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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #808A50 it is the complementary color #7F75AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #808A50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #808A50 shade: #858A4B, #969C5E, #A7AE71, #B8C084 and #C9D297

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #808A50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #808A50 shade: #808A50, #6F783D, #5E662A, #4D5417 and #3C4204

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #808A50 shade: #818B50, #8B8550, #8B7550, #8B6550 and #8B5550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #808A50 shade: #818B50, #718B50, #618B50, #518B50 and #508B5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #808A50 shade matches the following richer shades: #818B50, #8C9C3E, #98AE2C, #A3C01A and #AFD209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #808A50 shade: #818B50, #757961, #696773, #5E5685 and #524497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #808A50 shade: #8B7550, #8B8550, #818B50, #718B50 and #618B50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #808A50 shade: #505631, #687140, #818B50, #98A360 and #A9B37A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #808A50 shade: #808A50, #508B65 and #7D508B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #808A50 shade: #808A50, #50818B and #8B5081

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #808A50 shade: #808A50, #508B65, #59508B and #8B5075

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #808A50 shade: #808A50, #508B77, #59508B and #8B5063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 42 / 46

HEX #808A50

RGB 128 138 80

HSL 70.34, 0.27%, 0.43%

LAB 55.43, -13.29, 29.8

 

Complementary color

CMYK 27 / 33 / 0 / 31

HEX #7F75AF

RGB 127 117 175

HSL 250.34, 0.27%, 0.57%

LAB 52.21, 16.91, -29.45

 

CMYK 4 / 0 / 46 / 46

HEX #858A4B

RGB 133 138 75

HSL 64.76, 0.3%, 0.42%

LAB 55.76, -11.75, 32.98

 

CMYK 4 / 0 / 40 / 39

HEX #969C5E

RGB 150 156 94

HSL 65.81, 0.25%, 0.49%

LAB 62.57, -12.06, 31.73

 

CMYK 4 / 0 / 35 / 32

HEX #A7AE71

RGB 167 174 113

HSL 66.89, 0.27%, 0.56%

LAB 69.24, -12.3, 30.53

 

CMYK 4 / 0 / 31 / 25

HEX #B8C084

RGB 184 192 132

HSL 68, 0.32%, 0.64%

LAB 75.8, -12.48, 29.38

 

CMYK 4 / 0 / 28 / 18

HEX #C9D297

RGB 201 210 151

HSL 69.15, 0.4%, 0.71%

LAB 82.24, -12.64, 28.29

 

CMYK 7 / 0 / 42 / 46

HEX #808A50

RGB 128 138 80

HSL 70.34, 0.27%, 0.43%

LAB 55.43, -13.29, 29.8

 

CMYK 8 / 0 / 49 / 53

HEX #6F783D

RGB 111 120 61

HSL 69.15, 0.33%, 0.35%

LAB 48.45, -13.02, 31.07

 

CMYK 8 / 0 / 59 / 60

HEX #5E662A

RGB 94 102 42

HSL 68, 0.42%, 0.28%

LAB 41.29, -12.62, 32.3

 

CMYK 8 / 0 / 73 / 67

HEX #4D5417

RGB 77 84 23

HSL 66.89, 0.57%, 0.21%

LAB 33.94, -12, 33.21

 

CMYK 9 / 0 / 94 / 74

HEX #3C4204

RGB 60 66 4

HSL 65.81, 0.89%, 0.14%

LAB 26.35, -11.07, 33.24

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 0 / 4 / 42 / 45

HEX #8B8550

RGB 139 133 80

HSL 53.9, 0.27%, 0.43%

LAB 54.91, -5.88, 29.34

 

CMYK 0 / 16 / 42 / 45

HEX #8B7550

RGB 139 117 80

HSL 37.63, 0.27%, 0.43%

LAB 50.44, 3.15, 23.59

 

CMYK 0 / 27 / 42 / 45

HEX #8B6550

RGB 139 101 80

HSL 21.36, 0.27%, 0.43%

LAB 46.14, 12.46, 17.9

 

CMYK 0 / 39 / 42 / 45

HEX #8B5550

RGB 139 85 80

HSL 5.08, 0.27%, 0.43%

LAB 42.1, 21.82, 12.39

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 19 / 0 / 42 / 45

HEX #718B50

RGB 113 139 80

HSL 86.44, 0.27%, 0.43%

LAB 54.61, -19.96, 28.54

 

CMYK 30 / 0 / 42 / 45

HEX #618B50

RGB 97 139 80

HSL 102.71, 0.27%, 0.43%

LAB 53.58, -26.12, 27.01

 

CMYK 42 / 0 / 42 / 45

HEX #518B50

RGB 81 139 80

HSL 118.98, 0.27%, 0.43%

LAB 52.72, -31.7, 25.73

 

CMYK 42 / 0 / 32 / 45

HEX #508B5E

RGB 80 139 94

HSL 134.24, 0.27%, 0.43%

LAB 52.93, -29.56, 18.2

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 10 / 0 / 60 / 39

HEX #8C9C3E

RGB 140 156 62

HSL 70.21, 0.43%, 0.43%

LAB 61.39, -19.45, 46.16

 

CMYK 13 / 0 / 75 / 32

HEX #98AE2C

RGB 152 174 44

HSL 70.15, 0.6%, 0.43%

LAB 67.37, -24.55, 59.82

 

CMYK 15 / 0 / 86 / 25

HEX #A3C01A

RGB 163 192 26

HSL 70.48, 0.76%, 0.43%

LAB 73.26, -29.31, 70.23

 

CMYK 17 / 0 / 96 / 18

HEX #AFD209

RGB 175 210 9

HSL 70.45, 0.92%, 0.43%

LAB 79.17, -33.12, 77.72

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 3 / 0 / 20 / 53

HEX #757961

RGB 117 121 97

HSL 70, 0.11%, 0.43%

LAB 49.88, -6, 12.68

 

CMYK 9 / 10 / 0 / 55

HEX #696773

RGB 105 103 115

HSL 250, 0.06%, 0.43%

LAB 44.15, 3.34, -6.44

 

CMYK 29 / 35 / 0 / 48

HEX #5E5685

RGB 94 86 133

HSL 250.21, 0.21%, 0.43%

LAB 39.12, 14.48, -25.14

 

CMYK 46 / 55 / 0 / 41

HEX #524497

RGB 82 68 151

HSL 250.12, 0.38%, 0.43%

LAB 34.32, 27.75, -43.77

 

CMYK 0 / 16 / 42 / 45

HEX #8B7550

RGB 139 117 80

HSL 37.63, 0.27%, 0.43%

LAB 50.44, 3.15, 23.59

 

CMYK 0 / 4 / 42 / 45

HEX #8B8550

RGB 139 133 80

HSL 53.9, 0.27%, 0.43%

LAB 54.91, -5.88, 29.34

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 19 / 0 / 42 / 45

HEX #718B50

RGB 113 139 80

HSL 86.44, 0.27%, 0.43%

LAB 54.61, -19.96, 28.54

 

CMYK 30 / 0 / 42 / 45

HEX #618B50

RGB 97 139 80

HSL 102.71, 0.27%, 0.43%

LAB 53.58, -26.12, 27.01

 

CMYK 7 / 0 / 43 / 66

HEX #505631

RGB 80 86 49

HSL 69.73, 0.27%, 0.26%

LAB 35.17, -9.09, 20.73

 

CMYK 8 / 0 / 43 / 56

HEX #687140

RGB 104 113 64

HSL 71.02, 0.28%, 0.35%

LAB 45.8, -11.86, 26.02

 

CMYK 7 / 0 / 42 / 45

HEX #818B50

RGB 129 139 80

HSL 70.17, 0.27%, 0.43%

LAB 55.8, -13.4, 30.29

 

CMYK 7 / 0 / 41 / 36

HEX #98A360

RGB 152 163 96

HSL 69.85, 0.27%, 0.51%

LAB 64.74, -14.68, 33.46

 

CMYK 6 / 0 / 32 / 30

HEX #A9B37A

RGB 169 179 122

HSL 70.53, 0.27%, 0.59%

LAB 70.93, -12.94, 28

 

CMYK 7 / 0 / 42 / 46

HEX #808A50

RGB 128 138 80

HSL 70.34, 0.27%, 0.43%

LAB 55.43, -13.29, 29.8

 

CMYK 42 / 0 / 27 / 45

HEX #508B65

RGB 80 139 101

HSL 141.36, 0.27%, 0.43%

LAB 53.07, -28.18, 14.43

 

CMYK 10 / 42 / 0 / 45

HEX #7D508B

RGB 125 80 139

HSL 285.76, 0.27%, 0.43%

LAB 41.15, 29.64, -25.37

 

CMYK 7 / 0 / 42 / 46

HEX #808A50

RGB 128 138 80

HSL 70.34, 0.27%, 0.43%

LAB 55.43, -13.29, 29.8

 

CMYK 42 / 7 / 0 / 45

HEX #50818B

RGB 80 129 139

HSL 190.17, 0.27%, 0.43%

LAB 51, -13.77, -10.61

 

CMYK 0 / 42 / 7 / 45

HEX #8B5081

RGB 139 80 129

HSL 310.17, 0.27%, 0.43%

LAB 42.48, 32.27, -17.1

 

CMYK 7 / 0 / 42 / 46

HEX #808A50

RGB 128 138 80

HSL 70.34, 0.27%, 0.43%

LAB 55.43, -13.29, 29.8

 

CMYK 42 / 0 / 27 / 45

HEX #508B65

RGB 80 139 101

HSL 141.36, 0.27%, 0.43%

LAB 53.07, -28.18, 14.43

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 0 / 42 / 16 / 45

HEX #8B5075

RGB 139 80 117

HSL 322.37, 0.27%, 0.43%

LAB 42.02, 30.13, -10.47

 

CMYK 7 / 0 / 42 / 46

HEX #808A50

RGB 128 138 80

HSL 70.34, 0.27%, 0.43%

LAB 55.43, -13.29, 29.8

 

CMYK 42 / 0 / 14 / 45

HEX #508B77

RGB 80 139 119

HSL 159.66, 0.27%, 0.43%

LAB 53.5, -24.22, 4.7

 

CMYK 36 / 42 / 0 / 45

HEX #59508B

RGB 89 80 139

HSL 249.15, 0.27%, 0.43%

LAB 37.34, 18.43, -31.61

 

CMYK 0 / 42 / 29 / 45

HEX #8B5063

RGB 139 80 99

HSL 340.68, 0.27%, 0.43%

LAB 41.42, 27.25, -0.27

 

Description

Color code: HEX #808A50 | qconv.com Color code: HEX #808A50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 138 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 138 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 42 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 42% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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