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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F48D1 it is the complementary color #80B72E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F48D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F48D1 shade: #8448CC, #955ADF, #A66CF2, #B77EFF and #C890FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F48D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F48D1 shade: #7F48D1, #6E36BE, #5D24AB, #4C1298 and #3B0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F48D1 shade: #7E47D1, #A347D1, #C847D1, #D147B4 and #D1478E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F48D1 shade: #7E47D1, #5947D1 and #4747D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F48D1 shade matches the following richer shades: #7E47D1, #7B34E3 and #7722F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F48D1 shade: #7E47D1, #8259BE, #866CAB, #897F99 and #8D9186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F48D1 shade: #4759D1, #5947D1, #7E47D1, #A347D1 and #C747D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F48D1 shade: #57279E, #692FBF, #7E47D1, #9568D9 and #AC89E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F48D1 shade: #7F48D1, #D1477E and #47D147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F48D1 shade: #7F48D1, #D17E47 and #47D17E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F48D1 shade: #7F48D1, #D1477E, #9AD147 and #47D19A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F48D1 shade: #7F48D1, #D14755, #9AD147 and #47D1C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 66 / 0 / 18

HEX #7F48D1

RGB 127 72 209

HSL 264.09, 0.6%, 0.55%

LAB 43.87, 51.59, -62.35

 

Complementary color

CMYK 30 / 0 / 75 / 28

HEX #80B72E

RGB 128 183 46

HSL 84.09, 0.6%, 0.45%

LAB 68.5, -38.28, 59.69

 

CMYK 35 / 65 / 0 / 20

HEX #8448CC

RGB 132 72 204

HSL 267.27, 0.56%, 0.54%

LAB 44.09, 51.36, -59.09

 

CMYK 33 / 60 / 0 / 13

HEX #955ADF

RGB 149 90 223

HSL 266.62, 0.68%, 0.61%

LAB 50.72, 50.44, -59.15

 

CMYK 31 / 55 / 0 / 5

HEX #A66CF2

RGB 166 108 242

HSL 265.97, 0.84%, 0.69%

LAB 57.31, 49.46, -59.13

 

CMYK 28 / 51 / 0 / 0

HEX #B77EFF

RGB 183 126 255

HSL 266.51, 1%, 0.75%

LAB 63.52, 47.07, -56.3

 

CMYK 22 / 44 / 0 / 0

HEX #C890FF

RGB 200 144 255

HSL 270.27, 1%, 0.78%

LAB 69.07, 41.83, -47.4

 

CMYK 39 / 66 / 0 / 18

HEX #7F48D1

RGB 127 72 209

HSL 264.09, 0.6%, 0.55%

LAB 43.87, 51.59, -62.35

 

CMYK 42 / 72 / 0 / 25

HEX #6E36BE

RGB 110 54 190

HSL 264.71, 0.56%, 0.48%

LAB 37.25, 52.45, -62.17

 

CMYK 46 / 79 / 0 / 33

HEX #5D24AB

RGB 93 36 171

HSL 265.33, 0.65%, 0.41%

LAB 30.71, 52.9, -61.66

 

CMYK 50 / 88 / 0 / 40

HEX #4C1298

RGB 76 18 152

HSL 265.97, 0.79%, 0.33%

LAB 24.44, 52.45, -60.5

 

CMYK 56 / 100 / 0 / 48

HEX #3B0085

RGB 59 0 133

HSL 266.62, 1%, 0.26%

LAB 18.47, 50.93, -58.6

 

CMYK 40 / 66 / 0 / 18

HEX #7E47D1

RGB 126 71 209

HSL 263.91, 0.6%, 0.55%

LAB 43.57, 51.9, -62.84

 

CMYK 22 / 66 / 0 / 18

HEX #A347D1

RGB 163 71 209

HSL 280, 0.6%, 0.55%

LAB 48.13, 59.67, -55.26

 

CMYK 4 / 66 / 0 / 18

HEX #C847D1

RGB 200 71 209

HSL 296.09, 0.6%, 0.55%

LAB 53.37, 67.96, -46.58

 

CMYK 0 / 66 / 14 / 18

HEX #D147B4

RGB 209 71 180

HSL 312.61, 0.6%, 0.55%

LAB 53.34, 65.51, -29.83

 

CMYK 0 / 66 / 32 / 18

HEX #D1478E

RGB 209 71 142

HSL 329.13, 0.6%, 0.55%

LAB 51.85, 60.47, -9.73

 

CMYK 40 / 66 / 0 / 18

HEX #7E47D1

RGB 126 71 209

HSL 263.91, 0.6%, 0.55%

LAB 43.57, 51.9, -62.84

 

CMYK 57 / 66 / 0 / 18

HEX #5947D1

RGB 89 71 209

HSL 247.83, 0.6%, 0.55%

LAB 39.97, 45.25, -68.86

 

CMYK 66 / 66 / 0 / 18

HEX #4747D1

RGB 71 71 209

HSL 240, 0.6%, 0.55%

LAB 38.64, 42.63, -71.1

 

CMYK 40 / 66 / 0 / 18

HEX #7E47D1

RGB 126 71 209

HSL 263.91, 0.6%, 0.55%

LAB 43.57, 51.9, -62.84

 

CMYK 46 / 77 / 0 / 11

HEX #7B34E3

RGB 123 52 227

HSL 264.34, 0.76%, 0.55%

LAB 41.55, 64.68, -76.46

 

CMYK 52 / 86 / 0 / 4

HEX #7722F6

RGB 119 34 246

HSL 264.06, 0.92%, 0.55%

LAB 40.77, 74.88, -88.52

 

CMYK 40 / 66 / 0 / 18

HEX #7E47D1

RGB 126 71 209

HSL 263.91, 0.6%, 0.55%

LAB 43.57, 51.9, -62.84

 

CMYK 32 / 53 / 0 / 25

HEX #8259BE

RGB 130 89 190

HSL 264.36, 0.44%, 0.55%

LAB 46.46, 38.12, -47.2

 

CMYK 22 / 37 / 0 / 33

HEX #866CAB

RGB 134 108 171

HSL 264.76, 0.27%, 0.55%

LAB 50.37, 23.41, -29.93

 

CMYK 10 / 17 / 0 / 40

HEX #897F99

RGB 137 127 153

HSL 263.08, 0.11%, 0.55%

LAB 54.86, 9.07, -12.56

 

CMYK 3 / 0 / 8 / 43

HEX #8D9186

RGB 141 145 134

HSL 81.82, 0.05%, 0.55%

LAB 59.56, -3.56, 5.32

 

CMYK 66 / 57 / 0 / 18

HEX #4759D1

RGB 71 89 209

HSL 232.17, 0.6%, 0.55%

LAB 42.9, 31.56, -64.15

 

CMYK 57 / 66 / 0 / 18

HEX #5947D1

RGB 89 71 209

HSL 247.83, 0.6%, 0.55%

LAB 39.97, 45.25, -68.86

 

CMYK 40 / 66 / 0 / 18

HEX #7E47D1

RGB 126 71 209

HSL 263.91, 0.6%, 0.55%

LAB 43.57, 51.9, -62.84

 

CMYK 22 / 66 / 0 / 18

HEX #A347D1

RGB 163 71 209

HSL 280, 0.6%, 0.55%

LAB 48.13, 59.67, -55.26

 

CMYK 5 / 66 / 0 / 18

HEX #C747D1

RGB 199 71 209

HSL 295.65, 0.6%, 0.55%

LAB 53.22, 67.74, -46.82

 

CMYK 45 / 75 / 0 / 38

HEX #57279E

RGB 87 39 158

HSL 264.2, 0.6%, 0.39%

LAB 29.28, 47.23, -56.18

 

CMYK 45 / 75 / 0 / 25

HEX #692FBF

RGB 105 47 191

HSL 264.17, 0.61%, 0.47%

LAB 35.59, 55.11, -65.48

 

CMYK 40 / 66 / 0 / 18

HEX #7E47D1

RGB 126 71 209

HSL 263.91, 0.6%, 0.55%

LAB 43.57, 51.9, -62.84

 

CMYK 31 / 52 / 0 / 15

HEX #9568D9

RGB 149 104 217

HSL 263.89, 0.6%, 0.63%

LAB 53.28, 41.33, -51.67

 

CMYK 24 / 39 / 0 / 12

HEX #AC89E1

RGB 172 137 225

HSL 263.86, 0.59%, 0.71%

LAB 63.42, 30.94, -39.96

 

CMYK 39 / 66 / 0 / 18

HEX #7F48D1

RGB 127 72 209

HSL 264.09, 0.6%, 0.55%

LAB 43.87, 51.59, -62.35

 

CMYK 0 / 66 / 40 / 18

HEX #D1477E

RGB 209 71 126

HSL 336.09, 0.6%, 0.55%

LAB 51.35, 58.69, -0.91

 

CMYK 66 / 0 / 66 / 18

HEX #47D147

RGB 71 209 71

HSL 120, 0.6%, 0.55%

LAB 74.44, -63.04, 55.69

 

CMYK 39 / 66 / 0 / 18

HEX #7F48D1

RGB 127 72 209

HSL 264.09, 0.6%, 0.55%

LAB 43.87, 51.59, -62.35

 

CMYK 0 / 40 / 66 / 18

HEX #D17E47

RGB 209 126 71

HSL 23.91, 0.6%, 0.55%

LAB 60.72, 27.32, 42.93

 

CMYK 66 / 0 / 40 / 18

HEX #47D17E

RGB 71 209 126

HSL 143.91, 0.6%, 0.55%

LAB 75.11, -55.45, 30.58

 

CMYK 39 / 66 / 0 / 18

HEX #7F48D1

RGB 127 72 209

HSL 264.09, 0.6%, 0.55%

LAB 43.87, 51.59, -62.35

 

CMYK 0 / 66 / 40 / 18

HEX #D1477E

RGB 209 71 126

HSL 336.09, 0.6%, 0.55%

LAB 51.35, 58.69, -0.91

 

CMYK 26 / 0 / 66 / 18

HEX #9AD147

RGB 154 209 71

HSL 83.91, 0.6%, 0.55%

LAB 77.83, -38.5, 60.32

 

CMYK 66 / 0 / 26 / 18

HEX #47D19A

RGB 71 209 154

HSL 156.09, 0.6%, 0.55%

LAB 75.62, -49.89, 16.62

 

CMYK 39 / 66 / 0 / 18

HEX #7F48D1

RGB 127 72 209

HSL 264.09, 0.6%, 0.55%

LAB 43.87, 51.59, -62.35

 

CMYK 0 / 66 / 59 / 18

HEX #D14755

RGB 209 71 85

HSL 353.91, 0.6%, 0.55%

LAB 50.36, 55.13, 22.35

 

CMYK 26 / 0 / 66 / 18

HEX #9AD147

RGB 154 209 71

HSL 83.91, 0.6%, 0.55%

LAB 77.83, -38.5, 60.32

 

CMYK 66 / 0 / 7 / 18

HEX #47D1C3

RGB 71 209 195

HSL 173.91, 0.6%, 0.55%

LAB 76.61, -39.94, -3.93

 

Description

Color code: HEX #7F48D1 | qconv.com Color code: HEX #7F48D1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 72 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 72 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 66 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 66% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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