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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F7D2D it is the complementary color #8082D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F7D2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F7D2D shade: #847D28, #958F3B, #A6A14E, #B7B361 and #C8C574

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F7D2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F7D2D shade: #7F7D2D, #6E6B1A, #5D5907, #4C4700 and #3B3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F7D2D shade: #807E2D, #80672D, #80512D, #803A2D and #802D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F7D2D shade: #807E2D, #6B802D, #55802D, #3F802D and #2D8031

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F7D2D shade matches the following richer shades: #807E2D, #8E8B1F, #9C9811 and #AAA602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F7D2D shade: #807E2D, #72703B, #646349, #565657 and #484865

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F7D2D shade: #80512D, #80672D, #807D2D, #6C802D and #56802D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F7D2D shade: #434217, #616022, #807E2D, #9E9C37 and #BCB942

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F7D2D shade: #7F7D2D, #2D803A and #5C2D80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F7D2D shade: #7F7D2D, #2D807D and #7D2D80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F7D2D shade: #7F7D2D, #2D803A, #2D2F80 and #802D72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F7D2D shade: #7F7D2D, #2D8053, #2D2F80 and #802D59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 65 / 50

HEX #7F7D2D

RGB 127 125 45

HSL 58.54, 0.48%, 0.34%

LAB 51.12, -10.03, 42.47

 

Complementary color

CMYK 39 / 38 / 0 / 18

HEX #8082D2

RGB 128 130 210

HSL 238.54, 0.48%, 0.66%

LAB 57.28, 18.88, -41.49

 

CMYK 0 / 5 / 70 / 48

HEX #847D28

RGB 132 125 40

HSL 55.43, 0.53%, 0.34%

LAB 51.53, -8.07, 45.25

 

CMYK 0 / 4 / 60 / 42

HEX #958F3B

RGB 149 143 59

HSL 56, 0.43%, 0.41%

LAB 58.37, -8.95, 44.41

 

CMYK 0 / 3 / 53 / 35

HEX #A6A14E

RGB 166 161 78

HSL 56.59, 0.36%, 0.48%

LAB 65.08, -9.63, 43.3

 

CMYK 0 / 2 / 47 / 28

HEX #B7B361

RGB 183 179 97

HSL 57.21, 0.37%, 0.55%

LAB 71.67, -10.18, 42.11

 

CMYK 0 / 1 / 42 / 22

HEX #C8C574

RGB 200 197 116

HSL 57.86, 0.43%, 0.62%

LAB 78.15, -10.62, 40.9

 

CMYK 0 / 2 / 65 / 50

HEX #7F7D2D

RGB 127 125 45

HSL 58.54, 0.48%, 0.34%

LAB 51.12, -10.03, 42.47

 

CMYK 0 / 3 / 76 / 57

HEX #6E6B1A

RGB 110 107 26

HSL 57.86, 0.62%, 0.27%

LAB 44.1, -9.08, 42.97

 

CMYK 0 / 4 / 92 / 64

HEX #5D5907

RGB 93 89 7

HSL 57.21, 0.86%, 0.2%

LAB 36.91, -7.79, 42.19

 

CMYK 0 / 7 / 100 / 70

HEX #4C4700

RGB 76 71 0

HSL 56.05, 1%, 0.15%

LAB 29.52, -5.99, 38.16

 

CMYK 0 / 10 / 100 / 77

HEX #3B3500

RGB 59 53 0

HSL 53.9, 1%, 0.12%

LAB 21.86, -3.83, 30.41

 

CMYK 0 / 2 / 65 / 50

HEX #807E2D

RGB 128 126 45

HSL 58.55, 0.48%, 0.34%

LAB 51.5, -10.13, 42.9

 

CMYK 0 / 20 / 65 / 50

HEX #80672D

RGB 128 103 45

HSL 41.93, 0.48%, 0.34%

LAB 44.91, 2.92, 35.73

 

CMYK 0 / 37 / 65 / 50

HEX #80512D

RGB 128 81 45

HSL 26.02, 0.48%, 0.34%

LAB 39.01, 15.93, 28.96

 

CMYK 0 / 55 / 65 / 50

HEX #803A2D

RGB 128 58 45

HSL 9.4, 0.48%, 0.34%

LAB 33.57, 29.16, 22.4

 

CMYK 0 / 65 / 65 / 50

HEX #802D2D

RGB 128 45 45

HSL 0, 0.48%, 0.34%

LAB 31.01, 35.86, 19.18

 

CMYK 0 / 2 / 65 / 50

HEX #807E2D

RGB 128 126 45

HSL 58.55, 0.48%, 0.34%

LAB 51.5, -10.13, 42.9

 

CMYK 16 / 0 / 65 / 50

HEX #6B802D

RGB 107 128 45

HSL 75.18, 0.48%, 0.34%

LAB 50.4, -20.54, 41.22

 

CMYK 34 / 0 / 65 / 50

HEX #55802D

RGB 85 128 45

HSL 91.08, 0.48%, 0.34%

LAB 48.96, -29.58, 39.23

 

CMYK 51 / 0 / 65 / 50

HEX #3F802D

RGB 63 128 45

HSL 106.99, 0.48%, 0.34%

LAB 47.86, -37.32, 37.71

 

CMYK 65 / 0 / 62 / 50

HEX #2D8031

RGB 45 128 49

HSL 122.89, 0.48%, 0.34%

LAB 47.26, -41.81, 34.94

 

CMYK 0 / 2 / 65 / 50

HEX #807E2D

RGB 128 126 45

HSL 58.55, 0.48%, 0.34%

LAB 51.5, -10.13, 42.9

 

CMYK 0 / 2 / 78 / 44

HEX #8E8B1F

RGB 142 139 31

HSL 58.38, 0.64%, 0.34%

LAB 56.4, -11.57, 53.68

 

CMYK 0 / 3 / 89 / 39

HEX #9C9811

RGB 156 152 17

HSL 58.27, 0.8%, 0.34%

LAB 61.28, -12.56, 62.01

 

CMYK 0 / 2 / 99 / 33

HEX #AAA602

RGB 170 166 2

HSL 58.57, 0.98%, 0.34%

LAB 66.38, -13.82, 68.66

 

CMYK 0 / 2 / 65 / 50

HEX #807E2D

RGB 128 126 45

HSL 58.55, 0.48%, 0.34%

LAB 51.5, -10.13, 42.9

 

CMYK 0 / 2 / 48 / 55

HEX #72703B

RGB 114 112 59

HSL 57.82, 0.32%, 0.34%

LAB 46.29, -7.45, 29.58

 

CMYK 0 / 1 / 27 / 61

HEX #646349

RGB 100 99 73

HSL 57.78, 0.16%, 0.34%

LAB 41.4, -4.33, 14.96

 

CMYK 1 / 1 / 0 / 66

HEX #565657

RGB 86 86 87

HSL 240, 0.01%, 0.34%

LAB 36.6, 0.22, -0.58

 

CMYK 29 / 29 / 0 / 60

HEX #484865

RGB 72 72 101

HSL 240, 0.17%, 0.34%

LAB 31.7, 7.32, -16.91

 

CMYK 0 / 37 / 65 / 50

HEX #80512D

RGB 128 81 45

HSL 26.02, 0.48%, 0.34%

LAB 39.01, 15.93, 28.96

 

CMYK 0 / 20 / 65 / 50

HEX #80672D

RGB 128 103 45

HSL 41.93, 0.48%, 0.34%

LAB 44.91, 2.92, 35.73

 

CMYK 0 / 2 / 65 / 50

HEX #807D2D

RGB 128 125 45

HSL 57.83, 0.48%, 0.34%

LAB 51.2, -9.58, 42.59

 

CMYK 16 / 0 / 65 / 50

HEX #6C802D

RGB 108 128 45

HSL 74.46, 0.48%, 0.34%

LAB 50.47, -20.11, 41.32

 

CMYK 33 / 0 / 65 / 50

HEX #56802D

RGB 86 128 45

HSL 90.36, 0.48%, 0.34%

LAB 49.01, -29.19, 39.32

 

CMYK 0 / 1 / 66 / 74

HEX #434217

RGB 67 66 23

HSL 58.64, 0.49%, 0.18%

LAB 27.16, -6.27, 25.72

 

CMYK 0 / 1 / 65 / 62

HEX #616022

RGB 97 96 34

HSL 59.05, 0.48%, 0.26%

LAB 39.62, -8.5, 34.53

 

CMYK 0 / 2 / 65 / 50

HEX #807E2D

RGB 128 126 45

HSL 58.55, 0.48%, 0.34%

LAB 51.5, -10.13, 42.9

 

CMYK 0 / 1 / 65 / 38

HEX #9E9C37

RGB 158 156 55

HSL 58.83, 0.48%, 0.42%

LAB 62.78, -12.19, 51.18

 

CMYK 0 / 2 / 65 / 26

HEX #BCB942

RGB 188 185 66

HSL 58.52, 0.48%, 0.5%

LAB 73.4, -13.59, 58.44

 

CMYK 0 / 2 / 65 / 50

HEX #7F7D2D

RGB 127 125 45

HSL 58.54, 0.48%, 0.34%

LAB 51.12, -10.03, 42.47

 

CMYK 65 / 0 / 55 / 50

HEX #2D803A

RGB 45 128 58

HSL 129.4, 0.48%, 0.34%

LAB 47.37, -40.57, 30.51

 

CMYK 28 / 65 / 0 / 50

HEX #5C2D80

RGB 92 45 128

HSL 273.98, 0.48%, 0.34%

LAB 28.67, 37.43, -38.6

 

CMYK 0 / 2 / 65 / 50

HEX #7F7D2D

RGB 127 125 45

HSL 58.54, 0.48%, 0.34%

LAB 51.12, -10.03, 42.47

 

CMYK 65 / 0 / 2 / 50

HEX #2D807D

RGB 45 128 125

HSL 177.83, 0.48%, 0.34%

LAB 48.86, -25.26, -5.75

 

CMYK 2 / 65 / 0 / 50

HEX #7D2D80

RGB 125 45 128

HSL 297.83, 0.48%, 0.34%

LAB 33.55, 45.94, -30.53

 

CMYK 0 / 2 / 65 / 50

HEX #7F7D2D

RGB 127 125 45

HSL 58.54, 0.48%, 0.34%

LAB 51.12, -10.03, 42.47

 

CMYK 65 / 0 / 55 / 50

HEX #2D803A

RGB 45 128 58

HSL 129.4, 0.48%, 0.34%

LAB 47.37, -40.57, 30.51

 

CMYK 65 / 63 / 0 / 50

HEX #2D2F80

RGB 45 47 128

HSL 238.55, 0.48%, 0.34%

LAB 24.16, 25.93, -46.14

 

CMYK 0 / 65 / 11 / 50

HEX #802D72

RGB 128 45 114

HSL 310.12, 0.48%, 0.34%

LAB 33.31, 44.27, -22.09

 

CMYK 0 / 2 / 65 / 50

HEX #7F7D2D

RGB 127 125 45

HSL 58.54, 0.48%, 0.34%

LAB 51.12, -10.03, 42.47

 

CMYK 65 / 0 / 35 / 50

HEX #2D8053

RGB 45 128 83

HSL 147.47, 0.48%, 0.34%

LAB 47.78, -36.05, 17.25

 

CMYK 65 / 63 / 0 / 50

HEX #2D2F80

RGB 45 47 128

HSL 238.55, 0.48%, 0.34%

LAB 24.16, 25.93, -46.14

 

CMYK 0 / 65 / 30 / 50

HEX #802D59

RGB 128 45 89

HSL 328.19, 0.48%, 0.34%

LAB 32.23, 40.44, -7.75

 

Description

Color code: HEX #7F7D2D | qconv.com Color code: HEX #7F7D2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 125 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 125 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 65 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 65% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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