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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #80615B it is the complementary color #7F9EA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #80615B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #80615B shade: #856156, #967369, #A7857C, #B8978F and #C9A9A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #80615B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #80615B shade: #80615B, #6F4F48, #5E3D35, #4D2B22 and #3C190F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #80615B shade: #80615B and #805B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #80615B shade: #80615B, #806B5B, #80755B, #807F5B and #77805B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #80615B shade matches the following richer shades: #80615B, #925549, #A34937, #B53D25 and #C73114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #80615B shade: #80615B, #6E6D6C, #5C797E, #4B8590 and #3991A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #80615B shade: #805B69, #805B5F, #80605B, #806A5B and #80745B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #80615B shade: #503C38, #684E49, #80615B, #97736D and #A88A85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #80615B shade: #80615B, #73805B and #5B6480

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #80615B shade: #80615B, #5B8060 and #605B80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #80615B shade: #80615B, #73805B, #5B7A80 and #685B80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #80615B shade: #80615B, #68805B, #5B7A80 and #735B80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

Complementary color

CMYK 23 / 4 / 0 / 36

HEX #7F9EA4

RGB 127 158 164

HSL 189.73, 0.17%, 0.57%

LAB 63.05, -9.31, -6.67

 

CMYK 0 / 27 / 35 / 48

HEX #856156

RGB 133 97 86

HSL 14.04, 0.21%, 0.43%

LAB 44.53, 13.01, 12

 

CMYK 0 / 23 / 30 / 41

HEX #967369

RGB 150 115 105

HSL 13.33, 0.18%, 0.5%

LAB 51.57, 12.25, 10.83

 

CMYK 0 / 20 / 26 / 35

HEX #A7857C

RGB 167 133 124

HSL 12.56, 0.2%, 0.57%

LAB 58.46, 11.6, 9.79

 

CMYK 0 / 18 / 22 / 28

HEX #B8978F

RGB 184 151 143

HSL 11.71, 0.22%, 0.64%

LAB 65.21, 11.04, 8.83

 

CMYK 0 / 16 / 19 / 21

HEX #C9A9A2

RGB 201 169 162

HSL 10.77, 0.27%, 0.71%

LAB 71.83, 10.55, 7.95

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 0 / 29 / 35 / 56

HEX #6F4F48

RGB 111 79 72

HSL 10.77, 0.21%, 0.36%

LAB 36.82, 12.42, 9.45

 

CMYK 0 / 35 / 44 / 63

HEX #5E3D35

RGB 94 61 53

HSL 11.71, 0.28%, 0.29%

LAB 29.35, 13.39, 10.84

 

CMYK 0 / 44 / 56 / 70

HEX #4D2B22

RGB 77 43 34

HSL 12.56, 0.39%, 0.22%

LAB 21.66, 14.64, 12.58

 

CMYK 0 / 58 / 75 / 76

HEX #3C190F

RGB 60 25 15

HSL 13.33, 0.6%, 0.15%

LAB 13.77, 16.24, 14.34

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 0 / 29 / 29 / 50

HEX #805B5B

RGB 128 91 91

HSL 0, 0.17%, 0.43%

LAB 42.5, 15.2, 6.03

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 0 / 16 / 29 / 50

HEX #806B5B

RGB 128 107 91

HSL 25.95, 0.17%, 0.43%

LAB 46.79, 5.71, 12.07

 

CMYK 0 / 9 / 29 / 50

HEX #80755B

RGB 128 117 91

HSL 42.16, 0.17%, 0.43%

LAB 49.58, -0.11, 15.91

 

CMYK 0 / 1 / 29 / 50

HEX #807F5B

RGB 128 127 91

HSL 58.38, 0.17%, 0.43%

LAB 52.42, -5.79, 19.77

 

CMYK 7 / 0 / 29 / 50

HEX #77805B

RGB 119 128 91

HSL 74.59, 0.17%, 0.43%

LAB 51.97, -10.07, 19.03

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 0 / 42 / 50 / 43

HEX #925549

RGB 146 85 73

HSL 9.86, 0.33%, 0.43%

LAB 42.9, 23.95, 17.88

 

CMYK 0 / 55 / 66 / 36

HEX #A34937

RGB 163 73 55

HSL 10, 0.5%, 0.43%

LAB 42.5, 35.9, 28.62

 

CMYK 0 / 66 / 80 / 29

HEX #B53D25

RGB 181 61 37

HSL 10, 0.66%, 0.43%

LAB 43.2, 47.36, 40.31

 

CMYK 0 / 75 / 90 / 22

HEX #C73114

RGB 199 49 20

HSL 9.72, 0.82%, 0.43%

LAB 44.79, 57.4, 50.89

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 0 / 1 / 2 / 57

HEX #6E6D6C

RGB 110 109 108

HSL 30, 0.01%, 0.43%

LAB 46.09, 0.19, 0.69

 

CMYK 27 / 4 / 0 / 51

HEX #5C797E

RGB 92 121 126

HSL 188.82, 0.16%, 0.43%

LAB 48.83, -9.14, -6.14

 

CMYK 48 / 8 / 0 / 44

HEX #4B8590

RGB 75 133 144

HSL 189.57, 0.32%, 0.43%

LAB 52.16, -15.86, -11.82

 

CMYK 65 / 10 / 0 / 37

HEX #3991A1

RGB 57 145 161

HSL 189.23, 0.48%, 0.43%

LAB 55.78, -20.96, -16.22

 

CMYK 0 / 29 / 18 / 50

HEX #805B69

RGB 128 91 105

HSL 337.3, 0.17%, 0.43%

LAB 42.9, 17.47, -1.95

 

CMYK 0 / 29 / 26 / 50

HEX #805B5F

RGB 128 91 95

HSL 353.51, 0.17%, 0.43%

LAB 42.61, 15.82, 3.74

 

CMYK 0 / 25 / 29 / 50

HEX #80605B

RGB 128 96 91

HSL 8.11, 0.17%, 0.43%

LAB 43.81, 12.22, 7.9

 

CMYK 0 / 17 / 29 / 50

HEX #806A5B

RGB 128 106 91

HSL 24.32, 0.17%, 0.43%

LAB 46.52, 6.29, 11.69

 

CMYK 0 / 9 / 29 / 50

HEX #80745B

RGB 128 116 91

HSL 40.54, 0.17%, 0.43%

LAB 49.3, 0.46, 15.53

 

CMYK 0 / 25 / 30 / 69

HEX #503C38

RGB 80 60 56

HSL 10, 0.18%, 0.27%

LAB 27.36, 8.1, 5.86

 

CMYK 0 / 25 / 30 / 59

HEX #684E49

RGB 104 78 73

HSL 9.68, 0.18%, 0.35%

LAB 35.74, 10.13, 7.19

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 0 / 24 / 28 / 41

HEX #97736D

RGB 151 115 109

HSL 8.57, 0.17%, 0.51%

LAB 51.77, 13.24, 8.79

 

CMYK 0 / 18 / 21 / 34

HEX #A88A85

RGB 168 138 133

HSL 8.57, 0.17%, 0.59%

LAB 60.06, 10.55, 6.94

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 10 / 0 / 29 / 50

HEX #73805B

RGB 115 128 91

HSL 81.08, 0.17%, 0.43%

LAB 51.65, -11.69, 18.55

 

CMYK 29 / 22 / 0 / 50

HEX #5B6480

RGB 91 100 128

HSL 225.41, 0.17%, 0.43%

LAB 42.61, 3.45, -16.73

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 29 / 0 / 25 / 50

HEX #5B8060

RGB 91 128 96

HSL 128.11, 0.17%, 0.43%

LAB 50.11, -19.97, 13.29

 

CMYK 25 / 29 / 0 / 50

HEX #605B80

RGB 96 91 128

HSL 248.11, 0.17%, 0.43%

LAB 40.46, 10.67, -20.01

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 10 / 0 / 29 / 50

HEX #73805B

RGB 115 128 91

HSL 81.08, 0.17%, 0.43%

LAB 51.65, -11.69, 18.55

 

CMYK 29 / 5 / 0 / 50

HEX #5B7A80

RGB 91 122 128

HSL 189.73, 0.17%, 0.43%

LAB 49.13, -9.52, -6.88

 

CMYK 19 / 29 / 0 / 50

HEX #685B80

RGB 104 91 128

HSL 261.08, 0.17%, 0.43%

LAB 41.19, 13.37, -18.81

 

CMYK 0 / 24 / 29 / 50

HEX #80615B

RGB 128 97 91

HSL 9.73, 0.17%, 0.43%

LAB 44.08, 11.62, 8.27

 

CMYK 19 / 0 / 29 / 50

HEX #68805B

RGB 104 128 91

HSL 98.92, 0.17%, 0.43%

LAB 50.85, -16.04, 17.32

 

CMYK 29 / 5 / 0 / 50

HEX #5B7A80

RGB 91 122 128

HSL 189.73, 0.17%, 0.43%

LAB 49.13, -9.52, -6.88

 

CMYK 10 / 29 / 0 / 50

HEX #735B80

RGB 115 91 128

HSL 278.92, 0.17%, 0.43%

LAB 42.29, 17.2, -17.04

 

Description

Color code: HEX #80615B | qconv.com Color code: HEX #80615B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 97 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 97 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 29 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 29% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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