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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #800D73 it is the complementary color #7FF28C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #800D73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #800D73 shade: #850D6E, #961F81, #A73194, #B843A7 and #C955BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #800D73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #800D73 shade: #800D73, #6F0060, #5E004D, #4D003A and #3C0027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #800D73 shade: #810C74, #810C55, #810C35, #810C15 and #810C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #800D73 shade: #810C74, #6F0C81, #500C81, #300C81 and #100C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #800D73 shade matches the following richer shades: #810C74 and #8D017D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #800D73 shade: #810C74, #76186B, #6A2362, #5F2F59 and #533B50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #800D73 shade: #4F0C81, #6E0C81, #810C76, #810C57 and #810C37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #800D73 shade: #360531, #5C0952, #810C74, #A71096 and #CD14B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #800D73 shade: #800D73, #812F0C and #0C815E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #800D73 shade: #800D73, #76810C and #0C7681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #800D73 shade: #800D73, #812F0C, #0C8118 and #0C5E81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #800D73 shade: #800D73, #81530C, #0C8118 and #0C3B81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 10 / 50

HEX #800D73

RGB 128 13 115

HSL 306.78, 0.82%, 0.28%

LAB 29.7, 54.82, -28.39

 

Complementary color

CMYK 48 / 0 / 42 / 5

HEX #7FF28C

RGB 127 242 140

HSL 126.78, 0.82%, 0.72%

LAB 86.95, -53.38, 39.31

 

CMYK 0 / 90 / 17 / 48

HEX #850D6E

RGB 133 13 110

HSL 311.5, 0.82%, 0.29%

LAB 30.4, 55.15, -24.03

 

CMYK 0 / 79 / 14 / 41

HEX #961F81

RGB 150 31 129

HSL 310.59, 0.66%, 0.35%

LAB 36.08, 57.4, -26.89

 

CMYK 0 / 71 / 11 / 35

HEX #A73194

RGB 167 49 148

HSL 309.66, 0.55%, 0.42%

LAB 42.08, 58.42, -28.93

 

CMYK 0 / 64 / 9 / 28

HEX #B843A7

RGB 184 67 167

HSL 308.72, 0.47%, 0.49%

LAB 48.25, 58.68, -30.43

 

CMYK 0 / 58 / 7 / 21

HEX #C955BA

RGB 201 85 186

HSL 307.76, 0.52%, 0.56%

LAB 54.51, 58.5, -31.57

 

CMYK 0 / 90 / 10 / 50

HEX #800D73

RGB 128 13 115

HSL 306.78, 0.82%, 0.28%

LAB 29.7, 54.82, -28.39

 

CMYK 0 / 100 / 14 / 56

HEX #6F0060

RGB 111 0 96

HSL 308.11, 1%, 0.22%

LAB 24.4, 50.92, -24.68

 

CMYK 0 / 100 / 18 / 63

HEX #5E004D

RGB 94 0 77

HSL 310.85, 1%, 0.18%

LAB 19.7, 44.71, -19.58

 

CMYK 0 / 100 / 25 / 70

HEX #4D003A

RGB 77 0 58

HSL 314.81, 1%, 0.15%

LAB 14.86, 38.31, -14.18

 

CMYK 0 / 100 / 35 / 76

HEX #3C0027

RGB 60 0 39

HSL 321, 1%, 0.12%

LAB 9.85, 31.69, -8.33

 

CMYK 0 / 91 / 10 / 49

HEX #810C74

RGB 129 12 116

HSL 306.67, 0.83%, 0.28%

LAB 29.89, 55.36, -28.72

 

CMYK 0 / 91 / 34 / 49

HEX #810C55

RGB 129 12 85

HSL 322.56, 0.83%, 0.28%

LAB 28.34, 51.23, -11

 

CMYK 0 / 91 / 59 / 49

HEX #810C35

RGB 129 12 53

HSL 338.97, 0.83%, 0.28%

LAB 27.26, 48.2, 8.94

 

CMYK 0 / 91 / 84 / 49

HEX #810C15

RGB 129 12 21

HSL 355.38, 0.83%, 0.28%

LAB 26.69, 46.56, 29.34

 

CMYK 0 / 91 / 91 / 49

HEX #810C0C

RGB 129 12 12

HSL 0, 0.83%, 0.28%

LAB 26.61, 46.33, 34.2

 

CMYK 0 / 91 / 10 / 49

HEX #810C74

RGB 129 12 116

HSL 306.67, 0.83%, 0.28%

LAB 29.89, 55.36, -28.72

 

CMYK 14 / 91 / 0 / 49

HEX #6F0C81

RGB 111 12 129

HSL 290.77, 0.83%, 0.28%

LAB 27.37, 54.09, -41.17

 

CMYK 38 / 91 / 0 / 49

HEX #500C81

RGB 80 12 129

HSL 274.87, 0.83%, 0.28%

LAB 22.14, 49.14, -49.92

 

CMYK 63 / 91 / 0 / 49

HEX #300C81

RGB 48 12 129

HSL 258.46, 0.83%, 0.28%

LAB 17.81, 45.44, -57.2

 

CMYK 88 / 91 / 0 / 49

HEX #100C81

RGB 16 12 129

HSL 242.05, 0.83%, 0.28%

LAB 15.27, 43.5, -61.5

 

CMYK 0 / 91 / 10 / 49

HEX #810C74

RGB 129 12 116

HSL 306.67, 0.83%, 0.28%

LAB 29.89, 55.36, -28.72

 

CMYK 0 / 99 / 11 / 45

HEX #8D017D

RGB 141 1 125

HSL 306.86, 0.99%, 0.28%

LAB 32.18, 60.7, -30.64

 

CMYK 0 / 91 / 10 / 49

HEX #810C74

RGB 129 12 116

HSL 306.67, 0.83%, 0.28%

LAB 29.89, 55.36, -28.72

 

CMYK 0 / 80 / 9 / 54

HEX #76186B

RGB 118 24 107

HSL 307.02, 0.66%, 0.28%

LAB 28.29, 48.64, -25.61

 

CMYK 0 / 67 / 8 / 58

HEX #6A2362

RGB 106 35 98

HSL 306.76, 0.5%, 0.28%

LAB 27.15, 39.76, -21.72

 

CMYK 0 / 51 / 6 / 63

HEX #5F2F59

RGB 95 47 89

HSL 307.5, 0.34%, 0.28%

LAB 27.26, 28.36, -15.81

 

CMYK 0 / 29 / 4 / 67

HEX #533B50

RGB 83 59 80

HSL 307.5, 0.17%, 0.28%

LAB 28.24, 14.62, -8.58

 

CMYK 39 / 91 / 0 / 49

HEX #4F0C81

RGB 79 12 129

HSL 274.36, 0.83%, 0.28%

LAB 21.98, 49, -50.18

 

CMYK 15 / 91 / 0 / 49

HEX #6E0C81

RGB 110 12 129

HSL 290.26, 0.83%, 0.28%

LAB 27.19, 53.92, -41.47

 

CMYK 0 / 91 / 9 / 49

HEX #810C76

RGB 129 12 118

HSL 305.64, 0.83%, 0.28%

LAB 30.01, 55.66, -29.81

 

CMYK 0 / 91 / 33 / 49

HEX #810C57

RGB 129 12 87

HSL 321.54, 0.83%, 0.28%

LAB 28.43, 51.46, -12.19

 

CMYK 0 / 91 / 57 / 49

HEX #810C37

RGB 129 12 55

HSL 337.95, 0.83%, 0.28%

LAB 27.31, 48.35, 7.65

 

CMYK 0 / 91 / 9 / 79

HEX #360531

RGB 54 5 49

HSL 306.12, 0.83%, 0.12%

LAB 9.91, 29.28, -15.79

 

CMYK 0 / 90 / 11 / 64

HEX #5C0952

RGB 92 9 82

HSL 307.23, 0.82%, 0.2%

LAB 20.36, 42.74, -21.97

 

CMYK 0 / 91 / 10 / 49

HEX #810C74

RGB 129 12 116

HSL 306.67, 0.83%, 0.28%

LAB 29.89, 55.36, -28.72

 

CMYK 0 / 90 / 10 / 35

HEX #A71096

RGB 167 16 150

HSL 306.75, 0.83%, 0.36%

LAB 39.22, 67.23, -34.64

 

CMYK 0 / 90 / 10 / 20

HEX #CD14B8

RGB 205 20 184

HSL 306.81, 0.82%, 0.44%

LAB 48.18, 78.55, -40.3

 

CMYK 0 / 90 / 10 / 50

HEX #800D73

RGB 128 13 115

HSL 306.78, 0.82%, 0.28%

LAB 29.7, 54.82, -28.39

 

CMYK 0 / 64 / 91 / 49

HEX #812F0C

RGB 129 47 12

HSL 17.95, 0.83%, 0.28%

LAB 31.18, 33.76, 37.95

 

CMYK 91 / 0 / 27 / 49

HEX #0C815E

RGB 12 129 94

HSL 162.05, 0.83%, 0.28%

LAB 47.74, -38.5, 10.75

 

CMYK 0 / 90 / 10 / 50

HEX #800D73

RGB 128 13 115

HSL 306.78, 0.82%, 0.28%

LAB 29.7, 54.82, -28.39

 

CMYK 9 / 0 / 91 / 49

HEX #76810C

RGB 118 129 12

HSL 65.64, 0.83%, 0.28%

LAB 51.36, -17.82, 53.68

 

CMYK 91 / 9 / 0 / 49

HEX #0C7681

RGB 12 118 129

HSL 185.64, 0.83%, 0.28%

LAB 45.11, -22.79, -13.81

 

CMYK 0 / 90 / 10 / 50

HEX #800D73

RGB 128 13 115

HSL 306.78, 0.82%, 0.28%

LAB 29.7, 54.82, -28.39

 

CMYK 0 / 64 / 91 / 49

HEX #812F0C

RGB 129 47 12

HSL 17.95, 0.83%, 0.28%

LAB 31.18, 33.76, 37.95

 

CMYK 91 / 0 / 81 / 49

HEX #0C8118

RGB 12 129 24

HSL 126.15, 0.83%, 0.28%

LAB 46.77, -49.93, 44.68

 

CMYK 91 / 27 / 0 / 49

HEX #0C5E81

RGB 12 94 129

HSL 197.95, 0.83%, 0.28%

LAB 37.24, -9.3, -25.93

 

CMYK 0 / 90 / 10 / 50

HEX #800D73

RGB 128 13 115

HSL 306.78, 0.82%, 0.28%

LAB 29.7, 54.82, -28.39

 

CMYK 0 / 36 / 91 / 49

HEX #81530C

RGB 129 83 12

HSL 36.41, 0.83%, 0.28%

LAB 39.38, 13.61, 44.49

 

CMYK 91 / 0 / 81 / 49

HEX #0C8118

RGB 12 129 24

HSL 126.15, 0.83%, 0.28%

LAB 46.77, -49.93, 44.68

 

CMYK 91 / 54 / 0 / 49

HEX #0C3B81

RGB 12 59 129

HSL 215.9, 0.83%, 0.28%

LAB 26.13, 13.86, -43.63

 

Description

Color code: HEX #800D73 | qconv.com Color code: HEX #800D73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 13 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 13 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 10 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 10% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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