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Color name
HEX #7F5DCE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5DCE it is the complementary color #80A231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5DCE shade: #845DC9, #956FDC, #A681EF, #B793FF and #C8A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5DCE shade: #7F5DCE, #6E4BBB, #5D39A8, #4C2795 and #3B1582

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5DCE shade: #7F5DCE, #9E5DCE, #BC5DCE, #CE5DC2 and #CE5DA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5DCE shade: #7F5DCE, #615DCE and #5D5DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5DCE shade matches the following richer shades: #7F5DCE, #794DDF and #723CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5DCE shade: #7F5DCE, #866EBD, #8D7FAD, #94909C and #9AA18B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5DCE shade: #5D78CE, #615DCE, #7F5DCE, #9D5DCE and #BC5DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5DCE shade: #5532A8, #663EC5, #7F5DCE, #997DD8 and #B29DE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5DCE shade: #7F5DCE, #CE5D96 and #69CE5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5DCE shade: #7F5DCE, #CE7F5D and #5DCE7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5DCE shade: #7F5DCE, #CE5D96, #ADCE5D and #5DCE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5DCE shade: #7F5DCE, #CE5D74, #ADCE5D and #5DCEB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

Complementary color

CMYK 21 / 0 / 70 / 36

HEX #80A231

RGB 128 162 49

HSL 78.05, 0.54%, 0.41%

LAB 62.21, -28.38, 52.35

 

CMYK 34 / 54 / 0 / 21

HEX #845DC9

RGB 132 93 201

HSL 261.67, 0.5%, 0.58%

LAB 48.2, 39.19, -50.75

 

CMYK 32 / 50 / 0 / 14

HEX #956FDC

RGB 149 111 220

HSL 260.92, 0.61%, 0.65%

LAB 55, 38.15, -50.62

 

CMYK 31 / 46 / 0 / 6

HEX #A681EF

RGB 166 129 239

HSL 260.18, 0.77%, 0.72%

LAB 61.69, 37.18, -50.49

 

CMYK 28 / 42 / 0 / 0

HEX #B793FF

RGB 183 147 255

HSL 260, 1%, 0.79%

LAB 68.13, 35.56, -48.98

 

CMYK 22 / 35 / 0 / 0

HEX #C8A5FF

RGB 200 165 255

HSL 263.33, 1%, 0.82%

LAB 73.81, 30.36, -39.98

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 41 / 60 / 0 / 27

HEX #6E4BBB

RGB 110 75 187

HSL 258.75, 0.45%, 0.51%

LAB 41.11, 40.51, -54.14

 

CMYK 45 / 66 / 0 / 34

HEX #5D39A8

RGB 93 57 168

HSL 259.46, 0.49%, 0.44%

LAB 34.15, 41.75, -54.24

 

CMYK 49 / 74 / 0 / 42

HEX #4C2795

RGB 76 39 149

HSL 260.18, 0.59%, 0.37%

LAB 27.18, 42.88, -54.16

 

CMYK 55 / 84 / 0 / 49

HEX #3B1582

RGB 59 21 130

HSL 260.92, 0.72%, 0.3%

LAB 20.35, 43.5, -53.59

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 23 / 55 / 0 / 19

HEX #9E5DCE

RGB 158 93 206

HSL 274.51, 0.54%, 0.59%

LAB 51.33, 47, -48.46

 

CMYK 9 / 55 / 0 / 19

HEX #BC5DCE

RGB 188 93 206

HSL 290.44, 0.54%, 0.59%

LAB 55.05, 54.83, -42.32

 

CMYK 0 / 55 / 6 / 19

HEX #CE5DC2

RGB 206 93 194

HSL 306.37, 0.54%, 0.59%

LAB 56.92, 57.55, -32.36

 

CMYK 0 / 55 / 20 / 19

HEX #CE5DA4

RGB 206 93 164

HSL 322.3, 0.54%, 0.59%

LAB 55.72, 52.87, -16.89

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 53 / 55 / 0 / 19

HEX #615DCE

RGB 97 93 206

HSL 242.12, 0.54%, 0.59%

LAB 45.4, 32.68, -58.3

 

CMYK 55 / 55 / 0 / 19

HEX #5D5DCE

RGB 93 93 206

HSL 240, 0.54%, 0.59%

LAB 45.1, 31.89, -58.79

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 46 / 65 / 0 / 13

HEX #794DDF

RGB 121 77 223

HSL 258.08, 0.7%, 0.59%

LAB 45.22, 51.52, -68.2

 

CMYK 53 / 75 / 0 / 6

HEX #723CF0

RGB 114 60 240

HSL 258, 0.86%, 0.59%

LAB 42.91, 63.33, -81.63

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 29 / 42 / 0 / 26

HEX #866EBD

RGB 134 110 189

HSL 258.23, 0.37%, 0.59%

LAB 51.72, 26.72, -38.25

 

CMYK 18 / 27 / 0 / 32

HEX #8D7FAD

RGB 141 127 173

HSL 258.26, 0.22%, 0.59%

LAB 55.95, 14.95, -22.42

 

CMYK 5 / 8 / 0 / 39

HEX #94909C

RGB 148 144 156

HSL 260, 0.06%, 0.59%

LAB 60.47, 3.84, -5.81

 

CMYK 4 / 0 / 14 / 37

HEX #9AA18B

RGB 154 161 139

HSL 79.09, 0.1%, 0.59%

LAB 65.14, -6.56, 10.61

 

CMYK 55 / 42 / 0 / 19

HEX #5D78CE

RGB 93 120 206

HSL 225.66, 0.54%, 0.59%

LAB 52.08, 15.26, -47.6

 

CMYK 53 / 55 / 0 / 19

HEX #615DCE

RGB 97 93 206

HSL 242.12, 0.54%, 0.59%

LAB 45.4, 32.68, -58.3

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 24 / 55 / 0 / 19

HEX #9D5DCE

RGB 157 93 206

HSL 273.98, 0.54%, 0.59%

LAB 51.21, 46.74, -48.65

 

CMYK 9 / 55 / 0 / 19

HEX #BC5DCE

RGB 188 93 206

HSL 290.44, 0.54%, 0.59%

LAB 55.05, 54.83, -42.32

 

CMYK 49 / 70 / 0 / 34

HEX #5532A8

RGB 85 50 168

HSL 257.8, 0.54%, 0.43%

LAB 31.9, 44.06, -57.95

 

CMYK 48 / 69 / 0 / 23

HEX #663EC5

RGB 102 62 197

HSL 257.78, 0.54%, 0.51%

LAB 38.38, 48.87, -64.46

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 29 / 42 / 0 / 15

HEX #997DD8

RGB 153 125 216

HSL 258.46, 0.54%, 0.67%

LAB 58.41, 30.2, -42.93

 

CMYK 21 / 30 / 0 / 12

HEX #B29DE1

RGB 178 157 225

HSL 258.53, 0.53%, 0.75%

LAB 68.76, 21.46, -31.62

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 0 / 55 / 27 / 19

HEX #CE5D96

RGB 206 93 150

HSL 329.73, 0.54%, 0.59%

LAB 55.23, 50.93, -9.45

 

CMYK 49 / 0 / 55 / 19

HEX #69CE5D

RGB 105 206 93

HSL 113.63, 0.54%, 0.59%

LAB 74.78, -51.36, 46.69

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 0 / 38 / 55 / 19

HEX #CE7F5D

RGB 206 127 93

HSL 18.05, 0.54%, 0.59%

LAB 60.86, 27.15, 31.27

 

CMYK 55 / 0 / 38 / 19

HEX #5DCE7F

RGB 93 206 127

HSL 138.05, 0.54%, 0.59%

LAB 74.83, -49.49, 29.81

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 0 / 55 / 27 / 19

HEX #CE5D96

RGB 206 93 150

HSL 329.73, 0.54%, 0.59%

LAB 55.23, 50.93, -9.45

 

CMYK 16 / 0 / 55 / 19

HEX #ADCE5D

RGB 173 206 93

HSL 77.52, 0.54%, 0.59%

LAB 78.36, -28.05, 51.77

 

CMYK 55 / 0 / 27 / 19

HEX #5DCE96

RGB 93 206 150

HSL 150.27, 0.54%, 0.59%

LAB 75.25, -45.14, 18.32

 

CMYK 38 / 55 / 0 / 19

HEX #7F5DCE

RGB 127 93 206

HSL 258.05, 0.54%, 0.59%

LAB 48, 39.31, -53.96

 

CMYK 0 / 55 / 44 / 19

HEX #CE5D74

RGB 206 93 116

HSL 347.79, 0.54%, 0.59%

LAB 54.25, 46.91, 9.17

 

CMYK 16 / 0 / 55 / 19

HEX #ADCE5D

RGB 173 206 93

HSL 77.52, 0.54%, 0.59%

LAB 78.36, -28.05, 51.77

 

CMYK 55 / 0 / 11 / 19

HEX #5DCEB8

RGB 93 206 184

HSL 168.32, 0.54%, 0.59%

LAB 76.03, -37.48, 1.21

 

Description

Color code: HEX #7F5DCE | qconv.com Color code: HEX #7F5DCE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 93 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 93 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 55 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 55% 0% 19% C M Y K

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Provide designers and agencies with accurate color values.

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