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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804A9D it is the complementary color #7FB562. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804A9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804A9D shade: #854A98, #965CAB, #A76EBE, #B880D1 and #C992E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804A9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804A9D shade: #804A9D, #6F388A, #5E2677, #4D1464 and #3C0251

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804A9D shade: #7F499C, #95499C, #9C498C, #9C4976 and #9C495F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804A9D shade: #7F499C, #68499C, #52499C and #49499C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804A9D shade matches the following richer shades: #7F499C, #8436AE, #8A24C1 and #8F11D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804A9D shade: #7F499C, #795C89, #746E76, #6E8164 and #689351

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804A9D shade: #53499C, #69499C, #7F499C, #95499C and #9C498C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804A9D shade: #512F63, #683C80, #7F499C, #945CB2 and #A678BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804A9D shade: #804A9D, #9C4955 and #499C5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804A9D shade: #804A9D, #9C7F49 and #499C7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804A9D shade: #804A9D, #9C4955, #669C49 and #499C8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804A9D shade: #804A9D, #9C5549, #669C49 and #498F9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 53 / 0 / 38

HEX #804A9D

RGB 128 74 157

HSL 279.04, 0.36%, 0.45%

LAB 41.09, 38.03, -36.29

 

Complementary color

CMYK 30 / 0 / 46 / 29

HEX #7FB562

RGB 127 181 98

HSL 99.04, 0.36%, 0.55%

LAB 68.34, -32.93, 36.63

 

CMYK 13 / 51 / 0 / 40

HEX #854A98

RGB 133 74 152

HSL 285.38, 0.35%, 0.44%

LAB 41.46, 38.35, -32.67

 

CMYK 12 / 46 / 0 / 33

HEX #965CAB

RGB 150 92 171

HSL 284.05, 0.32%, 0.52%

LAB 48.36, 37.54, -32.96

 

CMYK 12 / 42 / 0 / 25

HEX #A76EBE

RGB 167 110 190

HSL 282.75, 0.38%, 0.59%

LAB 55.16, 36.73, -33.19

 

CMYK 12 / 39 / 0 / 18

HEX #B880D1

RGB 184 128 209

HSL 281.48, 0.47%, 0.66%

LAB 61.85, 35.95, -33.39

 

CMYK 12 / 36 / 0 / 11

HEX #C992E4

RGB 201 146 228

HSL 280.24, 0.6%, 0.73%

LAB 68.44, 35.21, -33.59

 

CMYK 18 / 53 / 0 / 38

HEX #804A9D

RGB 128 74 157

HSL 279.04, 0.36%, 0.45%

LAB 41.09, 38.03, -36.29

 

CMYK 20 / 59 / 0 / 46

HEX #6F388A

RGB 111 56 138

HSL 280.24, 0.42%, 0.38%

LAB 34.07, 38.83, -36.03

 

CMYK 21 / 68 / 0 / 53

HEX #5E2677

RGB 94 38 119

HSL 281.48, 0.52%, 0.31%

LAB 27.01, 39.41, -35.57

 

CMYK 23 / 80 / 0 / 61

HEX #4D1464

RGB 77 20 100

HSL 282.75, 0.67%, 0.24%

LAB 20.04, 39.36, -34.65

 

CMYK 26 / 98 / 0 / 68

HEX #3C0251

RGB 60 2 81

HSL 284.05, 0.95%, 0.16%

LAB 13.22, 38.32, -33.09

 

CMYK 19 / 53 / 0 / 39

HEX #7F499C

RGB 127 73 156

HSL 279.04, 0.36%, 0.45%

LAB 40.7, 38.07, -36.32

 

CMYK 4 / 53 / 0 / 39

HEX #95499C

RGB 149 73 156

HSL 294.94, 0.36%, 0.45%

LAB 43.59, 44.36, -31.57

 

CMYK 0 / 53 / 10 / 39

HEX #9C498C

RGB 156 73 140

HSL 311.57, 0.36%, 0.45%

LAB 43.84, 43.51, -21.49

 

CMYK 0 / 53 / 24 / 39

HEX #9C4976

RGB 156 73 118

HSL 327.47, 0.36%, 0.45%

LAB 42.97, 40, -9.4

 

CMYK 0 / 53 / 39 / 39

HEX #9C495F

RGB 156 73 95

HSL 344.1, 0.36%, 0.45%

LAB 42.25, 36.91, 3.71

 

CMYK 19 / 53 / 0 / 39

HEX #7F499C

RGB 127 73 156

HSL 279.04, 0.36%, 0.45%

LAB 40.7, 38.07, -36.32

 

CMYK 33 / 53 / 0 / 39

HEX #68499C

RGB 104 73 156

HSL 262.41, 0.36%, 0.45%

LAB 38.04, 31.72, -40.71

 

CMYK 47 / 53 / 0 / 39

HEX #52499C

RGB 82 73 156

HSL 246.51, 0.36%, 0.45%

LAB 35.91, 26.14, -44.25

 

CMYK 53 / 53 / 0 / 39

HEX #49499C

RGB 73 73 156

HSL 240, 0.36%, 0.45%

LAB 35.17, 24.08, -45.47

 

CMYK 19 / 53 / 0 / 39

HEX #7F499C

RGB 127 73 156

HSL 279.04, 0.36%, 0.45%

LAB 40.7, 38.07, -36.32

 

CMYK 24 / 69 / 0 / 32

HEX #8436AE

RGB 132 54 174

HSL 279, 0.53%, 0.45%

LAB 38.9, 53, -49.91

 

CMYK 28 / 81 / 0 / 24

HEX #8A24C1

RGB 138 36 193

HSL 278.98, 0.69%, 0.45%

LAB 38.75, 65.01, -61.32

 

CMYK 32 / 92 / 0 / 17

HEX #8F11D3

RGB 143 17 211

HSL 278.97, 0.85%, 0.45%

LAB 39.49, 73.7, -70.56

 

CMYK 19 / 53 / 0 / 39

HEX #7F499C

RGB 127 73 156

HSL 279.04, 0.36%, 0.45%

LAB 40.7, 38.07, -36.32

 

CMYK 12 / 33 / 0 / 46

HEX #795C89

RGB 121 92 137

HSL 278.67, 0.2%, 0.45%

LAB 43.54, 20.72, -20.49

 

CMYK 2 / 7 / 0 / 54

HEX #746E76

RGB 116 110 118

HSL 285, 0.04%, 0.45%

LAB 47.2, 3.94, -3.6

 

CMYK 15 / 0 / 22 / 49

HEX #6E8164

RGB 110 129 100

HSL 99.31, 0.13%, 0.45%

LAB 51.76, -12.71, 13.47

 

CMYK 29 / 0 / 45 / 42

HEX #689351

RGB 104 147 81

HSL 99.09, 0.29%, 0.45%

LAB 56.49, -27.32, 30.26

 

CMYK 47 / 53 / 0 / 39

HEX #53499C

RGB 83 73 156

HSL 247.23, 0.36%, 0.45%

LAB 35.99, 26.38, -44.1

 

CMYK 33 / 53 / 0 / 39

HEX #69499C

RGB 105 73 156

HSL 263.13, 0.36%, 0.45%

LAB 38.14, 31.99, -40.54

 

CMYK 19 / 53 / 0 / 39

HEX #7F499C

RGB 127 73 156

HSL 279.04, 0.36%, 0.45%

LAB 40.7, 38.07, -36.32

 

CMYK 4 / 53 / 0 / 39

HEX #95499C

RGB 149 73 156

HSL 294.94, 0.36%, 0.45%

LAB 43.59, 44.36, -31.57

 

CMYK 0 / 53 / 10 / 39

HEX #9C498C

RGB 156 73 140

HSL 311.57, 0.36%, 0.45%

LAB 43.84, 43.51, -21.49

 

CMYK 18 / 53 / 0 / 61

HEX #512F63

RGB 81 47 99

HSL 279.23, 0.36%, 0.29%

LAB 25.81, 25.93, -24.74

 

CMYK 19 / 53 / 0 / 50

HEX #683C80

RGB 104 60 128

HSL 278.82, 0.36%, 0.37%

LAB 33.42, 32.26, -30.93

 

CMYK 19 / 53 / 0 / 39

HEX #7F499C

RGB 127 73 156

HSL 279.04, 0.36%, 0.45%

LAB 40.7, 38.07, -36.32

 

CMYK 17 / 48 / 0 / 30

HEX #945CB2

RGB 148 92 178

HSL 279.07, 0.36%, 0.53%

LAB 48.47, 38.49, -36.9

 

CMYK 13 / 37 / 0 / 25

HEX #A678BF

RGB 166 120 191

HSL 278.87, 0.36%, 0.61%

LAB 57.37, 31.04, -30.33

 

CMYK 18 / 53 / 0 / 38

HEX #804A9D

RGB 128 74 157

HSL 279.04, 0.36%, 0.45%

LAB 41.09, 38.03, -36.29

 

CMYK 0 / 53 / 46 / 39

HEX #9C4955

RGB 156 73 85

HSL 351.33, 0.36%, 0.45%

LAB 41.98, 35.78, 9.52

 

CMYK 53 / 0 / 40 / 39

HEX #499C5E

RGB 73 156 94

HSL 135.18, 0.36%, 0.45%

LAB 58.04, -39.33, 24.98

 

CMYK 18 / 53 / 0 / 38

HEX #804A9D

RGB 128 74 157

HSL 279.04, 0.36%, 0.45%

LAB 41.09, 38.03, -36.29

 

CMYK 0 / 19 / 53 / 39

HEX #9C7F49

RGB 156 127 73

HSL 39.04, 0.36%, 0.45%

LAB 54.79, 4.18, 33.33

 

CMYK 53 / 0 / 19 / 39

HEX #499C7F

RGB 73 156 127

HSL 159.04, 0.36%, 0.45%

LAB 58.72, -32.47, 7.57

 

CMYK 18 / 53 / 0 / 38

HEX #804A9D

RGB 128 74 157

HSL 279.04, 0.36%, 0.45%

LAB 41.09, 38.03, -36.29

 

CMYK 0 / 53 / 46 / 39

HEX #9C4955

RGB 156 73 85

HSL 351.33, 0.36%, 0.45%

LAB 41.98, 35.78, 9.52

 

CMYK 35 / 0 / 53 / 39

HEX #669C49

RGB 102 156 73

HSL 99.04, 0.36%, 0.45%

LAB 59.05, -33.36, 37.53

 

CMYK 53 / 0 / 8 / 39

HEX #499C8F

RGB 73 156 143

HSL 170.6, 0.36%, 0.45%

LAB 59.14, -28.5, -0.88

 

CMYK 18 / 53 / 0 / 38

HEX #804A9D

RGB 128 74 157

HSL 279.04, 0.36%, 0.45%

LAB 41.09, 38.03, -36.29

 

CMYK 0 / 46 / 53 / 39

HEX #9C5549

RGB 156 85 73

HSL 8.67, 0.36%, 0.45%

LAB 44.3, 28.08, 20

 

CMYK 35 / 0 / 53 / 39

HEX #669C49

RGB 102 156 73

HSL 99.04, 0.36%, 0.45%

LAB 59.05, -33.36, 37.53

 

CMYK 53 / 8 / 0 / 39

HEX #498F9C

RGB 73 143 156

HSL 189.4, 0.36%, 0.45%

LAB 55.54, -18.25, -13.65

 

Description

Color code: HEX #804A9D | qconv.com Color code: HEX #804A9D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 74 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 74 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 53 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 53% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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