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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EEC51 it is the complementary color #8113AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EEC51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EEC51 shade: #83EC4C, #94FE5F, #A5FF72, #B6FF85 and #C7FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EEC51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EEC51 shade: #7EEC51, #6DDA3E, #5CC82B, #4BB618 and #3AA405

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EEC51 shade: #7DEB50, #A7EB50, #D1EB50, #EBDC50 and #EBB250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EEC51 shade: #7DEB50, #53EB50, #50EB77, #50EBA0 and #50EBCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EEC51 shade matches the following richer shades: #7DEB50 and #77FB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EEC51 shade: #7DEB50, #84DB60, #8ACC6F, #91BC7F and #97AC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EEC51 shade: #D1EB50, #A8EB50, #7FEB50, #55EB50 and #50EB74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EEC51 shade: #4DD217, #62E72B, #7DEB50, #99EF75 and #B4F39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EEC51 shade: #7EEC51, #50EBDC and #EB50BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EEC51 shade: #7EEC51, #507FEB and #EB507F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EEC51 shade: #7EEC51, #50EBDC, #BD50EB and #EB5060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EEC51 shade: #7EEC51, #50CCEB, #BD50EB and #EB6F50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 66 / 7

HEX #7EEC51

RGB 126 236 81

HSL 102.58, 0.8%, 0.62%

LAB 84.49, -58.21, 63.05

 

Complementary color

CMYK 26 / 89 / 0 / 32

HEX #8113AE

RGB 129 19 174

HSL 282.58, 0.8%, 0.38%

LAB 34.37, 64.18, -57.26

 

CMYK 44 / 0 / 68 / 7

HEX #83EC4C

RGB 131 236 76

HSL 99.38, 0.81%, 0.61%

LAB 84.66, -57.12, 65.21

 

CMYK 42 / 0 / 63 / 0

HEX #94FE5F

RGB 148 254 95

HSL 100, 0.99%, 0.68%

LAB 90.78, -57.4, 64.55

 

CMYK 35 / 0 / 55 / 0

HEX #A5FF72

RGB 165 255 114

HSL 98.3, 1%, 0.72%

LAB 92.01, -50.66, 58.08

 

CMYK 29 / 0 / 48 / 0

HEX #B6FF85

RGB 182 255 133

HSL 95.9, 1%, 0.76%

LAB 93.08, -42.98, 50.92

 

CMYK 22 / 0 / 40 / 0

HEX #C7FF98

RGB 199 255 152

HSL 92.62, 1%, 0.8%

LAB 94.28, -34.88, 43.56

 

CMYK 47 / 0 / 66 / 7

HEX #7EEC51

RGB 126 236 81

HSL 102.58, 0.8%, 0.62%

LAB 84.49, -58.21, 63.05

 

CMYK 50 / 0 / 72 / 15

HEX #6DDA3E

RGB 109 218 62

HSL 101.92, 0.68%, 0.55%

LAB 78.31, -57.78, 63.54

 

CMYK 54 / 0 / 79 / 22

HEX #5CC82B

RGB 92 200 43

HSL 101.27, 0.65%, 0.48%

LAB 72.07, -57.1, 63.48

 

CMYK 59 / 0 / 87 / 29

HEX #4BB618

RGB 75 182 24

HSL 100.63, 0.77%, 0.4%

LAB 65.76, -56.05, 62.49

 

CMYK 65 / 0 / 97 / 36

HEX #3AA405

RGB 58 164 5

HSL 100, 0.94%, 0.33%

LAB 59.4, -54.51, 60.08

 

CMYK 47 / 0 / 66 / 8

HEX #7DEB50

RGB 125 235 80

HSL 102.58, 0.79%, 0.62%

LAB 84.15, -58.2, 63.06

 

CMYK 29 / 0 / 66 / 8

HEX #A7EB50

RGB 167 235 80

HSL 86.32, 0.79%, 0.62%

LAB 86.11, -44.49, 65.74

 

CMYK 11 / 0 / 66 / 8

HEX #D1EB50

RGB 209 235 80

HSL 70.06, 0.79%, 0.62%

LAB 88.71, -28.58, 69.25

 

CMYK 0 / 6 / 66 / 8

HEX #EBDC50

RGB 235 220 80

HSL 54.19, 0.79%, 0.62%

LAB 86.72, -10.74, 67.82

 

CMYK 0 / 24 / 66 / 8

HEX #EBB250

RGB 235 178 80

HSL 37.94, 0.79%, 0.62%

LAB 76.12, 10.9, 56.61

 

CMYK 47 / 0 / 66 / 8

HEX #7DEB50

RGB 125 235 80

HSL 102.58, 0.79%, 0.62%

LAB 84.15, -58.2, 63.06

 

CMYK 65 / 0 / 66 / 8

HEX #53EB50

RGB 83 235 80

HSL 118.84, 0.79%, 0.62%

LAB 82.83, -68.54, 61.25

 

CMYK 66 / 0 / 49 / 8

HEX #50EB77

RGB 80 235 119

HSL 135.1, 0.79%, 0.62%

LAB 83.15, -64.47, 44.39

 

CMYK 66 / 0 / 32 / 8

HEX #50EBA0

RGB 80 235 160

HSL 150.97, 0.79%, 0.62%

LAB 83.79, -57.43, 24.78

 

CMYK 66 / 0 / 14 / 8

HEX #50EBCA

RGB 80 235 202

HSL 167.23, 0.79%, 0.62%

LAB 84.68, -48.13, 4.16

 

CMYK 47 / 0 / 66 / 8

HEX #7DEB50

RGB 125 235 80

HSL 102.58, 0.79%, 0.62%

LAB 84.15, -58.2, 63.06

 

CMYK 53 / 0 / 75 / 2

HEX #77FB40

RGB 119 251 64

HSL 102.35, 0.96%, 0.62%

LAB 88.58, -66.87, 73.2

 

CMYK 47 / 0 / 66 / 8

HEX #7DEB50

RGB 125 235 80

HSL 102.58, 0.79%, 0.62%

LAB 84.15, -58.2, 63.06

 

CMYK 40 / 0 / 56 / 14

HEX #84DB60

RGB 132 219 96

HSL 102.44, 0.63%, 0.62%

LAB 79.85, -48.19, 51.55

 

CMYK 32 / 0 / 46 / 20

HEX #8ACC6F

RGB 138 204 111

HSL 102.58, 0.48%, 0.62%

LAB 75.91, -37.96, 39.7

 

CMYK 23 / 0 / 32 / 26

HEX #91BC7F

RGB 145 188 127

HSL 102.3, 0.31%, 0.62%

LAB 71.91, -25.75, 26.36

 

CMYK 12 / 0 / 17 / 33

HEX #97AC8F

RGB 151 172 143

HSL 103.45, 0.15%, 0.62%

LAB 68.07, -12.83, 12.5

 

CMYK 11 / 0 / 66 / 8

HEX #D1EB50

RGB 209 235 80

HSL 70.06, 0.79%, 0.62%

LAB 88.71, -28.58, 69.25

 

CMYK 29 / 0 / 66 / 8

HEX #A8EB50

RGB 168 235 80

HSL 85.94, 0.79%, 0.62%

LAB 86.17, -44.13, 65.81

 

CMYK 46 / 0 / 66 / 8

HEX #7FEB50

RGB 127 235 80

HSL 101.81, 0.79%, 0.62%

LAB 84.23, -57.61, 63.17

 

CMYK 64 / 0 / 66 / 8

HEX #55EB50

RGB 85 235 80

HSL 118.06, 0.79%, 0.62%

LAB 82.87, -68.13, 61.31

 

CMYK 66 / 0 / 51 / 8

HEX #50EB74

RGB 80 235 116

HSL 133.94, 0.79%, 0.62%

LAB 83.12, -64.9, 45.77

 

CMYK 63 / 0 / 89 / 18

HEX #4DD217

RGB 77 210 23

HSL 102.67, 0.8%, 0.46%

LAB 74.66, -65.1, 70.36

 

CMYK 58 / 0 / 81 / 9

HEX #62E72B

RGB 98 231 43

HSL 102.45, 0.8%, 0.54%

LAB 81.8, -66.43, 72.57

 

CMYK 47 / 0 / 66 / 8

HEX #7DEB50

RGB 125 235 80

HSL 102.58, 0.79%, 0.62%

LAB 84.15, -58.2, 63.06

 

CMYK 36 / 0 / 51 / 6

HEX #99EF75

RGB 153 239 117

HSL 102.3, 0.79%, 0.7%

LAB 86.89, -47.52, 50.51

 

CMYK 26 / 0 / 37 / 5

HEX #B4F39A

RGB 180 243 154

HSL 102.47, 0.79%, 0.78%

LAB 89.92, -35.65, 36.72

 

CMYK 47 / 0 / 66 / 7

HEX #7EEC51

RGB 126 236 81

HSL 102.58, 0.8%, 0.62%

LAB 84.49, -58.21, 63.05

 

CMYK 66 / 0 / 6 / 8

HEX #50EBDC

RGB 80 235 220

HSL 174.19, 0.79%, 0.62%

LAB 85.14, -43.59, -4.63

 

CMYK 0 / 66 / 20 / 8

HEX #EB50BD

RGB 235 80 189

HSL 317.81, 0.79%, 0.62%

LAB 59.04, 70, -25.87

 

CMYK 47 / 0 / 66 / 7

HEX #7EEC51

RGB 126 236 81

HSL 102.58, 0.8%, 0.62%

LAB 84.49, -58.21, 63.05

 

CMYK 66 / 46 / 0 / 8

HEX #507FEB

RGB 80 127 235

HSL 221.81, 0.79%, 0.62%

LAB 54.95, 18.31, -59.37

 

CMYK 0 / 66 / 46 / 8

HEX #EB507F

RGB 235 80 127

HSL 341.81, 0.79%, 0.62%

LAB 57.01, 62.98, 7.23

 

CMYK 47 / 0 / 66 / 7

HEX #7EEC51

RGB 126 236 81

HSL 102.58, 0.8%, 0.62%

LAB 84.49, -58.21, 63.05

 

CMYK 66 / 0 / 6 / 8

HEX #50EBDC

RGB 80 235 220

HSL 174.19, 0.79%, 0.62%

LAB 85.14, -43.59, -4.63

 

CMYK 20 / 66 / 0 / 8

HEX #BD50EB

RGB 189 80 235

HSL 282.19, 0.79%, 0.62%

LAB 54.61, 66.72, -59.41

 

CMYK 0 / 66 / 59 / 8

HEX #EB5060

RGB 235 80 96

HSL 353.81, 0.79%, 0.62%

LAB 56.33, 60.54, 24.54

 

CMYK 47 / 0 / 66 / 7

HEX #7EEC51

RGB 126 236 81

HSL 102.58, 0.8%, 0.62%

LAB 84.49, -58.21, 63.05

 

CMYK 66 / 13 / 0 / 8

HEX #50CCEB

RGB 80 204 235

HSL 192, 0.79%, 0.62%

LAB 76.61, -24.82, -25.43

 

CMYK 20 / 66 / 0 / 8

HEX #BD50EB

RGB 189 80 235

HSL 282.19, 0.79%, 0.62%

LAB 54.61, 66.72, -59.41

 

CMYK 0 / 53 / 66 / 8

HEX #EB6F50

RGB 235 111 80

HSL 12, 0.79%, 0.62%

LAB 61.32, 45.73, 39.81

 

Description

Color code: HEX #7EEC51 | qconv.com Color code: HEX #7EEC51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 236 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 236 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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