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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F0AB2 it is the complementary color #80F54D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F0AB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F0AB2 shade: #840AAD, #951CC0, #A62ED3, #B740E6 and #C852F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F0AB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F0AB2 shade: #7F0AB2, #6E009F, #5D008C, #4C0079 and #3B0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F0AB2 shade: #7F0AB2, #AC0AB2, #B20A8A, #B20A5D and #B20A30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F0AB2 shade: #7F0AB2, #520AB2, #240AB2 and #0A0AB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F0AB2 shade matches the following richer shades: #7F0AB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F0AB2 shade: #7F0AB2, #7919A3, #732893, #6D3884 and #674775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F0AB2 shade: #230AB2, #500AB2, #7D0AB2, #A90AB2 and #B20A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F0AB2 shade: #470564, #63088B, #7F0AB2, #9B0CD9 and #B11DF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F0AB2 shade: #7F0AB2, #B20A1D and #0AB239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F0AB2 shade: #7F0AB2, #B27D0A and #0AB27D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F0AB2 shade: #7F0AB2, #B20A1D, #3FB20A and #0AB29E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F0AB2 shade: #7F0AB2, #B2290A, #3FB20A and #0A93B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

Complementary color

CMYK 48 / 0 / 69 / 4

HEX #80F54D

RGB 128 245 77

HSL 101.79, 0.89%, 0.63%

LAB 87.21, -61.34, 67.46

 

CMYK 24 / 94 / 0 / 32

HEX #840AAD

RGB 132 10 173

HSL 284.91, 0.89%, 0.36%

LAB 34.27, 65.94, -56.8

 

CMYK 22 / 85 / 0 / 25

HEX #951CC0

RGB 149 28 192

HSL 284.27, 0.75%, 0.43%

LAB 39.62, 68.74, -59.24

 

CMYK 21 / 78 / 0 / 17

HEX #A62ED3

RGB 166 46 211

HSL 283.64, 0.65%, 0.5%

LAB 45.31, 70.24, -60.93

 

CMYK 20 / 72 / 0 / 10

HEX #B740E6

RGB 183 64 230

HSL 283.01, 0.77%, 0.58%

LAB 51.21, 70.89, -62.11

 

CMYK 20 / 67 / 0 / 2

HEX #C852F9

RGB 200 82 249

HSL 282.4, 0.93%, 0.65%

LAB 57.22, 70.98, -62.94

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 31 / 100 / 0 / 38

HEX #6E009F

RGB 110 0 159

HSL 281.51, 1%, 0.31%

LAB 28.95, 61.79, -57.19

 

CMYK 34 / 100 / 0 / 45

HEX #5D008C

RGB 93 0 140

HSL 279.86, 1%, 0.27%

LAB 24.39, 55.88, -53.06

 

CMYK 37 / 100 / 0 / 53

HEX #4C0079

RGB 76 0 121

HSL 277.69, 1%, 0.24%

LAB 19.71, 49.84, -48.83

 

CMYK 42 / 100 / 0 / 60

HEX #3B0066

RGB 59 0 102

HSL 274.71, 1%, 0.2%

LAB 14.89, 43.63, -44.49

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 3 / 94 / 0 / 30

HEX #AC0AB2

RGB 172 10 178

HSL 297.86, 0.89%, 0.37%

LAB 41.54, 73.03, -47.7

 

CMYK 0 / 94 / 22 / 30

HEX #B20A8A

RGB 178 10 138

HSL 314.29, 0.89%, 0.37%

LAB 40.44, 68.56, -25.25

 

CMYK 0 / 94 / 48 / 30

HEX #B20A5D

RGB 178 10 93

HSL 330.36, 0.89%, 0.37%

LAB 38.68, 63.9, 0.28

 

CMYK 0 / 94 / 73 / 30

HEX #B20A30

RGB 178 10 48

HSL 346.43, 0.89%, 0.37%

LAB 37.65, 61.1, 27.7

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 54 / 94 / 0 / 30

HEX #520AB2

RGB 82 10 178

HSL 265.71, 0.89%, 0.37%

LAB 27.37, 61.26, -71.41

 

CMYK 80 / 94 / 0 / 30

HEX #240AB2

RGB 36 10 178

HSL 249.29, 0.89%, 0.37%

LAB 23.02, 58.62, -78.76

 

CMYK 94 / 94 / 0 / 30

HEX #0A0AB2

RGB 10 10 178

HSL 240, 0.89%, 0.37%

LAB 21.93, 58.07, -80.61

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 26 / 85 / 0 / 36

HEX #7919A3

RGB 121 25 163

HSL 281.74, 0.73%, 0.37%

LAB 32.71, 59.3, -53.41

 

CMYK 22 / 73 / 0 / 42

HEX #732893

RGB 115 40 147

HSL 282.06, 0.57%, 0.37%

LAB 32.41, 49.57, -44.19

 

CMYK 17 / 58 / 0 / 48

HEX #6D3884

RGB 109 56 132

HSL 281.84, 0.4%, 0.37%

LAB 33.45, 36.9, -33.33

 

CMYK 12 / 39 / 0 / 54

HEX #674775

RGB 103 71 117

HSL 281.74, 0.24%, 0.37%

LAB 35.35, 22.75, -21.07

 

CMYK 80 / 94 / 0 / 30

HEX #230AB2

RGB 35 10 178

HSL 248.93, 0.89%, 0.37%

LAB 22.96, 58.58, -78.86

 

CMYK 55 / 94 / 0 / 30

HEX #500AB2

RGB 80 10 178

HSL 265, 0.89%, 0.37%

LAB 27.12, 61.09, -71.83

 

CMYK 30 / 94 / 0 / 30

HEX #7D0AB2

RGB 125 10 178

HSL 281.07, 0.89%, 0.37%

LAB 33.54, 65.94, -61.03

 

CMYK 5 / 94 / 0 / 30

HEX #A90AB2

RGB 169 10 178

HSL 296.79, 0.89%, 0.37%

LAB 41, 72.53, -48.59

 

CMYK 0 / 94 / 21 / 30

HEX #B20A8D

RGB 178 10 141

HSL 313.21, 0.89%, 0.37%

LAB 40.58, 68.93, -26.86

 

CMYK 29 / 95 / 0 / 61

HEX #470564

RGB 71 5 100

HSL 281.68, 0.9%, 0.21%

LAB 17.31, 43.17, -39.12

 

CMYK 29 / 94 / 0 / 45

HEX #63088B

RGB 99 8 139

HSL 281.68, 0.89%, 0.29%

LAB 25.83, 54.88, -50.03

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 29 / 94 / 0 / 15

HEX #9B0CD9

RGB 155 12 217

HSL 281.85, 0.9%, 0.45%

LAB 41.6, 77.03, -70.49

 

CMYK 27 / 88 / 0 / 5

HEX #B11DF1

RGB 177 29 241

HSL 281.89, 0.88%, 0.53%

LAB 47.72, 81.82, -74

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 0 / 94 / 84 / 30

HEX #B20A1D

RGB 178 10 29

HSL 353.21, 0.89%, 0.37%

LAB 37.43, 60.46, 38.8

 

CMYK 94 / 0 / 68 / 30

HEX #0AB239

RGB 10 178 57

HSL 136.79, 0.89%, 0.37%

LAB 63.51, -62.19, 49.32

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 0 / 30 / 94 / 30

HEX #B27D0A

RGB 178 125 10

HSL 41.07, 0.89%, 0.37%

LAB 56.24, 12.14, 60.41

 

CMYK 94 / 0 / 30 / 30

HEX #0AB27D

RGB 10 178 125

HSL 161.07, 0.89%, 0.37%

LAB 64.47, -50.73, 16.6

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 0 / 94 / 84 / 30

HEX #B20A1D

RGB 178 10 29

HSL 353.21, 0.89%, 0.37%

LAB 37.43, 60.46, 38.8

 

CMYK 65 / 0 / 94 / 30

HEX #3FB20A

RGB 63 178 10

HSL 101.07, 0.89%, 0.37%

LAB 64.1, -57.97, 63.32

 

CMYK 94 / 0 / 11 / 30

HEX #0AB29E

RGB 10 178 158

HSL 172.86, 0.89%, 0.37%

LAB 65.26, -42.25, -0.48

 

CMYK 29 / 94 / 0 / 30

HEX #7F0AB2

RGB 127 10 178

HSL 281.79, 0.89%, 0.37%

LAB 33.86, 66.21, -60.49

 

CMYK 0 / 77 / 94 / 30

HEX #B2290A

RGB 178 41 10

HSL 11.07, 0.89%, 0.37%

LAB 39.7, 53.32, 49.05

 

CMYK 65 / 0 / 94 / 30

HEX #3FB20A

RGB 63 178 10

HSL 101.07, 0.89%, 0.37%

LAB 64.1, -57.97, 63.32

 

CMYK 94 / 17 / 0 / 30

HEX #0A93B2

RGB 10 147 178

HSL 191.07, 0.89%, 0.37%

LAB 56.23, -21.09, -25.31

 

Description

Color code: HEX #7F0AB2 | qconv.com Color code: HEX #7F0AB2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 10 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 10 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 94 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 94% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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