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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F7AE it is the complementary color #7C0851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F7AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F7AE shade: #88F7A9, #99FFBC, #AAFFCF, #BBFFE2 and #CCFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F7AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F7AE shade: #83F7AE, #72E59B, #61D388, #50C175 and #3FAF62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F7AE shade: #82F7AD, #82F78E, #96F782, #B5F782 and #D4F782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F7AE shade: #82F7AD, #82F7CD, #82F7EC, #82E2F7 and #82C2F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F7AE shade matches the following richer shades: #82F7AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F7AE shade: #82F7AD, #8DECB0, #97E1B3, #A2D6B5 and #ADCCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F7AE shade: #95F782, #82F78E, #82F7AD, #82F7CC and #82F7EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F7AE shade: #34F27A, #5BF494, #82F7AD, #A9F9C6 and #CFFBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F7AE shade: #83F7AE, #82B4F7 and #F78286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F7AE shade: #83F7AE, #AD82F7 and #F7AD82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F7AE shade: #83F7AE, #82B4F7, #F782CC and #F7C482

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F7AE shade: #83F7AE, #8291F7, #F782CC and #F7E782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 30 / 3

HEX #83F7AE

RGB 131 247 174

HSL 142.24, 0.88%, 0.74%

LAB 89.11, -48.74, 25.14

 

Complementary color

CMYK 0 / 94 / 35 / 51

HEX #7C0851

RGB 124 8 81

HSL 322.24, 0.88%, 0.26%

LAB 26.88, 50.28, -10.65

 

CMYK 45 / 0 / 32 / 3

HEX #88F7A9

RGB 136 247 169

HSL 137.84, 0.87%, 0.75%

LAB 89.21, -48.34, 27.86

 

CMYK 40 / 0 / 26 / 0

HEX #99FFBC

RGB 153 255 188

HSL 140.59, 1%, 0.8%

LAB 92.54, -43.81, 22.87

 

CMYK 33 / 0 / 19 / 0

HEX #AAFFCF

RGB 170 255 207

HSL 146.12, 1%, 0.83%

LAB 93.7, -35.51, 14.89

 

CMYK 27 / 0 / 11 / 0

HEX #BBFFE2

RGB 187 255 226

HSL 154.41, 1%, 0.87%

LAB 94.98, -26.88, 7.07

 

CMYK 20 / 0 / 4 / 0

HEX #CCFFF5

RGB 204 255 245

HSL 168.24, 1%, 0.9%

LAB 96.39, -18.04, -0.55

 

CMYK 47 / 0 / 30 / 3

HEX #83F7AE

RGB 131 247 174

HSL 142.24, 0.88%, 0.74%

LAB 89.11, -48.74, 25.14

 

CMYK 50 / 0 / 32 / 10

HEX #72E59B

RGB 114 229 155

HSL 141.39, 0.69%, 0.67%

LAB 82.9, -48.9, 26.31

 

CMYK 54 / 0 / 36 / 17

HEX #61D388

RGB 97 211 136

HSL 140.53, 0.56%, 0.6%

LAB 76.62, -49, 27.56

 

CMYK 59 / 0 / 39 / 24

HEX #50C175

RGB 80 193 117

HSL 139.65, 0.48%, 0.54%

LAB 70.27, -48.98, 28.9

 

CMYK 64 / 0 / 44 / 31

HEX #3FAF62

RGB 63 175 98

HSL 138.75, 0.47%, 0.47%

LAB 63.83, -48.79, 30.34

 

CMYK 47 / 0 / 30 / 3

HEX #82F7AD

RGB 130 247 173

HSL 142.05, 0.88%, 0.74%

LAB 89.06, -49.18, 25.57

 

CMYK 47 / 0 / 43 / 3

HEX #82F78E

RGB 130 247 142

HSL 126.15, 0.88%, 0.74%

LAB 88.55, -54.29, 40.41

 

CMYK 39 / 0 / 47 / 3

HEX #96F782

RGB 150 247 130

HSL 109.74, 0.88%, 0.74%

LAB 89.21, -50.24, 47.2

 

CMYK 27 / 0 / 47 / 3

HEX #B5F782

RGB 181 247 130

HSL 93.85, 0.88%, 0.74%

LAB 90.76, -40.15, 49.46

 

CMYK 14 / 0 / 47 / 3

HEX #D4F782

RGB 212 247 130

HSL 77.95, 0.88%, 0.74%

LAB 92.63, -28.99, 52.18

 

CMYK 47 / 0 / 30 / 3

HEX #82F7AD

RGB 130 247 173

HSL 142.05, 0.88%, 0.74%

LAB 89.06, -49.18, 25.57

 

CMYK 47 / 0 / 17 / 3

HEX #82F7CD

RGB 130 247 205

HSL 158.46, 0.88%, 0.74%

LAB 89.71, -42.84, 10.02

 

CMYK 47 / 0 / 4 / 3

HEX #82F7EC

RGB 130 247 236

HSL 174.36, 0.88%, 0.74%

LAB 90.47, -35.79, -4.99

 

CMYK 47 / 9 / 0 / 3

HEX #82E2F7

RGB 130 226 247

HSL 190.77, 0.88%, 0.74%

LAB 84.92, -22.97, -19.03

 

CMYK 47 / 21 / 0 / 3

HEX #82C2F7

RGB 130 194 247

HSL 207.18, 0.88%, 0.74%

LAB 76.1, -6.45, -32.5

 

CMYK 47 / 0 / 30 / 3

HEX #82F7AD

RGB 130 247 173

HSL 142.05, 0.88%, 0.74%

LAB 89.06, -49.18, 25.57

 

CMYK 47 / 0 / 30 / 3

HEX #82F7AD

RGB 130 247 173

HSL 142.05, 0.88%, 0.74%

LAB 89.06, -49.18, 25.57

 

CMYK 40 / 0 / 25 / 7

HEX #8DECB0

RGB 141 236 176

HSL 142.11, 0.71%, 0.74%

LAB 86.4, -40.96, 20.44

 

CMYK 33 / 0 / 20 / 12

HEX #97E1B3

RGB 151 225 179

HSL 142.7, 0.55%, 0.74%

LAB 83.8, -32.49, 15.32

 

CMYK 24 / 0 / 15 / 16

HEX #A2D6B5

RGB 162 214 181

HSL 141.92, 0.39%, 0.74%

LAB 81.35, -23.43, 10.89

 

CMYK 15 / 0 / 10 / 20

HEX #ADCCB8

RGB 173 204 184

HSL 141.29, 0.23%, 0.74%

LAB 79.35, -14.25, 6.51

 

CMYK 40 / 0 / 47 / 3

HEX #95F782

RGB 149 247 130

HSL 110.26, 0.88%, 0.74%

LAB 89.17, -50.54, 47.14

 

CMYK 47 / 0 / 43 / 3

HEX #82F78E

RGB 130 247 142

HSL 126.15, 0.88%, 0.74%

LAB 88.55, -54.29, 40.41

 

CMYK 47 / 0 / 30 / 3

HEX #82F7AD

RGB 130 247 173

HSL 142.05, 0.88%, 0.74%

LAB 89.06, -49.18, 25.57

 

CMYK 47 / 0 / 17 / 3

HEX #82F7CC

RGB 130 247 204

HSL 157.95, 0.88%, 0.74%

LAB 89.69, -43.05, 10.5

 

CMYK 47 / 0 / 5 / 3

HEX #82F7EB

RGB 130 247 235

HSL 173.85, 0.88%, 0.74%

LAB 90.44, -36.03, -4.51

 

CMYK 79 / 0 / 50 / 5

HEX #34F27A

RGB 52 242 122

HSL 142.11, 0.88%, 0.58%

LAB 84.81, -70.5, 44.91

 

CMYK 63 / 0 / 39 / 4

HEX #5BF494

RGB 91 244 148

HSL 142.35, 0.87%, 0.66%

LAB 86.54, -61.09, 34.59

 

CMYK 47 / 0 / 30 / 3

HEX #82F7AD

RGB 130 247 173

HSL 142.05, 0.88%, 0.74%

LAB 89.06, -49.18, 25.57

 

CMYK 32 / 0 / 20 / 2

HEX #A9F9C6

RGB 169 249 198

HSL 141.75, 0.87%, 0.82%

LAB 91.8, -34.73, 16.83

 

CMYK 18 / 0 / 11 / 2

HEX #CFFBE0

RGB 207 251 224

HSL 143.18, 0.85%, 0.9%

LAB 95.01, -19.17, 8.29

 

CMYK 47 / 0 / 30 / 3

HEX #83F7AE

RGB 131 247 174

HSL 142.24, 0.88%, 0.74%

LAB 89.11, -48.74, 25.14

 

CMYK 47 / 27 / 0 / 3

HEX #82B4F7

RGB 130 180 247

HSL 214.36, 0.88%, 0.74%

LAB 72.3, 1.2, -38.39

 

CMYK 0 / 47 / 46 / 3

HEX #F78286

RGB 247 130 134

HSL 357.95, 0.88%, 0.74%

LAB 67.62, 44.92, 18.34

 

CMYK 47 / 0 / 30 / 3

HEX #83F7AE

RGB 131 247 174

HSL 142.24, 0.88%, 0.74%

LAB 89.11, -48.74, 25.14

 

CMYK 30 / 47 / 0 / 3

HEX #AD82F7

RGB 173 130 247

HSL 262.05, 0.88%, 0.74%

LAB 62.98, 40.41, -52.82

 

CMYK 0 / 30 / 47 / 3

HEX #F7AD82

RGB 247 173 130

HSL 22.05, 0.88%, 0.74%

LAB 76.84, 22.27, 32.9

 

CMYK 47 / 0 / 30 / 3

HEX #83F7AE

RGB 131 247 174

HSL 142.24, 0.88%, 0.74%

LAB 89.11, -48.74, 25.14

 

CMYK 47 / 27 / 0 / 3

HEX #82B4F7

RGB 130 180 247

HSL 214.36, 0.88%, 0.74%

LAB 72.3, 1.2, -38.39

 

CMYK 0 / 47 / 17 / 3

HEX #F782CC

RGB 247 130 204

HSL 322.05, 0.88%, 0.74%

LAB 69.54, 53.53, -18.15

 

CMYK 0 / 21 / 47 / 3

HEX #F7C482

RGB 247 196 130

HSL 33.85, 0.88%, 0.74%

LAB 82.31, 10.19, 39.94

 

CMYK 47 / 0 / 30 / 3

HEX #83F7AE

RGB 131 247 174

HSL 142.24, 0.88%, 0.74%

LAB 89.11, -48.74, 25.14

 

CMYK 47 / 41 / 0 / 3

HEX #8291F7

RGB 130 145 247

HSL 232.31, 0.88%, 0.74%

LAB 63.1, 21.2, -52.84

 

CMYK 0 / 47 / 17 / 3

HEX #F782CC

RGB 247 130 204

HSL 322.05, 0.88%, 0.74%

LAB 69.54, 53.53, -18.15

 

CMYK 0 / 6 / 47 / 3

HEX #F7E782

RGB 247 231 130

HSL 51.79, 0.88%, 0.74%

LAB 91.02, -7.72, 50.81

 

Description

Color code: HEX #83F7AE | qconv.com Color code: HEX #83F7AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 247 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 247 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 30 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 30% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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