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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F8116 it is the complementary color #807EE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F8116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F8116 shade: #848111, #959324, #A6A537, #B7B74A and #C8C95D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F8116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F8116 shade: #7F8116, #6E6F03, #5D5D00, #4C4B00 and #3B3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F8116 shade: #808216, #826716, #824A16, #822C16 and #821616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F8116 shade: #808216, #638216, #468216, #288216 and #168220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F8116 shade matches the following richer shades: #808216 and #8C8F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F8116 shade: #808216, #747622, #686A2E, #5D5D3B and #515147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F8116 shade: #824A16, #826716, #818216, #648216 and #478216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F8116 shade: #3B3C0A, #5E5F10, #808216, #A3A61C and #C6C922

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F8116 shade: #7F8116, #16822D and #591682

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F8116 shade: #7F8116, #168182 and #821681

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F8116 shade: #7F8116, #16822D, #171682 and #82166B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F8116 shade: #7F8116, #16824E, #171682 and #82164A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 83 / 49

HEX #7F8116

RGB 127 129 22

HSL 61.12, 0.71%, 0.3%

LAB 52.14, -13.4, 52.19

 

Complementary color

CMYK 45 / 46 / 0 / 9

HEX #807EE9

RGB 128 126 233

HSL 241.12, 0.71%, 0.7%

LAB 57.46, 27.81, -54.09

 

CMYK 0 / 2 / 87 / 48

HEX #848111

RGB 132 129 17

HSL 58.43, 0.77%, 0.29%

LAB 52.56, -11.25, 54.05

 

CMYK 0 / 1 / 76 / 42

HEX #959324

RGB 149 147 36

HSL 58.94, 0.61%, 0.36%

LAB 59.33, -12.45, 54.91

 

CMYK 0 / 1 / 67 / 35

HEX #A6A537

RGB 166 165 55

HSL 59.46, 0.5%, 0.43%

LAB 65.98, -13.4, 54.7

 

CMYK 0 / 0 / 60 / 28

HEX #B7B74A

RGB 183 183 74

HSL 60, 0.43%, 0.5%

LAB 72.51, -14.16, 53.96

 

CMYK 0 / 0 / 54 / 21

HEX #C8C95D

RGB 200 201 93

HSL 60.56, 0.5%, 0.58%

LAB 78.95, -14.78, 52.97

 

CMYK 2 / 0 / 83 / 49

HEX #7F8116

RGB 127 129 22

HSL 61.12, 0.71%, 0.3%

LAB 52.14, -13.4, 52.19

 

CMYK 1 / 0 / 97 / 56

HEX #6E6F03

RGB 110 111 3

HSL 60.56, 0.95%, 0.22%

LAB 45.21, -12.08, 50.39

 

CMYK 0 / 0 / 100 / 64

HEX #5D5D00

RGB 93 93 0

HSL 60, 1%, 0.18%

LAB 38.12, -10.31, 45.2

 

CMYK 0 / 1 / 100 / 70

HEX #4C4B00

RGB 76 75 0

HSL 59.21, 1%, 0.15%

LAB 30.8, -8.39, 39.12

 

CMYK 0 / 3 / 100 / 77

HEX #3B3900

RGB 59 57 0

HSL 57.97, 1%, 0.12%

LAB 23.19, -6.36, 31.8

 

CMYK 2 / 0 / 83 / 49

HEX #808216

RGB 128 130 22

HSL 61.11, 0.71%, 0.3%

LAB 52.52, -13.48, 52.55

 

CMYK 0 / 21 / 83 / 49

HEX #826716

RGB 130 103 22

HSL 45, 0.71%, 0.3%

LAB 44.95, 2.61, 45.98

 

CMYK 0 / 43 / 83 / 49

HEX #824A16

RGB 130 74 22

HSL 28.89, 0.71%, 0.3%

LAB 37.3, 19.68, 39.04

 

CMYK 0 / 66 / 83 / 49

HEX #822C16

RGB 130 44 22

HSL 12.22, 0.71%, 0.3%

LAB 30.89, 35.89, 32.97

 

CMYK 0 / 83 / 83 / 49

HEX #821616

RGB 130 22 22

HSL 0, 0.71%, 0.3%

LAB 27.78, 44.43, 29.91

 

CMYK 2 / 0 / 83 / 49

HEX #808216

RGB 128 130 22

HSL 61.11, 0.71%, 0.3%

LAB 52.52, -13.48, 52.55

 

CMYK 24 / 0 / 83 / 49

HEX #638216

RGB 99 130 22

HSL 77.22, 0.71%, 0.3%

LAB 50.31, -26.39, 49.75

 

CMYK 46 / 0 / 83 / 49

HEX #468216

RGB 70 130 22

HSL 93.33, 0.71%, 0.3%

LAB 48.67, -37.66, 47.65

 

CMYK 69 / 0 / 83 / 49

HEX #288216

RGB 40 130 22

HSL 110, 0.71%, 0.3%

LAB 47.59, -46.18, 46.26

 

CMYK 83 / 0 / 75 / 49

HEX #168220

RGB 22 130 32

HSL 125.56, 0.71%, 0.3%

LAB 47.29, -48.55, 42.36

 

CMYK 2 / 0 / 83 / 49

HEX #808216

RGB 128 130 22

HSL 61.11, 0.71%, 0.3%

LAB 52.52, -13.48, 52.55

 

CMYK 2 / 0 / 94 / 44

HEX #8C8F09

RGB 140 143 9

HSL 61.34, 0.88%, 0.3%

LAB 57.31, -15.22, 59.69

 

CMYK 2 / 0 / 83 / 49

HEX #808216

RGB 128 130 22

HSL 61.11, 0.71%, 0.3%

LAB 52.52, -13.48, 52.55

 

CMYK 2 / 0 / 71 / 54

HEX #747622

RGB 116 118 34

HSL 61.43, 0.55%, 0.3%

LAB 47.99, -11.95, 43.74

 

CMYK 2 / 0 / 57 / 58

HEX #686A2E

RGB 104 106 46

HSL 62, 0.39%, 0.3%

LAB 43.43, -9.91, 32.9

 

CMYK 0 / 0 / 37 / 64

HEX #5D5D3B

RGB 93 93 59

HSL 60, 0.22%, 0.3%

LAB 38.68, -5.95, 19.57

 

CMYK 0 / 0 / 12 / 68

HEX #515147

RGB 81 81 71

HSL 60, 0.07%, 0.3%

LAB 34.17, -2.04, 5.89

 

CMYK 0 / 43 / 83 / 49

HEX #824A16

RGB 130 74 22

HSL 28.89, 0.71%, 0.3%

LAB 37.3, 19.68, 39.04

 

CMYK 0 / 21 / 83 / 49

HEX #826716

RGB 130 103 22

HSL 45, 0.71%, 0.3%

LAB 44.95, 2.61, 45.98

 

CMYK 1 / 0 / 83 / 49

HEX #818216

RGB 129 130 22

HSL 60.56, 0.71%, 0.3%

LAB 52.61, -13.02, 52.66

 

CMYK 23 / 0 / 83 / 49

HEX #648216

RGB 100 130 22

HSL 76.67, 0.71%, 0.3%

LAB 50.37, -25.97, 49.83

 

CMYK 45 / 0 / 83 / 49

HEX #478216

RGB 71 130 22

HSL 92.78, 0.71%, 0.3%

LAB 48.71, -37.32, 47.71

 

CMYK 2 / 0 / 83 / 76

HEX #3B3C0A

RGB 59 60 10

HSL 61.2, 0.71%, 0.14%

LAB 24.27, -7.63, 28.8

 

CMYK 1 / 0 / 83 / 63

HEX #5E5F10

RGB 94 95 16

HSL 60.76, 0.71%, 0.22%

LAB 38.9, -10.43, 41.26

 

CMYK 2 / 0 / 83 / 49

HEX #808216

RGB 128 130 22

HSL 61.11, 0.71%, 0.3%

LAB 52.52, -13.48, 52.55

 

CMYK 2 / 0 / 83 / 35

HEX #A3A61C

RGB 163 166 28

HSL 61.3, 0.71%, 0.38%

LAB 65.86, -16.43, 63.55

 

CMYK 1 / 0 / 83 / 21

HEX #C6C922

RGB 198 201 34

HSL 61.08, 0.71%, 0.46%

LAB 78.4, -18.75, 73.83

 

CMYK 2 / 0 / 83 / 49

HEX #7F8116

RGB 127 129 22

HSL 61.12, 0.71%, 0.3%

LAB 52.14, -13.4, 52.19

 

CMYK 83 / 0 / 65 / 49

HEX #16822D

RGB 22 130 45

HSL 132.78, 0.71%, 0.3%

LAB 47.4, -47.18, 36.88

 

CMYK 32 / 83 / 0 / 49

HEX #591682

RGB 89 22 130

HSL 277.22, 0.71%, 0.3%

LAB 24.67, 47.74, -46.36

 

CMYK 2 / 0 / 83 / 49

HEX #7F8116

RGB 127 129 22

HSL 61.12, 0.71%, 0.3%

LAB 52.14, -13.4, 52.19

 

CMYK 83 / 1 / 0 / 49

HEX #168182

RGB 22 129 130

HSL 180.56, 0.71%, 0.3%

LAB 48.86, -27.29, -8.73

 

CMYK 0 / 83 / 1 / 49

HEX #821681

RGB 130 22 129

HSL 300.56, 0.71%, 0.3%

LAB 31.59, 55.46, -34.22

 

CMYK 2 / 0 / 83 / 49

HEX #7F8116

RGB 127 129 22

HSL 61.12, 0.71%, 0.3%

LAB 52.14, -13.4, 52.19

 

CMYK 83 / 0 / 65 / 49

HEX #16822D

RGB 22 130 45

HSL 132.78, 0.71%, 0.3%

LAB 47.4, -47.18, 36.88

 

CMYK 82 / 83 / 0 / 49

HEX #171682

RGB 23 22 130

HSL 240.56, 0.71%, 0.3%

LAB 17.31, 39.55, -58.73

 

CMYK 0 / 83 / 18 / 49

HEX #82166B

RGB 130 22 107

HSL 312.78, 0.71%, 0.3%

LAB 30.35, 52.05, -22.21

 

CMYK 2 / 0 / 83 / 49

HEX #7F8116

RGB 127 129 22

HSL 61.12, 0.71%, 0.3%

LAB 52.14, -13.4, 52.19

 

CMYK 83 / 0 / 40 / 49

HEX #16824E

RGB 22 130 78

HSL 151.11, 0.71%, 0.3%

LAB 47.86, -41.7, 20.12

 

CMYK 82 / 83 / 0 / 49

HEX #171682

RGB 23 22 130

HSL 240.56, 0.71%, 0.3%

LAB 17.31, 39.55, -58.73

 

CMYK 0 / 83 / 43 / 49

HEX #82164A

RGB 130 22 74

HSL 331.11, 0.71%, 0.3%

LAB 28.94, 47.94, -2.77

 

Description

Color code: HEX #7F8116 | qconv.com Color code: HEX #7F8116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 129 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 129 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 83 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 83% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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