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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807B8B it is the complementary color #7F8474. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807B8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807B8B shade: #857B86, #968D99, #A79FAC, #B8B1BF and #C9C3D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807B8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807B8B shade: #807B8B, #6F6978, #5E5765, #4D4552 and #3C333F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807B8B shade: #7F7A89, #837A89, #877A89, #897A87 and #897A83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807B8B shade: #7F7A89, #7B7A89 and #7A7A89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807B8B shade matches the following richer shades: #7F7A89, #77669D, #7052B1, #683DC6 and #6029DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807B8B shade: #7F7A89, #868E75, #8EA261, #95B74C and #9DCB38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807B8B shade: #7A7E89, #7B7A89, #7F7A89, #837A89 and #877A89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807B8B shade: #56535E, #6A6673, #7F7A89, #94909C and #A9A6B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807B8B shade: #807B8B, #897A82 and #7C897A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807B8B shade: #807B8B, #897F7A and #7A897F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807B8B shade: #807B8B, #897A82, #85897A and #7A8982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807B8B shade: #807B8B, #897A7D, #85897A and #7A8986

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 12 / 0 / 45

HEX #807B8B

RGB 128 123 139

HSL 258.75, 0.06%, 0.51%

LAB 52.53, 5.17, -7.99

 

Complementary color

CMYK 4 / 0 / 12 / 48

HEX #7F8474

RGB 127 132 116

HSL 78.75, 0.06%, 0.49%

LAB 54.32, -4.93, 8

 

CMYK 1 / 8 / 0 / 47

HEX #857B86

RGB 133 123 134

HSL 294.55, 0.04%, 0.5%

LAB 52.81, 5.95, -4.6

 

CMYK 2 / 8 / 0 / 40

HEX #968D99

RGB 150 141 153

HSL 285, 0.06%, 0.58%

LAB 59.74, 5.65, -5.16

 

CMYK 3 / 8 / 0 / 33

HEX #A79FAC

RGB 167 159 172

HSL 276.92, 0.07%, 0.65%

LAB 66.51, 5.37, -5.7

 

CMYK 4 / 7 / 0 / 25

HEX #B8B1BF

RGB 184 177 191

HSL 270, 0.1%, 0.72%

LAB 73.15, 5.11, -6.23

 

CMYK 4 / 7 / 0 / 18

HEX #C9C3D2

RGB 201 195 210

HSL 264, 0.14%, 0.79%

LAB 79.67, 4.87, -6.75

 

CMYK 8 / 12 / 0 / 45

HEX #807B8B

RGB 128 123 139

HSL 258.75, 0.06%, 0.51%

LAB 52.53, 5.17, -7.99

 

CMYK 8 / 13 / 0 / 53

HEX #6F6978

RGB 111 105 120

HSL 264, 0.07%, 0.44%

LAB 45.41, 5.48, -7.51

 

CMYK 7 / 14 / 0 / 60

HEX #5E5765

RGB 94 87 101

HSL 270, 0.07%, 0.37%

LAB 38.08, 5.82, -7.02

 

CMYK 6 / 16 / 0 / 68

HEX #4D4552

RGB 77 69 82

HSL 276.92, 0.09%, 0.3%

LAB 30.5, 6.22, -6.53

 

CMYK 5 / 19 / 0 / 75

HEX #3C333F

RGB 60 51 63

HSL 285, 0.11%, 0.22%

LAB 22.61, 6.69, -6.02

 

CMYK 7 / 11 / 0 / 46

HEX #7F7A89

RGB 127 122 137

HSL 260, 0.06%, 0.51%

LAB 52.1, 4.96, -7.46

 

CMYK 4 / 11 / 0 / 46

HEX #837A89

RGB 131 122 137

HSL 276, 0.06%, 0.51%

LAB 52.45, 6.42, -6.9

 

CMYK 1 / 11 / 0 / 46

HEX #877A89

RGB 135 122 137

HSL 292, 0.06%, 0.51%

LAB 52.81, 7.88, -6.33

 

CMYK 0 / 11 / 1 / 46

HEX #897A87

RGB 137 122 135

HSL 308, 0.06%, 0.51%

LAB 52.93, 8.22, -4.96

 

CMYK 0 / 11 / 4 / 46

HEX #897A83

RGB 137 122 131

HSL 324, 0.06%, 0.51%

LAB 52.81, 7.44, -2.8

 

CMYK 7 / 11 / 0 / 46

HEX #7F7A89

RGB 127 122 137

HSL 260, 0.06%, 0.51%

LAB 52.1, 4.96, -7.46

 

CMYK 10 / 11 / 0 / 46

HEX #7B7A89

RGB 123 122 137

HSL 244, 0.06%, 0.51%

LAB 51.76, 3.53, -8

 

CMYK 11 / 11 / 0 / 46

HEX #7A7A89

RGB 122 122 137

HSL 240, 0.06%, 0.51%

LAB 51.68, 3.17, -8.14

 

CMYK 7 / 11 / 0 / 46

HEX #7F7A89

RGB 127 122 137

HSL 260, 0.06%, 0.51%

LAB 52.1, 4.96, -7.46

 

CMYK 24 / 35 / 0 / 38

HEX #77669D

RGB 119 102 157

HSL 258.55, 0.22%, 0.51%

LAB 46.79, 18.84, -27.41

 

CMYK 37 / 54 / 0 / 31

HEX #7052B1

RGB 112 82 177

HSL 258.95, 0.38%, 0.51%

LAB 42.24, 34.16, -46.45

 

CMYK 47 / 69 / 0 / 22

HEX #683DC6

RGB 104 61 198

HSL 258.83, 0.55%, 0.51%

LAB 38.48, 50.02, -64.87

 

CMYK 56 / 81 / 0 / 15

HEX #6029DA

RGB 96 41 218

HSL 258.64, 0.71%, 0.51%

LAB 36.24, 63.39, -80.15

 

CMYK 7 / 11 / 0 / 46

HEX #7F7A89

RGB 127 122 137

HSL 260, 0.06%, 0.51%

LAB 52.1, 4.96, -7.46

 

CMYK 6 / 0 / 18 / 44

HEX #868E75

RGB 134 142 117

HSL 79.2, 0.1%, 0.51%

LAB 57.75, -7.6, 12.35

 

CMYK 12 / 0 / 40 / 36

HEX #8EA261

RGB 142 162 97

HSL 78.46, 0.26%, 0.51%

LAB 63.72, -18.06, 31.48

 

CMYK 19 / 0 / 58 / 28

HEX #95B74C

RGB 149 183 76

HSL 79.07, 0.43%, 0.51%

LAB 70.02, -27.97, 49.59

 

CMYK 23 / 0 / 72 / 20

HEX #9DCB38

RGB 157 203 56

HSL 78.78, 0.59%, 0.51%

LAB 76.17, -35.61, 64.3

 

CMYK 11 / 8 / 0 / 46

HEX #7A7E89

RGB 122 126 137

HSL 224, 0.06%, 0.51%

LAB 52.8, 0.85, -6.47

 

CMYK 10 / 11 / 0 / 46

HEX #7B7A89

RGB 123 122 137

HSL 244, 0.06%, 0.51%

LAB 51.76, 3.53, -8

 

CMYK 7 / 11 / 0 / 46

HEX #7F7A89

RGB 127 122 137

HSL 260, 0.06%, 0.51%

LAB 52.1, 4.96, -7.46

 

CMYK 4 / 11 / 0 / 46

HEX #837A89

RGB 131 122 137

HSL 276, 0.06%, 0.51%

LAB 52.45, 6.42, -6.9

 

CMYK 1 / 11 / 0 / 46

HEX #877A89

RGB 135 122 137

HSL 292, 0.06%, 0.51%

LAB 52.81, 7.88, -6.33

 

CMYK 9 / 12 / 0 / 63

HEX #56535E

RGB 86 83 94

HSL 256.36, 0.06%, 0.35%

LAB 35.93, 3.64, -5.95

 

CMYK 8 / 11 / 0 / 55

HEX #6A6673

RGB 106 102 115

HSL 258.46, 0.06%, 0.43%

LAB 43.95, 4.32, -6.72

 

CMYK 7 / 11 / 0 / 46

HEX #7F7A89

RGB 127 122 137

HSL 260, 0.06%, 0.51%

LAB 52.1, 4.96, -7.46

 

CMYK 5 / 8 / 0 / 39

HEX #94909C

RGB 148 144 156

HSL 260, 0.06%, 0.59%

LAB 60.47, 3.84, -5.81

 

CMYK 4 / 6 / 0 / 31

HEX #A9A6B0

RGB 169 166 176

HSL 258, 0.06%, 0.67%

LAB 68.64, 2.99, -4.77

 

CMYK 8 / 12 / 0 / 45

HEX #807B8B

RGB 128 123 139

HSL 258.75, 0.06%, 0.51%

LAB 52.53, 5.17, -7.99

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 9 / 0 / 11 / 46

HEX #7C897A

RGB 124 137 122

HSL 112, 0.06%, 0.51%

LAB 55.67, -7.74, 6.44

 

CMYK 8 / 12 / 0 / 45

HEX #807B8B

RGB 128 123 139

HSL 258.75, 0.06%, 0.51%

LAB 52.53, 5.17, -7.99

 

CMYK 0 / 7 / 11 / 46

HEX #897F7A

RGB 137 127 122

HSL 20, 0.06%, 0.51%

LAB 53.92, 2.87, 4.07

 

CMYK 11 / 0 / 7 / 46

HEX #7A897F

RGB 122 137 127

HSL 140, 0.06%, 0.51%

LAB 55.65, -7.5, 3.51

 

CMYK 8 / 12 / 0 / 45

HEX #807B8B

RGB 128 123 139

HSL 258.75, 0.06%, 0.51%

LAB 52.53, 5.17, -7.99

 

CMYK 0 / 11 / 5 / 46

HEX #897A82

RGB 137 122 130

HSL 328, 0.06%, 0.51%

LAB 52.78, 7.25, -2.25

 

CMYK 3 / 0 / 11 / 46

HEX #85897A

RGB 133 137 122

HSL 76, 0.06%, 0.51%

LAB 56.37, -4.33, 7.54

 

CMYK 11 / 0 / 5 / 46

HEX #7A8982

RGB 122 137 130

HSL 152, 0.06%, 0.51%

LAB 55.73, -6.89, 1.9

 

CMYK 8 / 12 / 0 / 45

HEX #807B8B

RGB 128 123 139

HSL 258.75, 0.06%, 0.51%

LAB 52.53, 5.17, -7.99

 

CMYK 0 / 11 / 9 / 46

HEX #897A7D

RGB 137 122 125

HSL 348, 0.06%, 0.51%

LAB 52.64, 6.3, 0.46

 

CMYK 3 / 0 / 11 / 46

HEX #85897A

RGB 133 137 122

HSL 76, 0.06%, 0.51%

LAB 56.37, -4.33, 7.54

 

CMYK 11 / 0 / 2 / 46

HEX #7A8986

RGB 122 137 134

HSL 168, 0.06%, 0.51%

LAB 55.84, -6.06, -0.25

 

Description

Color code: HEX #807B8B | qconv.com Color code: HEX #807B8B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 123 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 123 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 12 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 12% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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