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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #805D65 it is the complementary color #7FA29A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #805D65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #805D65 shade: #855D60, #966F73, #A78186, #B89399 and #C9A5AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #805D65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #805D65 shade: #805D65, #6F4B52, #5E393F, #4D272C and #3C1519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #805D65 shade: #7F5C64 and #7F5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #805D65 shade: #7F5C64, #7F5C6D, #7F5C77, #7D5C7F and #745C7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #805D65 shade matches the following richer shades: #7F5C64, #904A5A, #A23850, #B42647 and #C6153D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #805D65 shade: #7F5C64, #6D6D6D, #5B7F77, #499181 and #38A38A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #805D65 shade: #7F5C77, #7F5C6D, #7F5C64, #7F5D5C and #7F665C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #805D65 shade: #4F393E, #674A51, #7F5C64, #966E77 and #A7868D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #805D65 shade: #805D65, #7F7E5C and #5C727F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #805D65 shade: #805D65, #647F5C and #5C647F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #805D65 shade: #805D65, #7F7E5C, #5C7F77 and #5C5D7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #805D65 shade: #805D65, #757F5C, #5C7F77 and #655C7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 21 / 50

HEX #805D65

RGB 128 93 101

HSL 346.29, 0.16%, 0.43%

LAB 43.3, 15.6, 1.07

 

Complementary color

CMYK 22 / 0 / 5 / 36

HEX #7FA29A

RGB 127 162 154

HSL 166.29, 0.16%, 0.57%

LAB 63.91, -13.7, 0.2

 

CMYK 0 / 30 / 28 / 48

HEX #855D60

RGB 133 93 96

HSL 355.5, 0.18%, 0.44%

LAB 43.74, 16.83, 4.83

 

CMYK 0 / 26 / 23 / 41

HEX #966F73

RGB 150 111 115

HSL 353.85, 0.16%, 0.51%

LAB 50.79, 16.07, 3.83

 

CMYK 0 / 23 / 20 / 35

HEX #A78186

RGB 167 129 134

HSL 352.11, 0.18%, 0.58%

LAB 57.69, 15.41, 2.94

 

CMYK 0 / 20 / 17 / 28

HEX #B89399

RGB 184 147 153

HSL 350.27, 0.21%, 0.65%

LAB 64.45, 14.83, 2.12

 

CMYK 0 / 18 / 14 / 21

HEX #C9A5AC

RGB 201 165 172

HSL 348.33, 0.25%, 0.72%

LAB 71.08, 14.31, 1.36

 

CMYK 0 / 27 / 21 / 50

HEX #805D65

RGB 128 93 101

HSL 346.29, 0.16%, 0.43%

LAB 43.3, 15.6, 1.07

 

CMYK 0 / 32 / 26 / 56

HEX #6F4B52

RGB 111 75 82

HSL 348.33, 0.19%, 0.36%

LAB 36.02, 16.39, 2.05

 

CMYK 0 / 39 / 33 / 63

HEX #5E393F

RGB 94 57 63

HSL 350.27, 0.25%, 0.3%

LAB 28.55, 17.32, 3.2

 

CMYK 0 / 49 / 43 / 70

HEX #4D272C

RGB 77 39 44

HSL 352.11, 0.33%, 0.23%

LAB 20.87, 18.42, 4.68

 

CMYK 0 / 65 / 58 / 76

HEX #3C1519

RGB 60 21 25

HSL 353.85, 0.48%, 0.16%

LAB 13.03, 19.65, 6.81

 

CMYK 0 / 28 / 21 / 50

HEX #7F5C64

RGB 127 92 100

HSL 346.29, 0.16%, 0.43%

LAB 42.89, 15.63, 1.08

 

CMYK 0 / 28 / 28 / 50

HEX #7F5C5C

RGB 127 92 92

HSL 0, 0.16%, 0.43%

LAB 42.67, 14.34, 5.65

 

CMYK 0 / 28 / 21 / 50

HEX #7F5C64

RGB 127 92 100

HSL 346.29, 0.16%, 0.43%

LAB 42.89, 15.63, 1.08

 

CMYK 0 / 28 / 14 / 50

HEX #7F5C6D

RGB 127 92 109

HSL 330.86, 0.16%, 0.43%

LAB 43.17, 17.19, -4.01

 

CMYK 0 / 28 / 6 / 50

HEX #7F5C77

RGB 127 92 119

HSL 313.71, 0.16%, 0.43%

LAB 43.5, 19.07, -9.6

 

CMYK 2 / 28 / 0 / 50

HEX #7D5C7F

RGB 125 92 127

HSL 296.57, 0.16%, 0.43%

LAB 43.58, 19.95, -14.36

 

CMYK 9 / 28 / 0 / 50

HEX #745C7F

RGB 116 92 127

HSL 281.14, 0.16%, 0.43%

LAB 42.61, 16.72, -15.92

 

CMYK 0 / 28 / 21 / 50

HEX #7F5C64

RGB 127 92 100

HSL 346.29, 0.16%, 0.43%

LAB 42.89, 15.63, 1.08

 

CMYK 0 / 49 / 38 / 44

HEX #904A5A

RGB 144 74 90

HSL 346.29, 0.32%, 0.43%

LAB 40.52, 31.29, 4.09

 

CMYK 0 / 65 / 51 / 36

HEX #A23850

RGB 162 56 80

HSL 346.42, 0.49%, 0.43%

LAB 39.73, 45.65, 9.64

 

CMYK 0 / 79 / 61 / 29

HEX #B42647

RGB 180 38 71

HSL 346.06, 0.65%, 0.43%

LAB 40.48, 57.14, 16.88

 

CMYK 0 / 89 / 69 / 22

HEX #C6153D

RGB 198 21 61

HSL 346.44, 0.81%, 0.43%

LAB 42.58, 65.27, 26.56

 

CMYK 0 / 28 / 21 / 50

HEX #7F5C64

RGB 127 92 100

HSL 346.29, 0.16%, 0.43%

LAB 42.89, 15.63, 1.08

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 28 / 0 / 6 / 50

HEX #5B7F77

RGB 91 127 119

HSL 166.67, 0.17%, 0.43%

LAB 50.38, -14.5, 0.25

 

CMYK 50 / 0 / 11 / 43

HEX #499181

RGB 73 145 129

HSL 166.67, 0.33%, 0.43%

LAB 55.33, -26.66, 1.55

 

CMYK 66 / 0 / 15 / 36

HEX #38A38A

RGB 56 163 138

HSL 165.98, 0.49%, 0.43%

LAB 60.67, -36.5, 4.1

 

CMYK 0 / 28 / 6 / 50

HEX #7F5C77

RGB 127 92 119

HSL 313.71, 0.16%, 0.43%

LAB 43.5, 19.07, -9.6

 

CMYK 0 / 28 / 14 / 50

HEX #7F5C6D

RGB 127 92 109

HSL 330.86, 0.16%, 0.43%

LAB 43.17, 17.19, -4.01

 

CMYK 0 / 28 / 21 / 50

HEX #7F5C64

RGB 127 92 100

HSL 346.29, 0.16%, 0.43%

LAB 42.89, 15.63, 1.08

 

CMYK 0 / 27 / 28 / 50

HEX #7F5D5C

RGB 127 93 92

HSL 1.71, 0.16%, 0.43%

LAB 42.93, 13.74, 6.02

 

CMYK 0 / 20 / 28 / 50

HEX #7F665C

RGB 127 102 92

HSL 17.14, 0.16%, 0.43%

LAB 45.34, 8.39, 9.43

 

CMYK 0 / 28 / 22 / 69

HEX #4F393E

RGB 79 57 62

HSL 346.36, 0.16%, 0.27%

LAB 26.55, 10.65, 0.72

 

CMYK 0 / 28 / 21 / 60

HEX #674A51

RGB 103 74 81

HSL 345.52, 0.16%, 0.35%

LAB 34.75, 13.5, 0.71

 

CMYK 0 / 28 / 21 / 50

HEX #7F5C64

RGB 127 92 100

HSL 346.29, 0.16%, 0.43%

LAB 42.89, 15.63, 1.08

 

CMYK 0 / 27 / 21 / 41

HEX #966E77

RGB 150 110 119

HSL 346.5, 0.16%, 0.51%

LAB 50.65, 17.29, 1.26

 

CMYK 0 / 20 / 16 / 35

HEX #A7868D

RGB 167 134 141

HSL 347.27, 0.16%, 0.59%

LAB 59.15, 13.73, 1.03

 

CMYK 0 / 27 / 21 / 50

HEX #805D65

RGB 128 93 101

HSL 346.29, 0.16%, 0.43%

LAB 43.3, 15.6, 1.07

 

CMYK 0 / 1 / 28 / 50

HEX #7F7E5C

RGB 127 126 92

HSL 58.29, 0.16%, 0.43%

LAB 52.07, -5.5, 18.71

 

CMYK 28 / 10 / 0 / 50

HEX #5C727F

RGB 92 114 127

HSL 202.29, 0.16%, 0.43%

LAB 46.77, -4.85, -9.82

 

CMYK 0 / 27 / 21 / 50

HEX #805D65

RGB 128 93 101

HSL 346.29, 0.16%, 0.43%

LAB 43.3, 15.6, 1.07

 

CMYK 21 / 0 / 28 / 50

HEX #647F5C

RGB 100 127 92

HSL 106.29, 0.16%, 0.43%

LAB 50.29, -16.87, 15.94

 

CMYK 28 / 21 / 0 / 50

HEX #5C647F

RGB 92 100 127

HSL 226.29, 0.16%, 0.43%

LAB 42.65, 3.52, -16.07

 

CMYK 0 / 27 / 21 / 50

HEX #805D65

RGB 128 93 101

HSL 346.29, 0.16%, 0.43%

LAB 43.3, 15.6, 1.07

 

CMYK 0 / 1 / 28 / 50

HEX #7F7E5C

RGB 127 126 92

HSL 58.29, 0.16%, 0.43%

LAB 52.07, -5.5, 18.71

 

CMYK 28 / 0 / 6 / 50

HEX #5C7F77

RGB 92 127 119

HSL 166.29, 0.16%, 0.43%

LAB 50.44, -14.18, 0.34

 

CMYK 28 / 27 / 0 / 50

HEX #5C5D7F

RGB 92 93 127

HSL 238.29, 0.16%, 0.43%

LAB 40.63, 7.83, -19.15

 

CMYK 0 / 27 / 21 / 50

HEX #805D65

RGB 128 93 101

HSL 346.29, 0.16%, 0.43%

LAB 43.3, 15.6, 1.07

 

CMYK 8 / 0 / 28 / 50

HEX #757F5C

RGB 117 127 92

HSL 77.14, 0.16%, 0.43%

LAB 51.53, -10.17, 17.84

 

CMYK 28 / 0 / 6 / 50

HEX #5C7F77

RGB 92 127 119

HSL 166.29, 0.16%, 0.43%

LAB 50.44, -14.18, 0.34

 

CMYK 20 / 28 / 0 / 50

HEX #655C7F

RGB 101 92 127

HSL 255.43, 0.16%, 0.43%

LAB 41.14, 11.48, -18.3

 

Description

Color code: HEX #805D65 | qconv.com Color code: HEX #805D65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 93 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 93 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 21 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 21% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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