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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83E7A3 it is the complementary color #7C185C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83E7A3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83E7A3 shade: #88E79E, #99F9B1, #AAFFC4, #BBFFD7 and #CCFFEA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83E7A3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83E7A3 shade: #83E7A3, #72D590, #61C37D, #50B16A and #3F9F57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83E7A3 shade: #82E7A2, #82E787, #98E782, #B3E782 and #CFE782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83E7A3 shade: #82E7A2, #82E7BE, #82E7D9, #82DAE7 and #82BFE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83E7A3 shade matches the following richer shades: #82E7A2 and #76F39E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83E7A3 shade: #82E7A2, #8EDBA7, #9ACFAB, #A6C3AF and #B2B7B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83E7A3 shade: #98E782, #82E787, #82E7A2, #82E7BD and #82E7D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83E7A3 shade: #3DDA6F, #60E089, #82E7A2, #A5EDBC and #C8F4D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83E7A3 shade: #83E7A3, #82B3E7 and #E7828B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83E7A3 shade: #83E7A3, #A282E7 and #E7A282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83E7A3 shade: #83E7A3, #82B3E7, #E782C7 and #E7B682

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83E7A3 shade: #83E7A3, #8295E7, #E782C7 and #E7D482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 29 / 9

HEX #83E7A3

RGB 131 231 163

HSL 139.2, 0.68%, 0.71%

LAB 84.29, -43.89, 24.18

 

Complementary color

CMYK 0 / 81 / 26 / 51

HEX #7C185C

RGB 124 24 92

HSL 319.2, 0.68%, 0.29%

LAB 28.67, 47.9, -15.19

 

CMYK 41 / 0 / 32 / 9

HEX #88E79E

RGB 136 231 158

HSL 133.89, 0.66%, 0.72%

LAB 84.41, -43.39, 26.96

 

CMYK 39 / 0 / 29 / 2

HEX #99F9B1

RGB 153 249 177

HSL 135, 0.89%, 0.79%

LAB 90.64, -43.14, 25.85

 

CMYK 33 / 0 / 23 / 0

HEX #AAFFC4

RGB 170 255 196

HSL 138.35, 1%, 0.83%

LAB 93.47, -37.53, 20.2

 

CMYK 27 / 0 / 16 / 0

HEX #BBFFD7

RGB 187 255 215

HSL 144.71, 1%, 0.87%

LAB 94.73, -28.98, 12.37

 

CMYK 20 / 0 / 8 / 0

HEX #CCFFEA

RGB 204 255 234

HSL 155.29, 1%, 0.9%

LAB 96.12, -20.19, 4.72

 

CMYK 43 / 0 / 29 / 9

HEX #83E7A3

RGB 131 231 163

HSL 139.2, 0.68%, 0.71%

LAB 84.29, -43.89, 24.18

 

CMYK 46 / 0 / 32 / 16

HEX #72D590

RGB 114 213 144

HSL 138.18, 0.54%, 0.64%

LAB 77.98, -44.11, 25.34

 

CMYK 50 / 0 / 36 / 24

HEX #61C37D

RGB 97 195 125

HSL 137.14, 0.45%, 0.57%

LAB 71.59, -44.27, 26.58

 

CMYK 55 / 0 / 40 / 31

HEX #50B16A

RGB 80 177 106

HSL 136.08, 0.38%, 0.5%

LAB 65.11, -44.35, 27.9

 

CMYK 60 / 0 / 45 / 38

HEX #3F9F57

RGB 63 159 87

HSL 135, 0.43%, 0.44%

LAB 58.55, -44.28, 29.33

 

CMYK 44 / 0 / 30 / 9

HEX #82E7A2

RGB 130 231 162

HSL 139.01, 0.68%, 0.71%

LAB 84.23, -44.34, 24.61

 

CMYK 44 / 0 / 42 / 9

HEX #82E787

RGB 130 231 135

HSL 122.97, 0.68%, 0.71%

LAB 83.78, -48.79, 37.71

 

CMYK 34 / 0 / 44 / 9

HEX #98E782

RGB 152 231 130

HSL 106.93, 0.68%, 0.71%

LAB 84.71, -42.8, 41.57

 

CMYK 23 / 0 / 44 / 9

HEX #B3E782

RGB 179 231 130

HSL 90.89, 0.68%, 0.71%

LAB 86.18, -33.61, 43.74

 

CMYK 10 / 0 / 44 / 9

HEX #CFE782

RGB 207 231 130

HSL 74.26, 0.68%, 0.71%

LAB 87.98, -23.28, 46.38

 

CMYK 44 / 0 / 30 / 9

HEX #82E7A2

RGB 130 231 162

HSL 139.01, 0.68%, 0.71%

LAB 84.23, -44.34, 24.61

 

CMYK 44 / 0 / 18 / 9

HEX #82E7BE

RGB 130 231 190

HSL 155.64, 0.68%, 0.71%

LAB 84.8, -38.88, 10.83

 

CMYK 44 / 0 / 6 / 9

HEX #82E7D9

RGB 130 231 217

HSL 171.68, 0.68%, 0.71%

LAB 85.46, -32.87, -2.41

 

CMYK 44 / 6 / 0 / 9

HEX #82DAE7

RGB 130 218 231

HSL 187.72, 0.68%, 0.71%

LAB 82.19, -23.15, -14.67

 

CMYK 44 / 17 / 0 / 9

HEX #82BFE7

RGB 130 191 231

HSL 203.76, 0.68%, 0.71%

LAB 74.68, -9.26, -26.05

 

CMYK 44 / 0 / 30 / 9

HEX #82E7A2

RGB 130 231 162

HSL 139.01, 0.68%, 0.71%

LAB 84.23, -44.34, 24.61

 

CMYK 51 / 0 / 35 / 5

HEX #76F39E

RGB 118 243 158

HSL 139.2, 0.84%, 0.71%

LAB 87.2, -53.15, 30.6

 

CMYK 44 / 0 / 30 / 9

HEX #82E7A2

RGB 130 231 162

HSL 139.01, 0.68%, 0.71%

LAB 84.23, -44.34, 24.61

 

CMYK 35 / 0 / 24 / 14

HEX #8EDBA7

RGB 142 219 167

HSL 139.48, 0.52%, 0.71%

LAB 81.4, -34.64, 18.2

 

CMYK 26 / 0 / 17 / 19

HEX #9ACFAB

RGB 154 207 171

HSL 139.25, 0.36%, 0.71%

LAB 78.72, -24.45, 12.4

 

CMYK 15 / 0 / 10 / 24

HEX #A6C3AF

RGB 166 195 175

HSL 138.62, 0.19%, 0.71%

LAB 76.21, -13.69, 6.78

 

CMYK 3 / 0 / 2 / 28

HEX #B2B7B4

RGB 178 183 180

HSL 144, 0.03%, 0.71%

LAB 73.95, -2.31, 0.9

 

CMYK 34 / 0 / 44 / 9

HEX #98E782

RGB 152 231 130

HSL 106.93, 0.68%, 0.71%

LAB 84.71, -42.8, 41.57

 

CMYK 44 / 0 / 42 / 9

HEX #82E787

RGB 130 231 135

HSL 122.97, 0.68%, 0.71%

LAB 83.78, -48.79, 37.71

 

CMYK 44 / 0 / 30 / 9

HEX #82E7A2

RGB 130 231 162

HSL 139.01, 0.68%, 0.71%

LAB 84.23, -44.34, 24.61

 

CMYK 44 / 0 / 18 / 9

HEX #82E7BD

RGB 130 231 189

HSL 155.05, 0.68%, 0.71%

LAB 84.78, -39.09, 11.33

 

CMYK 44 / 0 / 6 / 9

HEX #82E7D8

RGB 130 231 216

HSL 171.09, 0.68%, 0.71%

LAB 85.43, -33.1, -1.93

 

CMYK 72 / 0 / 49 / 15

HEX #3DDA6F

RGB 61 218 111

HSL 139.11, 0.68%, 0.55%

LAB 77.45, -62.88, 41.06

 

CMYK 57 / 0 / 39 / 12

HEX #60E089

RGB 96 224 137

HSL 139.22, 0.67%, 0.63%

LAB 80.52, -54.28, 32.22

 

CMYK 44 / 0 / 30 / 9

HEX #82E7A2

RGB 130 231 162

HSL 139.01, 0.68%, 0.71%

LAB 84.23, -44.34, 24.61

 

CMYK 30 / 0 / 21 / 7

HEX #A5EDBC

RGB 165 237 188

HSL 139.17, 0.67%, 0.79%

LAB 88.06, -32.2, 16.72

 

CMYK 18 / 0 / 12 / 4

HEX #C8F4D6

RGB 200 244 214

HSL 139.09, 0.67%, 0.87%

LAB 92.5, -19.82, 9.81

 

CMYK 43 / 0 / 29 / 9

HEX #83E7A3

RGB 131 231 163

HSL 139.2, 0.68%, 0.71%

LAB 84.29, -43.89, 24.18

 

CMYK 44 / 23 / 0 / 9

HEX #82B3E7

RGB 130 179 231

HSL 210.89, 0.68%, 0.71%

LAB 71.39, -2.76, -31.11

 

CMYK 0 / 44 / 40 / 9

HEX #E7828B

RGB 231 130 139

HSL 354.65, 0.68%, 0.71%

LAB 65.61, 39.66, 12.4

 

CMYK 43 / 0 / 29 / 9

HEX #83E7A3

RGB 131 231 163

HSL 139.2, 0.68%, 0.71%

LAB 84.29, -43.89, 24.18

 

CMYK 30 / 44 / 0 / 9

HEX #A282E7

RGB 162 130 231

HSL 259.01, 0.68%, 0.71%

LAB 61.15, 33.56, -46.94

 

CMYK 0 / 30 / 44 / 9

HEX #E7A282

RGB 231 162 130

HSL 19.01, 0.68%, 0.71%

LAB 72.52, 21.81, 26.87

 

CMYK 43 / 0 / 29 / 9

HEX #83E7A3

RGB 131 231 163

HSL 139.2, 0.68%, 0.71%

LAB 84.29, -43.89, 24.18

 

CMYK 44 / 23 / 0 / 9

HEX #82B3E7

RGB 130 179 231

HSL 210.89, 0.68%, 0.71%

LAB 71.39, -2.76, -31.11

 

CMYK 0 / 44 / 14 / 9

HEX #E782C7

RGB 231 130 199

HSL 319.01, 0.68%, 0.71%

LAB 67.34, 47.75, -18.9

 

CMYK 0 / 21 / 44 / 9

HEX #E7B682

RGB 231 182 130

HSL 30.89, 0.68%, 0.71%

LAB 77.31, 11.16, 33.2

 

CMYK 43 / 0 / 29 / 9

HEX #83E7A3

RGB 131 231 163

HSL 139.2, 0.68%, 0.71%

LAB 84.29, -43.89, 24.18

 

CMYK 44 / 35 / 0 / 9

HEX #8295E7

RGB 130 149 231

HSL 228.71, 0.68%, 0.71%

LAB 63.35, 14.21, -43.63

 

CMYK 0 / 44 / 14 / 9

HEX #E782C7

RGB 231 130 199

HSL 319.01, 0.68%, 0.71%

LAB 67.34, 47.75, -18.9

 

CMYK 0 / 8 / 44 / 9

HEX #E7D482

RGB 231 212 130

HSL 48.71, 0.68%, 0.71%

LAB 84.84, -4.47, 42.84

 

Description

Color code: HEX #83E7A3 | qconv.com Color code: HEX #83E7A3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 231 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 231 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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