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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8096CB it is the complementary color #7F6934. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8096CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8096CB shade: #8596C6, #96A8D9, #A7BAEC, #B8CCFF and #C9DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8096CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8096CB shade: #8096CB, #6F84B8, #5E72A5, #4D6092 and #3C4E7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8096CB shade: #8096CB, #8082CB, #9280CB, #A680CB and #BB80CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8096CB shade: #8096CB, #8082CB and #8080CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8096CB shade matches the following richer shades: #8096CB, #7190D9, #638AE8 and #5484F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8096CB shade: #8096CB, #8E9CBC, #9DA2AE, #ABA89F and #BAAE91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8096CB shade: #80BECB, #80AACB, #8096CB, #8082CB and #9180CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8096CB shade: #4866B0, #627EBF, #8096CB, #9DAED7 and #BAC6E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8096CB shade: #8096CB, #C380CB and #B4CB80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8096CB shade: #8096CB, #CB8096 and #96CB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8096CB shade: #8096CB, #C380CB, #CBB480 and #87CB80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8096CB shade: #8096CB, #CB80BC, #CBB480 and #80CB8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

Complementary color

CMYK 0 / 17 / 59 / 50

HEX #7F6934

RGB 127 105 52

HSL 42.4, 0.42%, 0.35%

LAB 45.45, 1.84, 32.65

 

CMYK 33 / 24 / 0 / 22

HEX #8596C6

RGB 133 150 198

HSL 224.31, 0.36%, 0.65%

LAB 62.4, 5.38, -26.73

 

CMYK 31 / 23 / 0 / 15

HEX #96A8D9

RGB 150 168 217

HSL 223.88, 0.47%, 0.72%

LAB 69.11, 5.02, -26.86

 

CMYK 29 / 21 / 0 / 7

HEX #A7BAEC

RGB 167 186 236

HSL 223.48, 0.64%, 0.79%

LAB 75.69, 4.69, -27.02

 

CMYK 28 / 20 / 0 / 0

HEX #B8CCFF

RGB 184 204 255

HSL 223.1, 1%, 0.86%

LAB 82.16, 4.4, -27.2

 

CMYK 21 / 13 / 0 / 0

HEX #C9DEFF

RGB 201 222 255

HSL 216.67, 1%, 0.89%

LAB 87.91, -0.13, -18.36

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 40 / 28 / 0 / 28

HEX #6F84B8

RGB 111 132 184

HSL 222.74, 0.34%, 0.58%

LAB 55.42, 5.77, -29.72

 

CMYK 43 / 31 / 0 / 35

HEX #5E72A5

RGB 94 114 165

HSL 223.1, 0.28%, 0.51%

LAB 48.42, 6.35, -29.72

 

CMYK 47 / 34 / 0 / 43

HEX #4D6092

RGB 77 96 146

HSL 223.48, 0.31%, 0.44%

LAB 41.25, 7.06, -29.77

 

CMYK 53 / 39 / 0 / 50

HEX #3C4E7F

RGB 60 78 127

HSL 223.88, 0.36%, 0.37%

LAB 33.86, 7.96, -29.89

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 37 / 36 / 0 / 20

HEX #8082CB

RGB 128 130 203

HSL 238.4, 0.42%, 0.65%

LAB 56.94, 16.94, -38.06

 

CMYK 28 / 37 / 0 / 20

HEX #9280CB

RGB 146 128 203

HSL 254.4, 0.42%, 0.65%

LAB 57.91, 23.21, -36.45

 

CMYK 18 / 37 / 0 / 20

HEX #A680CB

RGB 166 128 203

HSL 270.4, 0.42%, 0.65%

LAB 59.76, 29.17, -33.42

 

CMYK 8 / 37 / 0 / 20

HEX #BB80CB

RGB 187 128 203

HSL 287.2, 0.42%, 0.65%

LAB 61.93, 35.64, -29.88

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 37 / 36 / 0 / 20

HEX #8082CB

RGB 128 130 203

HSL 238.4, 0.42%, 0.65%

LAB 56.94, 16.94, -38.06

 

CMYK 37 / 37 / 0 / 20

HEX #8080CB

RGB 128 128 203

HSL 240, 0.42%, 0.65%

LAB 56.43, 18.12, -38.87

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 48 / 34 / 0 / 15

HEX #7190D9

RGB 113 144 217

HSL 222.12, 0.58%, 0.65%

LAB 60.31, 8.88, -40.71

 

CMYK 57 / 41 / 0 / 9

HEX #638AE8

RGB 99 138 232

HSL 222.41, 0.74%, 0.65%

LAB 58.65, 14.04, -51.73

 

CMYK 66 / 46 / 0 / 4

HEX #5484F6

RGB 84 132 246

HSL 222.22, 0.9%, 0.65%

LAB 57.12, 19.67, -62

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 24 / 17 / 0 / 26

HEX #8E9CBC

RGB 142 156 188

HSL 221.74, 0.26%, 0.65%

LAB 64.29, 2.2, -18.19

 

CMYK 10 / 7 / 0 / 32

HEX #9DA2AE

RGB 157 162 174

HSL 222.35, 0.09%, 0.65%

LAB 66.57, 0.64, -6.82

 

CMYK 0 / 2 / 7 / 33

HEX #ABA89F

RGB 171 168 159

HSL 45, 0.07%, 0.65%

LAB 68.87, -0.56, 5.02

 

CMYK 0 / 6 / 22 / 27

HEX #BAAE91

RGB 186 174 145

HSL 42.44, 0.23%, 0.65%

LAB 71.39, -0.44, 16.45

 

CMYK 37 / 6 / 0 / 20

HEX #80BECB

RGB 128 190 203

HSL 190.4, 0.42%, 0.65%

LAB 73.37, -16.56, -12.85

 

CMYK 37 / 16 / 0 / 20

HEX #80AACB

RGB 128 170 203

HSL 206.4, 0.42%, 0.65%

LAB 67.76, -5.91, -21.33

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 37 / 36 / 0 / 20

HEX #8082CB

RGB 128 130 203

HSL 238.4, 0.42%, 0.65%

LAB 56.94, 16.94, -38.06

 

CMYK 29 / 37 / 0 / 20

HEX #9180CB

RGB 145 128 203

HSL 253.6, 0.42%, 0.65%

LAB 57.82, 22.91, -36.59

 

CMYK 59 / 42 / 0 / 31

HEX #4866B0

RGB 72 102 176

HSL 222.69, 0.42%, 0.49%

LAB 44.25, 12.04, -42.82

 

CMYK 49 / 34 / 0 / 25

HEX #627EBF

RGB 98 126 191

HSL 221.94, 0.42%, 0.57%

LAB 53.25, 8.03, -37.17

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 27 / 19 / 0 / 16

HEX #9DAED7

RGB 157 174 215

HSL 222.41, 0.42%, 0.73%

LAB 71.11, 3.26, -22.66

 

CMYK 18 / 13 / 0 / 11

HEX #BAC6E3

RGB 186 198 227

HSL 222.44, 0.42%, 0.81%

LAB 79.83, 1.86, -15.77

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 4 / 37 / 0 / 20

HEX #C380CB

RGB 195 128 203

HSL 293.6, 0.42%, 0.65%

LAB 62.8, 38.13, -28.45

 

CMYK 11 / 0 / 37 / 20

HEX #B4CB80

RGB 180 203 128

HSL 78.4, 0.42%, 0.65%

LAB 78.45, -20.09, 34.88

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 0 / 37 / 26 / 20

HEX #CB8096

RGB 203 128 150

HSL 342.4, 0.42%, 0.65%

LAB 61.94, 31.9, 0.43

 

CMYK 26 / 0 / 37 / 20

HEX #96CB80

RGB 150 203 128

HSL 102.4, 0.42%, 0.65%

LAB 76.53, -31.04, 32.01

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 4 / 37 / 0 / 20

HEX #C380CB

RGB 195 128 203

HSL 293.6, 0.42%, 0.65%

LAB 62.8, 38.13, -28.45

 

CMYK 0 / 11 / 37 / 20

HEX #CBB480

RGB 203 180 128

HSL 41.6, 0.42%, 0.65%

LAB 74.12, 0.79, 29.56

 

CMYK 33 / 0 / 37 / 20

HEX #87CB80

RGB 135 203 128

HSL 114.4, 0.42%, 0.65%

LAB 75.71, -36.1, 30.79

 

CMYK 37 / 26 / 0 / 20

HEX #8096CB

RGB 128 150 203

HSL 222.4, 0.42%, 0.65%

LAB 62.27, 5.29, -29.77

 

CMYK 0 / 37 / 7 / 20

HEX #CB80BC

RGB 203 128 188

HSL 312, 0.42%, 0.65%

LAB 63.15, 37.93, -19.39

 

CMYK 0 / 11 / 37 / 20

HEX #CBB480

RGB 203 180 128

HSL 41.6, 0.42%, 0.65%

LAB 74.12, 0.79, 29.56

 

CMYK 37 / 0 / 30 / 20

HEX #80CB8F

RGB 128 203 143

HSL 132, 0.42%, 0.65%

LAB 75.63, -35.83, 22.77

 

Description

Color code: HEX #8096CB | qconv.com Color code: HEX #8096CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 150 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 150 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 26% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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