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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4504 it is the complementary color #80BAFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4504. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4504 shade: #844500, #955712, #A66925, #B77B38 and #C88D4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4504. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4504 shade: #7F4504, #6E3300, #5D2100, #4C0F00 and #3B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4504 shade: #804503, #802403 and #800303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4504 shade: #804503, #806703, #788003, #568003 and #348003

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4504 shade matches the following richer shades: #804503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4504 shade: #804503, #75450E, #6B4419, #604424 and #55432E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4504 shade: #800306, #802303, #804403, #806503 and #7A8003

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4504 shade: #301A01, #583002, #804503, #A85B05 and #D07106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4504 shade: #7F4504, #278003 and #120380

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4504 shade: #7F4504, #038044 and #440380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4504 shade: #7F4504, #278003, #034080 and #5D0380

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4504 shade: #7F4504, #038006, #034080 and #80037E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 97 / 50

HEX #7F4504

RGB 127 69 4

HSL 31.71, 0.94%, 0.26%

LAB 35.55, 20.74, 43.95

 

Complementary color

CMYK 49 / 26 / 0 / 2

HEX #80BAFB

RGB 128 186 251

HSL 211.71, 0.94%, 0.74%

LAB 73.98, -1.42, -37.94

 

CMYK 0 / 48 / 100 / 48

HEX #844500

RGB 132 69 0

HSL 31.36, 1%, 0.26%

LAB 36.29, 22.92, 46.22

 

CMYK 0 / 42 / 88 / 42

HEX #955712

RGB 149 87 18

HSL 31.6, 0.78%, 0.33%

LAB 43.14, 20.67, 46.75

 

CMYK 0 / 37 / 78 / 35

HEX #A66925

RGB 166 105 37

HSL 31.63, 0.64%, 0.4%

LAB 49.91, 18.71, 46.18

 

CMYK 0 / 33 / 69 / 28

HEX #B77B38

RGB 183 123 56

HSL 31.65, 0.53%, 0.47%

LAB 56.6, 17.05, 44.93

 

CMYK 0 / 30 / 63 / 22

HEX #C88D4B

RGB 200 141 75

HSL 31.68, 0.53%, 0.54%

LAB 63.21, 15.65, 43.48

 

CMYK 0 / 46 / 97 / 50

HEX #7F4504

RGB 127 69 4

HSL 31.71, 0.94%, 0.26%

LAB 35.55, 20.74, 43.95

 

CMYK 0 / 54 / 100 / 57

HEX #6E3300

RGB 110 51 0

HSL 27.82, 1%, 0.22%

LAB 28.6, 23.31, 39.36

 

CMYK 0 / 65 / 100 / 64

HEX #5D2100

RGB 93 33 0

HSL 21.29, 1%, 0.18%

LAB 21.63, 25.85, 31.69

 

CMYK 0 / 80 / 100 / 70

HEX #4C0F00

RGB 76 15 0

HSL 11.84, 1%, 0.15%

LAB 14.83, 27.72, 22.77

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 46 / 98 / 50

HEX #804503

RGB 128 69 3

HSL 31.68, 0.95%, 0.26%

LAB 35.7, 21.17, 44.47

 

CMYK 0 / 72 / 98 / 50

HEX #802403

RGB 128 36 3

HSL 15.84, 0.95%, 0.26%

LAB 29.05, 38.26, 39.88

 

CMYK 0 / 98 / 98 / 50

HEX #800303

RGB 128 3 3

HSL 0, 0.95%, 0.26%

LAB 25.75, 47.54, 37.04

 

CMYK 0 / 46 / 98 / 50

HEX #804503

RGB 128 69 3

HSL 31.68, 0.95%, 0.26%

LAB 35.7, 21.17, 44.47

 

CMYK 0 / 20 / 98 / 50

HEX #806703

RGB 128 103 3

HSL 48, 0.95%, 0.26%

LAB 44.65, 1.15, 50.77

 

CMYK 6 / 0 / 98 / 50

HEX #788003

RGB 120 128 3

HSL 63.84, 0.95%, 0.26%

LAB 51.2, -16.58, 55.3

 

CMYK 33 / 0 / 98 / 50

HEX #568003

RGB 86 128 3

HSL 80.16, 0.95%, 0.26%

LAB 48.79, -31.44, 52.4

 

CMYK 59 / 0 / 98 / 50

HEX #348003

RGB 52 128 3

HSL 96.48, 0.95%, 0.26%

LAB 47.2, -43.26, 50.46

 

CMYK 0 / 46 / 98 / 50

HEX #804503

RGB 128 69 3

HSL 31.68, 0.95%, 0.26%

LAB 35.7, 21.17, 44.47

 

CMYK 0 / 46 / 98 / 50

HEX #804503

RGB 128 69 3

HSL 31.68, 0.95%, 0.26%

LAB 35.7, 21.17, 44.47

 

CMYK 0 / 41 / 88 / 54

HEX #75450E

RGB 117 69 14

HSL 32.04, 0.79%, 0.26%

LAB 34.13, 16.33, 38.8

 

CMYK 0 / 36 / 77 / 58

HEX #6B4419

RGB 107 68 25

HSL 31.46, 0.62%, 0.26%

LAB 32.55, 12.63, 31.86

 

CMYK 0 / 29 / 63 / 62

HEX #604424

RGB 96 68 36

HSL 32, 0.45%, 0.26%

LAB 31.23, 8.09, 23.9

 

CMYK 0 / 21 / 46 / 67

HEX #55432E

RGB 85 67 46

HSL 32.31, 0.3%, 0.26%

LAB 29.77, 4.49, 15.68

 

CMYK 0 / 98 / 95 / 50

HEX #800306

RGB 128 3 6

HSL 358.56, 0.95%, 0.26%

LAB 25.77, 47.6, 35.83

 

CMYK 0 / 73 / 98 / 50

HEX #802303

RGB 128 35 3

HSL 15.36, 0.95%, 0.26%

LAB 28.9, 38.68, 39.76

 

CMYK 0 / 47 / 98 / 50

HEX #804403

RGB 128 68 3

HSL 31.2, 0.95%, 0.26%

LAB 35.46, 21.75, 44.31

 

CMYK 0 / 21 / 98 / 50

HEX #806503

RGB 128 101 3

HSL 47.04, 0.95%, 0.26%

LAB 44.09, 2.32, 50.37

 

CMYK 5 / 0 / 98 / 50

HEX #7A8003

RGB 122 128 3

HSL 62.88, 0.95%, 0.26%

LAB 51.36, -15.65, 55.5

 

CMYK 0 / 46 / 98 / 81

HEX #301A01

RGB 48 26 1

HSL 31.91, 0.96%, 0.1%

LAB 11.75, 8.36, 17.27

 

CMYK 0 / 45 / 98 / 65

HEX #583002

RGB 88 48 2

HSL 32.09, 0.96%, 0.18%

LAB 24.3, 14.79, 33.34

 

CMYK 0 / 46 / 98 / 50

HEX #804503

RGB 128 69 3

HSL 31.68, 0.95%, 0.26%

LAB 35.7, 21.17, 44.47

 

CMYK 0 / 46 / 97 / 34

HEX #A85B05

RGB 168 91 5

HSL 31.66, 0.94%, 0.34%

LAB 46.73, 26.57, 54.13

 

CMYK 0 / 46 / 97 / 18

HEX #D07106

RGB 208 113 6

HSL 31.78, 0.94%, 0.42%

LAB 57.3, 31.7, 63.66

 

CMYK 0 / 46 / 97 / 50

HEX #7F4504

RGB 127 69 4

HSL 31.71, 0.94%, 0.26%

LAB 35.55, 20.74, 43.95

 

CMYK 70 / 0 / 98 / 50

HEX #278003

RGB 39 128 3

HSL 102.72, 0.95%, 0.26%

LAB 46.81, -46.51, 49.98

 

CMYK 86 / 98 / 0 / 50

HEX #120380

RGB 18 3 128

HSL 247.2, 0.95%, 0.26%

LAB 14.13, 46.6, -62.76

 

CMYK 0 / 46 / 97 / 50

HEX #7F4504

RGB 127 69 4

HSL 31.71, 0.94%, 0.26%

LAB 35.55, 20.74, 43.95

 

CMYK 98 / 0 / 47 / 50

HEX #038044

RGB 3 128 68

HSL 151.2, 0.95%, 0.26%

LAB 46.81, -44.54, 24.29

 

CMYK 47 / 98 / 0 / 50

HEX #440380

RGB 68 3 128

HSL 271.2, 0.95%, 0.26%

LAB 19.44, 49.71, -53.78

 

CMYK 0 / 46 / 97 / 50

HEX #7F4504

RGB 127 69 4

HSL 31.71, 0.94%, 0.26%

LAB 35.55, 20.74, 43.95

 

CMYK 70 / 0 / 98 / 50

HEX #278003

RGB 39 128 3

HSL 102.72, 0.95%, 0.26%

LAB 46.81, -46.51, 49.98

 

CMYK 98 / 50 / 0 / 50

HEX #034080

RGB 3 64 128

HSL 210.72, 0.95%, 0.26%

LAB 27.42, 9.32, -40.93

 

CMYK 27 / 98 / 0 / 50

HEX #5D0380

RGB 93 3 128

HSL 283.2, 0.95%, 0.26%

LAB 23.51, 52.8, -46.96

 

CMYK 0 / 46 / 97 / 50

HEX #7F4504

RGB 127 69 4

HSL 31.71, 0.94%, 0.26%

LAB 35.55, 20.74, 43.95

 

CMYK 98 / 0 / 95 / 50

HEX #038006

RGB 3 128 6

HSL 121.44, 0.95%, 0.26%

LAB 46.27, -51.23, 48.7

 

CMYK 98 / 50 / 0 / 50

HEX #034080

RGB 3 64 128

HSL 210.72, 0.95%, 0.26%

LAB 27.42, 9.32, -40.93

 

CMYK 0 / 98 / 2 / 50

HEX #80037E

RGB 128 3 126

HSL 300.96, 0.95%, 0.26%

LAB 29.81, 58.15, -35.19

 

Description

Color code: HEX #7F4504 | qconv.com Color code: HEX #7F4504 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 69 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 69 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 97 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 97% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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