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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805F55 it is the complementary color #7FA0AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805F55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805F55 shade: #855F50, #967163, #A78376, #B89589 and #C9A79C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805F55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805F55 shade: #805F55, #6F4D42, #5E3B2F, #4D291C and #3C1709

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805F55 shade: #805F55 and #805555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805F55 shade: #805F55, #806B55, #807655, #7E8055 and #738055

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805F55 shade matches the following richer shades: #805F55, #915644, #A34D33, #B44321 and #C53A10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805F55 shade: #805F55, #6F6867, #5D7278, #4C7B89 and #3B849A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805F55 shade: #805563, #805557, #805E55, #806A55 and #807555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805F55 shade: #4F3A34, #674D45, #805F55, #997266 and #A9887F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805F55 shade: #805F55, #6E8055 and #555D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805F55 shade: #805F55, #55805E and #5E5580

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805F55 shade: #805F55, #6E8055, #557780 and #675580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805F55 shade: #805F55, #618055, #557780 and #745580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

Complementary color

CMYK 25 / 6 / 0 / 33

HEX #7FA0AA

RGB 127 160 170

HSL 193.95, 0.2%, 0.58%

LAB 63.8, -8.99, -8.93

 

CMYK 0 / 29 / 40 / 48

HEX #855F50

RGB 133 95 80

HSL 16.98, 0.25%, 0.42%

LAB 43.87, 13.4, 14.7

 

CMYK 0 / 25 / 34 / 41

HEX #967163

RGB 150 113 99

HSL 16.47, 0.2%, 0.49%

LAB 50.91, 12.57, 13.43

 

CMYK 0 / 22 / 29 / 35

HEX #A78376

RGB 167 131 118

HSL 15.92, 0.22%, 0.56%

LAB 57.8, 11.86, 12.3

 

CMYK 0 / 19 / 26 / 28

HEX #B89589

RGB 184 149 137

HSL 15.32, 0.25%, 0.63%

LAB 64.56, 11.26, 11.28

 

CMYK 0 / 17 / 22 / 21

HEX #C9A79C

RGB 201 167 156

HSL 14.67, 0.29%, 0.7%

LAB 71.18, 10.72, 10.33

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 31 / 41 / 56

HEX #6F4D42

RGB 111 77 66

HSL 14.67, 0.25%, 0.35%

LAB 36.14, 12.81, 12.26

 

CMYK 0 / 37 / 50 / 63

HEX #5E3B2F

RGB 94 59 47

HSL 15.32, 0.33%, 0.28%

LAB 28.68, 13.91, 13.81

 

CMYK 0 / 47 / 64 / 70

HEX #4D291C

RGB 77 41 28

HSL 15.92, 0.47%, 0.21%

LAB 21.01, 15.31, 15.74

 

CMYK 0 / 62 / 85 / 76

HEX #3C1709

RGB 60 23 9

HSL 16.47, 0.74%, 0.14%

LAB 13.19, 17.09, 16.32

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 34 / 34 / 50

HEX #805555

RGB 128 85 85

HSL 0, 0.2%, 0.42%

LAB 40.8, 17.89, 7.3

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 16 / 34 / 50

HEX #806B55

RGB 128 107 85

HSL 30.7, 0.2%, 0.42%

LAB 46.66, 4.84, 15.44

 

CMYK 0 / 8 / 34 / 50

HEX #807655

RGB 128 118 85

HSL 46.05, 0.2%, 0.42%

LAB 49.74, -1.54, 19.61

 

CMYK 2 / 0 / 34 / 50

HEX #7E8055

RGB 126 128 85

HSL 62.79, 0.2%, 0.42%

LAB 52.43, -8.03, 23.14

 

CMYK 10 / 0 / 34 / 50

HEX #738055

RGB 115 128 85

HSL 78.14, 0.2%, 0.42%

LAB 51.54, -12.6, 21.81

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 41 / 53 / 43

HEX #915644

RGB 145 86 68

HSL 14.03, 0.36%, 0.42%

LAB 42.9, 22.46, 20.87

 

CMYK 0 / 53 / 69 / 36

HEX #A34D33

RGB 163 77 51

HSL 13.93, 0.52%, 0.42%

LAB 43.26, 33.57, 31.83

 

CMYK 0 / 63 / 82 / 29

HEX #B44321

RGB 180 67 33

HSL 13.88, 0.69%, 0.42%

LAB 43.98, 44.22, 43.05

 

CMYK 0 / 71 / 92 / 23

HEX #C53A10

RGB 197 58 16

HSL 13.92, 0.85%, 0.42%

LAB 45.54, 53.51, 52.69

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 6 / 7 / 56

HEX #6F6867

RGB 111 104 103

HSL 7.5, 0.04%, 0.42%

LAB 44.6, 2.55, 1.54

 

CMYK 23 / 5 / 0 / 53

HEX #5D7278

RGB 93 114 120

HSL 193.33, 0.13%, 0.42%

LAB 46.6, -6.27, -5.89

 

CMYK 45 / 10 / 0 / 46

HEX #4C7B89

RGB 76 123 137

HSL 193.77, 0.29%, 0.42%

LAB 48.89, -12.07, -12.63

 

CMYK 62 / 14 / 0 / 40

HEX #3B849A

RGB 59 132 154

HSL 193.89, 0.45%, 0.42%

LAB 51.57, -15.82, -18.58

 

CMYK 0 / 34 / 23 / 50

HEX #805563

RGB 128 85 99

HSL 340.47, 0.2%, 0.42%

LAB 41.2, 20.03, -0.77

 

CMYK 0 / 34 / 32 / 50

HEX #805557

RGB 128 85 87

HSL 357.21, 0.2%, 0.42%

LAB 40.86, 18.18, 6.14

 

CMYK 0 / 27 / 34 / 50

HEX #805E55

RGB 128 94 85

HSL 12.56, 0.2%, 0.42%

LAB 43.14, 12.53, 10.58

 

CMYK 0 / 17 / 34 / 50

HEX #806A55

RGB 128 106 85

HSL 29.3, 0.2%, 0.42%

LAB 46.38, 5.43, 15.06

 

CMYK 0 / 9 / 34 / 50

HEX #807555

RGB 128 117 85

HSL 44.65, 0.2%, 0.42%

LAB 49.46, -0.97, 19.23

 

CMYK 0 / 27 / 34 / 69

HEX #4F3A34

RGB 79 58 52

HSL 13.33, 0.21%, 0.26%

LAB 26.55, 8.29, 7.33

 

CMYK 0 / 25 / 33 / 60

HEX #674D45

RGB 103 77 69

HSL 14.12, 0.2%, 0.34%

LAB 35.24, 9.7, 8.99

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 0 / 25 / 33 / 40

HEX #997266

RGB 153 114 102

HSL 14.12, 0.2%, 0.5%

LAB 51.57, 13.64, 12.64

 

CMYK 0 / 20 / 25 / 34

HEX #A9887F

RGB 169 136 127

HSL 12.86, 0.2%, 0.58%

LAB 59.5, 11.15, 9.58

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 14 / 0 / 34 / 50

HEX #6E8055

RGB 110 128 85

HSL 85.12, 0.2%, 0.42%

LAB 51.16, -14.63, 21.24

 

CMYK 34 / 27 / 0 / 50

HEX #555D80

RGB 85 93 128

HSL 228.84, 0.2%, 0.42%

LAB 40.11, 5.85, -20.61

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 34 / 0 / 27 / 50

HEX #55805E

RGB 85 128 94

HSL 132.56, 0.2%, 0.42%

LAB 49.71, -22.45, 13.84

 

CMYK 27 / 34 / 0 / 50

HEX #5E5580

RGB 94 85 128

HSL 252.56, 0.2%, 0.42%

LAB 38.61, 13.76, -22.87

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 14 / 0 / 34 / 50

HEX #6E8055

RGB 110 128 85

HSL 85.12, 0.2%, 0.42%

LAB 51.16, -14.63, 21.24

 

CMYK 34 / 7 / 0 / 50

HEX #557780

RGB 85 119 128

HSL 192.56, 0.2%, 0.42%

LAB 47.86, -9.7, -8.82

 

CMYK 20 / 34 / 0 / 50

HEX #675580

RGB 103 85 128

HSL 265.12, 0.2%, 0.42%

LAB 39.48, 16.75, -21.46

 

CMYK 0 / 26 / 34 / 50

HEX #805F55

RGB 128 95 85

HSL 13.95, 0.2%, 0.42%

LAB 43.4, 11.94, 10.95

 

CMYK 24 / 0 / 34 / 50

HEX #618055

RGB 97 128 85

HSL 103.26, 0.2%, 0.42%

LAB 50.26, -19.73, 19.87

 

CMYK 34 / 7 / 0 / 50

HEX #557780

RGB 85 119 128

HSL 192.56, 0.2%, 0.42%

LAB 47.86, -9.7, -8.82

 

CMYK 9 / 34 / 0 / 50

HEX #745580

RGB 116 85 128

HSL 283.26, 0.2%, 0.42%

LAB 40.85, 21.2, -19.24

 

Description

Color code: HEX #805F55 | qconv.com Color code: HEX #805F55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 95 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 95 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 34 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 34% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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