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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80DFC9 it is the complementary color #7F2036. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80DFC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80DFC9 shade: #85DFC4, #96F1D7, #A7FFEA, #B8FFFD and #C9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80DFC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80DFC9 shade: #80DFC9, #6FCDB6, #5EBBA3, #4DA990 and #3C977D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80DFC9 shade: #80DFC9, #80DFAF, #80DF96, #84DF80 and #9DDF80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80DFC9 shade: #80DFC9, #80DBDF, #80C2DF, #80A8DF and #808FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80DFC9 shade matches the following richer shades: #80DFC9, #73ECD0 and #66F8D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80DFC9 shade: #80DFC9, #8DD2C2, #9AC5BB, #A6B9B4 and #B3ACAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80DFC9 shade: #80DF96, #80DFAF, #80DFC9, #80DCDF and #80C2DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80DFC9 shade: #3ECEAD, #5FD7BB, #80DFC9, #A1E7D7 and #C2EFE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80DFC9 shade: #80DFC9, #8083DF and #DFA380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80DFC9 shade: #80DFC9, #C980DF and #DFC980

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80DFC9 shade: #80DFC9, #8083DF, #DF8096 and #DFDC80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80DFC9 shade: #80DFC9, #9980DF, #DF8096 and #C6DF80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

Complementary color

CMYK 0 / 75 / 57 / 50

HEX #7F2036

RGB 127 32 54

HSL 346.11, 0.6%, 0.31%

LAB 28.93, 41.86, 10.5

 

CMYK 40 / 0 / 12 / 13

HEX #85DFC4

RGB 133 223 196

HSL 162, 0.58%, 0.7%

LAB 82.78, -33.14, 4.79

 

CMYK 38 / 0 / 11 / 5

HEX #96F1D7

RGB 150 241 215

HSL 162.86, 0.76%, 0.77%

LAB 89.06, -32.95, 4

 

CMYK 35 / 0 / 8 / 0

HEX #A7FFEA

RGB 167 255 234

HSL 165.68, 1%, 0.83%

LAB 94.17, -30.9, 1.65

 

CMYK 28 / 0 / 1 / 0

HEX #B8FFFD

RGB 184 255 253

HSL 178.31, 1%, 0.86%

LAB 95.5, -22.16, -6.11

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 46 / 0 / 11 / 20

HEX #6FCDB6

RGB 111 205 182

HSL 165.32, 0.48%, 0.62%

LAB 76.33, -33.43, 2.81

 

CMYK 50 / 0 / 13 / 27

HEX #5EBBA3

RGB 94 187 163

HSL 164.52, 0.41%, 0.55%

LAB 69.87, -33.53, 3.68

 

CMYK 54 / 0 / 15 / 34

HEX #4DA990

RGB 77 169 144

HSL 163.7, 0.37%, 0.48%

LAB 63.32, -33.57, 4.64

 

CMYK 60 / 0 / 17 / 41

HEX #3C977D

RGB 60 151 125

HSL 162.86, 0.43%, 0.41%

LAB 56.66, -33.52, 5.7

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 43 / 0 / 22 / 13

HEX #80DFAF

RGB 128 223 175

HSL 149.68, 0.6%, 0.69%

LAB 82.09, -38.87, 14.86

 

CMYK 43 / 0 / 33 / 13

HEX #80DF96

RGB 128 223 150

HSL 133.89, 0.6%, 0.69%

LAB 81.6, -43.54, 27.22

 

CMYK 41 / 0 / 43 / 13

HEX #84DF80

RGB 132 223 128

HSL 117.47, 0.6%, 0.69%

LAB 81.42, -45.86, 38.18

 

CMYK 30 / 0 / 43 / 13

HEX #9DDF80

RGB 157 223 128

HSL 101.68, 0.6%, 0.69%

LAB 82.65, -37.86, 39.99

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 43 / 2 / 0 / 13

HEX #80DBDF

RGB 128 219 223

HSL 182.53, 0.6%, 0.69%

LAB 82.15, -26.14, -10.49

 

CMYK 43 / 13 / 0 / 13

HEX #80C2DF

RGB 128 194 223

HSL 198.32, 0.6%, 0.69%

LAB 75.14, -13.48, -21.04

 

CMYK 43 / 25 / 0 / 13

HEX #80A8DF

RGB 128 168 223

HSL 214.74, 0.6%, 0.69%

LAB 67.96, 0.6, -32.04

 

CMYK 43 / 36 / 0 / 13

HEX #808FDF

RGB 128 143 223

HSL 230.53, 0.6%, 0.69%

LAB 61.27, 14.92, -42.47

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 51 / 0 / 12 / 7

HEX #73ECD0

RGB 115 236 208

HSL 166.12, 0.76%, 0.69%

LAB 86.1, -40.68, 3.19

 

CMYK 59 / 0 / 13 / 3

HEX #66F8D7

RGB 102 248 215

HSL 166.44, 0.91%, 0.69%

LAB 89.33, -46.88, 4.16

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 33 / 0 / 8 / 18

HEX #8DD2C2

RGB 141 210 194

HSL 166.09, 0.43%, 0.69%

LAB 79.41, -25.16, 1.02

 

CMYK 22 / 0 / 5 / 23

HEX #9AC5BB

RGB 154 197 187

HSL 166.05, 0.27%, 0.69%

LAB 76.31, -16.25, 0.34

 

CMYK 10 / 0 / 3 / 27

HEX #A6B9B4

RGB 166 185 180

HSL 164.21, 0.12%, 0.69%

LAB 73.61, -7.5, 0.3

 

CMYK 0 / 4 / 3 / 30

HEX #B3ACAD

RGB 179 172 173

HSL 351.43, 0.04%, 0.69%

LAB 70.94, 2.68, 0.37

 

CMYK 43 / 0 / 33 / 13

HEX #80DF96

RGB 128 223 150

HSL 133.89, 0.6%, 0.69%

LAB 81.6, -43.54, 27.22

 

CMYK 43 / 0 / 22 / 13

HEX #80DFAF

RGB 128 223 175

HSL 149.68, 0.6%, 0.69%

LAB 82.09, -38.87, 14.86

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 43 / 1 / 0 / 13

HEX #80DCDF

RGB 128 220 223

HSL 181.89, 0.6%, 0.69%

LAB 82.43, -26.63, -10.07

 

CMYK 43 / 13 / 0 / 13

HEX #80C2DF

RGB 128 194 223

HSL 198.32, 0.6%, 0.69%

LAB 75.14, -13.48, -21.04

 

CMYK 70 / 0 / 16 / 19

HEX #3ECEAD

RGB 62 206 173

HSL 166.25, 0.6%, 0.53%

LAB 74.94, -45.6, 5.46

 

CMYK 56 / 0 / 13 / 16

HEX #5FD7BB

RGB 95 215 187

HSL 166, 0.6%, 0.61%

LAB 78.82, -40.41, 3.67

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 30 / 0 / 7 / 9

HEX #A1E7D7

RGB 161 231 215

HSL 166.29, 0.59%, 0.77%

LAB 86.82, -25.16, 0.8

 

CMYK 19 / 0 / 4 / 6

HEX #C2EFE5

RGB 194 239 229

HSL 166.67, 0.58%, 0.85%

LAB 91.17, -16.38, 0.04

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 43 / 41 / 0 / 13

HEX #8083DF

RGB 128 131 223

HSL 238.11, 0.6%, 0.69%

LAB 58.18, 21.97, -47.36

 

CMYK 0 / 27 / 43 / 13

HEX #DFA380

RGB 223 163 128

HSL 22.11, 0.6%, 0.69%

LAB 71.85, 17.9, 26.9

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 10 / 43 / 0 / 13

HEX #C980DF

RGB 201 128 223

HSL 286.11, 0.6%, 0.69%

LAB 64.31, 43.9, -37.25

 

CMYK 0 / 10 / 43 / 13

HEX #DFC980

RGB 223 201 128

HSL 46.11, 0.6%, 0.69%

LAB 81.3, -2.21, 39.23

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 43 / 41 / 0 / 13

HEX #8083DF

RGB 128 131 223

HSL 238.11, 0.6%, 0.69%

LAB 58.18, 21.97, -47.36

 

CMYK 0 / 43 / 33 / 13

HEX #DF8096

RGB 223 128 150

HSL 346.11, 0.6%, 0.69%

LAB 64.43, 39.11, 4.34

 

CMYK 0 / 1 / 43 / 13

HEX #DFDC80

RGB 223 220 128

HSL 58.11, 0.6%, 0.69%

LAB 86.22, -11.88, 45.42

 

CMYK 43 / 0 / 10 / 13

HEX #80DFC9

RGB 128 223 201

HSL 166.11, 0.6%, 0.69%

LAB 82.69, -33.3, 1.99

 

CMYK 31 / 43 / 0 / 13

HEX #9980DF

RGB 153 128 223

HSL 255.79, 0.6%, 0.69%

LAB 59.47, 30.25, -45.19

 

CMYK 0 / 43 / 33 / 13

HEX #DF8096

RGB 223 128 150

HSL 346.11, 0.6%, 0.69%

LAB 64.43, 39.11, 4.34

 

CMYK 11 / 0 / 43 / 13

HEX #C6DF80

RGB 198 223 128

HSL 75.79, 0.6%, 0.69%

LAB 85.17, -23.05, 43.71

 

Description

Color code: HEX #80DFC9 | qconv.com Color code: HEX #80DFC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 223 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 223 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 10 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 10% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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