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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EE355 it is the complementary color #811CAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EE355. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EE355 shade: #83E350, #94F563, #A5FF76, #B6FF89 and #C7FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EE355. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EE355 shade: #7EE355, #6DD142, #5CBF2F, #4BAD1C and #3A9B09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EE355 shade: #7DE353, #A3E353, #CAE353, #E3D553 and #E3AE53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EE355 shade: #7DE353, #56E353, #53E377, #53E39E and #53E3C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EE355 shade matches the following richer shades: #7DE353 and #76F343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EE355 shade: #7DE353, #84D364, #8AC274, #91B284 and #98A294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EE355 shade: #CBE353, #A5E353, #7EE353, #58E353 and #53E375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EE355 shade: #4FC420, #62DD30, #7DE353, #98E877 and #B3EE9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EE355 shade: #7EE355, #53E3D4 and #E353B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EE355 shade: #7EE355, #537EE3 and #E3537E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EE355 shade: #7EE355, #53E3D4, #B853E3 and #E35362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EE355 shade: #7EE355, #53C6E3, #B853E3 and #E37053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 63 / 11

HEX #7EE355

RGB 126 227 85

HSL 102.68, 0.72%, 0.61%

LAB 81.85, -54.37, 58.56

 

Complementary color

CMYK 24 / 84 / 0 / 33

HEX #811CAA

RGB 129 28 170

HSL 282.68, 0.72%, 0.39%

LAB 34.8, 61.21, -54.17

 

CMYK 42 / 0 / 65 / 11

HEX #83E350

RGB 131 227 80

HSL 99.18, 0.72%, 0.6%

LAB 82.02, -53.28, 60.85

 

CMYK 40 / 0 / 60 / 4

HEX #94F563

RGB 148 245 99

HSL 99.86, 0.88%, 0.67%

LAB 88.21, -53.46, 60.02

 

CMYK 35 / 0 / 54 / 0

HEX #A5FF76

RGB 165 255 118

HSL 99.42, 1%, 0.73%

LAB 92.05, -50.24, 56.35

 

CMYK 29 / 0 / 46 / 0

HEX #B6FF89

RGB 182 255 137

HSL 97.12, 1%, 0.77%

LAB 93.13, -42.52, 49.1

 

CMYK 22 / 0 / 39 / 0

HEX #C7FF9C

RGB 199 255 156

HSL 93.94, 1%, 0.81%

LAB 94.34, -34.38, 41.68

 

CMYK 44 / 0 / 63 / 11

HEX #7EE355

RGB 126 227 85

HSL 102.68, 0.72%, 0.61%

LAB 81.85, -54.37, 58.56

 

CMYK 48 / 0 / 68 / 18

HEX #6DD142

RGB 109 209 66

HSL 101.96, 0.61%, 0.54%

LAB 75.6, -54.07, 59.27

 

CMYK 52 / 0 / 75 / 25

HEX #5CBF2F

RGB 92 191 47

HSL 101.25, 0.61%, 0.47%

LAB 69.29, -53.53, 59.54

 

CMYK 57 / 0 / 84 / 32

HEX #4BAD1C

RGB 75 173 28

HSL 100.55, 0.72%, 0.39%

LAB 62.9, -52.66, 59

 

CMYK 63 / 0 / 94 / 39

HEX #3A9B09

RGB 58 155 9

HSL 99.86, 0.89%, 0.32%

LAB 56.45, -51.3, 57.08

 

CMYK 45 / 0 / 63 / 11

HEX #7DE353

RGB 125 227 83

HSL 102.5, 0.72%, 0.61%

LAB 81.8, -54.85, 59.31

 

CMYK 28 / 0 / 63 / 11

HEX #A3E353

RGB 163 227 83

HSL 86.67, 0.72%, 0.61%

LAB 83.63, -42.24, 61.83

 

CMYK 11 / 0 / 63 / 11

HEX #CAE353

RGB 202 227 83

HSL 70.42, 0.72%, 0.61%

LAB 86.07, -27.4, 65.17

 

CMYK 0 / 6 / 63 / 11

HEX #E3D553

RGB 227 213 83

HSL 54.17, 0.72%, 0.61%

LAB 84.25, -10.37, 63.82

 

CMYK 0 / 23 / 63 / 11

HEX #E3AE53

RGB 227 174 83

HSL 37.92, 0.72%, 0.61%

LAB 74.34, 9.83, 53.03

 

CMYK 45 / 0 / 63 / 11

HEX #7DE353

RGB 125 227 83

HSL 102.5, 0.72%, 0.61%

LAB 81.8, -54.85, 59.31

 

CMYK 62 / 0 / 63 / 11

HEX #56E353

RGB 86 227 83

HSL 118.75, 0.72%, 0.61%

LAB 80.48, -64.92, 57.49

 

CMYK 63 / 0 / 48 / 11

HEX #53E377

RGB 83 227 119

HSL 135, 0.72%, 0.61%

LAB 80.8, -61.03, 41.47

 

CMYK 63 / 0 / 30 / 11

HEX #53E39E

RGB 83 227 158

HSL 151.25, 0.72%, 0.61%

LAB 81.43, -54.18, 22.59

 

CMYK 63 / 0 / 13 / 11

HEX #53E3C5

RGB 83 227 197

HSL 167.5, 0.72%, 0.61%

LAB 82.28, -45.46, 3.32

 

CMYK 45 / 0 / 63 / 11

HEX #7DE353

RGB 125 227 83

HSL 102.5, 0.72%, 0.61%

LAB 81.8, -54.85, 59.31

 

CMYK 51 / 0 / 72 / 5

HEX #76F343

RGB 118 243 67

HSL 102.61, 0.88%, 0.61%

LAB 86.19, -64.1, 69.84

 

CMYK 45 / 0 / 63 / 11

HEX #7DE353

RGB 125 227 83

HSL 102.5, 0.72%, 0.61%

LAB 81.8, -54.85, 59.31

 

CMYK 37 / 0 / 53 / 17

HEX #84D364

RGB 132 211 100

HSL 102.7, 0.56%, 0.61%

LAB 77.53, -44.38, 46.96

 

CMYK 29 / 0 / 40 / 24

HEX #8AC274

RGB 138 194 116

HSL 103.08, 0.39%, 0.61%

LAB 73.05, -32.7, 33.54

 

CMYK 19 / 0 / 26 / 30

HEX #91B284

RGB 145 178 132

HSL 103.04, 0.23%, 0.61%

LAB 69.13, -19.97, 19.92

 

CMYK 6 / 0 / 9 / 36

HEX #98A294

RGB 152 162 148

HSL 102.86, 0.07%, 0.61%

LAB 65.48, -6.23, 6.06

 

CMYK 11 / 0 / 63 / 11

HEX #CBE353

RGB 203 227 83

HSL 70, 0.72%, 0.61%

LAB 86.14, -27, 65.26

 

CMYK 27 / 0 / 63 / 11

HEX #A5E353

RGB 165 227 83

HSL 85.83, 0.72%, 0.61%

LAB 83.74, -41.51, 61.98

 

CMYK 44 / 0 / 63 / 11

HEX #7EE353

RGB 126 227 83

HSL 102.08, 0.72%, 0.61%

LAB 81.84, -54.55, 59.37

 

CMYK 61 / 0 / 63 / 11

HEX #58E353

RGB 88 227 83

HSL 117.92, 0.72%, 0.61%

LAB 80.54, -64.49, 57.57

 

CMYK 63 / 0 / 48 / 11

HEX #53E375

RGB 83 227 117

HSL 134.17, 0.72%, 0.61%

LAB 80.77, -61.33, 42.4

 

CMYK 60 / 0 / 84 / 23

HEX #4FC420

RGB 79 196 32

HSL 102.8, 0.72%, 0.45%

LAB 70.35, -59.6, 64.75

 

CMYK 56 / 0 / 78 / 13

HEX #62DD30

RGB 98 221 48

HSL 102.66, 0.72%, 0.53%

LAB 78.77, -62.73, 68.4

 

CMYK 45 / 0 / 63 / 11

HEX #7DE353

RGB 125 227 83

HSL 102.5, 0.72%, 0.61%

LAB 81.8, -54.85, 59.31

 

CMYK 34 / 0 / 49 / 9

HEX #98E877

RGB 152 232 119

HSL 102.48, 0.71%, 0.69%

LAB 84.85, -44.63, 47.07

 

CMYK 25 / 0 / 35 / 7

HEX #B3EE9A

RGB 179 238 154

HSL 102.14, 0.71%, 0.77%

LAB 88.48, -33.69, 34.81

 

CMYK 44 / 0 / 63 / 11

HEX #7EE355

RGB 126 227 85

HSL 102.68, 0.72%, 0.61%

LAB 81.85, -54.37, 58.56

 

CMYK 63 / 0 / 7 / 11

HEX #53E3D4

RGB 83 227 212

HSL 173.75, 0.72%, 0.61%

LAB 82.66, -41.67, -4.05

 

CMYK 0 / 63 / 19 / 11

HEX #E353B8

RGB 227 83 184

HSL 317.92, 0.72%, 0.61%

LAB 58.02, 66.06, -24.68

 

CMYK 44 / 0 / 63 / 11

HEX #7EE355

RGB 126 227 85

HSL 102.68, 0.72%, 0.61%

LAB 81.85, -54.37, 58.56

 

CMYK 63 / 44 / 0 / 11

HEX #537EE3

RGB 83 126 227

HSL 222.08, 0.72%, 0.61%

LAB 54.35, 16.67, -55.86

 

CMYK 0 / 63 / 44 / 11

HEX #E3537E

RGB 227 83 126

HSL 342.08, 0.72%, 0.61%

LAB 56.11, 59.25, 6.36

 

CMYK 44 / 0 / 63 / 11

HEX #7EE355

RGB 126 227 85

HSL 102.68, 0.72%, 0.61%

LAB 81.85, -54.37, 58.56

 

CMYK 63 / 0 / 7 / 11

HEX #53E3D4

RGB 83 227 212

HSL 173.75, 0.72%, 0.61%

LAB 82.66, -41.67, -4.05

 

CMYK 19 / 63 / 0 / 11

HEX #B853E3

RGB 184 83 227

HSL 282.08, 0.72%, 0.61%

LAB 53.95, 62.69, -56.01

 

CMYK 0 / 63 / 57 / 11

HEX #E35362

RGB 227 83 98

HSL 353.75, 0.72%, 0.61%

LAB 55.48, 56.9, 22

 

CMYK 44 / 0 / 63 / 11

HEX #7EE355

RGB 126 227 85

HSL 102.68, 0.72%, 0.61%

LAB 81.85, -54.37, 58.56

 

CMYK 63 / 13 / 0 / 11

HEX #53C6E3

RGB 83 198 227

HSL 192.08, 0.72%, 0.61%

LAB 74.68, -23.74, -24.06

 

CMYK 19 / 63 / 0 / 11

HEX #B853E3

RGB 184 83 227

HSL 282.08, 0.72%, 0.61%

LAB 53.95, 62.69, -56.01

 

CMYK 0 / 51 / 63 / 11

HEX #E37053

RGB 227 112 83

HSL 12.08, 0.72%, 0.61%

LAB 60.38, 42.44, 36.77

 

Description

Color code: HEX #7EE355 | qconv.com Color code: HEX #7EE355 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 227 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 227 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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