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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #804923 it is the complementary color #7FB6DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #804923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #804923 shade: #85491E, #965B31, #A76D44, #B87F57 and #C9916A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #804923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #804923 shade: #804923, #6F3710, #5E2500, #4D1300 and #3C0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #804923 shade: #804923, #803023 and #802323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #804923 shade: #804923, #806223, #807B23, #6B8023 and #528023

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #804923 shade matches the following richer shades: #804923, #8D4615 and #9A4408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #804923 shade: #804923, #724B30, #654D3D, #58504A and #4B5257

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #804923 shade: #80232F, #802F23, #804823, #806123 and #807923

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #804923 shade: #3F2411, #5F361A, #804923, #A05B2B and #C06E34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #804923 shade: #804923, #488023 and #232380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #804923 shade: #804923, #238048 and #482380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #804923 shade: #804923, #488023, #235A80 and #5A2380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #804923 shade: #804923, #2C8023, #235A80 and #762380

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

Complementary color

CMYK 42 / 17 / 0 / 14

HEX #7FB6DC

RGB 127 182 220

HSL 204.52, 0.57%, 0.68%

LAB 71.65, -8.16, -24.74

 

CMYK 0 / 45 / 77 / 48

HEX #85491E

RGB 133 73 30

HSL 25.05, 0.63%, 0.32%

LAB 37.56, 21.96, 35.65

 

CMYK 0 / 39 / 67 / 41

HEX #965B31

RGB 150 91 49

HSL 24.95, 0.51%, 0.39%

LAB 44.5, 20.23, 33.88

 

CMYK 0 / 35 / 59 / 35

HEX #A76D44

RGB 167 109 68

HSL 24.85, 0.42%, 0.46%

LAB 51.35, 18.78, 32.13

 

CMYK 0 / 31 / 53 / 28

HEX #B87F57

RGB 184 127 87

HSL 24.74, 0.41%, 0.53%

LAB 58.09, 17.54, 30.5

 

CMYK 0 / 28 / 47 / 21

HEX #C9916A

RGB 201 145 106

HSL 24.63, 0.47%, 0.6%

LAB 64.73, 16.49, 29.02

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 0 / 50 / 86 / 56

HEX #6F3710

RGB 111 55 16

HSL 24.63, 0.75%, 0.25%

LAB 29.79, 21.91, 33.77

 

CMYK 0 / 61 / 100 / 63

HEX #5E2500

RGB 94 37 0

HSL 23.62, 1%, 0.18%

LAB 22.66, 24.1, 32.83

 

CMYK 0 / 75 / 100 / 70

HEX #4D1300

RGB 77 19 0

HSL 14.81, 1%, 0.15%

LAB 15.71, 26.31, 23.93

 

CMYK 0 / 98 / 100 / 76

HEX #3C0100

RGB 60 1 0

HSL 1, 1%, 0.12%

LAB 8.84, 28, 13.95

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 0 / 63 / 73 / 50

HEX #803023

RGB 128 48 35

HSL 8.39, 0.57%, 0.32%

LAB 31.4, 33.76, 25.92

 

CMYK 0 / 73 / 73 / 50

HEX #802323

RGB 128 35 35

HSL 0, 0.57%, 0.32%

LAB 29.19, 39.72, 23.32

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 0 / 23 / 73 / 50

HEX #806223

RGB 128 98 35

HSL 40.65, 0.57%, 0.32%

LAB 43.43, 5.19, 39.05

 

CMYK 0 / 4 / 73 / 50

HEX #807B23

RGB 128 123 35

HSL 56.77, 0.57%, 0.32%

LAB 50.54, -9.09, 46.23

 

CMYK 16 / 0 / 73 / 50

HEX #6B8023

RGB 107 128 35

HSL 73.55, 0.57%, 0.32%

LAB 50.32, -21.25, 45.43

 

CMYK 36 / 0 / 73 / 50

HEX #528023

RGB 82 128 35

HSL 89.68, 0.57%, 0.32%

LAB 48.7, -31.57, 43.27

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 0 / 50 / 85 / 45

HEX #8D4615

RGB 141 70 21

HSL 24.5, 0.74%, 0.32%

LAB 38.02, 26.82, 40.74

 

CMYK 0 / 56 / 95 / 40

HEX #9A4408

RGB 154 68 8

HSL 24.66, 0.9%, 0.32%

LAB 39.62, 33.07, 47.49

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 0 / 34 / 58 / 55

HEX #724B30

RGB 114 75 48

HSL 24.55, 0.41%, 0.32%

LAB 35.64, 13.36, 22.7

 

CMYK 0 / 24 / 40 / 60

HEX #654D3D

RGB 101 77 61

HSL 24, 0.25%, 0.32%

LAB 34.83, 7.66, 13.38

 

CMYK 0 / 9 / 16 / 65

HEX #58504A

RGB 88 80 74

HSL 25.71, 0.09%, 0.32%

LAB 34.61, 2.14, 4.72

 

CMYK 14 / 6 / 0 / 66

HEX #4B5257

RGB 75 82 87

HSL 205, 0.07%, 0.32%

LAB 34.43, -1.61, -3.88

 

CMYK 0 / 73 / 63 / 50

HEX #80232F

RGB 128 35 47

HSL 352.26, 0.57%, 0.32%

LAB 29.4, 40.46, 15.81

 

CMYK 0 / 63 / 73 / 50

HEX #802F23

RGB 128 47 35

HSL 7.74, 0.57%, 0.32%

LAB 31.22, 34.26, 25.7

 

CMYK 0 / 44 / 73 / 50

HEX #804823

RGB 128 72 35

HSL 23.87, 0.57%, 0.32%

LAB 36.64, 20.56, 31.82

 

CMYK 0 / 24 / 73 / 50

HEX #806123

RGB 128 97 35

HSL 40, 0.57%, 0.32%

LAB 43.15, 5.78, 38.77

 

CMYK 0 / 5 / 73 / 50

HEX #807923

RGB 128 121 35

HSL 55.48, 0.57%, 0.32%

LAB 49.96, -7.99, 45.65

 

CMYK 0 / 43 / 73 / 75

HEX #3F2411

RGB 63 36 17

HSL 24.78, 0.58%, 0.16%

LAB 17.27, 10.69, 17.77

 

CMYK 0 / 43 / 73 / 63

HEX #5F361A

RGB 95 54 26

HSL 24.35, 0.57%, 0.24%

LAB 27.15, 15.57, 24.97

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 0 / 43 / 73 / 37

HEX #A05B2B

RGB 160 91 43

HSL 24.62, 0.58%, 0.4%

LAB 45.81, 24.24, 38.88

 

CMYK 0 / 43 / 73 / 25

HEX #C06E34

RGB 192 110 52

HSL 24.86, 0.57%, 0.48%

LAB 54.66, 27.84, 45.14

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 44 / 0 / 73 / 50

HEX #488023

RGB 72 128 35

HSL 96.13, 0.57%, 0.32%

LAB 48.18, -35.25, 42.57

 

CMYK 73 / 73 / 0 / 50

HEX #232380

RGB 35 35 128

HSL 240, 0.57%, 0.32%

LAB 20.51, 32.33, -52.15

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 73 / 0 / 44 / 50

HEX #238048

RGB 35 128 72

HSL 143.87, 0.57%, 0.32%

LAB 47.32, -40.22, 22.81

 

CMYK 44 / 73 / 0 / 50

HEX #482380

RGB 72 35 128

HSL 263.87, 0.57%, 0.32%

LAB 24.12, 38.32, -46.09

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 44 / 0 / 73 / 50

HEX #488023

RGB 72 128 35

HSL 96.13, 0.57%, 0.32%

LAB 48.18, -35.25, 42.57

 

CMYK 73 / 30 / 0 / 50

HEX #235A80

RGB 35 90 128

HSL 204.52, 0.57%, 0.32%

LAB 36.42, -4.61, -26.57

 

CMYK 30 / 73 / 0 / 50

HEX #5A2380

RGB 90 35 128

HSL 275.48, 0.57%, 0.32%

LAB 26.55, 42.06, -42.04

 

CMYK 0 / 43 / 73 / 50

HEX #804923

RGB 128 73 35

HSL 24.52, 0.57%, 0.32%

LAB 36.88, 19.98, 32.09

 

CMYK 66 / 0 / 73 / 50

HEX #2C8023

RGB 44 128 35

HSL 114.19, 0.57%, 0.32%

LAB 47.1, -43.57, 41.11

 

CMYK 73 / 30 / 0 / 50

HEX #235A80

RGB 35 90 128

HSL 204.52, 0.57%, 0.32%

LAB 36.42, -4.61, -26.57

 

CMYK 8 / 73 / 0 / 50

HEX #762380

RGB 118 35 128

HSL 293.55, 0.57%, 0.32%

LAB 30.91, 48.43, -34.8

 

Description

Color code: HEX #804923 | qconv.com Color code: HEX #804923 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 73 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 73 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 73 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 73% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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