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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F9107 it is the complementary color #806EF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F9107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F9107 shade: #849102, #95A315, #A6B528, #B7C73B and #C8D94E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F9107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F9107 shade: #7F9107, #6E7F00, #5D6D00, #4C5B00 and #3B4900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F9107 shade: #7F9206, #927E06, #925906, #923306 and #920E06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F9107 shade: #7F9206, #5A9206, #349206, #0F9206 and #069224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F9107 shade matches the following richer shades: #7F9206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F9107 shade: #7F9206, #768513, #6D791F, #646C2C and #5B6038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F9107 shade: #925806, #927D06, #819206, #5C9206 and #379206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F9107 shade: #3A4303, #5D6A05, #7F9206, #A2B908 and #C4E00A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F9107 shade: #7F9107, #069232 and #6A0692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F9107 shade: #7F9107, #068192 and #920681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F9107 shade: #7F9107, #069232, #170692 and #920666

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F9107 shade: #7F9107, #06925C, #170692 and #92063C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 95 / 43

HEX #7F9107

RGB 127 145 7

HSL 67.83, 0.91%, 0.3%

LAB 56.86, -22.12, 59.21

 

Complementary color

CMYK 48 / 56 / 0 / 3

HEX #806EF8

RGB 128 110 248

HSL 247.83, 0.91%, 0.7%

LAB 54.57, 41.53, -67.06

 

CMYK 9 / 0 / 99 / 43

HEX #849102

RGB 132 145 2

HSL 65.45, 0.97%, 0.29%

LAB 57.23, -19.99, 60.46

 

CMYK 9 / 0 / 87 / 36

HEX #95A315

RGB 149 163 21

HSL 65.92, 0.77%, 0.36%

LAB 63.87, -21.24, 63.07

 

CMYK 8 / 0 / 78 / 29

HEX #A6B528

RGB 166 181 40

HSL 66.38, 0.64%, 0.43%

LAB 70.39, -22.26, 64.28

 

CMYK 8 / 0 / 70 / 22

HEX #B7C73B

RGB 183 199 59

HSL 66.86, 0.56%, 0.51%

LAB 76.82, -23.08, 64.47

 

CMYK 8 / 0 / 64 / 15

HEX #C8D94E

RGB 200 217 78

HSL 67.34, 0.65%, 0.58%

LAB 83.15, -23.74, 64.06

 

CMYK 12 / 0 / 95 / 43

HEX #7F9107

RGB 127 145 7

HSL 67.83, 0.91%, 0.3%

LAB 56.86, -22.12, 59.21

 

CMYK 13 / 0 / 100 / 50

HEX #6E7F00

RGB 110 127 0

HSL 68.03, 1%, 0.25%

LAB 50.09, -20.69, 54.7

 

CMYK 15 / 0 / 100 / 57

HEX #5D6D00

RGB 93 109 0

HSL 68.81, 1%, 0.21%

LAB 43.16, -19.09, 48.93

 

CMYK 16 / 0 / 100 / 64

HEX #4C5B00

RGB 76 91 0

HSL 69.89, 1%, 0.18%

LAB 36.02, -17.46, 42.99

 

CMYK 19 / 0 / 100 / 71

HEX #3B4900

RGB 59 73 0

HSL 71.51, 1%, 0.14%

LAB 28.63, -15.79, 36.79

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 0 / 14 / 96 / 43

HEX #927E06

RGB 146 126 6

HSL 51.43, 0.92%, 0.3%

LAB 53, -3.29, 57.15

 

CMYK 0 / 39 / 96 / 43

HEX #925906

RGB 146 89 6

HSL 35.57, 0.92%, 0.3%

LAB 43.17, 17.91, 49.97

 

CMYK 0 / 65 / 96 / 43

HEX #923306

RGB 146 51 6

HSL 19.29, 0.92%, 0.3%

LAB 34.99, 38.31, 44.38

 

CMYK 0 / 90 / 96 / 43

HEX #920E06

RGB 146 14 6

HSL 3.43, 0.92%, 0.3%

LAB 30.49, 50.74, 41.41

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 38 / 0 / 96 / 43

HEX #5A9206

RGB 90 146 6

HSL 84, 0.92%, 0.3%

LAB 54.81, -37.87, 56.74

 

CMYK 64 / 0 / 96 / 43

HEX #349206

RGB 52 146 6

HSL 100.29, 0.92%, 0.3%

LAB 53.28, -49.69, 54.86

 

CMYK 90 / 0 / 96 / 43

HEX #0F9206

RGB 15 146 6

HSL 116.14, 0.92%, 0.3%

LAB 52.59, -55.66, 54.01

 

CMYK 96 / 0 / 75 / 43

HEX #069224

RGB 6 146 36

HSL 132.86, 0.92%, 0.3%

LAB 52.65, -54.67, 46.23

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 11 / 0 / 86 / 48

HEX #768513

RGB 118 133 19

HSL 67.89, 0.75%, 0.3%

LAB 52.59, -19.71, 53.1

 

CMYK 10 / 0 / 74 / 53

HEX #6D791F

RGB 109 121 31

HSL 68, 0.59%, 0.3%

LAB 48.29, -16.94, 45.05

 

CMYK 7 / 0 / 59 / 58

HEX #646C2C

RGB 100 108 44

HSL 67.5, 0.42%, 0.3%

LAB 43.68, -13.03, 34.12

 

CMYK 5 / 0 / 42 / 62

HEX #5B6038

RGB 91 96 56

HSL 67.5, 0.26%, 0.3%

LAB 39.37, -9, 22.19

 

CMYK 0 / 40 / 96 / 43

HEX #925806

RGB 146 88 6

HSL 35.14, 0.92%, 0.3%

LAB 42.92, 18.48, 49.79

 

CMYK 0 / 14 / 96 / 43

HEX #927D06

RGB 146 125 6

HSL 51, 0.92%, 0.3%

LAB 52.72, -2.73, 56.94

 

CMYK 12 / 0 / 96 / 43

HEX #819206

RGB 129 146 6

HSL 67.29, 0.92%, 0.3%

LAB 57.31, -21.76, 59.78

 

CMYK 37 / 0 / 96 / 43

HEX #5C9206

RGB 92 146 6

HSL 83.14, 0.92%, 0.3%

LAB 54.91, -37.12, 56.87

 

CMYK 62 / 0 / 96 / 43

HEX #379206

RGB 55 146 6

HSL 99, 0.92%, 0.3%

LAB 53.37, -48.95, 54.97

 

CMYK 13 / 0 / 96 / 74

HEX #3A4303

RGB 58 67 3

HSL 68.44, 0.91%, 0.14%

LAB 26.51, -12.72, 33.73

 

CMYK 12 / 0 / 95 / 58

HEX #5D6A05

RGB 93 106 5

HSL 67.72, 0.91%, 0.22%

LAB 42.23, -17.35, 46.98

 

CMYK 13 / 0 / 96 / 43

HEX #7F9206

RGB 127 146 6

HSL 68.14, 0.92%, 0.3%

LAB 57.16, -22.65, 59.6

 

CMYK 12 / 0 / 96 / 27

HEX #A2B908

RGB 162 185 8

HSL 67.8, 0.92%, 0.38%

LAB 71.14, -26.73, 71.25

 

CMYK 13 / 0 / 96 / 12

HEX #C4E00A

RGB 196 224 10

HSL 67.85, 0.91%, 0.46%

LAB 84.52, -31.06, 82.36

 

CMYK 12 / 0 / 95 / 43

HEX #7F9107

RGB 127 145 7

HSL 67.83, 0.91%, 0.3%

LAB 56.86, -22.12, 59.21

 

CMYK 96 / 0 / 66 / 43

HEX #069232

RGB 6 146 50

HSL 138.86, 0.92%, 0.3%

LAB 52.76, -53.23, 40.54

 

CMYK 27 / 96 / 0 / 43

HEX #6A0692

RGB 106 6 146

HSL 282.86, 0.92%, 0.3%

LAB 27.49, 57.65, -51.62

 

CMYK 12 / 0 / 95 / 43

HEX #7F9107

RGB 127 145 7

HSL 67.83, 0.91%, 0.3%

LAB 56.86, -22.12, 59.21

 

CMYK 96 / 12 / 0 / 43

HEX #068192

RGB 6 129 146

HSL 187.29, 0.92%, 0.3%

LAB 49.27, -22.97, -17.52

 

CMYK 0 / 96 / 12 / 43

HEX #920681

RGB 146 6 129

HSL 307.29, 0.92%, 0.3%

LAB 33.62, 61.52, -30.81

 

CMYK 12 / 0 / 95 / 43

HEX #7F9107

RGB 127 145 7

HSL 67.83, 0.91%, 0.3%

LAB 56.86, -22.12, 59.21

 

CMYK 96 / 0 / 66 / 43

HEX #069232

RGB 6 146 50

HSL 138.86, 0.92%, 0.3%

LAB 52.76, -53.23, 40.54

 

CMYK 84 / 96 / 0 / 43

HEX #170692

RGB 23 6 146

HSL 247.29, 0.92%, 0.3%

LAB 17.4, 50.66, -68.61

 

CMYK 0 / 96 / 30 / 43

HEX #920666

RGB 146 6 102

HSL 318.86, 0.92%, 0.3%

LAB 32.26, 58.03, -15.79

 

CMYK 12 / 0 / 95 / 43

HEX #7F9107

RGB 127 145 7

HSL 67.83, 0.91%, 0.3%

LAB 56.86, -22.12, 59.21

 

CMYK 96 / 0 / 37 / 43

HEX #06925C

RGB 6 146 92

HSL 156.86, 0.92%, 0.3%

LAB 53.35, -46.12, 19.59

 

CMYK 84 / 96 / 0 / 43

HEX #170692

RGB 23 6 146

HSL 247.29, 0.92%, 0.3%

LAB 17.4, 50.66, -68.61

 

CMYK 0 / 96 / 59 / 43

HEX #92063C

RGB 146 6 60

HSL 336.86, 0.92%, 0.3%

LAB 30.8, 54.12, 9.69

 

Description

Color code: HEX #7F9107 | qconv.com Color code: HEX #7F9107 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 145 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 145 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 95 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 95% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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