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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #800059 it is the complementary color #7FFFA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #800059. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #800059 shade: #850054, #961267, #A7247A, #B8368D and #C948A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #800059. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #800059 shade: #800059, #6F0046, #5E0033, #4D0020 and #3C000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #800059 shade: #7F0058, #7F0036, #7F0013 and #7F0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #800059 shade: #7F0058, #7F007B, #61007F, #3F007F and #1C007F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #800059 shade matches the following richer shades: #7F0058

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #800059 shade: #7F0058, #750A54, #6A1450, #601E4C and #562948

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #800059 shade: #61007F, #7F007B, #7F0059, #7F0037 and #7F0015

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #800059 shade: #2C001F, #56003B, #7F0058, #A80075 and #D20092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #800059 shade: #800059, #7F3F00 and #007F72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #800059 shade: #800059, #597F00 and #00597F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #800059 shade: #800059, #7F3F00, #007F26 and #003F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #800059 shade: #800059, #7F6600, #007F26 and #00197F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 100 / 30 / 50

HEX #800059

RGB 128 0 89

HSL 318.28, 1%, 0.25%

LAB 27.6, 53.53, -14.79

 

Complementary color

CMYK 50 / 0 / 35 / 0

HEX #7FFFA6

RGB 127 255 166

HSL 138.28, 1%, 0.75%

LAB 91.14, -54.45, 31.9

 

CMYK 0 / 100 / 37 / 48

HEX #850054

RGB 133 0 84

HSL 322.11, 1%, 0.26%

LAB 28.45, 54.07, -10.09

 

CMYK 0 / 88 / 31 / 41

HEX #961267

RGB 150 18 103

HSL 321.36, 0.79%, 0.33%

LAB 33.77, 57.14, -14.06

 

CMYK 0 / 78 / 27 / 35

HEX #A7247A

RGB 167 36 122

HSL 320.61, 0.65%, 0.4%

LAB 39.38, 59.08, -17.16

 

CMYK 0 / 71 / 23 / 28

HEX #B8368D

RGB 184 54 141

HSL 319.85, 0.55%, 0.47%

LAB 45.29, 59.94, -19.48

 

CMYK 0 / 64 / 20 / 21

HEX #C948A0

RGB 201 72 160

HSL 319.07, 0.54%, 0.54%

LAB 51.37, 60.14, -21.25

 

CMYK 0 / 100 / 30 / 50

HEX #800059

RGB 128 0 89

HSL 318.28, 1%, 0.25%

LAB 27.6, 53.53, -14.79

 

CMYK 0 / 100 / 37 / 56

HEX #6F0046

RGB 111 0 70

HSL 322.16, 1%, 0.22%

LAB 23.07, 47.56, -9.28

 

CMYK 0 / 100 / 46 / 63

HEX #5E0033

RGB 94 0 51

HSL 327.45, 1%, 0.18%

LAB 18.45, 41.5, -3.36

 

CMYK 0 / 100 / 58 / 70

HEX #4D0020

RGB 77 0 32

HSL 335.06, 1%, 0.15%

LAB 13.72, 35.35, 3.13

 

CMYK 0 / 100 / 78 / 76

HEX #3C000D

RGB 60 0 13

HSL 347, 1%, 0.12%

LAB 8.91, 29.2, 8.64

 

CMYK 0 / 100 / 31 / 50

HEX #7F0058

RGB 127 0 88

HSL 318.43, 1%, 0.25%

LAB 27.34, 53.19, -14.55

 

CMYK 0 / 100 / 57 / 50

HEX #7F0036

RGB 127 0 54

HSL 334.49, 1%, 0.25%

LAB 26.09, 49.94, 6.56

 

CMYK 0 / 100 / 85 / 50

HEX #7F0013

RGB 127 0 19

HSL 351.02, 1%, 0.25%

LAB 25.44, 48.17, 29.17

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 100 / 31 / 50

HEX #7F0058

RGB 127 0 88

HSL 318.43, 1%, 0.25%

LAB 27.34, 53.19, -14.55

 

CMYK 0 / 100 / 3 / 50

HEX #7F007B

RGB 127 0 123

HSL 301.89, 1%, 0.25%

LAB 29.27, 57.98, -34.18

 

CMYK 24 / 100 / 0 / 50

HEX #61007F

RGB 97 0 127

HSL 285.83, 1%, 0.25%

LAB 23.91, 53.82, -45.63

 

CMYK 50 / 100 / 0 / 50

HEX #3F007F

RGB 63 0 127

HSL 269.76, 1%, 0.25%

LAB 18.32, 49.84, -55.03

 

CMYK 78 / 100 / 0 / 50

HEX #1C007F

RGB 28 0 127

HSL 253.23, 1%, 0.25%

LAB 14.28, 47.76, -61.85

 

CMYK 0 / 100 / 31 / 50

HEX #7F0058

RGB 127 0 88

HSL 318.43, 1%, 0.25%

LAB 27.34, 53.19, -14.55

 

CMYK 0 / 100 / 31 / 50

HEX #7F0058

RGB 127 0 88

HSL 318.43, 1%, 0.25%

LAB 27.34, 53.19, -14.55

 

CMYK 0 / 91 / 28 / 54

HEX #750A54

RGB 117 10 84

HSL 318.5, 0.84%, 0.25%

LAB 25.68, 48.62, -14.63

 

CMYK 0 / 81 / 25 / 58

HEX #6A1450

RGB 106 20 80

HSL 318.14, 0.68%, 0.25%

LAB 24.14, 42.78, -14.51

 

CMYK 0 / 69 / 21 / 62

HEX #601E4C

RGB 96 30 76

HSL 318.18, 0.52%, 0.25%

LAB 23.46, 35.34, -13.02

 

CMYK 0 / 52 / 16 / 66

HEX #562948

RGB 86 41 72

HSL 318.67, 0.35%, 0.25%

LAB 23.78, 25.4, -10

 

CMYK 24 / 100 / 0 / 50

HEX #61007F

RGB 97 0 127

HSL 285.83, 1%, 0.25%

LAB 23.91, 53.82, -45.63

 

CMYK 0 / 100 / 3 / 50

HEX #7F007B

RGB 127 0 123

HSL 301.89, 1%, 0.25%

LAB 29.27, 57.98, -34.18

 

CMYK 0 / 100 / 30 / 50

HEX #7F0059

RGB 127 0 89

HSL 317.95, 1%, 0.25%

LAB 27.39, 53.31, -15.14

 

CMYK 0 / 100 / 57 / 50

HEX #7F0037

RGB 127 0 55

HSL 334.02, 1%, 0.25%

LAB 26.12, 50.01, 5.91

 

CMYK 0 / 100 / 83 / 50

HEX #7F0015

RGB 127 0 21

HSL 350.08, 1%, 0.25%

LAB 25.46, 48.23, 27.96

 

CMYK 0 / 100 / 30 / 83

HEX #2C001F

RGB 44 0 31

HSL 317.73, 1%, 0.09%

LAB 5.73, 25.48, -8.84

 

CMYK 0 / 100 / 31 / 66

HEX #56003B

RGB 86 0 59

HSL 318.84, 1%, 0.17%

LAB 16.96, 40.5, -11.47

 

CMYK 0 / 100 / 31 / 50

HEX #7F0058

RGB 127 0 88

HSL 318.43, 1%, 0.25%

LAB 27.34, 53.19, -14.55

 

CMYK 0 / 100 / 30 / 34

HEX #A80075

RGB 168 0 117

HSL 318.21, 1%, 0.33%

LAB 37.13, 65.17, -17.47

 

CMYK 0 / 100 / 30 / 18

HEX #D20092

RGB 210 0 146

HSL 318.29, 1%, 0.41%

LAB 46.68, 76.81, -19.96

 

CMYK 0 / 100 / 30 / 50

HEX #800059

RGB 128 0 89

HSL 318.28, 1%, 0.25%

LAB 27.6, 53.53, -14.79

 

CMYK 0 / 50 / 100 / 50

HEX #7F3F00

RGB 127 63 0

HSL 29.76, 1%, 0.25%

LAB 34.12, 24.1, 44.5

 

CMYK 100 / 0 / 10 / 50

HEX #007F72

RGB 0 127 114

HSL 173.86, 1%, 0.25%

LAB 47.49, -32.78, -1.36

 

CMYK 0 / 100 / 30 / 50

HEX #800059

RGB 128 0 89

HSL 318.28, 1%, 0.25%

LAB 27.6, 53.53, -14.79

 

CMYK 30 / 0 / 100 / 50

HEX #597F00

RGB 89 127 0

HSL 77.95, 1%, 0.25%

LAB 48.64, -29.83, 52.96

 

CMYK 100 / 30 / 0 / 50

HEX #00597F

RGB 0 89 127

HSL 197.95, 1%, 0.25%

LAB 35.35, -7.83, -27.67

 

CMYK 0 / 100 / 30 / 50

HEX #800059

RGB 128 0 89

HSL 318.28, 1%, 0.25%

LAB 27.6, 53.53, -14.79

 

CMYK 0 / 50 / 100 / 50

HEX #7F3F00

RGB 127 63 0

HSL 29.76, 1%, 0.25%

LAB 34.12, 24.1, 44.5

 

CMYK 100 / 0 / 70 / 50

HEX #007F26

RGB 0 127 38

HSL 137.95, 1%, 0.25%

LAB 46.07, -48.97, 38.53

 

CMYK 100 / 50 / 0 / 50

HEX #003F7F

RGB 0 63 127

HSL 210.24, 1%, 0.25%

LAB 26.98, 9.39, -41.01

 

CMYK 0 / 100 / 30 / 50

HEX #800059

RGB 128 0 89

HSL 318.28, 1%, 0.25%

LAB 27.6, 53.53, -14.79

 

CMYK 0 / 20 / 100 / 50

HEX #7F6600

RGB 127 102 0

HSL 48.19, 1%, 0.25%

LAB 44.25, 1.18, 51.17

 

CMYK 100 / 0 / 70 / 50

HEX #007F26

RGB 0 127 38

HSL 137.95, 1%, 0.25%

LAB 46.07, -48.97, 38.53

 

CMYK 100 / 80 / 0 / 50

HEX #00197F

RGB 0 25 127

HSL 228.19, 1%, 0.25%

LAB 16.64, 35.78, -57.96

 

Description

Color code: HEX #800059 | qconv.com Color code: HEX #800059 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, none green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 0 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 100 magenta, 30 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 100% 30% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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