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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F1C0 it is the complementary color #7C0E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F1C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F1C0 shade: #88F1BB, #99FFCE, #AAFFE1, #BBFFF4 and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F1C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F1C0 shade: #83F1C0, #72DFAD, #61CD9A, #50BB87 and #3FA974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F1C0 shade: #83F1C0, #83F1A2, #83F184, #9FF183 and #BCF183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F1C0 shade: #83F1C0, #83F1DD, #83E6F1, #83C9F1 and #83ABF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F1C0 shade matches the following richer shades: #83F1C0 and #77FCC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F1C0 shade: #83F1C0, #8EE6BE, #99DABD, #A4CFBC and #AFC4BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F1C0 shade: #83F184, #83F1A2, #83F1BF, #83F1DD and #83E8F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F1C0 shade: #38E89A, #5DEDAD, #83F1C0, #A8F5D2 and #CDF9E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F1C0 shade: #83F1C0, #839EF1 and #F19383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F1C0 shade: #83F1C0, #BF83F1 and #F1BF83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F1C0 shade: #83F1C0, #839EF1, #F183B4 and #F1D583

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F1C0 shade: #83F1C0, #8883F1, #F183B4 and #EBF183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

Complementary color

CMYK 0 / 89 / 49 / 51

HEX #7C0E3F

RGB 124 14 63

HSL 333.27, 0.8%, 0.27%

LAB 26.61, 47.26, 1.07

 

CMYK 44 / 0 / 22 / 5

HEX #88F1BB

RGB 136 241 187

HSL 149.14, 0.79%, 0.74%

LAB 87.84, -42.41, 16.73

 

CMYK 40 / 0 / 19 / 0

HEX #99FFCE

RGB 153 255 206

HSL 151.18, 1%, 0.8%

LAB 92.9, -40.41, 14.17

 

CMYK 33 / 0 / 12 / 0

HEX #AAFFE1

RGB 170 255 225

HSL 158.82, 1%, 0.83%

LAB 94.1, -31.96, 6.21

 

CMYK 27 / 0 / 4 / 0

HEX #BBFFF4

RGB 187 255 244

HSL 170.29, 1%, 0.87%

LAB 95.42, -23.24, -1.57

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 49 / 0 / 22 / 13

HEX #72DFAD

RGB 114 223 173

HSL 152.48, 0.63%, 0.66%

LAB 81.49, -42.84, 15

 

CMYK 53 / 0 / 25 / 20

HEX #61CD9A

RGB 97 205 154

HSL 151.67, 0.52%, 0.59%

LAB 75.16, -42.97, 16.09

 

CMYK 57 / 0 / 28 / 27

HEX #50BB87

RGB 80 187 135

HSL 150.84, 0.44%, 0.52%

LAB 68.75, -43.02, 17.28

 

CMYK 63 / 0 / 31 / 34

HEX #3FA974

RGB 63 169 116

HSL 150, 0.46%, 0.45%

LAB 62.25, -42.93, 18.58

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 46 / 0 / 33 / 5

HEX #83F1A2

RGB 131 241 162

HSL 136.91, 0.8%, 0.73%

LAB 87.17, -48.35, 28.6

 

CMYK 46 / 0 / 45 / 5

HEX #83F184

RGB 131 241 132

HSL 120.55, 0.8%, 0.73%

LAB 86.7, -53.04, 42.93

 

CMYK 34 / 0 / 46 / 5

HEX #9FF183

RGB 159 241 131

HSL 104.73, 0.8%, 0.73%

LAB 87.93, -44.75, 45.22

 

CMYK 22 / 0 / 46 / 5

HEX #BCF183

RGB 188 241 131

HSL 88.91, 0.8%, 0.73%

LAB 89.51, -34.87, 47.52

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 46 / 0 / 8 / 5

HEX #83F1DD

RGB 131 241 221

HSL 169.09, 0.8%, 0.73%

LAB 88.43, -36.34, -0.16

 

CMYK 46 / 5 / 0 / 5

HEX #83E6F1

RGB 131 230 241

HSL 186, 0.8%, 0.73%

LAB 85.89, -26.26, -14.41

 

CMYK 46 / 17 / 0 / 5

HEX #83C9F1

RGB 131 201 241

HSL 201.82, 0.8%, 0.73%

LAB 77.85, -11.59, -26.59

 

CMYK 46 / 29 / 0 / 5

HEX #83ABF1

RGB 131 171 241

HSL 218.18, 0.8%, 0.73%

LAB 69.68, 4.74, -39.2

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 53 / 0 / 23 / 1

HEX #77FCC1

RGB 119 252 193

HSL 153.38, 0.96%, 0.73%

LAB 90.5, -50.01, 17.28

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 38 / 0 / 17 / 10

HEX #8EE6BE

RGB 142 230 190

HSL 152.73, 0.64%, 0.73%

LAB 85.03, -35.24, 11.23

 

CMYK 30 / 0 / 13 / 15

HEX #99DABD

RGB 153 218 189

HSL 153.23, 0.47%, 0.73%

LAB 82.16, -26.6, 7.73

 

CMYK 21 / 0 / 9 / 19

HEX #A4CFBC

RGB 164 207 188

HSL 153.49, 0.31%, 0.73%

LAB 79.7, -17.95, 4.8

 

CMYK 11 / 0 / 5 / 23

HEX #AFC4BB

RGB 175 196 187

HSL 154.29, 0.15%, 0.73%

LAB 77.39, -8.87, 2.08

 

CMYK 46 / 0 / 45 / 5

HEX #83F184

RGB 131 241 132

HSL 120.55, 0.8%, 0.73%

LAB 86.7, -53.04, 42.93

 

CMYK 46 / 0 / 33 / 5

HEX #83F1A2

RGB 131 241 162

HSL 136.91, 0.8%, 0.73%

LAB 87.17, -48.35, 28.6

 

CMYK 46 / 0 / 21 / 5

HEX #83F1BF

RGB 131 241 191

HSL 152.73, 0.8%, 0.73%

LAB 87.73, -42.88, 14.47

 

CMYK 46 / 0 / 8 / 5

HEX #83F1DD

RGB 131 241 221

HSL 169.09, 0.8%, 0.73%

LAB 88.43, -36.34, -0.16

 

CMYK 46 / 4 / 0 / 5

HEX #83E8F1

RGB 131 232 241

HSL 184.91, 0.8%, 0.73%

LAB 86.45, -27.24, -13.57

 

CMYK 76 / 0 / 34 / 9

HEX #38E89A

RGB 56 232 154

HSL 153.41, 0.79%, 0.56%

LAB 82.32, -60.95, 25.79

 

CMYK 61 / 0 / 27 / 7

HEX #5DEDAD

RGB 93 237 173

HSL 153.33, 0.8%, 0.65%

LAB 84.95, -53.27, 19.73

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 31 / 0 / 14 / 4

HEX #A8F5D2

RGB 168 245 210

HSL 152.73, 0.79%, 0.81%

LAB 90.91, -30.86, 9.36

 

CMYK 18 / 0 / 8 / 2

HEX #CDF9E5

RGB 205 249 229

HSL 152.73, 0.79%, 0.89%

LAB 94.48, -17.9, 4.93

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 46 / 34 / 0 / 5

HEX #839EF1

RGB 131 158 241

HSL 225.27, 0.8%, 0.73%

LAB 66.24, 12.14, -44.6

 

CMYK 0 / 39 / 46 / 5

HEX #F19383

RGB 241 147 131

HSL 8.73, 0.8%, 0.73%

LAB 70.32, 33.71, 23.57

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 21 / 46 / 0 / 5

HEX #BF83F1

RGB 191 131 241

HSL 272.73, 0.8%, 0.73%

LAB 64.69, 43.27, -46.69

 

CMYK 0 / 21 / 46 / 5

HEX #F1BF83

RGB 241 191 131

HSL 32.73, 0.8%, 0.73%

LAB 80.52, 10.51, 37.02

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 46 / 34 / 0 / 5

HEX #839EF1

RGB 131 158 241

HSL 225.27, 0.8%, 0.73%

LAB 66.24, 12.14, -44.6

 

CMYK 0 / 46 / 25 / 5

HEX #F183B4

RGB 241 131 180

HSL 333.27, 0.8%, 0.73%

LAB 68.19, 47.7, -6.83

 

CMYK 0 / 12 / 46 / 5

HEX #F1D583

RGB 241 213 131

HSL 44.73, 0.8%, 0.73%

LAB 85.97, -0.9, 43.95

 

CMYK 46 / 0 / 20 / 5

HEX #83F1C0

RGB 131 241 192

HSL 153.27, 0.8%, 0.73%

LAB 87.75, -42.67, 13.98

 

CMYK 44 / 46 / 0 / 5

HEX #8883F1

RGB 136 131 241

HSL 242.73, 0.8%, 0.73%

LAB 59.72, 29.05, -54.88

 

CMYK 0 / 46 / 25 / 5

HEX #F183B4

RGB 241 131 180

HSL 333.27, 0.8%, 0.73%

LAB 68.19, 47.7, -6.83

 

CMYK 2 / 0 / 46 / 5

HEX #EBF183

RGB 235 241 131

HSL 63.27, 0.8%, 0.73%

LAB 92.67, -17.27, 52.12

 

Description

Color code: HEX #83F1C0 | qconv.com Color code: HEX #83F1C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 241 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 241 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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