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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #801BED it is the complementary color #7FE412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #801BED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #801BED shade: #851BE8, #962DFB, #A73FFF, #B851FF and #C963FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #801BED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #801BED shade: #801BED, #6F09DA, #5E00C7, #4D00B4 and #3C00A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #801BED shade: #801CEC, #B81CEC, #EC1CE8, #EC1CB0 and #EC1C78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #801BED shade: #801CEC, #481CEC and #1C1CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #801BED shade matches the following richer shades: #801CEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #801BED shade: #801CEC, #8130D8, #8244C5, #8257B1 and #836B9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #801BED shade: #1C2AEC, #461CEC, #7D1CEC, #B51CEC and #EC1CEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #801BED shade: #580DA8, #6C10CF, #801CEC, #9542EF and #AB68F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #801BED shade: #801BED, #EC1C61 and #1CEC2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #801BED shade: #801BED, #EC7D1C and #1CEC7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #801BED shade: #801BED, #EC1C61, #8BEC1C and #1CECA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #801BED shade: #801BED, #EC1C23, #8BEC1C and #1CECE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 89 / 0 / 7

HEX #801BED

RGB 128 27 237

HSL 268.86, 0.85%, 0.52%

LAB 40.39, 75.5, -84.03

 

Complementary color

CMYK 44 / 0 / 92 / 11

HEX #7FE412

RGB 127 228 18

HSL 88.86, 0.85%, 0.48%

LAB 81.86, -58.04, 77.8

 

CMYK 43 / 88 / 0 / 9

HEX #851BE8

RGB 133 27 232

HSL 271.02, 0.82%, 0.51%

LAB 40.57, 74.95, -80.87

 

CMYK 40 / 82 / 0 / 2

HEX #962DFB

RGB 150 45 251

HSL 270.58, 0.96%, 0.58%

LAB 46.08, 76.33, -82.45

 

CMYK 35 / 75 / 0 / 0

HEX #A73FFF

RGB 167 63 255

HSL 272.5, 1%, 0.62%

LAB 50.68, 73.57, -77.08

 

CMYK 28 / 68 / 0 / 0

HEX #B851FF

RGB 184 81 255

HSL 275.52, 1%, 0.66%

LAB 55.38, 69.4, -69.35

 

CMYK 21 / 61 / 0 / 0

HEX #C963FF

RGB 201 99 255

HSL 279.23, 1%, 0.69%

LAB 60.39, 64.98, -61.17

 

CMYK 46 / 89 / 0 / 7

HEX #801BED

RGB 128 27 237

HSL 268.86, 0.85%, 0.52%

LAB 40.39, 75.5, -84.03

 

CMYK 49 / 96 / 0 / 15

HEX #6F09DA

RGB 111 9 218

HSL 269.28, 0.92%, 0.45%

LAB 35.28, 72.91, -81.69

 

CMYK 53 / 100 / 0 / 22

HEX #5E00C7

RGB 94 0 199

HSL 268.34, 1%, 0.39%

LAB 30.65, 68.68, -78.37

 

CMYK 57 / 100 / 0 / 29

HEX #4D00B4

RGB 77 0 180

HSL 265.67, 1%, 0.35%

LAB 26.37, 63.22, -74.28

 

CMYK 63 / 100 / 0 / 37

HEX #3C00A1

RGB 60 0 161

HSL 262.36, 1%, 0.32%

LAB 22.07, 57.72, -70.01

 

CMYK 46 / 88 / 0 / 7

HEX #801CEC

RGB 128 28 236

HSL 268.85, 0.85%, 0.52%

LAB 40.37, 75.05, -83.49

 

CMYK 22 / 88 / 0 / 7

HEX #B81CEC

RGB 184 28 236

HSL 285, 0.85%, 0.52%

LAB 48.36, 82.08, -70.1

 

CMYK 0 / 88 / 2 / 7

HEX #EC1CE8

RGB 236 28 232

HSL 301.15, 0.85%, 0.52%

LAB 56.57, 89.65, -54.17

 

CMYK 0 / 88 / 25 / 7

HEX #EC1CB0

RGB 236 28 176

HSL 317.31, 0.85%, 0.52%

LAB 53.81, 82.46, -26.4

 

CMYK 0 / 88 / 49 / 7

HEX #EC1C78

RGB 236 28 120

HSL 333.46, 0.85%, 0.52%

LAB 51.86, 77.13, 4.05

 

CMYK 46 / 88 / 0 / 7

HEX #801CEC

RGB 128 28 236

HSL 268.85, 0.85%, 0.52%

LAB 40.37, 75.05, -83.49

 

CMYK 69 / 88 / 0 / 7

HEX #481CEC

RGB 72 28 236

HSL 252.69, 0.85%, 0.52%

LAB 34.53, 70.55, -93.35

 

CMYK 88 / 88 / 0 / 7

HEX #1C1CEC

RGB 28 28 236

HSL 240, 0.85%, 0.52%

LAB 32.11, 68.91, -97.44

 

CMYK 46 / 88 / 0 / 7

HEX #801CEC

RGB 128 28 236

HSL 268.85, 0.85%, 0.52%

LAB 40.37, 75.05, -83.49

 

CMYK 46 / 88 / 0 / 7

HEX #801CEC

RGB 128 28 236

HSL 268.85, 0.85%, 0.52%

LAB 40.37, 75.05, -83.49

 

CMYK 40 / 78 / 0 / 15

HEX #8130D8

RGB 129 48 216

HSL 268.93, 0.68%, 0.52%

LAB 40.8, 64.51, -71.37

 

CMYK 34 / 65 / 0 / 23

HEX #8244C5

RGB 130 68 197

HSL 268.84, 0.53%, 0.52%

LAB 42.63, 51.23, -57.41

 

CMYK 27 / 51 / 0 / 31

HEX #8257B1

RGB 130 87 177

HSL 268.67, 0.37%, 0.52%

LAB 45.27, 36, -41.5

 

CMYK 17 / 32 / 0 / 38

HEX #836B9D

RGB 131 107 157

HSL 268.8, 0.2%, 0.52%

LAB 49.22, 19.71, -23.55

 

CMYK 88 / 82 / 0 / 7

HEX #1C2AEC

RGB 28 42 236

HSL 235.96, 0.85%, 0.52%

LAB 33.9, 63.55, -94.46

 

CMYK 70 / 88 / 0 / 7

HEX #461CEC

RGB 70 28 236

HSL 252.12, 0.85%, 0.52%

LAB 34.37, 70.44, -93.61

 

CMYK 47 / 88 / 0 / 7

HEX #7D1CEC

RGB 125 28 236

HSL 267.98, 0.85%, 0.52%

LAB 39.99, 74.74, -84.13

 

CMYK 23 / 88 / 0 / 7

HEX #B51CEC

RGB 181 28 236

HSL 284.13, 0.85%, 0.52%

LAB 47.89, 81.65, -70.88

 

CMYK 0 / 88 / 0 / 7

HEX #EC1CEC

RGB 236 28 236

HSL 300, 0.85%, 0.52%

LAB 56.8, 90.23, -56.06

 

CMYK 48 / 92 / 0 / 34

HEX #580DA8

RGB 88 13 168

HSL 269.03, 0.86%, 0.35%

LAB 27.27, 58.89, -65.53

 

CMYK 48 / 92 / 0 / 19

HEX #6C10CF

RGB 108 16 207

HSL 268.9, 0.86%, 0.44%

LAB 34.12, 69.15, -77.25

 

CMYK 46 / 88 / 0 / 7

HEX #801CEC

RGB 128 28 236

HSL 268.85, 0.85%, 0.52%

LAB 40.37, 75.05, -83.49

 

CMYK 38 / 72 / 0 / 6

HEX #9542EF

RGB 149 66 239

HSL 268.79, 0.84%, 0.6%

LAB 47.65, 65.8, -73.16

 

CMYK 29 / 57 / 0 / 5

HEX #AB68F2

RGB 171 104 242

HSL 269.13, 0.84%, 0.68%

LAB 57.05, 52.75, -59.53

 

CMYK 46 / 89 / 0 / 7

HEX #801BED

RGB 128 27 237

HSL 268.86, 0.85%, 0.52%

LAB 40.39, 75.5, -84.03

 

CMYK 0 / 88 / 59 / 7

HEX #EC1C61

RGB 236 28 97

HSL 340.1, 0.85%, 0.52%

LAB 51.3, 75.55, 17.25

 

CMYK 88 / 0 / 82 / 7

HEX #1CEC2A

RGB 28 236 42

HSL 124.04, 0.85%, 0.52%

LAB 82.06, -78.89, 72.59

 

CMYK 46 / 89 / 0 / 7

HEX #801BED

RGB 128 27 237

HSL 268.86, 0.85%, 0.52%

LAB 40.39, 75.5, -84.03

 

CMYK 0 / 47 / 88 / 7

HEX #EC7D1C

RGB 236 125 28

HSL 27.98, 0.85%, 0.52%

LAB 63.82, 37.18, 65.22

 

CMYK 88 / 0 / 47 / 7

HEX #1CEC7D

RGB 28 236 125

HSL 147.98, 0.85%, 0.52%

LAB 82.76, -70.16, 40.85

 

CMYK 46 / 89 / 0 / 7

HEX #801BED

RGB 128 27 237

HSL 268.86, 0.85%, 0.52%

LAB 40.39, 75.5, -84.03

 

CMYK 0 / 88 / 59 / 7

HEX #EC1C61

RGB 236 28 97

HSL 340.1, 0.85%, 0.52%

LAB 51.3, 75.55, 17.25

 

CMYK 41 / 0 / 88 / 7

HEX #8BEC1C

RGB 139 236 28

HSL 87.98, 0.85%, 0.52%

LAB 84.77, -57.03, 78.93

 

CMYK 88 / 0 / 29 / 7

HEX #1CECA7

RGB 28 236 167

HSL 160.1, 0.85%, 0.52%

LAB 83.46, -62.14, 20.59

 

CMYK 46 / 89 / 0 / 7

HEX #801BED

RGB 128 27 237

HSL 268.86, 0.85%, 0.52%

LAB 40.39, 75.5, -84.03

 

CMYK 0 / 88 / 85 / 7

HEX #EC1C23

RGB 236 28 35

HSL 357.98, 0.85%, 0.52%

LAB 50.43, 73.08, 51.84

 

CMYK 41 / 0 / 88 / 7

HEX #8BEC1C

RGB 139 236 28

HSL 87.98, 0.85%, 0.52%

LAB 84.77, -57.03, 78.93

 

CMYK 88 / 0 / 3 / 7

HEX #1CECE5

RGB 28 236 229

HSL 177.98, 0.85%, 0.52%

LAB 84.94, -46.51, -9.75

 

Description

Color code: HEX #801BED | qconv.com Color code: HEX #801BED | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 27 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 27 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 89 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 89% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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