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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807C9B it is the complementary color #7F8364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807C9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807C9B shade: #857C96, #968EA9, #A7A0BC, #B8B2CF and #C9C4E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807C9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807C9B shade: #807C9B, #6F6A88, #5E5875, #4D4662 and #3C344F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807C9B shade: #817D9B, #897D9B, #917D9B, #997D9B and #9B7D94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807C9B shade: #817D9B and #7D7D9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807C9B shade matches the following richer shades: #817D9B, #736AAD, #6558C0, #5745D2 and #4A33E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807C9B shade: #817D9B, #8E8F88, #9CA276, #AAB563 and #B8C750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807C9B shade: #7D899B, #7D819B, #807D9B, #887D9B and #907D9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807C9B shade: #59566F, #6C6887, #817D9B, #9794AD and #AEABBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807C9B shade: #807C9B, #9B7D91 and #859B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807C9B shade: #807C9B, #9B807D and #7D9B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807C9B shade: #807C9B, #9B7D91, #979B7D and #7D9B86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807C9B shade: #807C9B, #9B7D88, #979B7D and #7D9B8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 20 / 0 / 39

HEX #807C9B

RGB 128 124 155

HSL 247.74, 0.13%, 0.55%

LAB 53.35, 8.18, -16.08

 

Complementary color

CMYK 3 / 0 / 24 / 49

HEX #7F8364

RGB 127 131 100

HSL 67.74, 0.13%, 0.45%

LAB 53.67, -7.08, 16.31

 

CMYK 11 / 17 / 0 / 41

HEX #857C96

RGB 133 124 150

HSL 260.77, 0.11%, 0.54%

LAB 53.6, 8.76, -12.75

 

CMYK 11 / 16 / 0 / 34

HEX #968EA9

RGB 150 142 169

HSL 257.78, 0.14%, 0.61%

LAB 60.51, 8.4, -13.12

 

CMYK 11 / 15 / 0 / 26

HEX #A7A0BC

RGB 167 160 188

HSL 255, 0.17%, 0.68%

LAB 67.27, 8.08, -13.5

 

CMYK 11 / 14 / 0 / 19

HEX #B8B2CF

RGB 184 178 207

HSL 252.41, 0.23%, 0.75%

LAB 73.89, 7.78, -13.88

 

CMYK 11 / 13 / 0 / 11

HEX #C9C4E2

RGB 201 196 226

HSL 250, 0.34%, 0.83%

LAB 80.4, 7.5, -14.26

 

CMYK 17 / 20 / 0 / 39

HEX #807C9B

RGB 128 124 155

HSL 247.74, 0.13%, 0.55%

LAB 53.35, 8.18, -16.08

 

CMYK 18 / 22 / 0 / 47

HEX #6F6A88

RGB 111 106 136

HSL 250, 0.12%, 0.47%

LAB 46.26, 8.57, -15.81

 

CMYK 20 / 25 / 0 / 54

HEX #5E5875

RGB 94 88 117

HSL 252.41, 0.14%, 0.4%

LAB 38.97, 9.02, -15.57

 

CMYK 21 / 29 / 0 / 62

HEX #4D4662

RGB 77 70 98

HSL 255, 0.17%, 0.33%

LAB 31.44, 9.55, -15.37

 

CMYK 24 / 34 / 0 / 69

HEX #3C344F

RGB 60 52 79

HSL 257.78, 0.21%, 0.26%

LAB 23.61, 10.19, -15.22

 

CMYK 17 / 19 / 0 / 39

HEX #817D9B

RGB 129 125 155

HSL 248, 0.13%, 0.55%

LAB 53.71, 7.93, -15.53

 

CMYK 12 / 19 / 0 / 39

HEX #897D9B

RGB 137 125 155

HSL 264, 0.13%, 0.55%

LAB 54.4, 10.67, -14.42

 

CMYK 6 / 19 / 0 / 39

HEX #917D9B

RGB 145 125 155

HSL 280, 0.13%, 0.55%

LAB 55.13, 13.46, -13.25

 

CMYK 1 / 19 / 0 / 39

HEX #997D9B

RGB 153 125 155

HSL 296, 0.13%, 0.55%

LAB 55.89, 16.29, -12.02

 

CMYK 0 / 19 / 5 / 39

HEX #9B7D94

RGB 155 125 148

HSL 314, 0.13%, 0.55%

LAB 55.86, 15.65, -7.99

 

CMYK 17 / 19 / 0 / 39

HEX #817D9B

RGB 129 125 155

HSL 248, 0.13%, 0.55%

LAB 53.71, 7.93, -15.53

 

CMYK 19 / 19 / 0 / 39

HEX #7D7D9B

RGB 125 125 155

HSL 240, 0.13%, 0.55%

LAB 53.38, 6.59, -16.06

 

CMYK 17 / 19 / 0 / 39

HEX #817D9B

RGB 129 125 155

HSL 248, 0.13%, 0.55%

LAB 53.71, 7.93, -15.53

 

CMYK 34 / 39 / 0 / 32

HEX #736AAD

RGB 115 106 173

HSL 248.06, 0.29%, 0.55%

LAB 48.22, 19.42, -34.59

 

CMYK 47 / 54 / 0 / 25

HEX #6558C0

RGB 101 88 192

HSL 247.5, 0.45%, 0.55%

LAB 43.58, 32.27, -53.11

 

CMYK 59 / 67 / 0 / 18

HEX #5745D2

RGB 87 69 210

HSL 247.66, 0.61%, 0.55%

LAB 39.47, 46.38, -70.26

 

CMYK 68 / 78 / 0 / 10

HEX #4A33E5

RGB 74 51 229

HSL 247.75, 0.77%, 0.55%

LAB 36.89, 59.94, -85.44

 

CMYK 17 / 19 / 0 / 39

HEX #817D9B

RGB 129 125 155

HSL 248, 0.13%, 0.55%

LAB 53.71, 7.93, -15.53

 

CMYK 1 / 0 / 5 / 44

HEX #8E8F88

RGB 142 143 136

HSL 68.57, 0.03%, 0.55%

LAB 59.13, -1.7, 3.59

 

CMYK 4 / 0 / 27 / 36

HEX #9CA276

RGB 156 162 118

HSL 68.18, 0.19%, 0.55%

LAB 65.13, -9.66, 22.23

 

CMYK 6 / 0 / 45 / 29

HEX #AAB563

RGB 170 181 99

HSL 68.05, 0.36%, 0.55%

LAB 71.21, -16.32, 40.31

 

CMYK 8 / 0 / 60 / 22

HEX #B8C750

RGB 184 199 80

HSL 67.56, 0.52%, 0.55%

LAB 77.05, -21.34, 56.32

 

CMYK 19 / 12 / 0 / 39

HEX #7D899B

RGB 125 137 155

HSL 216, 0.13%, 0.55%

LAB 56.7, -0.35, -11.04

 

CMYK 19 / 17 / 0 / 39

HEX #7D819B

RGB 125 129 155

HSL 232, 0.13%, 0.55%

LAB 54.48, 4.25, -14.4

 

CMYK 17 / 19 / 0 / 39

HEX #807D9B

RGB 128 125 155

HSL 246, 0.13%, 0.55%

LAB 53.62, 7.59, -15.67

 

CMYK 12 / 19 / 0 / 39

HEX #887D9B

RGB 136 125 155

HSL 262, 0.13%, 0.55%

LAB 54.31, 10.33, -14.56

 

CMYK 7 / 19 / 0 / 39

HEX #907D9B

RGB 144 125 155

HSL 278, 0.13%, 0.55%

LAB 55.03, 13.11, -13.4

 

CMYK 20 / 23 / 0 / 56

HEX #59566F

RGB 89 86 111

HSL 247.2, 0.13%, 0.39%

LAB 37.71, 7, -13.83

 

CMYK 20 / 23 / 0 / 47

HEX #6C6887

RGB 108 104 135

HSL 247.74, 0.13%, 0.47%

LAB 45.41, 8.51, -16.53

 

CMYK 17 / 19 / 0 / 39

HEX #817D9B

RGB 129 125 155

HSL 248, 0.13%, 0.55%

LAB 53.71, 7.93, -15.53

 

CMYK 13 / 14 / 0 / 32

HEX #9794AD

RGB 151 148 173

HSL 247.2, 0.13%, 0.63%

LAB 62.32, 6.21, -12.66

 

CMYK 9 / 10 / 0 / 25

HEX #AEABBF

RGB 174 171 191

HSL 249, 0.14%, 0.71%

LAB 70.79, 4.98, -9.82

 

CMYK 17 / 20 / 0 / 39

HEX #807C9B

RGB 128 124 155

HSL 247.74, 0.13%, 0.55%

LAB 53.35, 8.18, -16.08

 

CMYK 0 / 19 / 6 / 39

HEX #9B7D91

RGB 155 125 145

HSL 320, 0.13%, 0.55%

LAB 55.77, 15.08, -6.39

 

CMYK 14 / 0 / 19 / 39

HEX #859B7D

RGB 133 155 125

HSL 104, 0.13%, 0.55%

LAB 61.58, -13.61, 13.19

 

CMYK 17 / 20 / 0 / 39

HEX #807C9B

RGB 128 124 155

HSL 247.74, 0.13%, 0.55%

LAB 53.35, 8.18, -16.08

 

CMYK 0 / 17 / 19 / 39

HEX #9B807D

RGB 155 128 125

HSL 6, 0.13%, 0.55%

LAB 55.98, 9.86, 5.51

 

CMYK 19 / 0 / 17 / 39

HEX #7D9B80

RGB 125 155 128

HSL 126, 0.13%, 0.55%

LAB 61.1, -15.96, 10.76

 

CMYK 17 / 20 / 0 / 39

HEX #807C9B

RGB 128 124 155

HSL 247.74, 0.13%, 0.55%

LAB 53.35, 8.18, -16.08

 

CMYK 0 / 19 / 6 / 39

HEX #9B7D91

RGB 155 125 145

HSL 320, 0.13%, 0.55%

LAB 55.77, 15.08, -6.39

 

CMYK 3 / 0 / 19 / 39

HEX #979B7D

RGB 151 155 125

HSL 68, 0.13%, 0.55%

LAB 62.93, -6.79, 15.28

 

CMYK 19 / 0 / 14 / 39

HEX #7D9B86

RGB 125 155 134

HSL 138, 0.13%, 0.55%

LAB 61.24, -14.81, 7.58

 

CMYK 17 / 20 / 0 / 39

HEX #807C9B

RGB 128 124 155

HSL 247.74, 0.13%, 0.55%

LAB 53.35, 8.18, -16.08

 

CMYK 0 / 19 / 12 / 39

HEX #9B7D88

RGB 155 125 136

HSL 338, 0.13%, 0.55%

LAB 55.5, 13.44, -1.57

 

CMYK 3 / 0 / 19 / 39

HEX #979B7D

RGB 151 155 125

HSL 68, 0.13%, 0.55%

LAB 62.93, -6.79, 15.28

 

CMYK 19 / 0 / 8 / 39

HEX #7D9B8F

RGB 125 155 143

HSL 156, 0.13%, 0.55%

LAB 61.47, -12.98, 2.83

 

Description

Color code: HEX #807C9B | qconv.com Color code: HEX #807C9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 124 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 124 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 20 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 20% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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