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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805FC8 it is the complementary color #7FA037. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805FC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805FC8 shade: #855FC3, #9671D6, #A783E9, #B895FC and #C9A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805FC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805FC8 shade: #805FC8, #6F4DB5, #5E3BA2, #4D298F and #3C177C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805FC8 shade: #805FC8, #9C5FC8, #B95FC8, #C85FBB and #C85F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805FC8 shade: #805FC8, #645FC8 and #5F5FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805FC8 shade matches the following richer shades: #805FC8, #794ED9, #733CEB and #6D2BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805FC8 shade: #805FC8, #8670B7, #8D82A5, #939394 and #9AA483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805FC8 shade: #5F77C8, #625FC8, #7E5FC8, #9A5FC8 and #B65FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805FC8 shade: #57369E, #6840BD, #805FC8, #987ED2 and #B19CDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805FC8 shade: #805FC8, #C85F93 and #69C85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805FC8 shade: #805FC8, #C87E5F and #5FC87E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805FC8 shade: #805FC8, #C85F93, #A8C85F and #5FC893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805FC8 shade: #805FC8, #C85F74, #A8C85F and #5FC8B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

Complementary color

CMYK 21 / 0 / 66 / 37

HEX #7FA037

RGB 127 160 55

HSL 78.86, 0.49%, 0.42%

LAB 61.59, -27.4, 49.22

 

CMYK 32 / 51 / 0 / 24

HEX #855FC3

RGB 133 95 195

HSL 262.8, 0.45%, 0.57%

LAB 48.4, 36.75, -46.97

 

CMYK 30 / 47 / 0 / 16

HEX #9671D6

RGB 150 113 214

HSL 261.98, 0.55%, 0.64%

LAB 55.23, 35.76, -46.86

 

CMYK 28 / 44 / 0 / 9

HEX #A783E9

RGB 167 131 233

HSL 261.18, 0.7%, 0.71%

LAB 61.94, 34.84, -46.77

 

CMYK 27 / 41 / 0 / 1

HEX #B895FC

RGB 184 149 252

HSL 260.39, 0.94%, 0.79%

LAB 68.54, 34, -46.7

 

CMYK 21 / 35 / 0 / 0

HEX #C9A7FF

RGB 201 167 255

HSL 263.18, 1%, 0.83%

LAB 74.37, 29.55, -39.11

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 39 / 57 / 0 / 29

HEX #6F4DB5

RGB 111 77 181

HSL 259.62, 0.41%, 0.51%

LAB 41.25, 37.94, -50.39

 

CMYK 42 / 64 / 0 / 36

HEX #5E3BA2

RGB 94 59 162

HSL 260.39, 0.47%, 0.43%

LAB 34.22, 39.15, -50.51

 

CMYK 46 / 71 / 0 / 44

HEX #4D298F

RGB 77 41 143

HSL 261.18, 0.55%, 0.36%

LAB 27.15, 40.31, -50.5

 

CMYK 52 / 81 / 0 / 51

HEX #3C177C

RGB 60 23 124

HSL 261.98, 0.69%, 0.29%

LAB 20.16, 41.08, -50.1

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 22 / 53 / 0 / 22

HEX #9C5FC8

RGB 156 95 200

HSL 274.86, 0.49%, 0.58%

LAB 51.18, 44.03, -45.28

 

CMYK 8 / 53 / 0 / 22

HEX #B95FC8

RGB 185 95 200

HSL 291.43, 0.49%, 0.58%

LAB 54.73, 51.89, -39.43

 

CMYK 0 / 53 / 7 / 22

HEX #C85FBB

RGB 200 95 187

HSL 307.43, 0.49%, 0.58%

LAB 56.14, 53.75, -29.63

 

CMYK 0 / 53 / 21 / 22

HEX #C85F9F

RGB 200 95 159

HSL 323.43, 0.49%, 0.58%

LAB 55.04, 49.33, -15.09

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 50 / 53 / 0 / 22

HEX #645FC8

RGB 100 95 200

HSL 242.86, 0.49%, 0.58%

LAB 45.72, 30.22, -54.31

 

CMYK 53 / 53 / 0 / 22

HEX #5F5FC8

RGB 95 95 200

HSL 240, 0.49%, 0.58%

LAB 45.34, 29.16, -54.94

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 44 / 64 / 0 / 15

HEX #794ED9

RGB 121 78 217

HSL 258.56, 0.65%, 0.58%

LAB 44.97, 49.36, -65.18

 

CMYK 51 / 74 / 0 / 8

HEX #733CEB

RGB 115 60 235

HSL 258.86, 0.81%, 0.58%

LAB 42.57, 62.15, -79.36

 

CMYK 57 / 83 / 0 / 1

HEX #6D2BFC

RGB 109 43 252

HSL 258.95, 0.97%, 0.58%

LAB 41.23, 72.58, -91.17

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 27 / 39 / 0 / 28

HEX #8670B7

RGB 134 112 183

HSL 258.59, 0.33%, 0.58%

LAB 51.92, 24.02, -34.47

 

CMYK 15 / 21 / 0 / 35

HEX #8D82A5

RGB 141 130 165

HSL 258.86, 0.16%, 0.58%

LAB 56.43, 11.36, -17.08

 

CMYK 1 / 1 / 0 / 42

HEX #939394

RGB 147 147 148

HSL 240, 0%, 0.58%

LAB 60.97, 0.2, -0.53

 

CMYK 6 / 0 / 20 / 36

HEX #9AA483

RGB 154 164 131

HSL 78.18, 0.15%, 0.58%

LAB 65.8, -9.51, 15.96

 

CMYK 53 / 41 / 0 / 22

HEX #5F77C8

RGB 95 119 200

HSL 226.29, 0.49%, 0.58%

LAB 51.61, 14.38, -44.93

 

CMYK 51 / 53 / 0 / 22

HEX #625FC8

RGB 98 95 200

HSL 241.71, 0.49%, 0.58%

LAB 45.57, 29.79, -54.56

 

CMYK 37 / 53 / 0 / 22

HEX #7E5FC8

RGB 126 95 200

HSL 257.71, 0.49%, 0.58%

LAB 47.99, 36.29, -50.54

 

CMYK 23 / 53 / 0 / 22

HEX #9A5FC8

RGB 154 95 200

HSL 273.71, 0.49%, 0.58%

LAB 50.95, 43.5, -45.65

 

CMYK 9 / 53 / 0 / 22

HEX #B65FC8

RGB 182 95 200

HSL 289.71, 0.49%, 0.58%

LAB 54.34, 51.07, -40.06

 

CMYK 45 / 66 / 0 / 38

HEX #57369E

RGB 87 54 158

HSL 259.04, 0.49%, 0.42%

LAB 32.11, 39.37, -51.56

 

CMYK 45 / 66 / 0 / 26

HEX #6840BD

RGB 104 64 189

HSL 259.2, 0.49%, 0.5%

LAB 38.35, 45.94, -59.82

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 28 / 40 / 0 / 18

HEX #987ED2

RGB 152 126 210

HSL 258.57, 0.48%, 0.66%

LAB 58.27, 27.84, -39.78

 

CMYK 20 / 29 / 0 / 13

HEX #B19CDD

RGB 177 156 221

HSL 259.38, 0.49%, 0.74%

LAB 68.27, 20.8, -30.17

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 0 / 53 / 27 / 22

HEX #C85F93

RGB 200 95 147

HSL 330.29, 0.49%, 0.58%

LAB 54.63, 47.63, -8.68

 

CMYK 48 / 0 / 53 / 22

HEX #69C85F

RGB 105 200 95

HSL 114.29, 0.49%, 0.58%

LAB 72.98, -48.71, 43.58

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 0 / 37 / 53 / 22

HEX #C87E5F

RGB 200 126 95

HSL 17.71, 0.49%, 0.58%

LAB 59.91, 25.43, 28.8

 

CMYK 53 / 0 / 37 / 22

HEX #5FC87E

RGB 95 200 126

HSL 137.71, 0.49%, 0.58%

LAB 73.05, -46.71, 27.99

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 0 / 53 / 27 / 22

HEX #C85F93

RGB 200 95 147

HSL 330.29, 0.49%, 0.58%

LAB 54.63, 47.63, -8.68

 

CMYK 16 / 0 / 53 / 22

HEX #A8C85F

RGB 168 200 95

HSL 78.29, 0.49%, 0.58%

LAB 76.35, -26.94, 48.42

 

CMYK 53 / 0 / 27 / 22

HEX #5FC893

RGB 95 200 147

HSL 149.71, 0.49%, 0.58%

LAB 73.45, -42.71, 17.43

 

CMYK 36 / 53 / 0 / 22

HEX #805FC8

RGB 128 95 200

HSL 258.86, 0.49%, 0.58%

LAB 48.19, 36.78, -50.22

 

CMYK 0 / 53 / 42 / 22

HEX #C85F74

RGB 200 95 116

HSL 348, 0.49%, 0.58%

LAB 53.73, 43.83, 8.31

 

CMYK 16 / 0 / 53 / 22

HEX #A8C85F

RGB 168 200 95

HSL 78.29, 0.49%, 0.58%

LAB 76.35, -26.94, 48.42

 

CMYK 53 / 0 / 11 / 22

HEX #5FC8B3

RGB 95 200 179

HSL 168, 0.49%, 0.58%

LAB 74.19, -35.51, 1.24

 

Description

Color code: HEX #805FC8 | qconv.com Color code: HEX #805FC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 95 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 95 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 53 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 53% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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