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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F5C24 it is the complementary color #80A3DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F5C24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F5C24 shade: #845C1F, #956E32, #A68045, #B79258 and #C8A46B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F5C24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F5C24 shade: #7F5C24, #6E4A11, #5D3800, #4C2600 and #3B1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F5C24 shade: #7F5C23, #7F4323, #7F2A23 and #7F2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F5C24 shade: #7F5C23, #7F7423, #717F23, #587F23 and #3F7F23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F5C24 shade matches the following richer shades: #7F5C23, #8C5F16 and #996209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F5C24 shade: #7F5C23, #725931, #64563E, #57534B and #4A4F58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F5C24 shade: #7F2923, #7F4223, #7F5A23, #7F7323 and #737F23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F5C24 shade: #3E2D11, #5F441A, #7F5C23, #9F732C and #BF8A36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F5C24 shade: #7F5C24, #367F23 and #36237F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F5C24 shade: #7F5C24, #237F5A and #5A237F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F5C24 shade: #7F5C24, #367F23, #23487F and #6D237F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F5C24 shade: #7F5C24, #237F2D, #23487F and #7F2376

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 72 / 50

HEX #7F5C24

RGB 127 92 36

HSL 36.92, 0.56%, 0.32%

LAB 41.68, 8.32, 36.7

 

Complementary color

CMYK 42 / 26 / 0 / 14

HEX #80A3DB

RGB 128 163 219

HSL 216.92, 0.56%, 0.68%

LAB 66.44, 2.3, -32.19

 

CMYK 0 / 30 / 77 / 48

HEX #845C1F

RGB 132 92 31

HSL 36.24, 0.62%, 0.32%

LAB 42.24, 10.4, 39.86

 

CMYK 0 / 26 / 66 / 42

HEX #956E32

RGB 149 110 50

HSL 36.36, 0.5%, 0.39%

LAB 49.22, 8.89, 38.65

 

CMYK 0 / 23 / 58 / 35

HEX #A68045

RGB 166 128 69

HSL 36.49, 0.41%, 0.46%

LAB 56.06, 7.68, 37.24

 

CMYK 0 / 20 / 52 / 28

HEX #B79258

RGB 183 146 88

HSL 36.63, 0.4%, 0.53%

LAB 62.78, 6.68, 35.82

 

CMYK 0 / 18 / 47 / 22

HEX #C8A46B

RGB 200 164 107

HSL 36.77, 0.46%, 0.6%

LAB 69.39, 5.84, 34.47

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C24

RGB 127 92 36

HSL 36.92, 0.56%, 0.32%

LAB 41.68, 8.32, 36.7

 

CMYK 0 / 33 / 85 / 57

HEX #6E4A11

RGB 110 74 17

HSL 36.77, 0.73%, 0.25%

LAB 34.5, 10.04, 37.58

 

CMYK 0 / 40 / 100 / 64

HEX #5D3800

RGB 93 56 0

HSL 36.13, 1%, 0.18%

LAB 27.17, 12.2, 37.09

 

CMYK 0 / 50 / 100 / 70

HEX #4C2600

RGB 76 38 0

HSL 30, 1%, 0.15%

LAB 19.73, 15.04, 28.72

 

CMYK 0 / 66 / 100 / 77

HEX #3B1400

RGB 59 20 0

HSL 20.34, 1%, 0.12%

LAB 12.16, 17.9, 18.56

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C23

RGB 127 92 35

HSL 37.17, 0.57%, 0.32%

LAB 41.67, 8.26, 37.18

 

CMYK 0 / 47 / 72 / 50

HEX #7F4323

RGB 127 67 35

HSL 20.87, 0.57%, 0.32%

LAB 35.3, 23.02, 30.29

 

CMYK 0 / 67 / 72 / 50

HEX #7F2A23

RGB 127 42 35

HSL 4.57, 0.57%, 0.32%

LAB 30.13, 36.28, 24.39

 

CMYK 0 / 72 / 72 / 50

HEX #7F2323

RGB 127 35 35

HSL 0, 0.57%, 0.32%

LAB 28.99, 39.37, 23.04

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C23

RGB 127 92 35

HSL 37.17, 0.57%, 0.32%

LAB 41.67, 8.26, 37.18

 

CMYK 0 / 9 / 72 / 50

HEX #7F7423

RGB 127 116 35

HSL 52.83, 0.57%, 0.32%

LAB 48.42, -5.66, 44.09

 

CMYK 11 / 0 / 72 / 50

HEX #717F23

RGB 113 127 35

HSL 69.13, 0.57%, 0.32%

LAB 50.47, -18.08, 45.72

 

CMYK 31 / 0 / 72 / 50

HEX #587F23

RGB 88 127 35

HSL 85.43, 0.57%, 0.32%

LAB 48.73, -28.75, 43.41

 

CMYK 50 / 0 / 72 / 50

HEX #3F7F23

RGB 63 127 35

HSL 101.74, 0.57%, 0.32%

LAB 47.44, -37.85, 41.68

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C23

RGB 127 92 35

HSL 37.17, 0.57%, 0.32%

LAB 41.67, 8.26, 37.18

 

CMYK 0 / 32 / 84 / 45

HEX #8C5F16

RGB 140 95 22

HSL 37.12, 0.73%, 0.32%

LAB 43.97, 12.02, 45.56

 

CMYK 0 / 36 / 94 / 40

HEX #996209

RGB 153 98 9

HSL 37.08, 0.89%, 0.32%

LAB 46.35, 16, 51.97

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C23

RGB 127 92 35

HSL 37.17, 0.57%, 0.32%

LAB 41.67, 8.26, 37.18

 

CMYK 0 / 22 / 57 / 55

HEX #725931

RGB 114 89 49

HSL 36.92, 0.4%, 0.32%

LAB 39.49, 4.99, 26.85

 

CMYK 0 / 14 / 38 / 61

HEX #64563E

RGB 100 86 62

HSL 37.89, 0.23%, 0.32%

LAB 37.32, 1.82, 16.11

 

CMYK 0 / 5 / 14 / 66

HEX #57534B

RGB 87 83 75

HSL 40, 0.07%, 0.32%

LAB 35.44, 0.04, 5.27

 

CMYK 16 / 10 / 0 / 65

HEX #4A4F58

RGB 74 79 88

HSL 218.57, 0.09%, 0.32%

LAB 33.46, 0.13, -5.97

 

CMYK 0 / 68 / 72 / 50

HEX #7F2923

RGB 127 41 35

HSL 3.91, 0.57%, 0.32%

LAB 29.96, 36.75, 24.18

 

CMYK 0 / 48 / 72 / 50

HEX #7F4223

RGB 127 66 35

HSL 20.22, 0.57%, 0.32%

LAB 35.06, 23.59, 30.03

 

CMYK 0 / 29 / 72 / 50

HEX #7F5A23

RGB 127 90 35

HSL 35.87, 0.57%, 0.32%

LAB 41.13, 9.45, 36.61

 

CMYK 0 / 9 / 72 / 50

HEX #7F7323

RGB 127 115 35

HSL 52.17, 0.57%, 0.32%

LAB 48.13, -5.09, 43.8

 

CMYK 9 / 0 / 72 / 50

HEX #737F23

RGB 115 127 35

HSL 67.83, 0.57%, 0.32%

LAB 50.62, -17.19, 45.93

 

CMYK 0 / 27 / 73 / 76

HEX #3E2D11

RGB 62 45 17

HSL 37.33, 0.57%, 0.15%

LAB 19.81, 4.13, 20.73

 

CMYK 0 / 28 / 73 / 63

HEX #5F441A

RGB 95 68 26

HSL 36.52, 0.57%, 0.24%

LAB 30.98, 6.83, 29.19

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C23

RGB 127 92 35

HSL 37.17, 0.57%, 0.32%

LAB 41.67, 8.26, 37.18

 

CMYK 0 / 28 / 72 / 38

HEX #9F732C

RGB 159 115 44

HSL 37.04, 0.57%, 0.4%

LAB 51.63, 10.22, 44.47

 

CMYK 0 / 28 / 72 / 25

HEX #BF8A36

RGB 191 138 54

HSL 36.79, 0.56%, 0.48%

LAB 61.24, 12.14, 51.03

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C24

RGB 127 92 36

HSL 36.92, 0.56%, 0.32%

LAB 41.68, 8.32, 36.7

 

CMYK 57 / 0 / 72 / 50

HEX #367F23

RGB 54 127 35

HSL 107.61, 0.57%, 0.32%

LAB 47.08, -40.58, 41.2

 

CMYK 57 / 72 / 0 / 50

HEX #36237F

RGB 54 35 127

HSL 252.39, 0.57%, 0.32%

LAB 22.01, 34.72, -48.99

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C24

RGB 127 92 36

HSL 36.92, 0.56%, 0.32%

LAB 41.68, 8.32, 36.7

 

CMYK 72 / 0 / 29 / 50

HEX #237F5A

RGB 35 127 90

HSL 155.87, 0.57%, 0.32%

LAB 47.33, -35.94, 12.56

 

CMYK 29 / 72 / 0 / 50

HEX #5A237F

RGB 90 35 127

HSL 275.87, 0.57%, 0.32%

LAB 26.47, 41.82, -41.53

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C24

RGB 127 92 36

HSL 36.92, 0.56%, 0.32%

LAB 41.68, 8.32, 36.7

 

CMYK 57 / 0 / 72 / 50

HEX #367F23

RGB 54 127 35

HSL 107.61, 0.57%, 0.32%

LAB 47.08, -40.58, 41.2

 

CMYK 72 / 43 / 0 / 50

HEX #23487F

RGB 35 72 127

HSL 215.87, 0.57%, 0.32%

LAB 30.7, 6.7, -35

 

CMYK 14 / 72 / 0 / 50

HEX #6D237F

RGB 109 35 127

HSL 288.26, 0.57%, 0.32%

LAB 29.38, 46.13, -36.71

 

CMYK 0 / 28 / 72 / 50

HEX #7F5C24

RGB 127 92 36

HSL 36.92, 0.56%, 0.32%

LAB 41.68, 8.32, 36.7

 

CMYK 72 / 0 / 65 / 50

HEX #237F2D

RGB 35 127 45

HSL 126.52, 0.57%, 0.32%

LAB 46.61, -44.06, 36.06

 

CMYK 72 / 43 / 0 / 50

HEX #23487F

RGB 35 72 127

HSL 215.87, 0.57%, 0.32%

LAB 30.7, 6.7, -35

 

CMYK 0 / 72 / 7 / 50

HEX #7F2376

RGB 127 35 118

HSL 305.87, 0.57%, 0.32%

LAB 31.86, 48.82, -26.91

 

Description

Color code: HEX #7F5C24 | qconv.com Color code: HEX #7F5C24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 92 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 92 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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