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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8098B4 it is the complementary color #7F674B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8098B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8098B4 shade: #8598AF, #96AAC2, #A7BCD5, #B8CEE8 and #C9E0FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8098B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8098B4 shade: #8098B4, #6F86A1, #5E748E, #4D627B and #3C5068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8098B4 shade: #7E96B3, #7E88B3, #827EB3, #907EB3 and #9F7EB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8098B4 shade: #7E96B3, #7E88B3 and #7E7EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8098B4 shade matches the following richer shades: #7E96B3, #6D95C4, #5D94D4, #4C93E5 and #3C91F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8098B4 shade: #7E96B3, #8E98A3, #9F9992, #AF9A82 and #C09C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8098B4 shade: #7EB3B3, #7EA5B3, #7E97B3, #7E89B3 and #827EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8098B4 shade: #526D8C, #6481A4, #7E96B3, #98ACC2 and #B2C1D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8098B4 shade: #8098B4, #A57EB3 and #ACB37E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8098B4 shade: #8098B4, #B37E97 and #97B37E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8098B4 shade: #8098B4, #A57EB3, #B39A7E and #8CB37E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8098B4 shade: #8098B4, #B37EB1, #B39A7E and #7EB380

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 16 / 0 / 29

HEX #8098B4

RGB 128 152 180

HSL 212.31, 0.26%, 0.6%

LAB 61.95, -1.83, -17.34

 

Complementary color

CMYK 0 / 19 / 41 / 50

HEX #7F674B

RGB 127 103 75

HSL 32.31, 0.26%, 0.4%

LAB 45.25, 5.43, 19.41

 

CMYK 24 / 13 / 0 / 31

HEX #8598AF

RGB 133 152 175

HSL 212.86, 0.21%, 0.6%

LAB 62.12, -1.5, -14.23

 

CMYK 23 / 12 / 0 / 24

HEX #96AAC2

RGB 150 170 194

HSL 212.73, 0.27%, 0.67%

LAB 68.84, -1.65, -14.58

 

CMYK 22 / 12 / 0 / 16

HEX #A7BCD5

RGB 167 188 213

HSL 212.61, 0.35%, 0.75%

LAB 75.44, -1.79, -14.94

 

CMYK 21 / 11 / 0 / 9

HEX #B8CEE8

RGB 184 206 232

HSL 212.5, 0.51%, 0.82%

LAB 81.92, -1.92, -15.31

 

CMYK 20 / 11 / 0 / 2

HEX #C9E0FB

RGB 201 224 251

HSL 212.4, 0.86%, 0.89%

LAB 88.3, -2.04, -15.68

 

CMYK 29 / 16 / 0 / 29

HEX #8098B4

RGB 128 152 180

HSL 212.31, 0.26%, 0.6%

LAB 61.95, -1.83, -17.34

 

CMYK 31 / 17 / 0 / 37

HEX #6F86A1

RGB 111 134 161

HSL 212.4, 0.21%, 0.53%

LAB 55.08, -1.64, -17.05

 

CMYK 34 / 18 / 0 / 44

HEX #5E748E

RGB 94 116 142

HSL 212.5, 0.2%, 0.46%

LAB 48.04, -1.42, -16.79

 

CMYK 37 / 20 / 0 / 52

HEX #4D627B

RGB 77 98 123

HSL 212.61, 0.23%, 0.39%

LAB 40.81, -1.16, -16.55

 

CMYK 42 / 23 / 0 / 59

HEX #3C5068

RGB 60 80 104

HSL 212.73, 0.27%, 0.32%

LAB 33.34, -0.83, -16.35

 

CMYK 30 / 16 / 0 / 30

HEX #7E96B3

RGB 126 150 179

HSL 212.83, 0.26%, 0.6%

LAB 61.22, -1.57, -17.88

 

CMYK 30 / 24 / 0 / 30

HEX #7E88B3

RGB 126 136 179

HSL 228.68, 0.26%, 0.6%

LAB 57.37, 6.44, -23.78

 

CMYK 27 / 30 / 0 / 30

HEX #827EB3

RGB 130 126 179

HSL 244.53, 0.26%, 0.6%

LAB 54.99, 13.52, -27.41

 

CMYK 20 / 30 / 0 / 30

HEX #907EB3

RGB 144 126 179

HSL 260.38, 0.26%, 0.6%

LAB 56.19, 17.91, -25.46

 

CMYK 11 / 30 / 0 / 30

HEX #9F7EB3

RGB 159 126 179

HSL 277.36, 0.26%, 0.6%

LAB 57.6, 22.77, -23.17

 

CMYK 30 / 16 / 0 / 30

HEX #7E96B3

RGB 126 150 179

HSL 212.83, 0.26%, 0.6%

LAB 61.22, -1.57, -17.88

 

CMYK 30 / 24 / 0 / 30

HEX #7E88B3

RGB 126 136 179

HSL 228.68, 0.26%, 0.6%

LAB 57.37, 6.44, -23.78

 

CMYK 30 / 30 / 0 / 30

HEX #7E7EB3

RGB 126 126 179

HSL 240, 0.26%, 0.6%

LAB 54.67, 12.3, -27.94

 

CMYK 30 / 16 / 0 / 30

HEX #7E96B3

RGB 126 150 179

HSL 212.83, 0.26%, 0.6%

LAB 61.22, -1.57, -17.88

 

CMYK 44 / 24 / 0 / 23

HEX #6D95C4

RGB 109 149 196

HSL 212.41, 0.42%, 0.6%

LAB 60.54, -1.17, -28.6

 

CMYK 56 / 30 / 0 / 17

HEX #5D94D4

RGB 93 148 212

HSL 212.27, 0.58%, 0.6%

LAB 60.12, 0.52, -38.29

 

CMYK 67 / 36 / 0 / 10

HEX #4C93E5

RGB 76 147 229

HSL 212.16, 0.75%, 0.6%

LAB 59.94, 3.58, -48.09

 

CMYK 76 / 41 / 0 / 4

HEX #3C91F5

RGB 60 145 245

HSL 212.43, 0.9%, 0.6%

LAB 59.71, 8.2, -57.34

 

CMYK 30 / 16 / 0 / 30

HEX #7E96B3

RGB 126 150 179

HSL 212.83, 0.26%, 0.6%

LAB 61.22, -1.57, -17.88

 

CMYK 13 / 7 / 0 / 36

HEX #8E98A3

RGB 142 152 163

HSL 211.43, 0.1%, 0.6%

LAB 62.38, -1.27, -6.99

 

CMYK 0 / 4 / 8 / 38

HEX #9F9992

RGB 159 153 146

HSL 32.31, 0.06%, 0.6%

LAB 63.53, 0.91, 4.45

 

CMYK 0 / 12 / 26 / 31

HEX #AF9A82

RGB 175 154 130

HSL 32, 0.22%, 0.6%

LAB 64.83, 3.94, 15.45

 

CMYK 0 / 19 / 41 / 25

HEX #C09C71

RGB 192 156 113

HSL 32.66, 0.39%, 0.6%

LAB 66.65, 7.52, 27.55

 

CMYK 30 / 0 / 0 / 30

HEX #7EB3B3

RGB 126 179 179

HSL 180, 0.26%, 0.6%

LAB 69.42, -17.26, -5.59

 

CMYK 30 / 8 / 0 / 30

HEX #7EA5B3

RGB 126 165 179

HSL 195.85, 0.26%, 0.6%

LAB 65.44, -9.85, -11.53

 

CMYK 30 / 16 / 0 / 30

HEX #7E97B3

RGB 126 151 179

HSL 211.7, 0.26%, 0.6%

LAB 61.5, -2.13, -17.46

 

CMYK 30 / 23 / 0 / 30

HEX #7E89B3

RGB 126 137 179

HSL 227.55, 0.26%, 0.6%

LAB 57.64, 5.86, -23.36

 

CMYK 27 / 30 / 0 / 30

HEX #827EB3

RGB 130 126 179

HSL 244.53, 0.26%, 0.6%

LAB 54.99, 13.52, -27.41

 

CMYK 41 / 22 / 0 / 45

HEX #526D8C

RGB 82 109 140

HSL 212.07, 0.26%, 0.44%

LAB 45.12, -1.39, -20.14

 

CMYK 39 / 21 / 0 / 36

HEX #6481A4

RGB 100 129 164

HSL 212.81, 0.26%, 0.52%

LAB 53.05, -1.19, -21.95

 

CMYK 30 / 16 / 0 / 30

HEX #7E96B3

RGB 126 150 179

HSL 212.83, 0.26%, 0.6%

LAB 61.22, -1.57, -17.88

 

CMYK 22 / 11 / 0 / 24

HEX #98ACC2

RGB 152 172 194

HSL 211.43, 0.26%, 0.68%

LAB 69.52, -2.11, -13.55

 

CMYK 15 / 8 / 0 / 18

HEX #B2C1D2

RGB 178 193 210

HSL 211.88, 0.26%, 0.76%

LAB 77.43, -1.65, -10.26

 

CMYK 29 / 16 / 0 / 29

HEX #8098B4

RGB 128 152 180

HSL 212.31, 0.26%, 0.6%

LAB 61.95, -1.83, -17.34

 

CMYK 8 / 30 / 0 / 30

HEX #A57EB3

RGB 165 126 179

HSL 284.15, 0.26%, 0.6%

LAB 58.2, 24.75, -22.2

 

CMYK 4 / 0 / 30 / 30

HEX #ACB37E

RGB 172 179 126

HSL 67.92, 0.26%, 0.6%

LAB 71.23, -11.22, 26.31

 

CMYK 29 / 16 / 0 / 29

HEX #8098B4

RGB 128 152 180

HSL 212.31, 0.26%, 0.6%

LAB 61.95, -1.83, -17.34

 

CMYK 0 / 30 / 16 / 30

HEX #B37E97

RGB 179 126 151

HSL 331.7, 0.26%, 0.6%

LAB 58.73, 24.39, -5.18

 

CMYK 16 / 0 / 30 / 30

HEX #97B37E

RGB 151 179 126

HSL 91.7, 0.26%, 0.6%

LAB 69.7, -19.23, 24

 

CMYK 29 / 16 / 0 / 29

HEX #8098B4

RGB 128 152 180

HSL 212.31, 0.26%, 0.6%

LAB 61.95, -1.83, -17.34

 

CMYK 8 / 30 / 0 / 30

HEX #A57EB3

RGB 165 126 179

HSL 284.15, 0.26%, 0.6%

LAB 58.2, 24.75, -22.2

 

CMYK 0 / 14 / 30 / 30

HEX #B39A7E

RGB 179 154 126

HSL 31.7, 0.26%, 0.6%

LAB 65.12, 4.97, 18.13

 

CMYK 22 / 0 / 30 / 30

HEX #8CB37E

RGB 140 179 126

HSL 104.15, 0.26%, 0.6%

LAB 68.98, -23.25, 22.91

 

CMYK 29 / 16 / 0 / 29

HEX #8098B4

RGB 128 152 180

HSL 212.31, 0.26%, 0.6%

LAB 61.95, -1.83, -17.34

 

CMYK 0 / 30 / 1 / 30

HEX #B37EB1

RGB 179 126 177

HSL 302.26, 0.26%, 0.6%

LAB 59.6, 29.04, -18.79

 

CMYK 0 / 14 / 30 / 30

HEX #B39A7E

RGB 179 154 126

HSL 31.7, 0.26%, 0.6%

LAB 65.12, 4.97, 18.13

 

CMYK 30 / 0 / 28 / 30

HEX #7EB380

RGB 126 179 128

HSL 122.26, 0.26%, 0.6%

LAB 68.19, -27.77, 20.62

 

Description

Color code: HEX #8098B4 | qconv.com Color code: HEX #8098B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 152 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 152 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 16 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 16% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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