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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F9CD6 it is the complementary color #806329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F9CD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F9CD6 shade: #849CD1, #95AEE4, #A6C0F7, #B7D2FF and #C8E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F9CD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F9CD6 shade: #7F9CD6, #6E8AC3, #5D78B0, #4C669D and #3B548A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F9CD6 shade: #7F9CD5, #7F85D5, #917FD5, #A87FD5 and #BF7FD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F9CD6 shade: #7F9CD5, #7F85D5 and #7F7FD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F9CD6 shade matches the following richer shades: #7F9CD5, #7298E3, #6493F0 and #578EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F9CD6 shade: #7F9CD5, #8DA1C8, #9BA5BA, #A8AAAC and #B6AE9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F9CD6 shade: #7FCAD5, #7FB3D5, #7F9CD5, #7F85D5 and #917FD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F9CD6 shade: #416CC1, #6084CB, #7F9CD5, #9FB4DF and #BECCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F9CD6 shade: #7F9CD6, #CA7FD5 and #BED57F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F9CD6 shade: #7F9CD6, #D57F9C and #9CD57F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F9CD6 shade: #7F9CD6, #CA7FD5, #D5B97F and #8BD57F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F9CD6 shade: #7F9CD6, #D57FC7, #D5B97F and #7FD58E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 27 / 0 / 16

HEX #7F9CD6

RGB 127 156 214

HSL 220, 0.51%, 0.67%

LAB 64.28, 4.61, -32.79

 

Complementary color

CMYK 0 / 23 / 68 / 50

HEX #806329

RGB 128 99 41

HSL 40, 0.51%, 0.33%

LAB 43.76, 4.98, 36.49

 

CMYK 37 / 25 / 0 / 18

HEX #849CD1

RGB 132 156 209

HSL 221.3, 0.46%, 0.67%

LAB 64.39, 4.6, -29.81

 

CMYK 35 / 24 / 0 / 11

HEX #95AEE4

RGB 149 174 228

HSL 221.01, 0.59%, 0.74%

LAB 71.05, 4.2, -29.9

 

CMYK 33 / 22 / 0 / 3

HEX #A6C0F7

RGB 166 192 247

HSL 220.74, 0.84%, 0.81%

LAB 77.59, 3.85, -30.03

 

CMYK 28 / 18 / 0 / 0

HEX #B7D2FF

RGB 183 210 255

HSL 217.5, 1%, 0.86%

LAB 83.64, 0.91, -24.94

 

CMYK 22 / 11 / 0 / 0

HEX #C8E4FF

RGB 200 228 255

HSL 209.45, 1%, 0.89%

LAB 89.39, -3.55, -16.15

 

CMYK 41 / 27 / 0 / 16

HEX #7F9CD6

RGB 127 156 214

HSL 220, 0.51%, 0.67%

LAB 64.28, 4.61, -32.79

 

CMYK 44 / 29 / 0 / 24

HEX #6E8AC3

RGB 110 138 195

HSL 220.24, 0.41%, 0.6%

LAB 57.49, 5.14, -32.76

 

CMYK 47 / 32 / 0 / 31

HEX #5D78B0

RGB 93 120 176

HSL 220.48, 0.34%, 0.53%

LAB 50.56, 5.78, -32.78

 

CMYK 52 / 35 / 0 / 38

HEX #4C669D

RGB 76 102 157

HSL 220.74, 0.35%, 0.46%

LAB 43.47, 6.58, -32.85

 

CMYK 57 / 39 / 0 / 46

HEX #3B548A

RGB 59 84 138

HSL 221.01, 0.4%, 0.39%

LAB 36.19, 7.6, -32.98

 

CMYK 40 / 27 / 0 / 16

HEX #7F9CD5

RGB 127 156 213

HSL 219.77, 0.51%, 0.67%

LAB 64.24, 4.33, -32.29

 

CMYK 40 / 38 / 0 / 16

HEX #7F85D5

RGB 127 133 213

HSL 235.81, 0.51%, 0.67%

LAB 58.12, 17.69, -41.85

 

CMYK 32 / 40 / 0 / 16

HEX #917FD5

RGB 145 127 213

HSL 252.56, 0.51%, 0.67%

LAB 58.04, 26.06, -41.88

 

CMYK 21 / 40 / 0 / 16

HEX #A87FD5

RGB 168 127 213

HSL 268.6, 0.51%, 0.67%

LAB 60.17, 32.62, -38.39

 

CMYK 10 / 40 / 0 / 16

HEX #BF7FD5

RGB 191 127 213

HSL 284.65, 0.51%, 0.67%

LAB 62.56, 39.44, -34.48

 

CMYK 40 / 27 / 0 / 16

HEX #7F9CD5

RGB 127 156 213

HSL 219.77, 0.51%, 0.67%

LAB 64.24, 4.33, -32.29

 

CMYK 40 / 38 / 0 / 16

HEX #7F85D5

RGB 127 133 213

HSL 235.81, 0.51%, 0.67%

LAB 58.12, 17.69, -41.85

 

CMYK 40 / 40 / 0 / 16

HEX #7F7FD5

RGB 127 127 213

HSL 240, 0.51%, 0.67%

LAB 56.58, 21.24, -44.28

 

CMYK 40 / 27 / 0 / 16

HEX #7F9CD5

RGB 127 156 213

HSL 219.77, 0.51%, 0.67%

LAB 64.24, 4.33, -32.29

 

CMYK 50 / 33 / 0 / 11

HEX #7298E3

RGB 114 152 227

HSL 219.82, 0.67%, 0.67%

LAB 62.99, 7.46, -42.05

 

CMYK 58 / 39 / 0 / 6

HEX #6493F0

RGB 100 147 240

HSL 219.86, 0.82%, 0.67%

LAB 61.54, 11.49, -51.58

 

CMYK 66 / 44 / 0 / 0

HEX #578EFE

RGB 87 142 254

HSL 220.24, 0.99%, 0.67%

LAB 60.36, 16.84, -61.19

 

CMYK 40 / 27 / 0 / 16

HEX #7F9CD5

RGB 127 156 213

HSL 219.77, 0.51%, 0.67%

LAB 64.24, 4.33, -32.29

 

CMYK 30 / 20 / 0 / 22

HEX #8DA1C8

RGB 141 161 200

HSL 219.66, 0.35%, 0.67%

LAB 66, 2.03, -22.28

 

CMYK 17 / 11 / 0 / 27

HEX #9BA5BA

RGB 155 165 186

HSL 220.65, 0.18%, 0.67%

LAB 67.59, 0.89, -11.99

 

CMYK 2 / 1 / 0 / 33

HEX #A8AAAC

RGB 168 170 172

HSL 210, 0.02%, 0.67%

LAB 69.51, -0.32, -1.28

 

CMYK 0 / 4 / 13 / 29

HEX #B6AE9F

RGB 182 174 159

HSL 39.13, 0.14%, 0.67%

LAB 71.36, 0.25, 8.71

 

CMYK 40 / 5 / 0 / 16

HEX #7FCAD5

RGB 127 202 213

HSL 187.67, 0.51%, 0.67%

LAB 77.02, -20.44, -12.81

 

CMYK 40 / 16 / 0 / 16

HEX #7FB3D5

RGB 127 179 213

HSL 203.72, 0.51%, 0.67%

LAB 70.56, -8.42, -22.56

 

CMYK 40 / 27 / 0 / 16

HEX #7F9CD5

RGB 127 156 213

HSL 219.77, 0.51%, 0.67%

LAB 64.24, 4.33, -32.29

 

CMYK 40 / 38 / 0 / 16

HEX #7F85D5

RGB 127 133 213

HSL 235.81, 0.51%, 0.67%

LAB 58.12, 17.69, -41.85

 

CMYK 32 / 40 / 0 / 16

HEX #917FD5

RGB 145 127 213

HSL 252.56, 0.51%, 0.67%

LAB 58.04, 26.06, -41.88

 

CMYK 66 / 44 / 0 / 24

HEX #416CC1

RGB 65 108 193

HSL 219.84, 0.51%, 0.51%

LAB 46.58, 12.91, -49.02

 

CMYK 53 / 35 / 0 / 20

HEX #6084CB

RGB 96 132 203

HSL 219.81, 0.51%, 0.59%

LAB 55.38, 7.71, -40.66

 

CMYK 40 / 27 / 0 / 16

HEX #7F9CD5

RGB 127 156 213

HSL 219.77, 0.51%, 0.67%

LAB 64.24, 4.33, -32.29

 

CMYK 29 / 19 / 0 / 13

HEX #9FB4DF

RGB 159 180 223

HSL 220.31, 0.5%, 0.75%

LAB 73.12, 2.49, -23.96

 

CMYK 18 / 12 / 0 / 9

HEX #BECCE9

RGB 190 204 233

HSL 220.47, 0.49%, 0.83%

LAB 81.85, 1.21, -15.92

 

CMYK 41 / 27 / 0 / 16

HEX #7F9CD6

RGB 127 156 214

HSL 220, 0.51%, 0.67%

LAB 64.28, 4.61, -32.79

 

CMYK 5 / 40 / 0 / 16

HEX #CA7FD5

RGB 202 127 213

HSL 292.33, 0.51%, 0.67%

LAB 63.79, 42.76, -32.48

 

CMYK 11 / 0 / 40 / 16

HEX #BED57F

RGB 190 213 127

HSL 76.05, 0.51%, 0.67%

LAB 81.88, -21.34, 39.93

 

CMYK 41 / 27 / 0 / 16

HEX #7F9CD6

RGB 127 156 214

HSL 220, 0.51%, 0.67%

LAB 64.28, 4.61, -32.79

 

CMYK 0 / 40 / 27 / 16

HEX #D57F9C

RGB 213 127 156

HSL 339.77, 0.51%, 0.67%

LAB 63.12, 36.87, -1.14

 

CMYK 27 / 0 / 40 / 16

HEX #9CD57F

RGB 156 213 127

HSL 99.77, 0.51%, 0.67%

LAB 79.72, -33.77, 36.73

 

CMYK 41 / 27 / 0 / 16

HEX #7F9CD6

RGB 127 156 214

HSL 220, 0.51%, 0.67%

LAB 64.28, 4.61, -32.79

 

CMYK 5 / 40 / 0 / 16

HEX #CA7FD5

RGB 202 127 213

HSL 292.33, 0.51%, 0.67%

LAB 63.79, 42.76, -32.48

 

CMYK 0 / 13 / 40 / 16

HEX #D5B97F

RGB 213 185 127

HSL 40.47, 0.51%, 0.67%

LAB 76.3, 2.04, 33.12

 

CMYK 35 / 0 / 40 / 16

HEX #8BD57F

RGB 139 213 127

HSL 111.63, 0.51%, 0.67%

LAB 78.82, -39.47, 35.39

 

CMYK 41 / 27 / 0 / 16

HEX #7F9CD6

RGB 127 156 214

HSL 220, 0.51%, 0.67%

LAB 64.28, 4.61, -32.79

 

CMYK 0 / 40 / 7 / 16

HEX #D57FC7

RGB 213 127 199

HSL 309.77, 0.51%, 0.67%

LAB 64.52, 43.59, -23.39

 

CMYK 0 / 13 / 40 / 16

HEX #D5B97F

RGB 213 185 127

HSL 40.47, 0.51%, 0.67%

LAB 76.3, 2.04, 33.12

 

CMYK 40 / 0 / 33 / 16

HEX #7FD58E

RGB 127 213 142

HSL 130.47, 0.51%, 0.67%

LAB 78.49, -40.81, 27.16

 

Description

Color code: HEX #7F9CD6 | qconv.com Color code: HEX #7F9CD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 156 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 156 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 27 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 27% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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