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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83E556 it is the complementary color #7C1AA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83E556. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83E556 shade: #88E551, #99F764, #AAFF77, #BBFF8A and #CCFF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83E556. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83E556 shade: #83E556, #72D343, #61C130, #50AF1D and #3F9D0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83E556 shade: #83E457, #AAE457, #D0E457, #E4D357 and #E4AD57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83E556 shade: #83E457, #5DE457, #57E477, #57E49D and #57E4C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83E556 shade matches the following richer shades: #83E457 and #7EF447

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83E556 shade: #83E457, #89D567, #8FC576, #95B586 and #9BA696

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83E556 shade: #CFE457, #A9E457, #84E457, #5EE457 and #57E476

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83E556 shade: #55CA1F, #69DF33, #83E457, #9EEA7B and #B8EF9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83E556 shade: #83E556, #57E4D4 and #E457BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83E556 shade: #83E556, #5784E4 and #E45784

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83E556 shade: #83E556, #57E4D4, #B857E4 and #E45767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83E556 shade: #83E556, #57CAE4, #B857E4 and #E47157

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 62 / 10

HEX #83E556

RGB 131 229 86

HSL 101.12, 0.73%, 0.62%

LAB 82.67, -53.55, 59.1

 

Complementary color

CMYK 27 / 85 / 0 / 34

HEX #7C1AA9

RGB 124 26 169

HSL 281.12, 0.73%, 0.38%

LAB 33.75, 60.73, -55.31

 

CMYK 41 / 0 / 65 / 10

HEX #88E551

RGB 136 229 81

HSL 97.7, 0.74%, 0.61%

LAB 82.84, -52.42, 61.4

 

CMYK 38 / 0 / 60 / 3

HEX #99F764

RGB 153 247 100

HSL 98.37, 0.9%, 0.68%

LAB 89.02, -52.59, 60.57

 

CMYK 33 / 0 / 53 / 0

HEX #AAFF77

RGB 170 255 119

HSL 97.5, 1%, 0.73%

LAB 92.31, -48.51, 56.26

 

CMYK 27 / 0 / 46 / 0

HEX #BBFF8A

RGB 187 255 138

HSL 94.87, 1%, 0.77%

LAB 93.42, -40.71, 49.04

 

CMYK 20 / 0 / 38 / 0

HEX #CCFF9D

RGB 204 255 157

HSL 91.22, 1%, 0.81%

LAB 94.65, -32.51, 41.65

 

CMYK 43 / 0 / 62 / 10

HEX #83E556

RGB 131 229 86

HSL 101.12, 0.73%, 0.62%

LAB 82.67, -53.55, 59.1

 

CMYK 46 / 0 / 68 / 17

HEX #72D343

RGB 114 211 67

HSL 100.42, 0.62%, 0.55%

LAB 76.42, -53.27, 59.8

 

CMYK 50 / 0 / 75 / 24

HEX #61C130

RGB 97 193 48

HSL 99.72, 0.6%, 0.47%

LAB 70.1, -52.78, 60.07

 

CMYK 54 / 0 / 83 / 31

HEX #50AF1D

RGB 80 175 29

HSL 99.04, 0.72%, 0.4%

LAB 63.72, -51.97, 59.55

 

CMYK 60 / 0 / 94 / 38

HEX #3F9D0A

RGB 63 157 10

HSL 98.37, 0.88%, 0.33%

LAB 57.26, -50.72, 57.66

 

CMYK 43 / 0 / 62 / 11

HEX #83E457

RGB 131 228 87

HSL 101.28, 0.72%, 0.62%

LAB 82.38, -53.06, 58.36

 

CMYK 25 / 0 / 62 / 11

HEX #AAE457

RGB 170 228 87

HSL 84.68, 0.72%, 0.62%

LAB 84.34, -39.82, 61.08

 

CMYK 9 / 0 / 62 / 11

HEX #D0E457

RGB 208 228 87

HSL 68.51, 0.72%, 0.62%

LAB 86.79, -25.22, 64.45

 

CMYK 0 / 7 / 62 / 11

HEX #E4D357

RGB 228 211 87

HSL 52.77, 0.72%, 0.62%

LAB 83.85, -8.7, 61.73

 

CMYK 0 / 24 / 62 / 11

HEX #E4AD57

RGB 228 173 87

HSL 36.6, 0.72%, 0.62%

LAB 74.23, 11.05, 51.06

 

CMYK 43 / 0 / 62 / 11

HEX #83E457

RGB 131 228 87

HSL 101.28, 0.72%, 0.62%

LAB 82.38, -53.06, 58.36

 

CMYK 59 / 0 / 62 / 11

HEX #5DE457

RGB 93 228 87

HSL 117.45, 0.72%, 0.62%

LAB 81.02, -63.32, 56.46

 

CMYK 62 / 0 / 48 / 11

HEX #57E477

RGB 87 228 119

HSL 133.62, 0.72%, 0.62%

LAB 81.21, -60.6, 42

 

CMYK 62 / 0 / 31 / 11

HEX #57E49D

RGB 87 228 157

HSL 149.79, 0.72%, 0.62%

LAB 81.81, -54.03, 23.65

 

CMYK 62 / 0 / 14 / 11

HEX #57E4C3

RGB 87 228 195

HSL 165.96, 0.72%, 0.62%

LAB 82.62, -45.7, 4.89

 

CMYK 43 / 0 / 62 / 11

HEX #83E457

RGB 131 228 87

HSL 101.28, 0.72%, 0.62%

LAB 82.38, -53.06, 58.36

 

CMYK 48 / 0 / 71 / 4

HEX #7EF447

RGB 126 244 71

HSL 100.92, 0.89%, 0.62%

LAB 86.8, -61.97, 69.17

 

CMYK 43 / 0 / 62 / 11

HEX #83E457

RGB 131 228 87

HSL 101.28, 0.72%, 0.62%

LAB 82.38, -53.06, 58.36

 

CMYK 36 / 0 / 52 / 16

HEX #89D567

RGB 137 213 103

HSL 101.45, 0.57%, 0.62%

LAB 78.4, -43.25, 46.64

 

CMYK 27 / 0 / 40 / 23

HEX #8FC576

RGB 143 197 118

HSL 101.01, 0.41%, 0.62%

LAB 74.24, -32.08, 34.1

 

CMYK 18 / 0 / 26 / 29

HEX #95B586

RGB 149 181 134

HSL 100.85, 0.24%, 0.62%

LAB 70.29, -19.72, 20.47

 

CMYK 7 / 0 / 10 / 35

HEX #9BA696

RGB 155 166 150

HSL 101.25, 0.08%, 0.62%

LAB 66.86, -6.94, 6.95

 

CMYK 9 / 0 / 62 / 11

HEX #CFE457

RGB 207 228 87

HSL 68.94, 0.72%, 0.62%

LAB 86.72, -25.62, 64.35

 

CMYK 26 / 0 / 62 / 11

HEX #A9E457

RGB 169 228 87

HSL 85.11, 0.72%, 0.62%

LAB 84.28, -40.18, 61

 

CMYK 42 / 0 / 62 / 11

HEX #84E457

RGB 132 228 87

HSL 100.85, 0.72%, 0.62%

LAB 82.42, -52.75, 58.42

 

CMYK 59 / 0 / 62 / 11

HEX #5EE457

RGB 94 228 87

HSL 117.02, 0.72%, 0.62%

LAB 81.05, -63.09, 56.5

 

CMYK 62 / 0 / 48 / 11

HEX #57E476

RGB 87 228 118

HSL 133.19, 0.72%, 0.62%

LAB 81.19, -60.75, 42.47

 

CMYK 58 / 0 / 85 / 21

HEX #55CA1F

RGB 85 202 31

HSL 101.05, 0.73%, 0.46%

LAB 72.41, -60.23, 66.89

 

CMYK 53 / 0 / 77 / 13

HEX #69DF33

RGB 105 223 51

HSL 101.16, 0.73%, 0.54%

LAB 79.62, -61.42, 68.41

 

CMYK 43 / 0 / 62 / 11

HEX #83E457

RGB 131 228 87

HSL 101.28, 0.72%, 0.62%

LAB 82.38, -53.06, 58.36

 

CMYK 32 / 0 / 47 / 8

HEX #9EEA7B

RGB 158 234 123

HSL 101.08, 0.73%, 0.7%

LAB 85.78, -43.04, 46.37

 

CMYK 23 / 0 / 34 / 6

HEX #B8EF9E

RGB 184 239 158

HSL 100.74, 0.72%, 0.78%

LAB 89.11, -31.88, 33.68

 

CMYK 43 / 0 / 62 / 10

HEX #83E556

RGB 131 229 86

HSL 101.12, 0.73%, 0.62%

LAB 82.67, -53.55, 59.1

 

CMYK 62 / 0 / 7 / 11

HEX #57E4D4

RGB 87 228 212

HSL 173.19, 0.72%, 0.62%

LAB 83.05, -41.47, -3.47

 

CMYK 0 / 62 / 18 / 11

HEX #E457BC

RGB 228 87 188

HSL 317.02, 0.72%, 0.62%

LAB 58.92, 65.26, -25.57

 

CMYK 43 / 0 / 62 / 10

HEX #83E556

RGB 131 229 86

HSL 101.12, 0.73%, 0.62%

LAB 82.67, -53.55, 59.1

 

CMYK 62 / 42 / 0 / 11

HEX #5784E4

RGB 87 132 228

HSL 220.85, 0.72%, 0.62%

LAB 56.22, 14.06, -53.42

 

CMYK 0 / 62 / 42 / 11

HEX #E45784

RGB 228 87 132

HSL 340.85, 0.72%, 0.62%

LAB 57.05, 58.46, 4.2

 

CMYK 43 / 0 / 62 / 10

HEX #83E556

RGB 131 229 86

HSL 101.12, 0.73%, 0.62%

LAB 82.67, -53.55, 59.1

 

CMYK 62 / 0 / 7 / 11

HEX #57E4D4

RGB 87 228 212

HSL 173.19, 0.72%, 0.62%

LAB 83.05, -41.47, -3.47

 

CMYK 19 / 62 / 0 / 11

HEX #B857E4

RGB 184 87 228

HSL 281.28, 0.72%, 0.62%

LAB 54.67, 61.07, -55.42

 

CMYK 0 / 62 / 55 / 11

HEX #E45767

RGB 228 87 103

HSL 353.19, 0.72%, 0.62%

LAB 56.38, 55.89, 20.3

 

CMYK 43 / 0 / 62 / 10

HEX #83E556

RGB 131 229 86

HSL 101.12, 0.73%, 0.62%

LAB 82.67, -53.55, 59.1

 

CMYK 62 / 11 / 0 / 11

HEX #57CAE4

RGB 87 202 228

HSL 191.06, 0.72%, 0.62%

LAB 75.99, -24.78, -22.59

 

CMYK 19 / 62 / 0 / 11

HEX #B857E4

RGB 184 87 228

HSL 281.28, 0.72%, 0.62%

LAB 54.67, 61.07, -55.42

 

CMYK 0 / 50 / 62 / 11

HEX #E47157

RGB 228 113 87

HSL 11.06, 0.72%, 0.62%

LAB 60.77, 42.58, 35.1

 

Description

Color code: HEX #83E556 | qconv.com Color code: HEX #83E556 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 229 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 229 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 62 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 62% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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