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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F70C3 it is the complementary color #808F3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F70C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F70C3 shade: #8470BE, #9582D1, #A694E4, #B7A6F7 and #C8B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F70C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F70C3 shade: #7F70C3, #6E5EB0, #5D4C9D, #4C3A8A and #3B2877

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F70C3 shade: #7E6FC2, #946FC2, #AB6FC2, #C16FC2 and #C26FAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F70C3 shade: #7E6FC2 and #6F6FC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F70C3 shade matches the following richer shades: #7E6FC2, #735ED3, #694EE3 and #5E3DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F70C3 shade: #7E6FC2, #887FB2, #9390A1, #9DA091 and #A8B180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F70C3 shade: #6F8DC2, #6F77C2, #7D6FC2, #936FC2 and #A96FC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F70C3 shade: #52419D, #6452B6, #7E6FC2, #988CCE and #B2A9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F70C3 shade: #7F70C3, #C26FA4 and #82C26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F70C3 shade: #7F70C3, #C27D6F and #6FC27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F70C3 shade: #7F70C3, #C26FA4, #B4C26F and #6FC28D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F70C3 shade: #7F70C3, #C26F8B, #B4C26F and #6FC2A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 43 / 0 / 24

HEX #7F70C3

RGB 127 112 195

HSL 250.84, 0.41%, 0.6%

LAB 51.88, 25.16, -41.48

 

Complementary color

CMYK 10 / 0 / 58 / 44

HEX #808F3C

RGB 128 143 60

HSL 70.84, 0.41%, 0.4%

LAB 56.64, -18.02, 41.53

 

CMYK 31 / 41 / 0 / 25

HEX #8470BE

RGB 132 112 190

HSL 255.38, 0.38%, 0.59%

LAB 52.08, 25.23, -38.27

 

CMYK 29 / 38 / 0 / 18

HEX #9582D1

RGB 149 130 209

HSL 254.43, 0.46%, 0.66%

LAB 58.94, 24.42, -38.2

 

CMYK 27 / 35 / 0 / 11

HEX #A694E4

RGB 166 148 228

HSL 253.5, 0.6%, 0.74%

LAB 65.66, 23.7, -38.16

 

CMYK 26 / 33 / 0 / 3

HEX #B7A6F7

RGB 183 166 247

HSL 252.59, 0.84%, 0.81%

LAB 72.27, 23.05, -38.17

 

CMYK 22 / 28 / 0 / 0

HEX #C8B8FF

RGB 200 184 255

HSL 253.52, 1%, 0.86%

LAB 78.33, 19.94, -32.97

 

CMYK 35 / 43 / 0 / 24

HEX #7F70C3

RGB 127 112 195

HSL 250.84, 0.41%, 0.6%

LAB 51.88, 25.16, -41.48

 

CMYK 38 / 47 / 0 / 31

HEX #6E5EB0

RGB 110 94 176

HSL 251.71, 0.34%, 0.53%

LAB 44.88, 26.15, -41.66

 

CMYK 41 / 52 / 0 / 38

HEX #5D4C9D

RGB 93 76 157

HSL 252.59, 0.35%, 0.46%

LAB 37.72, 27.29, -41.89

 

CMYK 45 / 58 / 0 / 46

HEX #4C3A8A

RGB 76 58 138

HSL 253.5, 0.41%, 0.38%

LAB 30.39, 28.6, -42.15

 

CMYK 50 / 66 / 0 / 53

HEX #3B2877

RGB 59 40 119

HSL 254.43, 0.5%, 0.31%

LAB 22.93, 30.09, -42.39

 

CMYK 35 / 43 / 0 / 24

HEX #7E6FC2

RGB 126 111 194

HSL 250.84, 0.4%, 0.6%

LAB 51.5, 25.21, -41.52

 

CMYK 24 / 43 / 0 / 24

HEX #946FC2

RGB 148 111 194

HSL 266.75, 0.4%, 0.6%

LAB 53.56, 31.43, -38.13

 

CMYK 12 / 43 / 0 / 24

HEX #AB6FC2

RGB 171 111 194

HSL 283.37, 0.4%, 0.6%

LAB 56.01, 38.23, -34.11

 

CMYK 1 / 43 / 0 / 24

HEX #C16FC2

RGB 193 111 194

HSL 299.28, 0.4%, 0.6%

LAB 58.6, 44.87, -29.88

 

CMYK 0 / 43 / 11 / 24

HEX #C26FAD

RGB 194 111 173

HSL 315.18, 0.4%, 0.6%

LAB 57.9, 41.47, -18.93

 

CMYK 35 / 43 / 0 / 24

HEX #7E6FC2

RGB 126 111 194

HSL 250.84, 0.4%, 0.6%

LAB 51.5, 25.21, -41.52

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC2

RGB 111 111 194

HSL 240, 0.4%, 0.6%

LAB 50.27, 21.26, -43.55

 

CMYK 35 / 43 / 0 / 24

HEX #7E6FC2

RGB 126 111 194

HSL 250.84, 0.4%, 0.6%

LAB 51.5, 25.21, -41.52

 

CMYK 45 / 55 / 0 / 17

HEX #735ED3

RGB 115 94 211

HSL 250.77, 0.57%, 0.6%

LAB 47.43, 37.39, -57.8

 

CMYK 54 / 66 / 0 / 11

HEX #694EE3

RGB 105 78 227

HSL 250.87, 0.73%, 0.6%

LAB 44.23, 49.3, -72.15

 

CMYK 61 / 75 / 0 / 4

HEX #5E3DF4

RGB 94 61 244

HSL 250.82, 0.89%, 0.6%

LAB 41.61, 61.51, -86.09

 

CMYK 35 / 43 / 0 / 24

HEX #7E6FC2

RGB 126 111 194

HSL 250.84, 0.4%, 0.6%

LAB 51.5, 25.21, -41.52

 

CMYK 24 / 29 / 0 / 30

HEX #887FB2

RGB 136 127 178

HSL 250.59, 0.25%, 0.6%

LAB 55.71, 14.54, -25.69

 

CMYK 9 / 11 / 0 / 37

HEX #9390A1

RGB 147 144 161

HSL 250.59, 0.08%, 0.6%

LAB 60.54, 4.52, -8.56

 

CMYK 2 / 0 / 9 / 37

HEX #9DA091

RGB 157 160 145

HSL 72, 0.07%, 0.6%

LAB 65.24, -3.85, 7.44

 

CMYK 5 / 0 / 28 / 31

HEX #A8B180

RGB 168 177 128

HSL 71.02, 0.24%, 0.6%

LAB 70.4, -11.45, 24.08

 

CMYK 43 / 27 / 0 / 24

HEX #6F8DC2

RGB 111 141 194

HSL 218.31, 0.4%, 0.6%

LAB 58.34, 3.37, -30.87

 

CMYK 43 / 39 / 0 / 24

HEX #6F77C2

RGB 111 119 194

HSL 234.22, 0.4%, 0.6%

LAB 52.36, 16.41, -40.23

 

CMYK 36 / 43 / 0 / 24

HEX #7D6FC2

RGB 125 111 194

HSL 250.12, 0.4%, 0.6%

LAB 51.41, 24.94, -41.66

 

CMYK 24 / 43 / 0 / 24

HEX #936FC2

RGB 147 111 194

HSL 266.02, 0.4%, 0.6%

LAB 53.46, 31.14, -38.3

 

CMYK 13 / 43 / 0 / 24

HEX #A96FC2

RGB 169 111 194

HSL 281.93, 0.4%, 0.6%

LAB 55.79, 37.63, -34.48

 

CMYK 48 / 59 / 0 / 38

HEX #52419D

RGB 82 65 157

HSL 251.09, 0.41%, 0.44%

LAB 34, 31.46, -47.92

 

CMYK 45 / 55 / 0 / 29

HEX #6452B6

RGB 100 82 182

HSL 250.8, 0.41%, 0.52%

LAB 41.41, 32.69, -50.78

 

CMYK 35 / 43 / 0 / 24

HEX #7E6FC2

RGB 126 111 194

HSL 250.84, 0.4%, 0.6%

LAB 51.5, 25.21, -41.52

 

CMYK 26 / 32 / 0 / 19

HEX #988CCE

RGB 152 140 206

HSL 250.91, 0.4%, 0.68%

LAB 61.56, 18.77, -32.4

 

CMYK 19 / 23 / 0 / 14

HEX #B2A9DB

RGB 178 169 219

HSL 250.8, 0.41%, 0.76%

LAB 71.52, 13.4, -24.08

 

CMYK 35 / 43 / 0 / 24

HEX #7F70C3

RGB 127 112 195

HSL 250.84, 0.41%, 0.6%

LAB 51.88, 25.16, -41.48

 

CMYK 0 / 43 / 15 / 24

HEX #C26FA4

RGB 194 111 164

HSL 321.69, 0.4%, 0.6%

LAB 57.58, 39.98, -14.23

 

CMYK 33 / 0 / 43 / 24

HEX #82C26F

RGB 130 194 111

HSL 106.27, 0.4%, 0.6%

LAB 72.55, -36.14, 35.36

 

CMYK 35 / 43 / 0 / 24

HEX #7F70C3

RGB 127 112 195

HSL 250.84, 0.41%, 0.6%

LAB 51.88, 25.16, -41.48

 

CMYK 0 / 36 / 43 / 24

HEX #C27D6F

RGB 194 125 111

HSL 10.12, 0.4%, 0.6%

LAB 59.24, 25.17, 18.76

 

CMYK 43 / 0 / 36 / 24

HEX #6FC27D

RGB 111 194 125

HSL 130.12, 0.4%, 0.6%

LAB 71.86, -39.97, 27.03

 

CMYK 35 / 43 / 0 / 24

HEX #7F70C3

RGB 127 112 195

HSL 250.84, 0.41%, 0.6%

LAB 51.88, 25.16, -41.48

 

CMYK 0 / 43 / 15 / 24

HEX #C26FA4

RGB 194 111 164

HSL 321.69, 0.4%, 0.6%

LAB 57.58, 39.98, -14.23

 

CMYK 7 / 0 / 43 / 24

HEX #B4C26F

RGB 180 194 111

HSL 70.12, 0.4%, 0.6%

LAB 75.72, -17.61, 40.04

 

CMYK 43 / 0 / 27 / 24

HEX #6FC28D

RGB 111 194 141

HSL 141.69, 0.4%, 0.6%

LAB 72.15, -37.07, 18.94

 

CMYK 35 / 43 / 0 / 24

HEX #7F70C3

RGB 127 112 195

HSL 250.84, 0.41%, 0.6%

LAB 51.88, 25.16, -41.48

 

CMYK 0 / 43 / 28 / 24

HEX #C26F8B

RGB 194 111 139

HSL 339.76, 0.4%, 0.6%

LAB 56.78, 36.25, -0.9

 

CMYK 7 / 0 / 43 / 24

HEX #B4C26F

RGB 180 194 111

HSL 70.12, 0.4%, 0.6%

LAB 75.72, -17.61, 40.04

 

CMYK 43 / 0 / 14 / 24

HEX #6FC2A6

RGB 111 194 166

HSL 159.76, 0.4%, 0.6%

LAB 72.7, -31.89, 6.22

 

Description

Color code: HEX #7F70C3 | qconv.com Color code: HEX #7F70C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 112 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 112 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 43 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 43% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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