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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F1983 it is the complementary color #80E67C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F1983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F1983 shade: #84197E, #952B91, #A63DA4, #B74FB7 and #C861CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F1983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F1983 shade: #7F1983, #6E0770, #5D005D, #4C004A and #3B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F1983 shade: #801984, #84196B, #84194E, #841931 and #841919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F1983 shade: #801984, #631984, #461984, #291984 and #191984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F1983 shade matches the following richer shades: #801984 and #8C0C91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F1983 shade: #801984, #742678, #69326B, #5D3F5E and #514C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F1983 shade: #461984, #621984, #7F1984, #84196D and #841950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F1983 shade: #3D0C3F, #5F1262, #801984, #A21FA7 and #C326CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F1983 shade: #7F1983, #842919 and #198454

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F1983 shade: #7F1983, #847F19 and #19847F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F1983 shade: #7F1983, #842919, #1E8419 and #197484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F1983 shade: #7F1983, #844919, #1E8419 and #195484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 81 / 0 / 49

HEX #7F1983

RGB 127 25 131

HSL 297.74, 0.68%, 0.31%

LAB 31.45, 54.37, -35.72

 

Complementary color

CMYK 44 / 0 / 46 / 10

HEX #80E67C

RGB 128 230 124

HSL 117.74, 0.68%, 0.69%

LAB 83.25, -50.52, 42.43

 

CMYK 0 / 81 / 5 / 48

HEX #84197E

RGB 132 25 126

HSL 303.36, 0.68%, 0.31%

LAB 32.05, 54.6, -31.58

 

CMYK 0 / 71 / 3 / 42

HEX #952B91

RGB 149 43 145

HSL 302.26, 0.55%, 0.38%

LAB 38.13, 55.76, -33.52

 

CMYK 0 / 63 / 1 / 35

HEX #A63DA4

RGB 166 61 164

HSL 301.14, 0.46%, 0.45%

LAB 44.41, 56.05, -34.88

 

CMYK 0 / 57 / 0 / 28

HEX #B74FB7

RGB 183 79 183

HSL 300, 0.42%, 0.51%

LAB 50.78, 55.86, -35.86

 

CMYK 1 / 52 / 0 / 21

HEX #C861CA

RGB 200 97 202

HSL 298.86, 0.5%, 0.59%

LAB 57.17, 55.39, -36.61

 

CMYK 3 / 81 / 0 / 49

HEX #7F1983

RGB 127 25 131

HSL 297.74, 0.68%, 0.31%

LAB 31.45, 54.37, -35.72

 

CMYK 2 / 94 / 0 / 56

HEX #6E0770

RGB 110 7 112

HSL 298.86, 0.88%, 0.23%

LAB 25.67, 51.85, -33.08

 

CMYK 0 / 100 / 0 / 64

HEX #5D005D

RGB 93 0 93

HSL 300, 1%, 0.18%

LAB 20.51, 47, -29.1

 

CMYK 0 / 100 / 3 / 70

HEX #4C004A

RGB 76 0 74

HSL 301.58, 1%, 0.15%

LAB 15.65, 40.58, -24.19

 

CMYK 0 / 100 / 7 / 77

HEX #3B0037

RGB 59 0 55

HSL 304.07, 1%, 0.12%

LAB 10.6, 33.91, -19.01

 

CMYK 3 / 81 / 0 / 48

HEX #801984

RGB 128 25 132

HSL 297.76, 0.68%, 0.31%

LAB 31.69, 54.75, -35.95

 

CMYK 0 / 81 / 19 / 48

HEX #84196B

RGB 132 25 107

HSL 314.02, 0.68%, 0.31%

LAB 31.03, 51.69, -21.14

 

CMYK 0 / 81 / 41 / 48

HEX #84194E

RGB 132 25 78

HSL 330.28, 0.68%, 0.31%

LAB 29.79, 48.04, -4.12

 

CMYK 0 / 81 / 63 / 48

HEX #841931

RGB 132 25 49

HSL 346.54, 0.68%, 0.31%

LAB 28.96, 45.49, 14.04

 

CMYK 0 / 81 / 81 / 48

HEX #841919

RGB 132 25 25

HSL 0, 0.68%, 0.31%

LAB 28.57, 44.25, 29.05

 

CMYK 3 / 81 / 0 / 48

HEX #801984

RGB 128 25 132

HSL 297.76, 0.68%, 0.31%

LAB 31.69, 54.75, -35.95

 

CMYK 25 / 81 / 0 / 48

HEX #631984

RGB 99 25 132

HSL 281.5, 0.68%, 0.31%

LAB 26.77, 48.95, -44.12

 

CMYK 47 / 81 / 0 / 48

HEX #461984

RGB 70 25 132

HSL 265.23, 0.68%, 0.31%

LAB 22.53, 43.91, -51.23

 

CMYK 69 / 81 / 0 / 48

HEX #291984

RGB 41 25 132

HSL 248.97, 0.68%, 0.31%

LAB 19.36, 40.12, -56.55

 

CMYK 81 / 81 / 0 / 48

HEX #191984

RGB 25 25 132

HSL 240, 0.68%, 0.31%

LAB 18.22, 38.75, -58.47

 

CMYK 3 / 81 / 0 / 48

HEX #801984

RGB 128 25 132

HSL 297.76, 0.68%, 0.31%

LAB 31.69, 54.75, -35.95

 

CMYK 3 / 92 / 0 / 43

HEX #8C0C91

RGB 140 12 145

HSL 297.74, 0.85%, 0.31%

LAB 33.74, 62.02, -40.61

 

CMYK 3 / 81 / 0 / 48

HEX #801984

RGB 128 25 132

HSL 297.76, 0.68%, 0.31%

LAB 31.69, 54.75, -35.95

 

CMYK 3 / 68 / 0 / 53

HEX #742678

RGB 116 38 120

HSL 297.07, 0.52%, 0.31%

LAB 30.53, 45.18, -30.38

 

CMYK 2 / 53 / 0 / 58

HEX #69326B

RGB 105 50 107

HSL 297.89, 0.36%, 0.31%

LAB 30.27, 33.58, -22.66

 

CMYK 1 / 33 / 0 / 63

HEX #5D3F5E

RGB 93 63 94

HSL 298.06, 0.2%, 0.31%

LAB 31.09, 18.96, -13.19

 

CMYK 0 / 6 / 0 / 68

HEX #514C51

RGB 81 76 81

HSL 300, 0.03%, 0.31%

LAB 32.95, 3.13, -2.22

 

CMYK 47 / 81 / 0 / 48

HEX #461984

RGB 70 25 132

HSL 265.23, 0.68%, 0.31%

LAB 22.53, 43.91, -51.23

 

CMYK 26 / 81 / 0 / 48

HEX #621984

RGB 98 25 132

HSL 280.93, 0.68%, 0.31%

LAB 26.61, 48.76, -44.39

 

CMYK 4 / 81 / 0 / 48

HEX #7F1984

RGB 127 25 132

HSL 297.2, 0.68%, 0.31%

LAB 31.52, 54.54, -36.24

 

CMYK 0 / 81 / 17 / 48

HEX #84196D

RGB 132 25 109

HSL 312.9, 0.68%, 0.31%

LAB 31.13, 51.98, -22.26

 

CMYK 0 / 81 / 39 / 48

HEX #841950

RGB 132 25 80

HSL 329.16, 0.68%, 0.31%

LAB 29.86, 48.26, -5.34

 

CMYK 3 / 81 / 0 / 75

HEX #3D0C3F

RGB 61 12 63

HSL 297.65, 0.68%, 0.15%

LAB 13.31, 30.83, -20.4

 

CMYK 3 / 82 / 0 / 62

HEX #5F1262

RGB 95 18 98

HSL 297.75, 0.69%, 0.23%

LAB 22.82, 43.65, -28.7

 

CMYK 3 / 81 / 0 / 48

HEX #801984

RGB 128 25 132

HSL 297.76, 0.68%, 0.31%

LAB 31.69, 54.75, -35.95

 

CMYK 3 / 81 / 0 / 35

HEX #A21FA7

RGB 162 31 167

HSL 297.79, 0.69%, 0.39%

LAB 40.33, 65.88, -43.18

 

CMYK 3 / 81 / 0 / 21

HEX #C326CA

RGB 195 38 202

HSL 297.44, 0.68%, 0.47%

LAB 48.58, 76.1, -50.25

 

CMYK 3 / 81 / 0 / 49

HEX #7F1983

RGB 127 25 131

HSL 297.74, 0.68%, 0.31%

LAB 31.45, 54.37, -35.72

 

CMYK 0 / 69 / 81 / 48

HEX #842919

RGB 132 41 25

HSL 8.97, 0.68%, 0.31%

LAB 30.79, 38.12, 31.34

 

CMYK 81 / 0 / 36 / 48

HEX #198454

RGB 25 132 84

HSL 153.08, 0.68%, 0.31%

LAB 48.7, -40.85, 17.85

 

CMYK 3 / 81 / 0 / 49

HEX #7F1983

RGB 127 25 131

HSL 297.74, 0.68%, 0.31%

LAB 31.45, 54.37, -35.72

 

CMYK 0 / 4 / 81 / 48

HEX #847F19

RGB 132 127 25

HSL 57.2, 0.68%, 0.31%

LAB 52.01, -9.9, 51.34

 

CMYK 81 / 0 / 4 / 48

HEX #19847F

RGB 25 132 127

HSL 177.2, 0.68%, 0.31%

LAB 49.79, -29.41, -5.58

 

CMYK 3 / 81 / 0 / 49

HEX #7F1983

RGB 127 25 131

HSL 297.74, 0.68%, 0.31%

LAB 31.45, 54.37, -35.72

 

CMYK 0 / 69 / 81 / 48

HEX #842919

RGB 132 41 25

HSL 8.97, 0.68%, 0.31%

LAB 30.79, 38.12, 31.34

 

CMYK 77 / 0 / 81 / 48

HEX #1E8419

RGB 30 132 25

HSL 117.2, 0.68%, 0.31%

LAB 48.07, -48.58, 45.69

 

CMYK 81 / 12 / 0 / 48

HEX #197484

RGB 25 116 132

HSL 188.97, 0.68%, 0.31%

LAB 44.75, -19.59, -16.13

 

CMYK 3 / 81 / 0 / 49

HEX #7F1983

RGB 127 25 131

HSL 297.74, 0.68%, 0.31%

LAB 31.45, 54.37, -35.72

 

CMYK 0 / 45 / 81 / 48

HEX #844919

RGB 132 73 25

HSL 26.92, 0.68%, 0.31%

LAB 37.37, 21.29, 37.85

 

CMYK 77 / 0 / 81 / 48

HEX #1E8419

RGB 30 132 25

HSL 117.2, 0.68%, 0.31%

LAB 48.07, -48.58, 45.69

 

CMYK 81 / 36 / 0 / 48

HEX #195484

RGB 25 84 132

HSL 206.92, 0.68%, 0.31%

LAB 34.42, -0.66, -32.19

 

Description

Color code: HEX #7F1983 | qconv.com Color code: HEX #7F1983 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 25 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 25 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 81 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 81% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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