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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EF5B5 it is the complementary color #810A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EF5B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EF5B5 shade: #83F5B0, #94FFC3, #A5FFD6, #B6FFE9 and #C7FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EF5B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EF5B5 shade: #7EF5B5, #6DE3A2, #5CD18F, #4BBF7C and #3AAD69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EF5B5 shade: #7EF5B5, #7EF595, #88F57E, #A8F57E and #C7F57E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EF5B5 shade: #7EF5B5, #7EF5D5, #7EF5F5, #7ED5F5 and #7EB5F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EF5B5 shade matches the following richer shades: #7EF5B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EF5B5 shade: #7EF5B5, #8AEAB6, #95DFB7, #A0D3B8 and #ABC8B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EF5B5 shade: #88F57E, #7EF594, #7EF5B4, #7EF5D3 and #7EF5F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EF5B5 shade: #32EF89, #58F29F, #7EF5B5, #A5F8CB and #CBFBE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EF5B5 shade: #7EF5B5, #7EA8F5 and #F5847E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EF5B5 shade: #7EF5B5, #B47EF5 and #F5B47E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EF5B5 shade: #7EF5B5, #7EA8F5, #F57EC0 and #F5CB7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EF5B5 shade: #7EF5B5, #7E84F5, #F57EC0 and #F5EF7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

Complementary color

CMYK 0 / 92 / 43 / 49

HEX #810A4A

RGB 129 10 74

HSL 327.73, 0.86%, 0.27%

LAB 27.79, 50.39, -4.51

 

CMYK 47 / 0 / 28 / 4

HEX #83F5B0

RGB 131 245 176

HSL 143.68, 0.85%, 0.74%

LAB 88.57, -47.53, 23.38

 

CMYK 42 / 0 / 24 / 0

HEX #94FFC3

RGB 148 255 195

HSL 146.36, 1%, 0.79%

LAB 92.47, -43.86, 19.16

 

CMYK 35 / 0 / 16 / 0

HEX #A5FFD6

RGB 165 255 214

HSL 152.67, 1%, 0.82%

LAB 93.61, -35.56, 11.14

 

CMYK 29 / 0 / 9 / 0

HEX #B6FFE9

RGB 182 255 233

HSL 161.92, 1%, 0.86%

LAB 94.89, -26.94, 3.3

 

CMYK 22 / 0 / 1 / 0

HEX #C7FFFC

RGB 199 255 252

HSL 176.79, 1%, 0.89%

LAB 96.28, -18.1, -4.35

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 52 / 0 / 29 / 11

HEX #6DE3A2

RGB 109 227 162

HSL 146.95, 0.68%, 0.66%

LAB 82.27, -47.96, 21.8

 

CMYK 56 / 0 / 32 / 18

HEX #5CD18F

RGB 92 209 143

HSL 146.15, 0.56%, 0.59%

LAB 75.98, -48.02, 23.02

 

CMYK 61 / 0 / 35 / 25

HEX #4BBF7C

RGB 75 191 124

HSL 145.34, 0.48%, 0.52%

LAB 69.62, -47.97, 24.34

 

CMYK 66 / 0 / 39 / 32

HEX #3AAD69

RGB 58 173 105

HSL 144.52, 0.5%, 0.45%

LAB 63.18, -47.73, 25.77

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 49 / 0 / 39 / 4

HEX #7EF595

RGB 126 245 149

HSL 131.6, 0.86%, 0.73%

LAB 87.93, -53.46, 36.12

 

CMYK 44 / 0 / 49 / 4

HEX #88F57E

RGB 136 245 126

HSL 114.96, 0.86%, 0.73%

LAB 87.99, -54.05, 47.45

 

CMYK 31 / 0 / 49 / 4

HEX #A8F57E

RGB 168 245 126

HSL 98.82, 0.86%, 0.73%

LAB 89.46, -44.14, 49.59

 

CMYK 19 / 0 / 49 / 4

HEX #C7F57E

RGB 199 245 126

HSL 83.19, 0.86%, 0.73%

LAB 91.21, -33.28, 52.13

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 49 / 0 / 13 / 4

HEX #7EF5D5

RGB 126 245 213

HSL 163.87, 0.86%, 0.73%

LAB 89.18, -41.13, 5.08

 

CMYK 49 / 0 / 0 / 4

HEX #7EF5F5

RGB 126 245 245

HSL 180, 0.86%, 0.73%

LAB 90.01, -33.5, -10.37

 

CMYK 49 / 13 / 0 / 4

HEX #7ED5F5

RGB 126 213 245

HSL 196.13, 0.86%, 0.73%

LAB 81.08, -17.86, -23.81

 

CMYK 49 / 26 / 0 / 4

HEX #7EB5F5

RGB 126 181 245

HSL 212.27, 0.86%, 0.73%

LAB 72.28, -0.86, -37.35

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 41 / 0 / 22 / 8

HEX #8AEAB6

RGB 138 234 182

HSL 147.5, 0.7%, 0.73%

LAB 85.82, -39.75, 16.5

 

CMYK 33 / 0 / 18 / 13

HEX #95DFB7

RGB 149 223 183

HSL 147.57, 0.54%, 0.73%

LAB 83.22, -31.38, 12.39

 

CMYK 24 / 0 / 13 / 17

HEX #A0D3B8

RGB 160 211 184

HSL 148.24, 0.37%, 0.73%

LAB 80.47, -22.01, 8.02

 

CMYK 15 / 0 / 8 / 22

HEX #ABC8B9

RGB 171 200 185

HSL 148.97, 0.21%, 0.73%

LAB 78.15, -12.68, 4.23

 

CMYK 44 / 0 / 49 / 4

HEX #88F57E

RGB 136 245 126

HSL 114.96, 0.86%, 0.73%

LAB 87.99, -54.05, 47.45

 

CMYK 49 / 0 / 40 / 4

HEX #7EF594

RGB 126 245 148

HSL 131.09, 0.86%, 0.73%

LAB 87.91, -53.62, 36.59

 

CMYK 49 / 0 / 27 / 4

HEX #7EF5B4

RGB 126 245 180

HSL 147.23, 0.86%, 0.73%

LAB 88.46, -48.02, 21.15

 

CMYK 49 / 0 / 14 / 4

HEX #7EF5D3

RGB 126 245 211

HSL 162.86, 0.86%, 0.73%

LAB 89.13, -41.57, 6.05

 

CMYK 49 / 0 / 1 / 4

HEX #7EF5F3

RGB 126 245 243

HSL 178.99, 0.86%, 0.73%

LAB 89.96, -34, -9.41

 

CMYK 79 / 0 / 43 / 6

HEX #32EF89

RGB 50 239 137

HSL 147.62, 0.86%, 0.57%

LAB 84.08, -67.29, 36.69

 

CMYK 64 / 0 / 34 / 5

HEX #58F29F

RGB 88 242 159

HSL 147.66, 0.86%, 0.65%

LAB 86.05, -58.92, 28.39

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 33 / 0 / 18 / 3

HEX #A5F8CB

RGB 165 248 203

HSL 147.47, 0.86%, 0.81%

LAB 91.44, -34.49, 13.71

 

CMYK 19 / 0 / 10 / 2

HEX #CBFBE1

RGB 203 251 225

HSL 147.5, 0.86%, 0.89%

LAB 94.79, -20.25, 7.43

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 49 / 31 / 0 / 4

HEX #7EA8F5

RGB 126 168 245

HSL 218.82, 0.86%, 0.73%

LAB 68.78, 6.41, -42.82

 

CMYK 0 / 46 / 49 / 4

HEX #F5847E

RGB 245 132 126

HSL 3.03, 0.86%, 0.73%

LAB 67.59, 42.44, 22.74

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 27 / 49 / 0 / 4

HEX #B47EF5

RGB 180 126 245

HSL 267.23, 0.86%, 0.73%

LAB 62.69, 43.95, -52.13

 

CMYK 0 / 27 / 49 / 4

HEX #F5B47E

RGB 245 180 126

HSL 27.23, 0.86%, 0.73%

LAB 78.21, 17.41, 36.72

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 49 / 31 / 0 / 4

HEX #7EA8F5

RGB 126 168 245

HSL 218.82, 0.86%, 0.73%

LAB 68.78, 6.41, -42.82

 

CMYK 0 / 49 / 22 / 4

HEX #F57EC0

RGB 245 126 192

HSL 326.72, 0.86%, 0.73%

LAB 68.12, 53.12, -13.61

 

CMYK 0 / 17 / 49 / 4

HEX #F5CB7E

RGB 245 203 126

HSL 38.82, 0.86%, 0.73%

LAB 83.77, 5.38, 43.77

 

CMYK 49 / 0 / 26 / 4

HEX #7EF5B5

RGB 126 245 181

HSL 147.73, 0.86%, 0.73%

LAB 88.48, -47.82, 20.66

 

CMYK 49 / 46 / 0 / 4

HEX #7E84F5

RGB 126 132 245

HSL 236.97, 0.86%, 0.73%

LAB 59.46, 27.34, -57.55

 

CMYK 0 / 49 / 22 / 4

HEX #F57EC0

RGB 245 126 192

HSL 326.72, 0.86%, 0.73%

LAB 68.12, 53.12, -13.61

 

CMYK 0 / 2 / 49 / 4

HEX #F5EF7E

RGB 245 239 126

HSL 56.97, 0.86%, 0.73%

LAB 92.86, -12.83, 54.88

 

Description

Color code: HEX #7EF5B5 | qconv.com Color code: HEX #7EF5B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 245 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 245 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 26 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 26% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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