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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F3FF6 it is the complementary color #80C009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F3FF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F3FF6 shade: #843FF1, #9551FF, #A663FF, #B775FF and #C887FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F3FF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F3FF6 shade: #7F3FF6, #6E2DE3, #5D1BD0, #4C09BD and #3B00AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F3FF6 shade: #8041F6, #B141F6, #E141F6, #F641D9 and #F641A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F3FF6 shade: #8041F6, #4F41F6 and #4141F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F3FF6 shade matches the following richer shades: #8041F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F3FF6 shade: #8041F6, #8551E5, #8A61D5, #8E71C5 and #9381B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F3FF6 shade: #4165F6, #4D41F6, #7D41F6, #AD41F6 and #DD41F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F3FF6 shade: #530ADA, #6619F4, #8041F6, #9A68F7 and #B48FF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F3FF6 shade: #7F3FF6, #F64195 and #4DF641

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F3FF6 shade: #7F3FF6, #F67D41 and #41F67D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F3FF6 shade: #7F3FF6, #F64195, #B9F641 and #41F6A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F3FF6 shade: #7F3FF6, #F6415F, #B9F641 and #41F6D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 74 / 0 / 4

HEX #7F3FF6

RGB 127 63 246

HSL 260.98, 0.91%, 0.61%

LAB 45.25, 65.34, -81.12

 

Complementary color

CMYK 33 / 0 / 95 / 25

HEX #80C009

RGB 128 192 9

HSL 80.98, 0.91%, 0.39%

LAB 71.08, -43.45, 70.18

 

CMYK 45 / 74 / 0 / 5

HEX #843FF1

RGB 132 63 241

HSL 263.26, 0.86%, 0.6%

LAB 45.37, 64.83, -78.08

 

CMYK 42 / 68 / 0 / 0

HEX #9551FF

RGB 149 81 255

HSL 263.45, 1%, 0.66%

LAB 51.26, 62.87, -76.22

 

CMYK 35 / 61 / 0 / 0

HEX #A663FF

RGB 166 99 255

HSL 265.77, 1%, 0.69%

LAB 56.34, 57.31, -67.9

 

CMYK 28 / 54 / 0 / 0

HEX #B775FF

RGB 183 117 255

HSL 268.7, 1%, 0.73%

LAB 61.66, 51.86, -59.26

 

CMYK 22 / 47 / 0 / 0

HEX #C887FF

RGB 200 135 255

HSL 272.5, 1%, 0.76%

LAB 67.15, 46.66, -50.43

 

CMYK 48 / 74 / 0 / 4

HEX #7F3FF6

RGB 127 63 246

HSL 260.98, 0.91%, 0.61%

LAB 45.25, 65.34, -81.12

 

CMYK 52 / 80 / 0 / 11

HEX #6E2DE3

RGB 110 45 227

HSL 261.43, 0.76%, 0.53%

LAB 39.14, 65.74, -80.48

 

CMYK 55 / 87 / 0 / 18

HEX #5D1BD0

RGB 93 27 208

HSL 261.88, 0.77%, 0.46%

LAB 33.28, 65.35, -79.28

 

CMYK 60 / 95 / 0 / 26

HEX #4C09BD

RGB 76 9 189

HSL 262.33, 0.91%, 0.39%

LAB 27.86, 63.6, -77.16

 

CMYK 65 / 100 / 0 / 33

HEX #3B00AA

RGB 59 0 170

HSL 260.82, 1%, 0.33%

LAB 23.11, 59.83, -73.74

 

CMYK 48 / 74 / 0 / 4

HEX #8041F6

RGB 128 65 246

HSL 260.88, 0.91%, 0.61%

LAB 45.67, 64.6, -80.43

 

CMYK 28 / 74 / 0 / 4

HEX #B141F6

RGB 177 65 246

HSL 277.13, 0.91%, 0.61%

LAB 51.59, 72.62, -70.52

 

CMYK 9 / 74 / 0 / 4

HEX #E141F6

RGB 225 65 246

HSL 293.04, 0.91%, 0.61%

LAB 58.45, 81.56, -59.1

 

CMYK 0 / 74 / 12 / 4

HEX #F641D9

RGB 246 65 217

HSL 309.61, 0.91%, 0.61%

LAB 60.23, 81.45, -39.82

 

CMYK 0 / 74 / 32 / 4

HEX #F641A8

RGB 246 65 168

HSL 325.86, 0.91%, 0.61%

LAB 58.23, 75.34, -14.82

 

CMYK 48 / 74 / 0 / 4

HEX #8041F6

RGB 128 65 246

HSL 260.88, 0.91%, 0.61%

LAB 45.67, 64.6, -80.43

 

CMYK 68 / 74 / 0 / 4

HEX #4F41F6

RGB 79 65 246

HSL 244.64, 0.91%, 0.61%

LAB 41.37, 58.54, -87.65

 

CMYK 74 / 74 / 0 / 4

HEX #4141F6

RGB 65 65 246

HSL 240, 0.91%, 0.61%

LAB 40.51, 57.29, -89.11

 

CMYK 48 / 74 / 0 / 4

HEX #8041F6

RGB 128 65 246

HSL 260.88, 0.91%, 0.61%

LAB 45.67, 64.6, -80.43

 

CMYK 48 / 74 / 0 / 4

HEX #8041F6

RGB 128 65 246

HSL 260.88, 0.91%, 0.61%

LAB 45.67, 64.6, -80.43

 

CMYK 42 / 65 / 0 / 10

HEX #8551E5

RGB 133 81 229

HSL 261.08, 0.74%, 0.61%

LAB 47.66, 53.3, -67.58

 

CMYK 35 / 54 / 0 / 16

HEX #8A61D5

RGB 138 97 213

HSL 261.21, 0.58%, 0.61%

LAB 50.4, 41.52, -54.06

 

CMYK 28 / 43 / 0 / 23

HEX #8E71C5

RGB 142 113 197

HSL 260.71, 0.42%, 0.61%

LAB 53.59, 29.28, -39.83

 

CMYK 19 / 29 / 0 / 29

HEX #9381B5

RGB 147 129 181

HSL 260.77, 0.26%, 0.61%

LAB 57.31, 17.59, -24.86

 

CMYK 74 / 59 / 0 / 4

HEX #4165F6

RGB 65 101 246

HSL 228.07, 0.91%, 0.61%

LAB 48.37, 36.23, -76.2

 

CMYK 69 / 74 / 0 / 4

HEX #4D41F6

RGB 77 65 246

HSL 243.98, 0.91%, 0.61%

LAB 41.24, 58.35, -87.87

 

CMYK 49 / 74 / 0 / 4

HEX #7D41F6

RGB 125 65 246

HSL 259.89, 0.91%, 0.61%

LAB 45.35, 64.17, -80.96

 

CMYK 30 / 74 / 0 / 4

HEX #AD41F6

RGB 173 65 246

HSL 275.8, 0.91%, 0.61%

LAB 51.06, 71.91, -71.41

 

CMYK 10 / 74 / 0 / 4

HEX #DD41F6

RGB 221 65 246

HSL 291.71, 0.91%, 0.61%

LAB 57.85, 80.79, -60.1

 

CMYK 62 / 95 / 0 / 15

HEX #530ADA

RGB 83 10 218

HSL 261.06, 0.91%, 0.45%

LAB 32.07, 70.75, -87.09

 

CMYK 58 / 90 / 0 / 4

HEX #6619F4

RGB 102 25 244

HSL 261.1, 0.91%, 0.53%

LAB 37.94, 75.24, -92.14

 

CMYK 48 / 74 / 0 / 4

HEX #8041F6

RGB 128 65 246

HSL 260.88, 0.91%, 0.61%

LAB 45.67, 64.6, -80.43

 

CMYK 38 / 58 / 0 / 3

HEX #9A68F7

RGB 154 104 247

HSL 260.98, 0.9%, 0.69%

LAB 55.57, 50.12, -64.77

 

CMYK 28 / 43 / 0 / 2

HEX #B48FF9

RGB 180 143 249

HSL 260.94, 0.9%, 0.77%

LAB 66.66, 35.53, -48.05

 

CMYK 48 / 74 / 0 / 4

HEX #7F3FF6

RGB 127 63 246

HSL 260.98, 0.91%, 0.61%

LAB 45.25, 65.34, -81.12

 

CMYK 0 / 74 / 39 / 4

HEX #F64195

RGB 246 65 149

HSL 332.15, 0.91%, 0.61%

LAB 57.6, 73.38, -4.64

 

CMYK 69 / 0 / 74 / 4

HEX #4DF641

RGB 77 246 65

HSL 116.02, 0.91%, 0.61%

LAB 85.94, -74.42, 69.89

 

CMYK 48 / 74 / 0 / 4

HEX #7F3FF6

RGB 127 63 246

HSL 260.98, 0.91%, 0.61%

LAB 45.25, 65.34, -81.12

 

CMYK 0 / 49 / 74 / 4

HEX #F67D41

RGB 246 125 65

HSL 19.89, 0.91%, 0.61%

LAB 65.47, 42.24, 52.55

 

CMYK 74 / 0 / 49 / 4

HEX #41F67D

RGB 65 246 125

HSL 139.89, 0.91%, 0.61%

LAB 86.26, -69.76, 45.34

 

CMYK 48 / 74 / 0 / 4

HEX #7F3FF6

RGB 127 63 246

HSL 260.98, 0.91%, 0.61%

LAB 45.25, 65.34, -81.12

 

CMYK 0 / 74 / 39 / 4

HEX #F64195

RGB 246 65 149

HSL 332.15, 0.91%, 0.61%

LAB 57.6, 73.38, -4.64

 

CMYK 25 / 0 / 74 / 4

HEX #B9F641

RGB 185 246 65

HSL 80.22, 0.91%, 0.61%

LAB 90.14, -43.6, 75.42

 

CMYK 74 / 0 / 35 / 4

HEX #41F6A1

RGB 65 246 161

HSL 151.82, 0.91%, 0.61%

LAB 86.8, -63.59, 28.31

 

CMYK 48 / 74 / 0 / 4

HEX #7F3FF6

RGB 127 63 246

HSL 260.98, 0.91%, 0.61%

LAB 45.25, 65.34, -81.12

 

CMYK 0 / 74 / 61 / 4

HEX #F6415F

RGB 246 65 95

HSL 350.06, 0.91%, 0.61%

LAB 56.29, 69.14, 25.43

 

CMYK 25 / 0 / 74 / 4

HEX #B9F641

RGB 185 246 65

HSL 80.22, 0.91%, 0.61%

LAB 90.14, -43.6, 75.42

 

CMYK 74 / 0 / 13 / 4

HEX #41F6D7

RGB 65 246 215

HSL 169.72, 0.91%, 0.61%

LAB 87.94, -51.51, 2.05

 

Description

Color code: HEX #7F3FF6 | qconv.com Color code: HEX #7F3FF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 63 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 63 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 74 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 74% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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