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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80B92D it is the complementary color #7F46D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80B92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80B92D shade: #85B928, #96CB3B, #A7DD4E, #B8EF61 and #C9FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80B92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80B92D shade: #80B92D, #6FA71A, #5E9507, #4D8300 and #3C7100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80B92D shade: #7FB82C, #A5B82C, #B8A62C, #B8802C and #B85A2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80B92D shade: #7FB82C, #59B82C, #34B82C, #2CB84B and #2CB870

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80B92D shade matches the following richer shades: #7FB82C, #83CB1A and #86DD07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80B92D shade: #7FB82C, #7CA63F, #789351, #758164 and #716E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80B92D shade: #B8A62C, #A6B82C, #80B82C, #5BB82C and #36B82C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80B92D shade: #51761C, #689724, #7FB82C, #94D03E and #A7D85F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80B92D shade: #80B92D, #2CB880 and #B82CB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80B92D shade: #80B92D, #2C80B8 and #B82C80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80B92D shade: #80B92D, #2CB880, #642CB8 and #B82C64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80B92D shade: #80B92D, #2CB8AA, #642CB8 and #B82C3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 76 / 27

HEX #80B92D

RGB 128 185 45

HSL 84.43, 0.61%, 0.45%

LAB 69.1, -39.23, 60.59

 

Complementary color

CMYK 40 / 67 / 0 / 18

HEX #7F46D2

RGB 127 70 210

HSL 264.43, 0.61%, 0.55%

LAB 43.57, 52.86, -63.41

 

CMYK 28 / 0 / 78 / 27

HEX #85B928

RGB 133 185 40

HSL 81.52, 0.64%, 0.44%

LAB 69.35, -37.59, 62.52

 

CMYK 26 / 0 / 71 / 20

HEX #96CB3B

RGB 150 203 59

HSL 82.08, 0.58%, 0.51%

LAB 75.77, -38.12, 62.7

 

CMYK 24 / 0 / 65 / 13

HEX #A7DD4E

RGB 167 221 78

HSL 82.66, 0.68%, 0.59%

LAB 82.1, -38.5, 62.28

 

CMYK 23 / 0 / 59 / 6

HEX #B8EF61

RGB 184 239 97

HSL 83.24, 0.82%, 0.66%

LAB 88.35, -38.76, 61.53

 

CMYK 21 / 0 / 55 / 0

HEX #C9FF74

RGB 201 255 116

HSL 83.31, 1%, 0.73%

LAB 93.97, -38.05, 59.97

 

CMYK 31 / 0 / 76 / 27

HEX #80B92D

RGB 128 185 45

HSL 84.43, 0.61%, 0.45%

LAB 69.1, -39.23, 60.59

 

CMYK 34 / 0 / 84 / 35

HEX #6FA71A

RGB 111 167 26

HSL 83.83, 0.73%, 0.38%

LAB 62.58, -38.58, 59.83

 

CMYK 37 / 0 / 95 / 42

HEX #5E9507

RGB 94 149 7

HSL 83.24, 0.91%, 0.31%

LAB 55.98, -37.65, 57.61

 

CMYK 41 / 0 / 100 / 49

HEX #4D8300

RGB 77 131 0

HSL 84.73, 1%, 0.26%

LAB 49.27, -36.35, 53.15

 

CMYK 47 / 0 / 100 / 56

HEX #3C7100

RGB 60 113 0

HSL 88.14, 1%, 0.22%

LAB 42.42, -34.8, 47.46

 

CMYK 31 / 0 / 76 / 28

HEX #7FB82C

RGB 127 184 44

HSL 84.43, 0.61%, 0.45%

LAB 68.73, -39.21, 60.56

 

CMYK 10 / 0 / 76 / 28

HEX #A5B82C

RGB 165 184 44

HSL 68.14, 0.61%, 0.45%

LAB 71.19, -23.99, 63.74

 

CMYK 0 / 10 / 76 / 28

HEX #B8A62C

RGB 184 166 44

HSL 52.29, 0.61%, 0.45%

LAB 67.76, -6.58, 61.12

 

CMYK 0 / 30 / 76 / 28

HEX #B8802C

RGB 184 128 44

HSL 36, 0.61%, 0.45%

LAB 57.86, 14.11, 51.69

 

CMYK 0 / 51 / 76 / 28

HEX #B85A2C

RGB 184 90 44

HSL 19.71, 0.61%, 0.45%

LAB 49.11, 34.84, 42.92

 

CMYK 31 / 0 / 76 / 28

HEX #7FB82C

RGB 127 184 44

HSL 84.43, 0.61%, 0.45%

LAB 68.73, -39.21, 60.56

 

CMYK 52 / 0 / 76 / 28

HEX #59B82C

RGB 89 184 44

HSL 100.71, 0.61%, 0.45%

LAB 66.97, -51.95, 58.24

 

CMYK 72 / 0 / 76 / 28

HEX #34B82C

RGB 52 184 44

HSL 116.57, 0.61%, 0.45%

LAB 65.9, -60.6, 56.84

 

CMYK 76 / 0 / 59 / 28

HEX #2CB84B

RGB 44 184 75

HSL 133.29, 0.61%, 0.45%

LAB 66, -58.81, 44.31

 

CMYK 76 / 0 / 39 / 28

HEX #2CB870

RGB 44 184 112

HSL 149.14, 0.61%, 0.45%

LAB 66.51, -52.88, 26.41

 

CMYK 31 / 0 / 76 / 28

HEX #7FB82C

RGB 127 184 44

HSL 84.43, 0.61%, 0.45%

LAB 68.73, -39.21, 60.56

 

CMYK 35 / 0 / 87 / 20

HEX #83CB1A

RGB 131 203 26

HSL 84.41, 0.77%, 0.45%

LAB 74.58, -46.62, 70.57

 

CMYK 39 / 0 / 97 / 13

HEX #86DD07

RGB 134 221 7

HSL 84.39, 0.94%, 0.45%

LAB 80.07, -53.23, 77.61

 

CMYK 31 / 0 / 76 / 28

HEX #7FB82C

RGB 127 184 44

HSL 84.43, 0.61%, 0.45%

LAB 68.73, -39.21, 60.56

 

CMYK 25 / 0 / 62 / 35

HEX #7CA63F

RGB 124 166 63

HSL 84.47, 0.45%, 0.45%

LAB 63.27, -30.82, 47.48

 

CMYK 18 / 0 / 45 / 42

HEX #789351

RGB 120 147 81

HSL 84.55, 0.29%, 0.45%

LAB 57.52, -21.15, 31.77

 

CMYK 9 / 0 / 22 / 49

HEX #758164

RGB 117 129 100

HSL 84.83, 0.13%, 0.45%

LAB 52.29, -9.97, 14.28

 

CMYK 5 / 8 / 0 / 53

HEX #716E77

RGB 113 110 119

HSL 260, 0.04%, 0.45%

LAB 46.97, 3.02, -4.58

 

CMYK 0 / 10 / 76 / 28

HEX #B8A62C

RGB 184 166 44

HSL 52.29, 0.61%, 0.45%

LAB 67.76, -6.58, 61.12

 

CMYK 10 / 0 / 76 / 28

HEX #A6B82C

RGB 166 184 44

HSL 67.71, 0.61%, 0.45%

LAB 71.26, -23.57, 63.84

 

CMYK 30 / 0 / 76 / 28

HEX #80B82C

RGB 128 184 44

HSL 84, 0.61%, 0.45%

LAB 68.79, -38.84, 60.63

 

CMYK 51 / 0 / 76 / 28

HEX #5BB82C

RGB 91 184 44

HSL 99.86, 0.61%, 0.45%

LAB 67.04, -51.36, 58.34

 

CMYK 71 / 0 / 76 / 28

HEX #36B82C

RGB 54 184 44

HSL 115.71, 0.61%, 0.45%

LAB 65.94, -60.24, 56.89

 

CMYK 31 / 0 / 76 / 54

HEX #51761C

RGB 81 118 28

HSL 84.67, 0.62%, 0.29%

LAB 45.35, -27.74, 42.65

 

CMYK 31 / 0 / 76 / 41

HEX #689724

RGB 104 151 36

HSL 84.52, 0.61%, 0.37%

LAB 57.27, -33.6, 51.81

 

CMYK 31 / 0 / 76 / 28

HEX #7FB82C

RGB 127 184 44

HSL 84.43, 0.61%, 0.45%

LAB 68.73, -39.21, 60.56

 

CMYK 29 / 0 / 70 / 18

HEX #94D03E

RGB 148 208 62

HSL 84.66, 0.61%, 0.53%

LAB 77.13, -40.89, 62.94

 

CMYK 23 / 0 / 56 / 15

HEX #A7D85F

RGB 167 216 95

HSL 84.3, 0.61%, 0.61%

LAB 80.82, -34.83, 53.61

 

CMYK 31 / 0 / 76 / 27

HEX #80B92D

RGB 128 185 45

HSL 84.43, 0.61%, 0.45%

LAB 69.1, -39.23, 60.59

 

CMYK 76 / 0 / 30 / 28

HEX #2CB880

RGB 44 184 128

HSL 156, 0.61%, 0.45%

LAB 66.81, -49.57, 18.24

 

CMYK 0 / 76 / 0 / 28

HEX #B82CB8

RGB 184 44 184

HSL 300, 0.61%, 0.45%

LAB 46.25, 69.53, -43.6

 

CMYK 31 / 0 / 76 / 27

HEX #80B92D

RGB 128 185 45

HSL 84.43, 0.61%, 0.45%

LAB 69.1, -39.23, 60.59

 

CMYK 76 / 30 / 0 / 28

HEX #2C80B8

RGB 44 128 184

HSL 204, 0.61%, 0.45%

LAB 51.19, -5.66, -36.56

 

CMYK 0 / 76 / 30 / 28

HEX #B82C80

RGB 184 44 128

HSL 324, 0.61%, 0.45%

LAB 43.58, 61.67, -14.17

 

CMYK 31 / 0 / 76 / 27

HEX #80B92D

RGB 128 185 45

HSL 84.43, 0.61%, 0.45%

LAB 69.1, -39.23, 60.59

 

CMYK 76 / 0 / 30 / 28

HEX #2CB880

RGB 44 184 128

HSL 156, 0.61%, 0.45%

LAB 66.81, -49.57, 18.24

 

CMYK 46 / 76 / 0 / 28

HEX #642CB8

RGB 100 44 184

HSL 264, 0.61%, 0.45%

LAB 33.92, 53.86, -64.11

 

CMYK 0 / 76 / 46 / 28

HEX #B82C64

RGB 184 44 100

HSL 336, 0.61%, 0.45%

LAB 42.63, 58.72, 1.76

 

CMYK 31 / 0 / 76 / 27

HEX #80B92D

RGB 128 185 45

HSL 84.43, 0.61%, 0.45%

LAB 69.1, -39.23, 60.59

 

CMYK 76 / 0 / 8 / 28

HEX #2CB8AA

RGB 44 184 170

HSL 174, 0.61%, 0.45%

LAB 67.81, -39.06, -3.33

 

CMYK 46 / 76 / 0 / 28

HEX #642CB8

RGB 100 44 184

HSL 264, 0.61%, 0.45%

LAB 33.92, 53.86, -64.11

 

CMYK 0 / 76 / 68 / 28

HEX #B82C3A

RGB 184 44 58

HSL 354, 0.61%, 0.45%

LAB 41.68, 55.69, 26.68

 

Description

Color code: HEX #80B92D | qconv.com Color code: HEX #80B92D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 185 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 185 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 76 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 76% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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