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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7FB0CB it is the complementary color #804F34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7FB0CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7FB0CB shade: #84B0C6, #95C2D9, #A6D4EC, #B7E6FF and #C8F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7FB0CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7FB0CB shade: #7FB0CB, #6E9EB8, #5D8CA5, #4C7A92 and #3B687F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7FB0CB shade: #80B0CB, #809CCB, #8088CB, #8C80CB and #A080CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7FB0CB shade: #80B0CB, #809CCB, #8088CB and #8080CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7FB0CB shade matches the following richer shades: #80B0CB, #71B4D9, #63B8E8 and #54BDF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7FB0CB shade: #80B0CB, #8EACBC, #9DA8AE, #ABA49F and #BA9F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7FB0CB shade: #80CBBD, #80C4CB, #80B0CB, #809DCB and #8089CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7FB0CB shade: #488BB0, #629EBF, #80B0CB, #9DC2D7 and #BAD4E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7FB0CB shade: #7FB0CB, #A980CB and #CBC780

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7FB0CB shade: #7FB0CB, #CB80B0 and #B0CB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7FB0CB shade: #7FB0CB, #A980CB, #CB9A80 and #A2CB80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7FB0CB shade: #7FB0CB, #BF80CB, #CB9A80 and #8BCB80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 13 / 0 / 20

HEX #7FB0CB

RGB 127 176 203

HSL 201.32, 0.42%, 0.65%

LAB 69.38, -9.44, -18.87

 

Complementary color

CMYK 0 / 38 / 59 / 50

HEX #804F34

RGB 128 79 52

HSL 21.32, 0.42%, 0.35%

LAB 38.6, 17.68, 24.42

 

CMYK 33 / 11 / 0 / 22

HEX #84B0C6

RGB 132 176 198

HSL 200, 0.37%, 0.65%

LAB 69.49, -9.33, -15.92

 

CMYK 31 / 11 / 0 / 15

HEX #95C2D9

RGB 149 194 217

HSL 200.29, 0.47%, 0.72%

LAB 76.06, -9.4, -16.29

 

CMYK 30 / 10 / 0 / 7

HEX #A6D4EC

RGB 166 212 236

HSL 200.57, 0.65%, 0.79%

LAB 82.51, -9.46, -16.67

 

CMYK 28 / 10 / 0 / 0

HEX #B7E6FF

RGB 183 230 255

HSL 200.83, 1%, 0.86%

LAB 88.87, -9.52, -17.04

 

CMYK 22 / 3 / 0 / 0

HEX #C8F8FF

RGB 200 248 255

HSL 187.64, 1%, 0.89%

LAB 94.58, -13.72, -8.4

 

CMYK 37 / 13 / 0 / 20

HEX #7FB0CB

RGB 127 176 203

HSL 201.32, 0.42%, 0.65%

LAB 69.38, -9.44, -18.87

 

CMYK 40 / 14 / 0 / 28

HEX #6E9EB8

RGB 110 158 184

HSL 201.08, 0.34%, 0.58%

LAB 62.7, -9.29, -18.54

 

CMYK 44 / 15 / 0 / 35

HEX #5D8CA5

RGB 93 140 165

HSL 200.83, 0.29%, 0.51%

LAB 55.89, -9.11, -18.22

 

CMYK 48 / 16 / 0 / 43

HEX #4C7A92

RGB 76 122 146

HSL 200.57, 0.32%, 0.44%

LAB 48.92, -8.87, -17.89

 

CMYK 54 / 18 / 0 / 50

HEX #3B687F

RGB 59 104 127

HSL 200.29, 0.37%, 0.36%

LAB 41.79, -8.53, -17.56

 

CMYK 37 / 13 / 0 / 20

HEX #80B0CB

RGB 128 176 203

HSL 201.6, 0.42%, 0.65%

LAB 69.44, -9.17, -18.79

 

CMYK 37 / 23 / 0 / 20

HEX #809CCB

RGB 128 156 203

HSL 217.6, 0.42%, 0.65%

LAB 63.9, 1.88, -27.25

 

CMYK 37 / 33 / 0 / 20

HEX #8088CB

RGB 128 136 203

HSL 233.6, 0.42%, 0.65%

LAB 58.52, 13.41, -35.6

 

CMYK 31 / 37 / 0 / 20

HEX #8C80CB

RGB 140 128 203

HSL 249.6, 0.42%, 0.65%

LAB 57.39, 21.48, -37.29

 

CMYK 21 / 37 / 0 / 20

HEX #A080CB

RGB 160 128 203

HSL 265.6, 0.42%, 0.65%

LAB 59.18, 27.35, -34.36

 

CMYK 37 / 13 / 0 / 20

HEX #80B0CB

RGB 128 176 203

HSL 201.6, 0.42%, 0.65%

LAB 69.44, -9.17, -18.79

 

CMYK 37 / 23 / 0 / 20

HEX #809CCB

RGB 128 156 203

HSL 217.6, 0.42%, 0.65%

LAB 63.9, 1.88, -27.25

 

CMYK 37 / 33 / 0 / 20

HEX #8088CB

RGB 128 136 203

HSL 233.6, 0.42%, 0.65%

LAB 58.52, 13.41, -35.6

 

CMYK 37 / 37 / 0 / 20

HEX #8080CB

RGB 128 128 203

HSL 240, 0.42%, 0.65%

LAB 56.43, 18.12, -38.87

 

CMYK 37 / 13 / 0 / 20

HEX #80B0CB

RGB 128 176 203

HSL 201.6, 0.42%, 0.65%

LAB 69.44, -9.17, -18.79

 

CMYK 48 / 17 / 0 / 15

HEX #71B4D9

RGB 113 180 217

HSL 201.35, 0.58%, 0.65%

LAB 70.29, -11.33, -25.23

 

CMYK 57 / 21 / 0 / 9

HEX #63B8E8

RGB 99 184 232

HSL 201.65, 0.74%, 0.65%

LAB 71.39, -12.09, -31.77

 

CMYK 66 / 23 / 0 / 4

HEX #54BDF6

RGB 84 189 246

HSL 201.11, 0.9%, 0.65%

LAB 72.85, -13.05, -37.14

 

CMYK 37 / 13 / 0 / 20

HEX #80B0CB

RGB 128 176 203

HSL 201.6, 0.42%, 0.65%

LAB 69.44, -9.17, -18.79

 

CMYK 24 / 9 / 0 / 26

HEX #8EACBC

RGB 142 172 188

HSL 200.87, 0.26%, 0.65%

LAB 68.67, -6.62, -11.58

 

CMYK 10 / 3 / 0 / 32

HEX #9DA8AE

RGB 157 168 174

HSL 201.18, 0.09%, 0.65%

LAB 68.19, -2.64, -4.43

 

CMYK 0 / 4 / 7 / 33

HEX #ABA49F

RGB 171 164 159

HSL 25, 0.07%, 0.65%

LAB 67.81, 1.62, 3.48

 

CMYK 0 / 15 / 22 / 27

HEX #BA9F91

RGB 186 159 145

HSL 20.49, 0.23%, 0.65%

LAB 67.49, 7.71, 10.98

 

CMYK 37 / 0 / 7 / 20

HEX #80CBBD

RGB 128 203 189

HSL 168.8, 0.42%, 0.65%

LAB 76.66, -26.47, -0.38

 

CMYK 37 / 3 / 0 / 20

HEX #80C4CB

RGB 128 196 203

HSL 185.6, 0.42%, 0.65%

LAB 75.06, -19.64, -10.32

 

CMYK 37 / 13 / 0 / 20

HEX #80B0CB

RGB 128 176 203

HSL 201.6, 0.42%, 0.65%

LAB 69.44, -9.17, -18.79

 

CMYK 37 / 23 / 0 / 20

HEX #809DCB

RGB 128 157 203

HSL 216.8, 0.42%, 0.65%

LAB 64.17, 1.31, -26.82

 

CMYK 37 / 33 / 0 / 20

HEX #8089CB

RGB 128 137 203

HSL 232.8, 0.42%, 0.65%

LAB 58.78, 12.82, -35.18

 

CMYK 59 / 21 / 0 / 31

HEX #488BB0

RGB 72 139 176

HSL 201.35, 0.42%, 0.49%

LAB 55.05, -10.14, -25.89

 

CMYK 49 / 17 / 0 / 25

HEX #629EBF

RGB 98 158 191

HSL 201.29, 0.42%, 0.57%

LAB 62.35, -10.38, -23.06

 

CMYK 37 / 13 / 0 / 20

HEX #80B0CB

RGB 128 176 203

HSL 201.6, 0.42%, 0.65%

LAB 69.44, -9.17, -18.79

 

CMYK 27 / 10 / 0 / 16

HEX #9DC2D7

RGB 157 194 215

HSL 201.72, 0.42%, 0.73%

LAB 76.47, -7.56, -14.54

 

CMYK 18 / 7 / 0 / 11

HEX #BAD4E3

RGB 186 212 227

HSL 201.95, 0.42%, 0.81%

LAB 83.48, -5.53, -10.3

 

CMYK 37 / 13 / 0 / 20

HEX #7FB0CB

RGB 127 176 203

HSL 201.32, 0.42%, 0.65%

LAB 69.38, -9.44, -18.87

 

CMYK 17 / 37 / 0 / 20

HEX #A980CB

RGB 169 128 203

HSL 272.8, 0.42%, 0.65%

LAB 60.06, 30.08, -32.93

 

CMYK 0 / 2 / 37 / 20

HEX #CBC780

RGB 203 199 128

HSL 56.8, 0.42%, 0.65%

LAB 79.1, -9.14, 36.06

 

CMYK 37 / 13 / 0 / 20

HEX #7FB0CB

RGB 127 176 203

HSL 201.32, 0.42%, 0.65%

LAB 69.38, -9.44, -18.87

 

CMYK 0 / 37 / 13 / 20

HEX #CB80B0

RGB 203 128 176

HSL 321.6, 0.42%, 0.65%

LAB 62.73, 35.9, -13.22

 

CMYK 13 / 0 / 37 / 20

HEX #B0CB80

RGB 176 203 128

HSL 81.6, 0.42%, 0.65%

LAB 78.17, -21.6, 34.46

 

CMYK 37 / 13 / 0 / 20

HEX #7FB0CB

RGB 127 176 203

HSL 201.32, 0.42%, 0.65%

LAB 69.38, -9.44, -18.87

 

CMYK 17 / 37 / 0 / 20

HEX #A980CB

RGB 169 128 203

HSL 272.8, 0.42%, 0.65%

LAB 60.06, 30.08, -32.93

 

CMYK 0 / 24 / 37 / 20

HEX #CB9A80

RGB 203 154 128

HSL 20.8, 0.42%, 0.65%

LAB 67.55, 14.81, 20.74

 

CMYK 20 / 0 / 37 / 20

HEX #A2CB80

RGB 162 203 128

HSL 92.8, 0.42%, 0.65%

LAB 77.25, -26.78, 33.09

 

CMYK 37 / 13 / 0 / 20

HEX #7FB0CB

RGB 127 176 203

HSL 201.32, 0.42%, 0.65%

LAB 69.38, -9.44, -18.87

 

CMYK 6 / 37 / 0 / 20

HEX #BF80CB

RGB 191 128 203

HSL 290.4, 0.42%, 0.65%

LAB 62.36, 36.88, -29.17

 

CMYK 0 / 24 / 37 / 20

HEX #CB9A80

RGB 203 154 128

HSL 20.8, 0.42%, 0.65%

LAB 67.55, 14.81, 20.74

 

CMYK 32 / 0 / 37 / 20

HEX #8BCB80

RGB 139 203 128

HSL 111.2, 0.42%, 0.65%

LAB 75.92, -34.79, 31.1

 

Description

Color code: HEX #7FB0CB | qconv.com Color code: HEX #7FB0CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 176 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 176 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 13 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 13% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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