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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EE953 it is the complementary color #8116AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EE953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EE953 shade: #83E94E, #94FB61, #A5FF74, #B6FF87 and #C7FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EE953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EE953 shade: #7EE953, #6DD740, #5CC52D, #4BB31A and #3AA107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EE953 shade: #7EE853, #A6E853, #CEE853, #E8DA53 and #E8B253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EE953 shade: #7EE853, #56E853, #53E879, #53E8A1 and #53E8C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EE953 shade matches the following richer shades: #7EE853 and #77F843

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EE953 shade: #7EE853, #84D963, #8BC972, #92B982 and #99A992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EE953 shade: #CFE853, #A8E853, #80E853, #58E853 and #53E876

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EE953 shade: #4ECE1A, #62E32E, #7EE853, #99ED78 and #B5F29C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EE953 shade: #7EE953, #53E8D9 and #E853BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EE953 shade: #7EE953, #5380E8 and #E85380

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EE953 shade: #7EE953, #53E8D9, #BB53E8 and #E85362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EE953 shade: #7EE953, #53CAE8, #BB53E8 and #E87153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 64 / 9

HEX #7EE953

RGB 126 233 83

HSL 102.8, 0.77%, 0.62%

LAB 83.62, -56.89, 61.31

 

Complementary color

CMYK 25 / 87 / 0 / 33

HEX #8116AC

RGB 129 22 172

HSL 282.8, 0.77%, 0.38%

LAB 34.44, 63.13, -55.96

 

CMYK 44 / 0 / 67 / 9

HEX #83E94E

RGB 131 233 78

HSL 99.48, 0.78%, 0.61%

LAB 83.78, -55.81, 63.53

 

CMYK 41 / 0 / 61 / 2

HEX #94FB61

RGB 148 251 97

HSL 100.13, 0.95%, 0.68%

LAB 89.93, -56.04, 62.79

 

CMYK 35 / 0 / 55 / 0

HEX #A5FF74

RGB 165 255 116

HSL 98.85, 1%, 0.73%

LAB 92.03, -50.45, 57.22

 

CMYK 29 / 0 / 47 / 0

HEX #B6FF87

RGB 182 255 135

HSL 96.5, 1%, 0.76%

LAB 93.11, -42.75, 50.01

 

CMYK 22 / 0 / 40 / 0

HEX #C7FF9A

RGB 199 255 154

HSL 93.27, 1%, 0.8%

LAB 94.31, -34.63, 42.62

 

CMYK 46 / 0 / 64 / 9

HEX #7EE953

RGB 126 233 83

HSL 102.8, 0.77%, 0.62%

LAB 83.62, -56.89, 61.31

 

CMYK 49 / 0 / 70 / 16

HEX #6DD740

RGB 109 215 64

HSL 102.12, 0.65%, 0.55%

LAB 77.41, -56.51, 61.9

 

CMYK 53 / 0 / 77 / 23

HEX #5CC52D

RGB 92 197 45

HSL 101.45, 0.63%, 0.47%

LAB 71.14, -55.89, 61.99

 

CMYK 58 / 0 / 85 / 30

HEX #4BB31A

RGB 75 179 26

HSL 100.78, 0.75%, 0.4%

LAB 64.81, -54.91, 61.2

 

CMYK 64 / 0 / 96 / 37

HEX #3AA107

RGB 58 161 7

HSL 100.13, 0.92%, 0.33%

LAB 58.42, -53.43, 59

 

CMYK 46 / 0 / 64 / 9

HEX #7EE853

RGB 126 232 83

HSL 102.68, 0.76%, 0.62%

LAB 83.32, -56.5, 60.99

 

CMYK 28 / 0 / 64 / 9

HEX #A6E853

RGB 166 232 83

HSL 86.58, 0.76%, 0.62%

LAB 85.22, -43.33, 63.6

 

CMYK 11 / 0 / 64 / 9

HEX #CEE853

RGB 206 232 83

HSL 70.47, 0.76%, 0.62%

LAB 87.71, -28.17, 66.98

 

CMYK 0 / 6 / 64 / 9

HEX #E8DA53

RGB 232 218 83

HSL 54.36, 0.76%, 0.62%

LAB 85.97, -10.81, 65.76

 

CMYK 0 / 23 / 64 / 9

HEX #E8B253

RGB 232 178 83

HSL 38.26, 0.76%, 0.62%

LAB 75.84, 9.82, 54.85

 

CMYK 46 / 0 / 64 / 9

HEX #7EE853

RGB 126 232 83

HSL 102.68, 0.76%, 0.62%

LAB 83.32, -56.5, 60.99

 

CMYK 63 / 0 / 64 / 9

HEX #56E853

RGB 86 232 83

HSL 118.79, 0.76%, 0.62%

LAB 82.01, -66.63, 59.18

 

CMYK 64 / 0 / 48 / 9

HEX #53E879

RGB 83 232 121

HSL 135.3, 0.76%, 0.62%

LAB 82.34, -62.55, 42.43

 

CMYK 64 / 0 / 31 / 9

HEX #53E8A1

RGB 83 232 161

HSL 151.41, 0.76%, 0.62%

LAB 82.98, -55.55, 23.17

 

CMYK 64 / 0 / 13 / 9

HEX #53E8C9

RGB 83 232 201

HSL 167.52, 0.76%, 0.62%

LAB 83.85, -46.63, 3.48

 

CMYK 46 / 0 / 64 / 9

HEX #7EE853

RGB 126 232 83

HSL 102.68, 0.76%, 0.62%

LAB 83.32, -56.5, 60.99

 

CMYK 52 / 0 / 73 / 3

HEX #77F843

RGB 119 248 67

HSL 102.76, 0.93%, 0.62%

LAB 87.71, -65.62, 71.37

 

CMYK 46 / 0 / 64 / 9

HEX #7EE853

RGB 126 232 83

HSL 102.68, 0.76%, 0.62%

LAB 83.32, -56.5, 60.99

 

CMYK 39 / 0 / 54 / 15

HEX #84D963

RGB 132 217 99

HSL 103.22, 0.61%, 0.62%

LAB 79.29, -47.03, 49.52

 

CMYK 31 / 0 / 43 / 21

HEX #8BC972

RGB 139 201 114

HSL 102.76, 0.45%, 0.62%

LAB 75.12, -35.87, 37.22

 

CMYK 21 / 0 / 30 / 27

HEX #92B982

RGB 146 185 130

HSL 102.55, 0.28%, 0.62%

LAB 71.16, -23.45, 23.77

 

CMYK 9 / 0 / 14 / 34

HEX #99A992

RGB 153 169 146

HSL 101.74, 0.12%, 0.62%

LAB 67.44, -9.99, 9.98

 

CMYK 11 / 0 / 64 / 9

HEX #CFE853

RGB 207 232 83

HSL 70.07, 0.76%, 0.62%

LAB 87.78, -27.78, 67.08

 

CMYK 28 / 0 / 64 / 9

HEX #A8E853

RGB 168 232 83

HSL 85.77, 0.76%, 0.62%

LAB 85.33, -42.61, 63.75

 

CMYK 45 / 0 / 64 / 9

HEX #80E853

RGB 128 232 83

HSL 101.88, 0.76%, 0.62%

LAB 83.4, -55.91, 61.1

 

CMYK 62 / 0 / 64 / 9

HEX #58E853

RGB 88 232 83

HSL 117.99, 0.76%, 0.62%

LAB 82.06, -66.21, 59.25

 

CMYK 64 / 0 / 49 / 9

HEX #53E876

RGB 83 232 118

HSL 134.09, 0.76%, 0.62%

LAB 82.3, -62.99, 43.83

 

CMYK 62 / 0 / 87 / 19

HEX #4ECE1A

RGB 78 206 26

HSL 102.67, 0.78%, 0.45%

LAB 73.44, -63.46, 68.78

 

CMYK 57 / 0 / 80 / 11

HEX #62E32E

RGB 98 227 46

HSL 102.76, 0.76%, 0.54%

LAB 80.59, -64.92, 70.67

 

CMYK 46 / 0 / 64 / 9

HEX #7EE853

RGB 126 232 83

HSL 102.68, 0.76%, 0.62%

LAB 83.32, -56.5, 60.99

 

CMYK 35 / 0 / 49 / 7

HEX #99ED78

RGB 153 237 120

HSL 103.08, 0.76%, 0.7%

LAB 86.35, -46.32, 48.44

 

CMYK 25 / 0 / 36 / 5

HEX #B5F29C

RGB 181 242 156

HSL 102.56, 0.77%, 0.78%

LAB 89.73, -34.57, 35.48

 

CMYK 46 / 0 / 64 / 9

HEX #7EE953

RGB 126 233 83

HSL 102.8, 0.77%, 0.62%

LAB 83.62, -56.89, 61.31

 

CMYK 64 / 0 / 6 / 9

HEX #53E8D9

RGB 83 232 217

HSL 173.96, 0.76%, 0.62%

LAB 84.26, -42.6, -4.35

 

CMYK 0 / 64 / 19 / 9

HEX #E853BB

RGB 232 83 187

HSL 318.12, 0.76%, 0.62%

LAB 58.91, 67.8, -24.96

 

CMYK 46 / 0 / 64 / 9

HEX #7EE953

RGB 126 233 83

HSL 102.8, 0.77%, 0.62%

LAB 83.62, -56.89, 61.31

 

CMYK 64 / 45 / 0 / 9

HEX #5380E8

RGB 83 128 232

HSL 221.88, 0.76%, 0.62%

LAB 55.18, 17.15, -57.33

 

CMYK 0 / 64 / 45 / 9

HEX #E85380

RGB 232 83 128

HSL 341.88, 0.76%, 0.62%

LAB 56.98, 60.97, 6.53

 

CMYK 46 / 0 / 64 / 9

HEX #7EE953

RGB 126 233 83

HSL 102.8, 0.77%, 0.62%

LAB 83.62, -56.89, 61.31

 

CMYK 64 / 0 / 6 / 9

HEX #53E8D9

RGB 83 232 217

HSL 173.96, 0.76%, 0.62%

LAB 84.26, -42.6, -4.35

 

CMYK 19 / 64 / 0 / 9

HEX #BB53E8

RGB 187 83 232

HSL 281.88, 0.76%, 0.62%

LAB 54.63, 64.37, -57.7

 

CMYK 0 / 64 / 58 / 9

HEX #E85362

RGB 232 83 98

HSL 353.96, 0.76%, 0.62%

LAB 56.31, 58.51, 23.26

 

CMYK 46 / 0 / 64 / 9

HEX #7EE953

RGB 126 233 83

HSL 102.8, 0.77%, 0.62%

LAB 83.62, -56.89, 61.31

 

CMYK 64 / 13 / 0 / 9

HEX #53CAE8

RGB 83 202 232

HSL 192.08, 0.76%, 0.62%

LAB 76.01, -24.25, -24.72

 

CMYK 19 / 64 / 0 / 9

HEX #BB53E8

RGB 187 83 232

HSL 281.88, 0.76%, 0.62%

LAB 54.63, 64.37, -57.7

 

CMYK 0 / 51 / 64 / 9

HEX #E87153

RGB 232 113 83

HSL 12.08, 0.76%, 0.62%

LAB 61.3, 43.82, 38.06

 

Description

Color code: HEX #7EE953 | qconv.com Color code: HEX #7EE953 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 233 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 233 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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