55.95, 64.29

 

CMYK 62 / 0 / 68 / 9

HEX #57E74A

RGB 87 231 74

HSL 115.03, 0.77%, 0.6%

LAB 81.66, -66.91, 62.36

 

CMYK 68 / 0 / 55 / 9

HEX #4AE767

RGB 74 231 103

HSL 131.08, 0.77%, 0.6%

LAB 81.61, -66.34, 49.97

 

CMYK 57 / 0 / 87 / 23

HEX #54C519

RGB 84 197 25

HSL 99.42, 0.77%, 0.44%

LAB 70.79, -58.97, 66.76

 

CMYK 55 / 0 / 84 / 11

HEX #66E225

RGB 102 226 37

HSL 99.37, 0.77%, 0.52%

LAB 80.38, -63.96, 72.79

 

CMYK 45 / 0 / 68 / 9

HEX #80E74A

RGB 128 231 74

HSL 99.36, 0.77%, 0.6%

LAB 83.04, -56.25, 64.23

 

CMYK 35 / 0 / 53 / 7

HEX #99EC6E

RGB 153 236 110

HSL 99.52, 0.77%, 0.68%

LAB 85.95, -47.03, 52.6

 

CMYK 26 / 0 / 39 / 5

HEX #B3F193

RGB 179 241 147

HSL 99.57, 0.77%, 0.76%

LAB 89.21, -36.03, 39.25

 

CMYK 45 / 0 / 68 / 9

HEX #80E84A

RGB 128 232 74

HSL 99.49, 0.77%, 0.6%

LAB 83.34, -56.64, 64.54

 

CMYK 68 / 0 / 10 / 9

HEX #4AE7CF

RGB 74 231 207

HSL 170.83, 0.77%, 0.6%

LAB 83.5, -46.06, -0.2

 

CMYK 0 / 68 / 17 / 9

HEX #E74AC0

RGB 231 74 192

HSL 314.9, 0.77%, 0.6%

LAB 57.74, 71.6, -29.65

 

CMYK 45 / 0 / 68 / 9

HEX #80E84A

RGB 128 232 74

HSL 99.49, 0.77%, 0.6%

LAB 83.34, -56.64, 64.54

 

CMYK 68 / 44 / 0 / 9

HEX #4A81E7

RGB 74 129 231

HSL 218.98, 0.77%, 0.6%

LAB 55, 14.76, -57.08

 

CMYK 0 / 68 / 44 / 9

HEX #E74A81

RGB 231 74 129

HSL 338.98, 0.77%, 0.6%

LAB 55.55, 64.28, 3.87

 

CMYK 45 / 0 / 68 / 9

HEX #80E84A

RGB 128 232 74

HSL 99.49, 0.77%, 0.6%

LAB 83.34, -56.64, 64.54

 

CMYK 68 / 0 / 10 / 9

HEX #4AE7CF

RGB 74 231 207

HSL 170.83, 0.77%, 0.6%

LAB 83.5, -46.06, -0.2

 

CMYK 24 / 68 / 0 / 9

HEX #B04AE7

RGB 176 74 231

HSL 278.98, 0.77%, 0.6%

LAB 51.72, 65.72, -61.89

 

CMYK 0 / 68 / 58 / 9

HEX #E74A62

RGB 231 74 98

HSL 350.83, 0.77%, 0.6%

LAB 54.83, 61.76, 21.26

 

CMYK 45 / 0 / 68 / 9

HEX #80E84A

RGB 128 232 74

HSL 99.49, 0.77%, 0.6%

LAB 83.34, -56.64, 64.54

 

CMYK 68 / 10 / 0 / 9

HEX #4ACFE7

RGB 74 207 231

HSL 189.17, 0.77%, 0.6%

LAB 77.19, -28.37, -22.41

 

CMYK 24 / 68 / 0 / 9

HEX #B04AE7

RGB 176 74 231

HSL 278.98, 0.77%, 0.6%

LAB 51.72, 65.72, -61.89

 

CMYK 0 / 58 / 68 / 9

HEX #E7624A

RGB 231 98 74

HSL 9.17, 0.77%, 0.6%

LAB 58.24, 50.12, 39.28

 

Description

Color code: HEX #80E84A | qconv.com Color code: HEX #80E84A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 232 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 232 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 68 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 68% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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