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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83B1CD it is the complementary color #7C4E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83B1CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83B1CD shade: #88B1C8, #99C3DB, #AAD5EE, #BBE7FF and #CCF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83B1CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83B1CD shade: #83B1CD, #729FBA, #618DA7, #507B94 and #3F6981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83B1CD shade: #83B1CD, #839DCD, #8389CD, #9083CD and #A583CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83B1CD shade: #83B1CD, #839DCD, #8389CD and #8383CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83B1CD shade matches the following richer shades: #83B1CD, #74B4DB, #66B8E9 and #58BBF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83B1CD shade: #83B1CD, #91ADBF, #9FAAB1, #ADA7A3 and #BBA395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83B1CD shade: #83CDC1, #83C6CD, #83B2CD, #839ECD and #838ACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83B1CD shade: #488CB5, #659EC1, #83B1CD, #A0C3D9 and #BED6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83B1CD shade: #83B1CD, #AD83CD and #CDCB83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83B1CD shade: #83B1CD, #CD83B2 and #B2CD83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83B1CD shade: #83B1CD, #AD83CD, #CD9E83 and #A3CD83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83B1CD shade: #83B1CD, #C383CD, #CD9E83 and #8CCD83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

Complementary color

CMYK 0 / 37 / 60 / 51

HEX #7C4E32

RGB 124 78 50

HSL 22.7, 0.43%, 0.34%

LAB 37.78, 16.3, 24.46

 

CMYK 32 / 12 / 0 / 22

HEX #88B1C8

RGB 136 177 200

HSL 201.56, 0.37%, 0.66%

LAB 70.07, -8.22, -16.13

 

CMYK 30 / 11 / 0 / 14

HEX #99C3DB

RGB 153 195 219

HSL 201.82, 0.48%, 0.73%

LAB 76.63, -8.3, -16.49

 

CMYK 29 / 11 / 0 / 7

HEX #AAD5EE

RGB 170 213 238

HSL 202.06, 0.67%, 0.8%

LAB 83.08, -8.38, -16.86

 

CMYK 27 / 9 / 0 / 0

HEX #BBE7FF

RGB 187 231 255

HSL 201.18, 1%, 0.87%

LAB 89.36, -8.9, -16.27

 

CMYK 20 / 2 / 0 / 0

HEX #CCF9FF

RGB 204 249 255

HSL 187.06, 1%, 0.9%

LAB 95.08, -13.03, -7.64

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 39 / 15 / 0 / 27

HEX #729FBA

RGB 114 159 186

HSL 202.5, 0.34%, 0.59%

LAB 63.28, -8.22, -18.77

 

CMYK 42 / 16 / 0 / 35

HEX #618DA7

RGB 97 141 167

HSL 202.29, 0.28%, 0.52%

LAB 56.47, -8.04, -18.46

 

CMYK 46 / 17 / 0 / 42

HEX #507B94

RGB 80 123 148

HSL 202.06, 0.3%, 0.45%

LAB 49.51, -7.81, -18.15

 

CMYK 51 / 19 / 0 / 49

HEX #3F6981

RGB 63 105 129

HSL 201.82, 0.34%, 0.38%

LAB 42.38, -7.49, -17.85

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 36 / 23 / 0 / 20

HEX #839DCD

RGB 131 157 205

HSL 218.92, 0.43%, 0.66%

LAB 64.44, 2.68, -27.51

 

CMYK 36 / 33 / 0 / 20

HEX #8389CD

RGB 131 137 205

HSL 235.14, 0.43%, 0.66%

LAB 59.09, 14.2, -35.81

 

CMYK 30 / 36 / 0 / 20

HEX #9083CD

RGB 144 131 205

HSL 250.54, 0.43%, 0.66%

LAB 58.57, 21.39, -36.54

 

CMYK 20 / 36 / 0 / 20

HEX #A583CD

RGB 165 131 205

HSL 267.57, 0.43%, 0.66%

LAB 60.46, 27.61, -33.46

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 36 / 23 / 0 / 20

HEX #839DCD

RGB 131 157 205

HSL 218.92, 0.43%, 0.66%

LAB 64.44, 2.68, -27.51

 

CMYK 36 / 33 / 0 / 20

HEX #8389CD

RGB 131 137 205

HSL 235.14, 0.43%, 0.66%

LAB 59.09, 14.2, -35.81

 

CMYK 36 / 36 / 0 / 20

HEX #8383CD

RGB 131 131 205

HSL 240, 0.43%, 0.66%

LAB 57.53, 17.72, -38.26

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 47 / 18 / 0 / 14

HEX #74B4DB

RGB 116 180 219

HSL 202.72, 0.59%, 0.66%

LAB 70.5, -10.06, -25.99

 

CMYK 56 / 21 / 0 / 9

HEX #66B8E9

RGB 102 184 233

HSL 202.44, 0.75%, 0.66%

LAB 71.55, -11.2, -32.06

 

CMYK 64 / 24 / 0 / 3

HEX #58BBF7

RGB 88 187 247

HSL 202.64, 0.91%, 0.66%

LAB 72.45, -11.03, -38.29

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 24 / 9 / 0 / 25

HEX #91ADBF

RGB 145 173 191

HSL 203.48, 0.26%, 0.66%

LAB 69.23, -5.54, -12.37

 

CMYK 10 / 4 / 0 / 31

HEX #9FAAB1

RGB 159 170 177

HSL 203.33, 0.1%, 0.66%

LAB 68.96, -2.43, -4.93

 

CMYK 0 / 3 / 6 / 32

HEX #ADA7A3

RGB 173 167 163

HSL 24, 0.06%, 0.66%

LAB 68.87, 1.43, 2.82

 

CMYK 0 / 13 / 20 / 27

HEX #BBA395

RGB 187 163 149

HSL 22.11, 0.22%, 0.66%

LAB 68.7, 6.51, 10.49

 

CMYK 36 / 0 / 6 / 20

HEX #83CDC1

RGB 131 205 193

HSL 170.27, 0.43%, 0.66%

LAB 77.48, -25.71, -1.32

 

CMYK 36 / 3 / 0 / 20

HEX #83C6CD

RGB 131 198 205

HSL 185.68, 0.43%, 0.66%

LAB 75.84, -19.37, -10.23

 

CMYK 36 / 13 / 0 / 20

HEX #83B2CD

RGB 131 178 205

HSL 201.89, 0.43%, 0.66%

LAB 70.23, -8.91, -18.67

 

CMYK 36 / 23 / 0 / 20

HEX #839ECD

RGB 131 158 205

HSL 218.11, 0.43%, 0.66%

LAB 64.71, 2.12, -27.09

 

CMYK 36 / 33 / 0 / 20

HEX #838ACD

RGB 131 138 205

HSL 234.32, 0.43%, 0.66%

LAB 59.35, 13.62, -35.4

 

CMYK 60 / 23 / 0 / 29

HEX #488CB5

RGB 72 140 181

HSL 202.57, 0.43%, 0.5%

LAB 55.55, -9.1, -27.97

 

CMYK 48 / 18 / 0 / 24

HEX #659EC1

RGB 101 158 193

HSL 202.83, 0.43%, 0.58%

LAB 62.57, -9.08, -23.83

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 26 / 10 / 0 / 15

HEX #A0C3D9

RGB 160 195 217

HSL 203.16, 0.43%, 0.74%

LAB 76.99, -6.73, -14.83

 

CMYK 17 / 7 / 0 / 10

HEX #BED6E5

RGB 190 214 229

HSL 203.08, 0.43%, 0.82%

LAB 84.33, -4.9, -10.08

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 16 / 36 / 0 / 20

HEX #AD83CD

RGB 173 131 205

HSL 274.05, 0.43%, 0.66%

LAB 61.24, 30.06, -32.18

 

CMYK 0 / 1 / 36 / 20

HEX #CDCB83

RGB 205 203 131

HSL 58.38, 0.43%, 0.66%

LAB 80.36, -10.05, 36.19

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 0 / 36 / 13 / 20

HEX #CD83B2

RGB 205 131 178

HSL 321.89, 0.43%, 0.66%

LAB 63.69, 35.29, -12.89

 

CMYK 13 / 0 / 36 / 20

HEX #B2CD83

RGB 178 205 131

HSL 81.89, 0.43%, 0.66%

LAB 78.91, -21.45, 33.91

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 16 / 36 / 0 / 20

HEX #AD83CD

RGB 173 131 205

HSL 274.05, 0.43%, 0.66%

LAB 61.24, 30.06, -32.18

 

CMYK 0 / 23 / 36 / 20

HEX #CD9E83

RGB 205 158 131

HSL 21.89, 0.43%, 0.66%

LAB 68.8, 13.79, 20.83

 

CMYK 20 / 0 / 36 / 20

HEX #A3CD83

RGB 163 205 131

HSL 94.05, 0.43%, 0.66%

LAB 77.93, -26.97, 32.44

 

CMYK 36 / 14 / 0 / 20

HEX #83B1CD

RGB 131 177 205

HSL 202.7, 0.43%, 0.66%

LAB 69.95, -8.37, -19.09

 

CMYK 5 / 36 / 0 / 20

HEX #C383CD

RGB 195 131 205

HSL 291.89, 0.43%, 0.66%

LAB 63.54, 36.89, -28.44

 

CMYK 0 / 23 / 36 / 20

HEX #CD9E83

RGB 205 158 131

HSL 21.89, 0.43%, 0.66%

LAB 68.8, 13.79, 20.83

 

CMYK 32 / 0 / 36 / 20

HEX #8CCD83

RGB 140 205 131

HSL 112.7, 0.43%, 0.66%

LAB 76.6, -34.92, 30.46

 

Description

Color code: HEX #83B1CD | qconv.com Color code: HEX #83B1CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 177 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 177 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 14 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 14% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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