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Color name
HEX #7FD750

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FD750 it is the complementary color #8028AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FD750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FD750 shade: #84D74B, #95E95E, #A6FB71, #B7FF84 and #C8FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FD750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FD750 shade: #7FD750, #6EC53D, #5DB32A, #4CA117 and #3B8F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FD750 shade: #7FD750, #A3D750, #C8D750, #D7C250 and #D79D50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FD750 shade: #7FD750, #5BD750, #50D76A, #50D78E and #50D7B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FD750 shade matches the following richer shades: #7FD750, #7AE83F and #74FA2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FD750 shade: #7FD750, #84C661, #89B473, #8FA384 and #949295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FD750 shade: #C7D750, #A3D750, #7FD750, #5BD750 and #50D769

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FD750 shade: #56AD27, #66CF2F, #7FD750, #97DF72 and #B0E693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FD750 shade: #7FD750, #50D7C3 and #D750B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FD750 shade: #7FD750, #507FD7 and #D7507F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FD750 shade: #7FD750, #50D7C3, #A850D7 and #D75064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FD750 shade: #7FD750, #50C3D7, #A850D7 and #D76450

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

Complementary color

CMYK 27 / 77 / 0 / 31

HEX #8028AF

RGB 128 40 175

HSL 279.11, 0.63%, 0.42%

LAB 36.37, 58.16, -54.62

 

CMYK 39 / 0 / 65 / 16

HEX #84D74B

RGB 132 215 75

HSL 95.57, 0.64%, 0.57%

LAB 78.47, -48.52, 59.05

 

CMYK 36 / 0 / 60 / 9

HEX #95E95E

RGB 149 233 94

HSL 96.26, 0.76%, 0.64%

LAB 84.73, -48.7, 58.24

 

CMYK 34 / 0 / 55 / 2

HEX #A6FB71

RGB 166 251 113

HSL 96.96, 0.95%, 0.71%

LAB 90.91, -48.76, 57.26

 

CMYK 28 / 0 / 48 / 0

HEX #B7FF84

RGB 183 255 132

HSL 95.12, 1%, 0.76%

LAB 93.13, -42.76, 51.45

 

CMYK 22 / 0 / 41 / 0

HEX #C8FF97

RGB 200 255 151

HSL 91.73, 1%, 0.8%

LAB 94.33, -34.66, 44.11

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 44 / 0 / 69 / 23

HEX #6EC53D

RGB 110 197 61

HSL 98.38, 0.54%, 0.51%

LAB 71.95, -49.44, 57.4

 

CMYK 48 / 0 / 77 / 30

HEX #5DB32A

RGB 93 179 42

HSL 97.66, 0.62%, 0.43%

LAB 65.54, -48.95, 57.58

 

CMYK 53 / 0 / 86 / 37

HEX #4CA117

RGB 76 161 23

HSL 96.96, 0.75%, 0.36%

LAB 59.06, -48.13, 56.83

 

CMYK 59 / 0 / 97 / 44

HEX #3B8F04

RGB 59 143 4

HSL 96.26, 0.95%, 0.29%

LAB 52.49, -46.86, 54.65

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 24 / 0 / 63 / 16

HEX #A3D750

RGB 163 215 80

HSL 83.11, 0.63%, 0.58%

LAB 80.16, -37.15, 59.31

 

CMYK 7 / 0 / 63 / 16

HEX #C8D750

RGB 200 215 80

HSL 66.67, 0.63%, 0.58%

LAB 82.63, -22.65, 62.69

 

CMYK 0 / 10 / 63 / 16

HEX #D7C250

RGB 215 194 80

HSL 50.67, 0.63%, 0.58%

LAB 78.23, -5.91, 58.34

 

CMYK 0 / 27 / 63 / 16

HEX #D79D50

RGB 215 157 80

HSL 34.22, 0.63%, 0.58%

LAB 68.85, 13.67, 47.93

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 58 / 0 / 63 / 16

HEX #5BD750

RGB 91 215 80

HSL 115.11, 0.63%, 0.58%

LAB 76.92, -59.86, 54.83

 

CMYK 63 / 0 / 51 / 16

HEX #50D76A

RGB 80 215 106

HSL 131.56, 0.63%, 0.58%

LAB 76.89, -59.16, 42.87

 

CMYK 63 / 0 / 34 / 16

HEX #50D78E

RGB 80 215 142

HSL 147.56, 0.63%, 0.58%

LAB 77.44, -53.13, 25.46

 

CMYK 63 / 0 / 17 / 16

HEX #50D7B3

RGB 80 215 179

HSL 164, 0.63%, 0.58%

LAB 78.21, -45.15, 7

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 47 / 0 / 73 / 9

HEX #7AE83F

RGB 122 232 63

HSL 99.05, 0.79%, 0.58%

LAB 83.02, -59.2, 68.09

 

CMYK 54 / 0 / 82 / 2

HEX #74FA2D

RGB 116 250 45

HSL 99.22, 0.95%, 0.58%

LAB 88.1, -68.29, 78

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 33 / 0 / 51 / 22

HEX #84C661

RGB 132 198 97

HSL 99.21, 0.47%, 0.58%

LAB 73.65, -39.06, 43.71

 

CMYK 24 / 0 / 36 / 29

HEX #89B473

RGB 137 180 115

HSL 99.69, 0.3%, 0.58%

LAB 68.89, -26.51, 28.62

 

CMYK 12 / 0 / 19 / 36

HEX #8FA384

RGB 143 163 132

HSL 98.71, 0.14%, 0.58%

LAB 64.72, -12.93, 13.8

 

CMYK 1 / 2 / 0 / 42

HEX #949295

RGB 148 146 149

HSL 280, 0.01%, 0.58%

LAB 60.8, 1.32, -1.33

 

CMYK 7 / 0 / 63 / 16

HEX #C7D750

RGB 199 215 80

HSL 67.11, 0.63%, 0.58%

LAB 82.55, -23.05, 62.59

 

CMYK 24 / 0 / 63 / 16

HEX #A3D750

RGB 163 215 80

HSL 83.11, 0.63%, 0.58%

LAB 80.16, -37.15, 59.31

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 58 / 0 / 63 / 16

HEX #5BD750

RGB 91 215 80

HSL 115.11, 0.63%, 0.58%

LAB 76.92, -59.86, 54.83

 

CMYK 63 / 0 / 51 / 16

HEX #50D769

RGB 80 215 105

HSL 131.11, 0.63%, 0.58%

LAB 76.88, -59.3, 43.34

 

CMYK 50 / 0 / 77 / 32

HEX #56AD27

RGB 86 173 39

HSL 98.96, 0.63%, 0.42%

LAB 63.35, -48.93, 56.36

 

CMYK 51 / 0 / 77 / 19

HEX #66CF2F

RGB 102 207 47

HSL 99.38, 0.63%, 0.5%

LAB 74.61, -56.65, 64.81

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 32 / 0 / 49 / 13

HEX #97DF72

RGB 151 223 114

HSL 99.63, 0.63%, 0.66%

LAB 82.15, -41.64, 46.12

 

CMYK 23 / 0 / 36 / 10

HEX #B0E693

RGB 176 230 147

HSL 99.04, 0.62%, 0.74%

LAB 85.97, -31.99, 35

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 63 / 0 / 9 / 16

HEX #50D7C3

RGB 80 215 195

HSL 171.11, 0.63%, 0.58%

LAB 78.61, -41.2, -0.97

 

CMYK 0 / 63 / 16 / 16

HEX #D750B5

RGB 215 80 181

HSL 315.11, 0.63%, 0.58%

LAB 55.6, 63.65, -26.82

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 63 / 41 / 0 / 16

HEX #507FD7

RGB 80 127 215

HSL 219.11, 0.63%, 0.58%

LAB 53.8, 11.43, -49.99

 

CMYK 0 / 63 / 41 / 16

HEX #D7507F

RGB 215 80 127

HSL 339.11, 0.63%, 0.58%

LAB 53.73, 56.9, 2.08

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 63 / 0 / 9 / 16

HEX #50D7C3

RGB 80 215 195

HSL 171.11, 0.63%, 0.58%

LAB 78.61, -41.2, -0.97

 

CMYK 22 / 63 / 0 / 16

HEX #A850D7

RGB 168 80 215

HSL 279.11, 0.63%, 0.58%

LAB 50.65, 57.93, -54.61

 

CMYK 0 / 63 / 53 / 16

HEX #D75064

RGB 215 80 100

HSL 351.11, 0.63%, 0.58%

LAB 53.06, 54.42, 17.22

 

CMYK 41 / 0 / 63 / 16

HEX #7FD750

RGB 127 215 80

HSL 99.11, 0.63%, 0.58%

LAB 78.28, -49.72, 56.72

 

CMYK 63 / 9 / 0 / 16

HEX #50C3D7

RGB 80 195 215

HSL 188.89, 0.63%, 0.58%

LAB 73.31, -26.28, -19.65

 

CMYK 22 / 63 / 0 / 16

HEX #A850D7

RGB 168 80 215

HSL 279.11, 0.63%, 0.58%

LAB 50.65, 57.93, -54.61

 

CMYK 0 / 53 / 63 / 16

HEX #D76450

RGB 215 100 80

HSL 8.89, 0.63%, 0.58%

LAB 56.23, 43.71, 32.95

 

Description

Color code: HEX #7FD750 | qconv.com Color code: HEX #7FD750 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 215 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 215 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 63 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 63% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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