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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FE5D4 it is the complementary color #801A2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FE5D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FE5D4 shade: #84E5CF, #95F7E2, #A6FFF5, #B7FFFF and #C8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FE5D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FE5D4 shade: #7FE5D4, #6ED3C1, #5DC1AE, #4CAF9B and #3B9D88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FE5D4 shade: #80E4D4, #80E4B8, #80E49D, #80E482 and #98E480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FE5D4 shade: #80E4D4, #80DAE4, #80BFE4, #80A4E4 and #8088E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FE5D4 shade matches the following richer shades: #80E4D4, #73F1DC and #67FDE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FE5D4 shade: #80E4D4, #8CD8CB, #98CCC3, #A5BFBB and #B1B3B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FE5D4 shade: #80E49E, #80E4B9, #80E4D4, #80DAE4 and #80BFE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FE5D4 shade: #3BD6BD, #5DDDC8, #80E4D4, #A2ECDF and #C4F3EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FE5D4 shade: #7FE5D4, #8380E4 and #E4AB80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FE5D4 shade: #7FE5D4, #D480E4 and #E4D480

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FE5D4 shade: #7FE5D4, #8380E4, #E48090 and #E1E480

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FE5D4 shade: #7FE5D4, #A180E4, #E48090 and #C3E480

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 7 / 10

HEX #7FE5D4

RGB 127 229 212

HSL 170, 0.66%, 0.7%

LAB 84.64, -33.82, -0.99

 

Complementary color

CMYK 0 / 80 / 66 / 50

HEX #801A2B

RGB 128 26 43

HSL 350, 0.66%, 0.3%

LAB 28.12, 43.54, 16.79

 

CMYK 42 / 0 / 10 / 10

HEX #84E5CF

RGB 132 229 207

HSL 166.39, 0.65%, 0.71%

LAB 84.71, -33.75, 1.78

 

CMYK 40 / 0 / 9 / 3

HEX #95F7E2

RGB 149 247 226

HSL 167.14, 0.86%, 0.78%

LAB 90.96, -33.61, 1.02

 

CMYK 35 / 0 / 4 / 0

HEX #A6FFF5

RGB 166 255 245

HSL 173.26, 1%, 0.83%

LAB 94.41, -28.77, -3.69

 

CMYK 28 / 0 / 0 / 0

HEX #B7FFFF

RGB 183 255 255

HSL 180, 1%, 0.86%

LAB 95.5, -22, -7.15

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 45 / 0 / 7 / 10

HEX #7FE5D4

RGB 127 229 212

HSL 170, 0.66%, 0.7%

LAB 84.64, -33.82, -0.99

 

CMYK 48 / 0 / 9 / 17

HEX #6ED3C1

RGB 110 211 193

HSL 169.31, 0.53%, 0.63%

LAB 78.32, -33.89, -0.21

 

CMYK 52 / 0 / 10 / 24

HEX #5DC1AE

RGB 93 193 174

HSL 168.6, 0.45%, 0.56%

LAB 71.91, -33.91, 0.63

 

CMYK 57 / 0 / 11 / 31

HEX #4CAF9B

RGB 76 175 155

HSL 167.88, 0.39%, 0.49%

LAB 65.41, -33.87, 1.54

 

CMYK 62 / 0 / 13 / 38

HEX #3B9D88

RGB 59 157 136

HSL 167.14, 0.45%, 0.42%

LAB 58.81, -33.71, 2.55

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D4

RGB 128 228 212

HSL 170.4, 0.65%, 0.7%

LAB 84.4, -33.11, -1.34

 

CMYK 44 / 0 / 19 / 11

HEX #80E4B8

RGB 128 228 184

HSL 153.6, 0.65%, 0.7%

LAB 83.72, -39.29, 12.44

 

CMYK 44 / 0 / 31 / 11

HEX #80E49D

RGB 128 228 157

HSL 137.4, 0.65%, 0.7%

LAB 83.18, -44.48, 25.75

 

CMYK 44 / 0 / 43 / 11

HEX #80E482

RGB 128 228 130

HSL 121.2, 0.65%, 0.7%

LAB 82.75, -48.84, 38.85

 

CMYK 33 / 0 / 44 / 11

HEX #98E480

RGB 152 228 128

HSL 105.6, 0.65%, 0.7%

LAB 83.82, -41.75, 41.43

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D4

RGB 128 228 212

HSL 170.4, 0.65%, 0.7%

LAB 84.4, -33.11, -1.34

 

CMYK 44 / 4 / 0 / 11

HEX #80DAE4

RGB 128 218 228

HSL 186, 0.65%, 0.7%

LAB 82.02, -24.39, -13.34

 

CMYK 44 / 16 / 0 / 11

HEX #80BFE4

RGB 128 191 228

HSL 202.2, 0.65%, 0.7%

LAB 74.48, -10.56, -24.75

 

CMYK 44 / 28 / 0 / 11

HEX #80A4E4

RGB 128 164 228

HSL 218.4, 0.65%, 0.7%

LAB 67.08, 4.25, -36.15

 

CMYK 44 / 40 / 0 / 11

HEX #8088E4

RGB 128 136 228

HSL 235.2, 0.65%, 0.7%

LAB 59.71, 20.46, -47.73

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D4

RGB 128 228 212

HSL 170.4, 0.65%, 0.7%

LAB 84.4, -33.11, -1.34

 

CMYK 52 / 0 / 9 / 5

HEX #73F1DC

RGB 115 241 220

HSL 170, 0.82%, 0.7%

LAB 87.83, -40.09, -0.57

 

CMYK 59 / 0 / 10 / 1

HEX #67FDE4

RGB 103 253 228

HSL 170, 0.97%, 0.7%

LAB 91.11, -45.75, 0.01

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D4

RGB 128 228 212

HSL 170.4, 0.65%, 0.7%

LAB 84.4, -33.11, -1.34

 

CMYK 35 / 0 / 6 / 15

HEX #8CD8CB

RGB 140 216 203

HSL 169.74, 0.49%, 0.7%

LAB 81.29, -26.37, -1.05

 

CMYK 25 / 0 / 4 / 20

HEX #98CCC3

RGB 152 204 195

HSL 169.62, 0.34%, 0.7%

LAB 78.35, -18.73, -1.01

 

CMYK 14 / 0 / 2 / 25

HEX #A5BFBB

RGB 165 191 187

HSL 170.77, 0.17%, 0.7%

LAB 75.36, -9.59, -0.96

 

CMYK 1 / 0 / 0 / 30

HEX #B1B3B3

RGB 177 179 179

HSL 180, 0.01%, 0.7%

LAB 72.79, -0.7, -0.25

HEX #B1B3B3

CMYK 44 / 0 / 31 / 11

HEX #80E49E

RGB 128 228 158

HSL 138, 0.65%, 0.7%

LAB 83.2, -44.3, 25.26

 

CMYK 44 / 0 / 19 / 11

HEX #80E4B9

RGB 128 228 185

HSL 154.2, 0.65%, 0.7%

LAB 83.75, -39.08, 11.95

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D4

RGB 128 228 212

HSL 170.4, 0.65%, 0.7%

LAB 84.4, -33.11, -1.34

 

CMYK 44 / 4 / 0 / 11

HEX #80DAE4

RGB 128 218 228

HSL 186, 0.65%, 0.7%

LAB 82.02, -24.39, -13.34

 

CMYK 44 / 16 / 0 / 11

HEX #80BFE4

RGB 128 191 228

HSL 202.2, 0.65%, 0.7%

LAB 74.48, -10.56, -24.75

 

CMYK 72 / 0 / 12 / 16

HEX #3BD6BD

RGB 59 214 189

HSL 170.32, 0.65%, 0.54%

LAB 77.7, -45.36, 0.86

 

CMYK 58 / 0 / 10 / 13

HEX #5DDDC8

RGB 93 221 200

HSL 170.16, 0.65%, 0.62%

LAB 80.86, -40.32, -0.31

 

CMYK 44 / 0 / 7 / 11

HEX #80E4D4

RGB 128 228 212

HSL 170.4, 0.65%, 0.7%

LAB 84.4, -33.11, -1.34

 

CMYK 31 / 0 / 6 / 7

HEX #A2ECDF

RGB 162 236 223

HSL 169.46, 0.66%, 0.78%

LAB 88.45, -25.58, -1.01

 

CMYK 19 / 0 / 3 / 5

HEX #C4F3EB

RGB 196 243 235

HSL 169.79, 0.66%, 0.86%

LAB 92.5, -16.55, -1.12

 

CMYK 45 / 0 / 7 / 10

HEX #7FE5D4

RGB 127 229 212

HSL 170, 0.66%, 0.7%

LAB 84.64, -33.82, -0.99

 

CMYK 43 / 44 / 0 / 11

HEX #8380E4

RGB 131 128 228

HSL 241.8, 0.65%, 0.7%

LAB 57.91, 25.91, -50.57

 

CMYK 0 / 25 / 44 / 11

HEX #E4AB80

RGB 228 171 128

HSL 25.8, 0.65%, 0.7%

LAB 74.3, 15.61, 30.25

 

CMYK 45 / 0 / 7 / 10

HEX #7FE5D4

RGB 127 229 212

HSL 170, 0.66%, 0.7%

LAB 84.64, -33.82, -0.99

 

CMYK 7 / 44 / 0 / 11

HEX #D480E4

RGB 212 128 228

HSL 290.4, 0.65%, 0.7%

LAB 65.78, 48.09, -37.64

 

CMYK 0 / 7 / 44 / 11

HEX #E4D480

RGB 228 212 128

HSL 50.4, 0.65%, 0.7%

LAB 84.56, -5.86, 43.43

 

CMYK 45 / 0 / 7 / 10

HEX #7FE5D4

RGB 127 229 212

HSL 170, 0.66%, 0.7%

LAB 84.64, -33.82, -0.99

 

CMYK 43 / 44 / 0 / 11

HEX #8380E4

RGB 131 128 228

HSL 241.8, 0.65%, 0.7%

LAB 57.91, 25.91, -50.57

 

CMYK 0 / 44 / 37 / 11

HEX #E48090

RGB 228 128 144

HSL 350.4, 0.65%, 0.7%

LAB 64.92, 40.18, 8.54

 

CMYK 1 / 0 / 44 / 11

HEX #E1E480

RGB 225 228 128

HSL 61.8, 0.65%, 0.7%

LAB 88.47, -15.08, 48.25

 

CMYK 45 / 0 / 7 / 10

HEX #7FE5D4

RGB 127 229 212

HSL 170, 0.66%, 0.7%

LAB 84.64, -33.82, -0.99

 

CMYK 29 / 44 / 0 / 11

HEX #A180E4

RGB 161 128 228

HSL 259.8, 0.65%, 0.7%

LAB 60.44, 33.68, -46.39

 

CMYK 0 / 44 / 37 / 11

HEX #E48090

RGB 228 128 144

HSL 350.4, 0.65%, 0.7%

LAB 64.92, 40.18, 8.54

 

CMYK 14 / 0 / 44 / 11

HEX #C3E480

RGB 195 228 128

HSL 79.8, 0.65%, 0.7%

LAB 86.33, -26.59, 45.11

 

Description

Color code: HEX #7FE5D4 | qconv.com Color code: HEX #7FE5D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 229 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 229 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 7 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 7% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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