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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8038CD it is the complementary color #7FC732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8038CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8038CD shade: #8538C8, #964ADB, #A75CEE, #B86EFF and #C980FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8038CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8038CD shade: #8038CD, #6F26BA, #5E14A7, #4D0294 and #3C0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8038CD shade: #7F37CD, #A737CD, #CD37C9, #CD37A1 and #CD3778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8038CD shade: #7F37CD, #5737CD and #3737CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8038CD shade matches the following richer shades: #7F37CD, #7E22E1 and #7E0EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8038CD shade: #7F37CD, #804BB8, #805FA4, #817390 and #82877C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8038CD shade: #3741CD, #5537CD, #7D37CD, #A537CD and #CD37CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8038CD shade: #56238E, #6B2BAF, #7F37CD, #9458D5 and #A979DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8038CD shade: #8038CD, #CD3769 and #37CD41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8038CD shade: #8038CD, #CD7D37 and #37CD7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8038CD shade: #8038CD, #CD3769, #87CD37 and #37CD9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8038CD shade: #8038CD, #CD373C, #87CD37 and #37CDC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 73 / 0 / 20

HEX #8038CD

RGB 128 56 205

HSL 268.99, 0.6%, 0.51%

LAB 40.94, 58.45, -64.81

 

Complementary color

CMYK 36 / 0 / 75 / 22

HEX #7FC732

RGB 127 199 50

HSL 88.99, 0.6%, 0.49%

LAB 73.28, -45.33, 62.95

 

CMYK 34 / 72 / 0 / 22

HEX #8538C8

RGB 133 56 200

HSL 272.08, 0.57%, 0.5%

LAB 41.19, 58.19, -61.46

 

CMYK 32 / 66 / 0 / 14

HEX #964ADB

RGB 150 74 219

HSL 271.45, 0.67%, 0.57%

LAB 47.62, 57.73, -61.88

 

CMYK 30 / 61 / 0 / 7

HEX #A75CEE

RGB 167 92 238

HSL 270.82, 0.81%, 0.65%

LAB 54.07, 57.01, -62.1

 

CMYK 28 / 57 / 0 / 0

HEX #B86EFF

RGB 184 110 255

HSL 270.62, 1%, 0.72%

LAB 60.39, 55.72, -61.28

 

CMYK 21 / 50 / 0 / 0

HEX #C980FF

RGB 201 128 255

HSL 274.49, 1%, 0.75%

LAB 65.81, 50.62, -52.55

 

CMYK 38 / 73 / 0 / 20

HEX #8038CD

RGB 128 56 205

HSL 268.99, 0.6%, 0.51%

LAB 40.94, 58.45, -64.81

 

CMYK 40 / 80 / 0 / 27

HEX #6F26BA

RGB 111 38 186

HSL 269.59, 0.66%, 0.44%

LAB 34.62, 58.52, -64.09

 

CMYK 44 / 88 / 0 / 35

HEX #5E14A7

RGB 94 20 167

HSL 270.2, 0.79%, 0.37%

LAB 28.56, 57.64, -62.77

 

CMYK 48 / 99 / 0 / 42

HEX #4D0294

RGB 77 2 148

HSL 270.82, 0.97%, 0.29%

LAB 22.86, 55.46, -60.63

 

CMYK 53 / 100 / 0 / 49

HEX #3C0081

RGB 60 0 129

HSL 267.91, 1%, 0.25%

LAB 18.12, 50.06, -56.63

 

CMYK 38 / 73 / 0 / 20

HEX #7F37CD

RGB 127 55 205

HSL 268.8, 0.6%, 0.51%

LAB 40.66, 58.72, -65.27

 

CMYK 19 / 73 / 0 / 20

HEX #A737CD

RGB 167 55 205

HSL 284.8, 0.6%, 0.51%

LAB 46.12, 66.22, -56.16

 

CMYK 0 / 73 / 2 / 20

HEX #CD37C9

RGB 205 55 201

HSL 301.6, 0.6%, 0.51%

LAB 51.76, 73.31, -44.51

 

CMYK 0 / 73 / 21 / 20

HEX #CD37A1

RGB 205 55 161

HSL 317.6, 0.6%, 0.51%

LAB 49.84, 67.55, -24.15

 

CMYK 0 / 73 / 41 / 20

HEX #CD3778

RGB 205 55 120

HSL 334, 0.6%, 0.51%

LAB 48.35, 62.83, -1.77

 

CMYK 38 / 73 / 0 / 20

HEX #7F37CD

RGB 127 55 205

HSL 268.8, 0.6%, 0.51%

LAB 40.66, 58.72, -65.27

 

CMYK 58 / 73 / 0 / 20

HEX #5737CD

RGB 87 55 205

HSL 252.8, 0.6%, 0.51%

LAB 36.3, 52.44, -72.57

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 38 / 73 / 0 / 20

HEX #7F37CD

RGB 127 55 205

HSL 268.8, 0.6%, 0.51%

LAB 40.66, 58.72, -65.27

 

CMYK 44 / 85 / 0 / 12

HEX #7E22E1

RGB 126 34 225

HSL 268.9, 0.76%, 0.51%

LAB 39.61, 70.83, -78.5

 

CMYK 49 / 94 / 0 / 4

HEX #7E0EF5

RGB 126 14 245

HSL 269.09, 0.92%, 0.51%

LAB 40.15, 79.36, -88.95

 

CMYK 38 / 73 / 0 / 20

HEX #7F37CD

RGB 127 55 205

HSL 268.8, 0.6%, 0.51%

LAB 40.66, 58.72, -65.27

 

CMYK 30 / 59 / 0 / 28

HEX #804BB8

RGB 128 75 184

HSL 269.17, 0.43%, 0.51%

LAB 42.89, 43.92, -49.42

 

CMYK 22 / 42 / 0 / 36

HEX #805FA4

RGB 128 95 164

HSL 268.7, 0.27%, 0.51%

LAB 46.25, 27.56, -32.32

 

CMYK 10 / 20 / 0 / 44

HEX #817390

RGB 129 115 144

HSL 268.97, 0.12%, 0.51%

LAB 50.62, 11.32, -13.78

 

CMYK 4 / 0 / 8 / 47

HEX #82877C

RGB 130 135 124

HSL 87.27, 0.04%, 0.51%

LAB 55.61, -3.99, 5.27

 

CMYK 73 / 68 / 0 / 20

HEX #3741CD

RGB 55 65 205

HSL 236, 0.6%, 0.51%

LAB 35.99, 43, -73.17

 

CMYK 59 / 73 / 0 / 20

HEX #5537CD

RGB 85 55 205

HSL 252, 0.6%, 0.51%

LAB 36.12, 52.17, -72.87

 

CMYK 39 / 73 / 0 / 20

HEX #7D37CD

RGB 125 55 205

HSL 268, 0.6%, 0.51%

LAB 40.41, 58.37, -65.68

 

CMYK 20 / 73 / 0 / 20

HEX #A537CD

RGB 165 55 205

HSL 284, 0.6%, 0.51%

LAB 45.82, 65.82, -56.65

 

CMYK 0 / 73 / 0 / 20

HEX #CD37CD

RGB 205 55 205

HSL 300, 0.6%, 0.51%

LAB 51.97, 73.94, -46.47

 

CMYK 39 / 75 / 0 / 44

HEX #56238E

RGB 86 35 142

HSL 268.6, 0.6%, 0.35%

LAB 27.11, 44.75, -49.89

 

CMYK 39 / 75 / 0 / 31

HEX #6B2BAF

RGB 107 43 175

HSL 269.09, 0.61%, 0.43%

LAB 33.88, 53.19, -58.8

 

CMYK 38 / 73 / 0 / 20

HEX #7F37CD

RGB 127 55 205

HSL 268.8, 0.6%, 0.51%

LAB 40.66, 58.72, -65.27

 

CMYK 31 / 59 / 0 / 16

HEX #9458D5

RGB 148 88 213

HSL 268.8, 0.6%, 0.59%

LAB 49.59, 48.83, -55.29

 

CMYK 24 / 45 / 0 / 13

HEX #A979DD

RGB 169 121 221

HSL 268.8, 0.6%, 0.67%

LAB 59.28, 38.12, -44.27

 

CMYK 38 / 73 / 0 / 20

HEX #8038CD

RGB 128 56 205

HSL 268.99, 0.6%, 0.51%

LAB 40.94, 58.45, -64.81

 

CMYK 0 / 73 / 49 / 20

HEX #CD3769

RGB 205 55 105

HSL 340, 0.6%, 0.51%

LAB 47.92, 61.45, 6.77

 

CMYK 73 / 0 / 68 / 20

HEX #37CD41

RGB 55 205 65

HSL 124, 0.6%, 0.51%

LAB 72.8, -65.14, 56.22

 

CMYK 38 / 73 / 0 / 20

HEX #8038CD

RGB 128 56 205

HSL 268.99, 0.6%, 0.51%

LAB 40.94, 58.45, -64.81

 

CMYK 0 / 39 / 73 / 20

HEX #CD7D37

RGB 205 125 55

HSL 28, 0.6%, 0.51%

LAB 59.82, 25.33, 49.64

 

CMYK 73 / 0 / 39 / 20

HEX #37CD7D

RGB 55 205 125

HSL 148, 0.6%, 0.51%

LAB 73.52, -56.72, 28.93

 

CMYK 38 / 73 / 0 / 20

HEX #8038CD

RGB 128 56 205

HSL 268.99, 0.6%, 0.51%

LAB 40.94, 58.45, -64.81

 

CMYK 0 / 73 / 49 / 20

HEX #CD3769

RGB 205 55 105

HSL 340, 0.6%, 0.51%

LAB 47.92, 61.45, 6.77

 

CMYK 34 / 0 / 73 / 20

HEX #87CD37

RGB 135 205 55

HSL 88, 0.6%, 0.51%

LAB 75.51, -44.74, 63.57

 

CMYK 73 / 0 / 24 / 20

HEX #37CD9B

RGB 55 205 155

HSL 160, 0.6%, 0.51%

LAB 74.09, -50.46, 13.89

 

CMYK 38 / 73 / 0 / 20

HEX #8038CD

RGB 128 56 205

HSL 268.99, 0.6%, 0.51%

LAB 40.94, 58.45, -64.81

 

CMYK 0 / 73 / 71 / 20

HEX #CD373C

RGB 205 55 60

HSL 358, 0.6%, 0.51%

LAB 47.02, 58.48, 32.86

 

CMYK 34 / 0 / 73 / 20

HEX #87CD37

RGB 135 205 55

HSL 88, 0.6%, 0.51%

LAB 75.51, -44.74, 63.57

 

CMYK 73 / 0 / 2 / 20

HEX #37CDC8

RGB 55 205 200

HSL 178, 0.6%, 0.51%

LAB 75.23, -38.88, -8.7

 

Description

Color code: HEX #8038CD | qconv.com Color code: HEX #8038CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 56 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 56 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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