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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FE2B1 it is the complementary color #801D4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FE2B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FE2B1 shade: #84E2AC, #95F4BF, #A6FFD2, #B7FFE5 and #C8FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FE2B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FE2B1 shade: #7FE2B1, #6ED09E, #5DBE8B, #4CAC78 and #3B9A65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FE2B1 shade: #7EE1B0, #7EE195, #81E17E, #9CE17E and #B7E17E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FE2B1 shade: #7EE1B0, #7EE1CB, #7EDDE1, #7EC2E1 and #7EA7E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FE2B1 shade matches the following richer shades: #7EE1B0, #71EEB0 and #64FBB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FE2B1 shade: #7EE1B0, #8AD4B0, #97C8B0, #A4BBB0 and #B1AEAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FE2B1 shade: #81E17E, #7EE195, #7EE1AF, #7EE1CA and #7EDEE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FE2B1 shade: #3AD287, #5CDA9B, #7EE1B0, #9FE9C4 and #C1F1D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FE2B1 shade: #7FE2B1, #7E9CE1 and #E1887E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FE2B1 shade: #7FE2B1, #AF7EE1 and #E1AF7E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FE2B1 shade: #7FE2B1, #7E9CE1, #E17EAF and #E1C37E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FE2B1 shade: #7FE2B1, #7E7EE1, #E17EAF and #E1E17E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 22 / 11

HEX #7FE2B1

RGB 127 226 177

HSL 150.3, 0.63%, 0.69%

LAB 82.96, -40.08, 15.02

 

Complementary color

CMYK 0 / 77 / 39 / 50

HEX #801D4E

RGB 128 29 78

HSL 330.3, 0.63%, 0.31%

LAB 29.46, 45.61, -4.7

 

CMYK 42 / 0 / 24 / 11

HEX #84E2AC

RGB 132 226 172

HSL 145.53, 0.62%, 0.7%

LAB 83.06, -39.73, 17.82

 

CMYK 39 / 0 / 22 / 4

HEX #95F4BF

RGB 149 244 191

HSL 146.53, 0.81%, 0.77%

LAB 89.32, -39.49, 16.82

 

CMYK 35 / 0 / 18 / 0

HEX #A6FFD2

RGB 166 255 210

HSL 149.66, 1%, 0.83%

LAB 93.57, -36.07, 13.14

 

CMYK 28 / 0 / 10 / 0

HEX #B7FFE5

RGB 183 255 229

HSL 158.33, 1%, 0.86%

LAB 94.84, -27.46, 5.3

 

CMYK 22 / 0 / 3 / 0

HEX #C8FFF8

RGB 200 255 248

HSL 172.36, 1%, 0.89%

LAB 96.24, -18.63, -2.35

 

CMYK 44 / 0 / 22 / 11

HEX #7FE2B1

RGB 127 226 177

HSL 150.3, 0.63%, 0.69%

LAB 82.96, -40.08, 15.02

 

CMYK 47 / 0 / 24 / 18

HEX #6ED09E

RGB 110 208 158

HSL 149.39, 0.51%, 0.62%

LAB 76.62, -40.28, 16.06

 

CMYK 51 / 0 / 27 / 25

HEX #5DBE8B

RGB 93 190 139

HSL 148.45, 0.43%, 0.55%

LAB 70.19, -40.45, 17.19

 

CMYK 56 / 0 / 30 / 33

HEX #4CAC78

RGB 76 172 120

HSL 147.5, 0.39%, 0.49%

LAB 63.67, -40.54, 18.41

 

CMYK 62 / 0 / 34 / 40

HEX #3B9A65

RGB 59 154 101

HSL 146.53, 0.45%, 0.42%

LAB 57.06, -40.51, 19.75

 

CMYK 44 / 0 / 22 / 12

HEX #7EE1B0

RGB 126 225 176

HSL 150.3, 0.62%, 0.69%

LAB 82.6, -40.1, 15.05

 

CMYK 44 / 0 / 34 / 12

HEX #7EE195

RGB 126 225 149

HSL 133.94, 0.62%, 0.69%

LAB 82.09, -45.13, 28.37

 

CMYK 43 / 0 / 44 / 12

HEX #81E17E

RGB 129 225 126

HSL 118.18, 0.62%, 0.69%

LAB 81.85, -47.88, 39.69

 

CMYK 31 / 0 / 44 / 12

HEX #9CE17E

RGB 156 225 126

HSL 101.82, 0.62%, 0.69%

LAB 83.14, -39.36, 41.59

 

CMYK 19 / 0 / 44 / 12

HEX #B7E17E

RGB 183 225 126

HSL 85.45, 0.62%, 0.69%

LAB 84.7, -29.84, 43.89

 

CMYK 44 / 0 / 22 / 12

HEX #7EE1B0

RGB 126 225 176

HSL 150.3, 0.62%, 0.69%

LAB 82.6, -40.1, 15.05

 

CMYK 44 / 0 / 10 / 12

HEX #7EE1CB

RGB 126 225 203

HSL 166.67, 0.62%, 0.69%

LAB 83.23, -34.28, 1.7

 

CMYK 44 / 2 / 0 / 12

HEX #7EDDE1

RGB 126 221 225

HSL 182.42, 0.62%, 0.69%

LAB 82.69, -27.08, -10.75

 

CMYK 44 / 14 / 0 / 12

HEX #7EC2E1

RGB 126 194 225

HSL 198.79, 0.62%, 0.69%

LAB 75.11, -13.44, -22.17

 

CMYK 44 / 26 / 0 / 12

HEX #7EA7E1

RGB 126 167 225

HSL 215.15, 0.62%, 0.69%

LAB 67.66, 1.22, -33.62

 

CMYK 44 / 0 / 22 / 12

HEX #7EE1B0

RGB 126 225 176

HSL 150.3, 0.62%, 0.69%

LAB 82.6, -40.1, 15.05

 

CMYK 53 / 0 / 26 / 7

HEX #71EEB0

RGB 113 238 176

HSL 150.24, 0.79%, 0.69%

LAB 85.9, -48.9, 19.59

 

CMYK 60 / 0 / 30 / 2

HEX #64FBB0

RGB 100 251 176

HSL 150.2, 0.95%, 0.69%

LAB 89.32, -56.92, 24.24

 

CMYK 44 / 0 / 22 / 12

HEX #7EE1B0

RGB 126 225 176

HSL 150.3, 0.62%, 0.69%

LAB 82.6, -40.1, 15.05

 

CMYK 35 / 0 / 17 / 17

HEX #8AD4B0

RGB 138 212 176

HSL 150.81, 0.46%, 0.69%

LAB 79.4, -30.79, 10.59

 

CMYK 25 / 0 / 12 / 22

HEX #97C8B0

RGB 151 200 176

HSL 150.61, 0.31%, 0.69%

LAB 76.69, -20.97, 6.81

 

CMYK 12 / 0 / 6 / 27

HEX #A4BBB0

RGB 164 187 176

HSL 151.3, 0.14%, 0.69%

LAB 73.91, -10.02, 2.91

 

CMYK 0 / 2 / 1 / 31

HEX #B1AEAF

RGB 177 174 175

HSL 340, 0.02%, 0.69%

LAB 71.36, 1.25, -0.14

 

CMYK 43 / 0 / 44 / 12

HEX #81E17E

RGB 129 225 126

HSL 118.18, 0.62%, 0.69%

LAB 81.85, -47.88, 39.69

 

CMYK 44 / 0 / 34 / 12

HEX #7EE195

RGB 126 225 149

HSL 133.94, 0.62%, 0.69%

LAB 82.09, -45.13, 28.37

 

CMYK 44 / 0 / 22 / 12

HEX #7EE1AF

RGB 126 225 175

HSL 149.7, 0.62%, 0.69%

LAB 82.58, -40.3, 15.54

 

CMYK 44 / 0 / 10 / 12

HEX #7EE1CA

RGB 126 225 202

HSL 166.06, 0.62%, 0.69%

LAB 83.21, -34.51, 2.2

 

CMYK 44 / 1 / 0 / 12

HEX #7EDEE1

RGB 126 222 225

HSL 181.82, 0.62%, 0.69%

LAB 82.97, -27.57, -10.33

 

CMYK 72 / 0 / 36 / 18

HEX #3AD287

RGB 58 210 135

HSL 150.39, 0.63%, 0.53%

LAB 75.29, -56.25, 26.12

 

CMYK 58 / 0 / 29 / 15

HEX #5CDA9B

RGB 92 218 155

HSL 150, 0.63%, 0.61%

LAB 78.92, -49.38, 20.75

 

CMYK 44 / 0 / 22 / 12

HEX #7EE1B0

RGB 126 225 176

HSL 150.3, 0.62%, 0.69%

LAB 82.6, -40.1, 15.05

 

CMYK 32 / 0 / 16 / 9

HEX #9FE9C4

RGB 159 233 196

HSL 150, 0.63%, 0.77%

LAB 86.82, -30.6, 10.75

 

CMYK 20 / 0 / 10 / 5

HEX #C1F1D9

RGB 193 241 217

HSL 150, 0.63%, 0.85%

LAB 91.35, -20.02, 6.54

 

CMYK 44 / 0 / 22 / 11

HEX #7FE2B1

RGB 127 226 177

HSL 150.3, 0.63%, 0.69%

LAB 82.96, -40.08, 15.02

 

CMYK 44 / 31 / 0 / 12

HEX #7E9CE1

RGB 126 156 225

HSL 221.82, 0.62%, 0.69%

LAB 64.68, 7.45, -38.25

 

CMYK 0 / 40 / 44 / 12

HEX #E1887E

RGB 225 136 126

HSL 6.06, 0.62%, 0.69%

LAB 65.84, 32.9, 19.93

 

CMYK 44 / 0 / 22 / 11

HEX #7FE2B1

RGB 127 226 177

HSL 150.3, 0.63%, 0.69%

LAB 82.96, -40.08, 15.02

 

CMYK 22 / 44 / 0 / 12

HEX #AF7EE1

RGB 175 126 225

HSL 269.7, 0.62%, 0.69%

LAB 61.2, 37.95, -43.44

 

CMYK 0 / 22 / 44 / 12

HEX #E1AF7E

RGB 225 175 126

HSL 29.7, 0.62%, 0.69%

LAB 74.93, 12.06, 32.08

 

CMYK 44 / 0 / 22 / 11

HEX #7FE2B1

RGB 127 226 177

HSL 150.3, 0.63%, 0.69%

LAB 82.96, -40.08, 15.02

 

CMYK 44 / 31 / 0 / 12

HEX #7E9CE1

RGB 126 156 225

HSL 221.82, 0.62%, 0.69%

LAB 64.68, 7.45, -38.25

 

CMYK 0 / 44 / 22 / 12

HEX #E17EAF

RGB 225 126 175

HSL 330.3, 0.62%, 0.69%

LAB 64.98, 44.21, -9.01

 

CMYK 0 / 13 / 44 / 12

HEX #E1C37E

RGB 225 195 126

HSL 41.82, 0.62%, 0.69%

LAB 79.92, 1.5, 38.52

 

CMYK 44 / 0 / 22 / 11

HEX #7FE2B1

RGB 127 226 177

HSL 150.3, 0.63%, 0.69%

LAB 82.96, -40.08, 15.02

 

CMYK 44 / 44 / 0 / 12

HEX #7E7EE1

RGB 126 126 225

HSL 240, 0.62%, 0.69%

LAB 56.87, 25.01, -50.56

 

CMYK 0 / 44 / 22 / 12

HEX #E17EAF

RGB 225 126 175

HSL 330.3, 0.62%, 0.69%

LAB 64.98, 44.21, -9.01

 

CMYK 0 / 0 / 44 / 12

HEX #E1E17E

RGB 225 225 126

HSL 60, 0.62%, 0.69%

LAB 87.66, -13.79, 48.21

 

Description

Color code: HEX #7FE2B1 | qconv.com Color code: HEX #7FE2B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 226 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 226 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 22 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 22% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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