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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8070AE it is the complementary color #7F8F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8070AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8070AE shade: #8570A9, #9682BC, #A794CF, #B8A6E2 and #C9B8F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8070AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8070AE shade: #8070AE, #6F5E9B, #5E4C88, #4D3A75 and #3C2862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8070AE shade: #7F6FAE, #906FAE, #A16FAE, #AE6FAA and #AE6F99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8070AE shade: #7F6FAE and #6F6FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8070AE shade matches the following richer shades: #7F6FAE, #765DC0, #6E4BD2, #6538E4 and #5C26F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8070AE shade: #7F6FAE, #88819C, #919389, #99A577 and #A2B765

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8070AE shade: #6F81AE, #6F70AE, #7F6FAE, #8F6FAE and #A06FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8070AE shade: #574981, #69579C, #7F6FAE, #9789BD and #AEA4CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8070AE shade: #8070AE, #AE6F91 and #78AE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8070AE shade: #8070AE, #AE7F6F and #6FAE7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8070AE shade: #8070AE, #AE6F91, #9EAE6F and #6FAE8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8070AE shade: #8070AE, #AE6F7F, #9EAE6F and #6FAE9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 36 / 0 / 32

HEX #8070AE

RGB 128 112 174

HSL 255.48, 0.28%, 0.56%

LAB 50.96, 19.93, -30.81

 

Complementary color

CMYK 11 / 0 / 43 / 44

HEX #7F8F51

RGB 127 143 81

HSL 75.48, 0.28%, 0.44%

LAB 56.83, -16.24, 31.02

 

CMYK 21 / 34 / 0 / 34

HEX #8570A9

RGB 133 112 169

HSL 262.11, 0.25%, 0.55%

LAB 51.2, 20.25, -27.5

 

CMYK 20 / 31 / 0 / 26

HEX #9682BC

RGB 150 130 188

HSL 260.69, 0.3%, 0.62%

LAB 58.11, 19.6, -27.59

 

CMYK 19 / 29 / 0 / 19

HEX #A794CF

RGB 167 148 207

HSL 259.32, 0.38%, 0.7%

LAB 64.88, 19.02, -27.72

 

CMYK 19 / 27 / 0 / 11

HEX #B8A6E2

RGB 184 166 226

HSL 258, 0.51%, 0.77%

LAB 71.52, 18.5, -27.87

 

CMYK 18 / 25 / 0 / 4

HEX #C9B8F5

RGB 201 184 245

HSL 256.72, 0.75%, 0.84%

LAB 78.05, 18.02, -28.04

 

CMYK 26 / 36 / 0 / 32

HEX #8070AE

RGB 128 112 174

HSL 255.48, 0.28%, 0.56%

LAB 50.96, 19.93, -30.81

 

CMYK 28 / 39 / 0 / 39

HEX #6F5E9B

RGB 111 94 155

HSL 256.72, 0.24%, 0.49%

LAB 43.87, 20.7, -30.83

 

CMYK 31 / 44 / 0 / 47

HEX #5E4C88

RGB 94 76 136

HSL 258, 0.28%, 0.42%

LAB 36.6, 21.59, -30.91

 

CMYK 34 / 50 / 0 / 54

HEX #4D3A75

RGB 77 58 117

HSL 259.32, 0.34%, 0.34%

LAB 29.13, 22.62, -31.05

 

CMYK 39 / 59 / 0 / 62

HEX #3C2862

RGB 60 40 98

HSL 260.69, 0.42%, 0.27%

LAB 21.43, 23.82, -31.22

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 17 / 36 / 0 / 32

HEX #906FAE

RGB 144 111 174

HSL 271.43, 0.28%, 0.56%

LAB 52.24, 25.5, -28.71

 

CMYK 7 / 36 / 0 / 32

HEX #A16FAE

RGB 161 111 174

HSL 287.62, 0.28%, 0.56%

LAB 54.03, 30.93, -25.78

 

CMYK 0 / 36 / 2 / 32

HEX #AE6FAA

RGB 174 111 170

HSL 303.81, 0.28%, 0.56%

LAB 55.35, 34.38, -21.31

 

CMYK 0 / 36 / 12 / 32

HEX #AE6F99

RGB 174 111 153

HSL 320, 0.28%, 0.56%

LAB 54.73, 31.32, -12.38

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 36 / 36 / 0 / 32

HEX #6F6FAE

RGB 111 111 174

HSL 240, 0.28%, 0.56%

LAB 49.26, 15.51, -33.57

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 39 / 52 / 0 / 25

HEX #765DC0

RGB 118 93 192

HSL 255.15, 0.44%, 0.56%

LAB 46.29, 33.29, -48.69

 

CMYK 48 / 64 / 0 / 18

HEX #6E4BD2

RGB 110 75 210

HSL 255.56, 0.6%, 0.56%

LAB 42.76, 46.95, -64.81

 

CMYK 56 / 75 / 0 / 11

HEX #6538E4

RGB 101 56 228

HSL 255.7, 0.76%, 0.56%

LAB 39.91, 60.25, -79.81

 

CMYK 63 / 85 / 0 / 4

HEX #5C26F6

RGB 92 38 246

HSL 255.58, 0.92%, 0.56%

LAB 38.4, 71.29, -92.52

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 13 / 17 / 0 / 39

HEX #88819C

RGB 136 129 156

HSL 255.56, 0.12%, 0.56%

LAB 55.42, 8.22, -13.47

 

CMYK 1 / 0 / 7 / 42

HEX #919389

RGB 145 147 137

HSL 72, 0.04%, 0.56%

LAB 60.51, -2.62, 5.03

 

CMYK 7 / 0 / 28 / 35

HEX #99A577

RGB 153 165 119

HSL 75.65, 0.2%, 0.56%

LAB 65.76, -12.28, 22.49

 

CMYK 11 / 0 / 45 / 28

HEX #A2B765

RGB 162 183 101

HSL 75.37, 0.36%, 0.56%

LAB 71.21, -20.32, 39.16

 

CMYK 36 / 26 / 0 / 32

HEX #6F81AE

RGB 111 129 174

HSL 222.86, 0.28%, 0.56%

LAB 54.17, 4.75, -25.93

 

CMYK 36 / 36 / 0 / 32

HEX #6F70AE

RGB 111 112 174

HSL 239.05, 0.28%, 0.56%

LAB 49.53, 14.91, -33.15

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 18 / 36 / 0 / 32

HEX #8F6FAE

RGB 143 111 174

HSL 270.48, 0.28%, 0.56%

LAB 52.13, 25.18, -28.87

 

CMYK 8 / 36 / 0 / 32

HEX #A06FAE

RGB 160 111 174

HSL 286.67, 0.28%, 0.56%

LAB 53.92, 30.61, -25.96

 

CMYK 33 / 43 / 0 / 49

HEX #574981

RGB 87 73 129

HSL 255, 0.28%, 0.4%

LAB 34.75, 19.42, -29.57

 

CMYK 33 / 44 / 0 / 39

HEX #69579C

RGB 105 87 156

HSL 255.65, 0.28%, 0.48%

LAB 41.56, 23.48, -35.11

 

CMYK 27 / 36 / 0 / 32

HEX #7F6FAE

RGB 127 111 174

HSL 255.24, 0.28%, 0.56%

LAB 50.61, 20.23, -31.35

 

CMYK 20 / 28 / 0 / 26

HEX #9789BD

RGB 151 137 189

HSL 256.15, 0.28%, 0.64%

LAB 60.02, 16.11, -25.21

 

CMYK 14 / 19 / 0 / 20

HEX #AEA4CB

RGB 174 164 203

HSL 255.38, 0.27%, 0.72%

LAB 69.37, 11.38, -18.59

 

CMYK 26 / 36 / 0 / 32

HEX #8070AE

RGB 128 112 174

HSL 255.48, 0.28%, 0.56%

LAB 50.96, 19.93, -30.81

 

CMYK 0 / 36 / 17 / 32

HEX #AE6F91

RGB 174 111 145

HSL 327.62, 0.28%, 0.56%

LAB 54.46, 29.97, -8.11

 

CMYK 31 / 0 / 36 / 32

HEX #78AE6F

RGB 120 174 111

HSL 111.43, 0.28%, 0.56%

LAB 66.07, -30.21, 26.84

 

CMYK 26 / 36 / 0 / 32

HEX #8070AE

RGB 128 112 174

HSL 255.48, 0.28%, 0.56%

LAB 50.96, 19.93, -30.81

 

CMYK 0 / 27 / 36 / 32

HEX #AE7F6F

RGB 174 127 111

HSL 15.24, 0.28%, 0.56%

LAB 57.39, 16.01, 15.85

 

CMYK 36 / 0 / 27 / 32

HEX #6FAE7F

RGB 111 174 127

HSL 135.24, 0.28%, 0.56%

LAB 65.89, -30.41, 17.87

 

CMYK 26 / 36 / 0 / 32

HEX #8070AE

RGB 128 112 174

HSL 255.48, 0.28%, 0.56%

LAB 50.96, 19.93, -30.81

 

CMYK 0 / 36 / 17 / 32

HEX #AE6F91

RGB 174 111 145

HSL 327.62, 0.28%, 0.56%

LAB 54.46, 29.97, -8.11

 

CMYK 9 / 0 / 36 / 32

HEX #9EAE6F

RGB 158 174 111

HSL 75.24, 0.28%, 0.56%

LAB 68.53, -16.11, 30.52

 

CMYK 36 / 0 / 20 / 32

HEX #6FAE8B

RGB 111 174 139

HSL 146.67, 0.28%, 0.56%

LAB 66.15, -28.05, 11.65

 

CMYK 26 / 36 / 0 / 32

HEX #8070AE

RGB 128 112 174

HSL 255.48, 0.28%, 0.56%

LAB 50.96, 19.93, -30.81

 

CMYK 0 / 36 / 27 / 32

HEX #AE6F7F

RGB 174 111 127

HSL 344.76, 0.28%, 0.56%

LAB 53.92, 27.18, 1.64

 

CMYK 9 / 0 / 36 / 32

HEX #9EAE6F

RGB 158 174 111

HSL 75.24, 0.28%, 0.56%

LAB 68.53, -16.11, 30.52

 

CMYK 36 / 0 / 9 / 32

HEX #6FAE9E

RGB 111 174 158

HSL 164.76, 0.28%, 0.56%

LAB 66.61, -23.94, 1.81

 

Description

Color code: HEX #8070AE | qconv.com Color code: HEX #8070AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 112 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 112 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 36 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 36% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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